Joshua Redman - Timeless Tales: For Changing Times (1998)

Picking up on Herbie Hancock's "New Standards" idea, borrowing some old standards, and splitting the total down the middle, Joshua Redman lends his warm fatback tone, arching skyward passages and a post-bop quartet concept to ten popular songs of the 20th century. Richard Rodgers, Cole Porter, Jerome Kern, Irving Berlin, and the Gershwins share space with the Beatles, Joni Mitchell, Bob Dylan, Stevie Wonder and Prince -- distinguished songwriters all, yet the scorecard tells us that the oldsters' tunes consistently receive more interesting treatment than the rock/folk songs. "Yesterdays" is flexible enough to turn almost into an acoustic funk thing; "How Deep Is the Ocean" saunters along very soulfully; the near cha cha rhythm on "Love for Sale" pulls some inspired heat from Redman. On the other side of the divide, "The Times They Are A-Changin'" isn't very interesting, where even tricky rhythm changes and an Eddie Harris-like high note coda can't pump up an earthbound performance. "Eleanor Rigby" fragments under a jazz waltz treatment presumably planned with Coltrane's "My Favorite Things" in mind (Redman's soprano sounds desperately out of gas at the close). Oddly enough, a broadly funky Harris approach pays off on Prince's "How Come U Don't Call Me Anymore," the sole exception to the pattern. This is not to say that the rock/folk material is intrinsically inferior to the Tin Pan Alley standards -- no way. They simply do not translate very well into the language of the young neo-boppers, or at least, these neo-boppers on this given day. Brad Mehldau (piano), Larry Grenadier (bass) and Brian Blade (drums) make up the technically faultless, flexible piano trio, and most of the selections are separated by short, untitled interludes that usually grow more or less out of the preceding pieces. ~ by Richard S. Ginell, AMG. 

Warner Bros. Records, 9362-47052-2, 1998
Recorded at Avatar Studios, Manhattan, New York City

Musicians:
Joshua Redman - Tenor, Alto & Soprano Saxes
Brad Mehldau - Piano
Larry Grenadier - Bass
Brian Blade - Drums

Tracks:
01. Summertime {G. & I. Gershwin, Heyward} (6:16)
02. Interlude 1 {Joshua Redman} (0:45)
03. Visions {Stevie Wonder} (4:24)
04. Yesterdays {Otto Harbach, Jerome Kern} (7:19)
05. Interlude 2 {Joshua Redman} (0:34)
06. I Had A King {Joni Mitchell} (5:39)
07. The Times They Are A Changin' {Bob Dylan} (5:07)
08. Interlude 3 {Joshua Redman} (0:20)
09. It Might As Well Be Spring {Hammerstein II, Rodgers} (6:28)
10. Interlude 4 {Joshua Redman} (0:13)
11. How Deep Is The Ocean {Irving Berlin} (4:03)
12. Interlude 5 {Joshua Redman} (0:24)
13. Love For Sale {Cole Porter} (6:31)
14. Interlude 6 {Joshua Redman} (0:58)
15. Eleanor Rigby {John Lennon, Paul McCartney} (8:46)
16. Interlude 7 {Joshua Redman} (0:34)
17. How Come U Don't Call Me Anymore {Prince} (5:00) 

Total Time: 63:33 

Credits:
Producer, Liner Notes, Arranger - Joshua Redman
Producer, Engineer - James Farber
Assistant Engineer - Aya Takemura, Jay A. Ryan
Mastering Engineer - Greg Calbi
Photography - Robert M. Ascroft, II
Art Direction, Design - Robin Lynch 

Love For Sale

Danny Gatton - New York Stories (1992)

Danny Gatton (4^th Sept., 1945 - 4^th Oct., 1994) was an American guitarist who fused rockabilly, jazz, and country to create his own distinctive style. When Rolling Stone magazine selected the 100 Greatest Guitarists of all Time in 2003, senior editor David Fricke ranked Gatton 63rd on his ballot. On May 26, 2010, Gibson.com ranked Gatton as the 27th best guitarist of all time

This interesting outing by an all-star group (guitarist Danny Gatton, altoist Bobby Watson, trumpeter Roy Hargrove, Joshua Redman on tenor, pianist Franck Amsallem, bassist Charles Fambrough and drummer Yuron Israel) is most notable for featuring the brilliant Gatton in a jazz setting. Together the septet, performs nine originals by group members and Gatton and Watson emerge as the main solo stars. Despite its somewhat generic name, this advanced hard bop date is quite memorable. ~ by Scott Yanow, AMG.

Blue Note, CDP 7 98959 2, 1992

Recorded 16^th & 17^th February, 1992 At Unique Recording, New York City

Musicians:

Danny Gatton - Guitar

Roy Hargrove - Trumpet

Bobby Watson - Alto Saxophone

Joshua Redman - Tenor Saxophone

Franck Amsallem - Piano

Charles Fambrough - Bass

Yuron Israel - Drums

Tracks:

1. Dolly's Ditty {Danny Gatton} (3:51)

2. Wheel Within A Wheel {Bobby Watson} (7:01)

3. Ice Maidens {Charles Fambrough} (3:29)

4. Out A Day {Franck Amsallem} (6:32)

5. Mike The Cat {Danny Gatton} (5:34)

6. The Move {Yuron Israel} (8:26)

7. A Clear Thought {Roy Hargrove} (5:11)

8. 5/4 {Bobby Watson} (5:30)

9. One For Lenny {Danny Gatton} (7:36)

Credits:

Producer - Dan Doyle

Chief Engineer - Michael Finlayson

Assistant Engineer - Tim Leitner

Photography - Jeffrey Scales

Design - Patrick Roques

Art Direction - Cynthia Cochrane

Liner Notes - John Swenson (Rolling Stone Jazz Guide)

Musically And Sonically Wonderful

I agree with most of the reviewers that this is one of the finest recordings of any kind of music that I've heard. The interplay between the musicians, in a jam session no less, is astounding, and it represents Danny Gatton in his most supportive, understated, yet leading role I've also yet heard. It is also a wonderful recording, one that I use constantly to evaluate audio equipment with enjoyable music rather than a sonic spectacular. ~ Jamie Allan, Amazon.com.