A lesser known light amongst the Prestige albums, but it showcases Moses' personal brand of Missisippi BeBop.
AllMusic Review by Scott Yanow
Mose Allison
recorded six albums as a leader for Prestige between 1957 and 1959, an
era when he was better known as a jazz pianist than a folk/country blues
vocalist and masterful lyricist. On his final Prestige date, Allison (in a trio with bassist Addison Farmer and drummer Ronnie Free)
performs seven instrumentals (including "It's Crazy," "Autumn Song,"
and "Groovin' High") but it's the three vocals ("Eyesight to the Blind,"
"That's All Right," and Duke Ellington's "Do Nothin' 'til You Hear from Me") that are most memorable. One realizes why Allison
was soon emphasizing his vocals; he was a much more distinctive singer
than pianist, although his piano playing was actually pretty inventive.
This is an excellent all-around set.

ReplyDeletehttps://mega.nz/#!7YhkUI7b!Ble1NP30prHafYxUWOalh642MAr7GwM5fWALkiQfvLg
KC Chris, What a great figure Mose was. Thanks for the historical sounds.
ReplyDeleteHis feel cut across jazz styles.
Thanks, King. Great pianist too.
ReplyDeleteOoops ! I've almost missed it. Thank you,Mr KC.
ReplyDeleteThank you!
ReplyDeleteThank you, KC!
ReplyDelete