Showing posts with label Jasper Van't Hof. Show all posts
Showing posts with label Jasper Van't Hof. Show all posts

Thursday, October 6, 2022

Kenny Wheeler, David Friedman, Jasper Van't Hof - Greenhouse Fables (1992)

There are two musical instruments that most fascinate me, the trumpet and the vibraphone, especially in jazz improvisation and even the flugelhorn, a kind of trumpet used at a band level, with a softer sound. The result is a sweet and dreamy sonority, very suitable for giving intimacy and passion and also a truly splendid, warm, rich in harmonics bass register. Wheeler Canadian trumpeter, Friedman American vibraphonist, Van't Hof Dutch pianist are three great virtuosos of their instruments, already composers of remarkable works before meeting in this CD, they are perfectly at ease, their instruments come together in a single wonderful song poetic, quiet and meditative, where the notes are those that are enough to transport the listener to another pitch, the notes seem to stretch towards the sky, in the stellar trajectories. The low zones of the piano contrast without jolts with the treble of the trumpet and flugelhorn, creating an important and smooth sound carpet. In the first piece a distant and tenuous tuning of the piano creates a soft base on which the vibraphone is embroidered in ostinato and then a distant, slightly reverberated trumpet is added, which with extreme delicacy introduces us into this new world, then slowly everything accelerates and it increases in volume with the peroration of the trumpet, an instrument that in the hands of wheeler sometimes even seems to speak, grunt, chirp. At a certain point the flugelhorn takes the reins of the game together with the piano and the duo catches fire and flames, rushes towards a marching and confirming finale, with the piano punctuating the crescendo with full chords in fortissimo! The second track was born as a dream with a happy ending, in the final wheeler goes wild, gives us a wonderful solo, lyrical to tears. The third track is a mild starry night, a myriad of dewdrops on the grass. The fourth piece is pure ice, the piano in the very high register lashes out gracefully, teases our chilled cheeks, a game of stalactites and stalagmites and the wind instrument creates a luminous and dreamy ending, like a serene dawn. The fifth begins with the vibraphone that shifts accents and silences ... hints, stumbles, then the discreet dialogue with the piano, up to a vibrant, perhaps funky duo game ... here silence has the same importance as music, the unspoken is the soul of the piece. The final piece allows the solar reunion of the three soloists who here can also give a little display of technical skills ... but note that in the whole work there is never a hint of cloying self-referential virtuosity, there is only poetry, skill in dialogue with the other musicians ... about halfway through an unforgettable piano moment, a radiant ride, which always touches the high registers of the keyboard, almost silencing the intrusiveness of the vibraphone ... then the trumpet reappears and the whole world is at its feet. The quality of the recording is remarkable, every detail is present, without a radiographic excess ... the high register of the piano is marble and also liquid ... the trumpet and the flugelhorn are very delicate in the flat passages and impetuous, wild, in the fortissimi and in the different points in which their sound is deformed, shaped directly by the breath, by the voice of wheeler ... the vibraphone is fat, rich, enveloping, often creates thick carpets of harmonic reverberations ... a remarkable job. ~ Extract by yoklux, Senzalamusica.Wordpress.com. [Translated from Italian] 

Sentemo Records, SNT 31091, 1992
Recorded and Mixed at Farm, Italy 

Musicians:
Kenny Wheeler - Trumpet, Flugelhorn
David Friedman - Vibraphone
Jasper Van't Hof - Piano 

Tracks:
1. Zambon {Jasper Van't Hof} (11:44)
2. Everybody's Song But My Own {Kenny Wheeler} (9:58)
3, Truvib {David Friedman, Kenny Wheeler} (3:12)
4. Greenhouse Fables {David Friedman} (6:54)
5. Farm {David Friedman, Jasper Van't Hof} (7:28)
6. Salina Street {Kenny Wheeler} (7:13) 

Total Time: 46:31 

Credits:
Executive-Producer - Diego Sandrin, Paolo Boarato
Recording & Mixing - Maurizio Soranzo
Project Coordinator - Claudia Minotto
Cover Drawing - Loredana Spimpolo, Roberto Scarpa
Cover Art - Mac Art

Friday, October 10, 2014

Manfred Schoof Quintet - Scales

A perfect album... they don't come along too often do they?  Luckily for you, today's offering is just that.  It defies genre as avante-garde is too narrow a descriptive.  No, "Scales" is all at once melodic, chaotic, free, constructed, inside, outside... you dig??

It's incredible that this was released in 1976, it still sounds incredibly modern and fresh.  Schoof's compositions and musical soundscapes are absolute sonic perfection.  His music is the ultimate expression as he conveys moody brooding right through to elated joy.  Infact all the players contribute incredibly to each tune, be it locking the feel or soloing in front.

Pilz's bass clarinet is a breathy and dreamy addition - perfect in creating the vibe Schoof has crafted.  I also want to say that Hubner's brushes are something to behold.  He is able to play incredibly tight and technical fills while remaining in the background.  Indeed, this band are tight and it's clear they have played together beyond the studio.  I feel the balance they achieve between freedom and arrangement is a perfect one, something I prefer far more to say Miles' Bitches Brew group.  There is a certain accessibility that Schoof has added to the songs.  When he is playing, the notes really convey an emotion that you can feel, as opposed to just listening to a technical performance.

ECM recently issued a 2 disc set featuring all 3 of Schoof's albums released during the seventies.  "Scales" was the first of these and in my opinion, the best.  This LP is absolute mint and the fidelity is like all ECM recordings... overwhelmingly amazing.  The dynamics are breathtaking and they will carry you away to another zone.  I am really proud of this transfer, it's surely one of my best.  Captured at 24/44.1 wav and dithered to 16/44.1 FLAC, this is a truly minty affair.  Enjoy!!!
The title track of Scales opens both album and set with a primal trumpet cry. It is Schoof’s calling card: a rip in the ether from which flows undeniable light. Van ‘t Hof poeticizes this light from a place beyond waking. And indeed, the more instruments are added, the dreamier the music becomes. Over time, Pilz’s gorgeous rasp adds tactility, so that surreal gestures begin to feel familiar. Pilz stands out also in “Ostinato,” which finds him sharing a stepwise ground line with Lenz. We are so fully mired in this swampy unison that when he breaks free from the waves, his voice feels like a shaded benediction in what is easily among the finest tracks in the ECM archive. Van ‘t Hof’s organ drone is also notable here. Over it drums seem to describe abandoned castles, stone by stone, until they loom before us unscathed by time. The keyboardist provides deep color shifts throughout the program, evoking early Steve Kuhn vis–à–vis electric piano in “For Marianne” and spacy atmospheres in “Weep And Cry.” The former’s cloud rolls give Schoof vast chromatic freedom, while the latter evokes sunset before cooling into a twilit canopy, now alive as the darkness reveals its dance through the bass clarinet. The scene closes its eyes with “Flowers All Over” in the album’s most joyous music. Schoof rides a harmonic dolphin, plunging variously into intuitive digs, likewise inspiring Pilz to grand emotional heights. - Tyran Grillo / Between Sound And Space



Manfred Schoof: trumpet & flugelhorn; Michel Pilz: bass clarinet; Jasper van't Hof: piano, electric piano & organ;  Günter Lenz: double-bass; Ralf R. Hübner: drums.


Japo / ECM Records
ECM 19004
1976

A1 Scales 10:33
A2 Ostinato 12:45
B1 For Marianne 6:58
B2 Weep And Cry (Composed By – Ralf R. Hübner) 10:15
B3 Flowers All Over (Composed By – Jasper Van't Hof) 7:30