Showing posts with label Dick Berk. Show all posts
Showing posts with label Dick Berk. Show all posts

Tuesday, August 11, 2020

Ted Curson - Tears For Dolphy (1964)

Although the term "avant-garde" is used several times in the liner notes, this quartet outing by trumpeter Ted Curson, tenor saxophonist Bill Barron, bassist Herb Bushler and drummer Dick Berk actually falls between hard bop and free bop. Curson and Barron in particular made for a potent team and their interplay on nine originals (five by Curson, four by Barron) is quite impressive, swinging and occasionally witty. This CD reissue brings back the entire Tears for Dolphy album plus three of the six songs from the Flip Top LP, all recorded the same day. Although the title cut does not live up to its potential, such tunes as "Kassim," "7/4 Funny Time," "Quicksand" and "Searchin' for the Blues" manage to be both explorative and surprisingly accessible. ~ by Scott Yanow, AMG.

Fontana, 688 310, 1965
Arista/Freedom, AL 1021, 1975
Black Lion Records, BLCD 760190, 1993
Recorded 1st August 1964 At Acousti Studio, Paris, France 

Musicians:
Ted Curson - Trumpet (#1-4,6-9), Pocket Trumpet (#5)
Bill Barron - Tenor Saxophone, Clarinet (#5)
Herb Bushler - Bass
Dick Berk - Drums 

Tracks:
1. Kassim {Ted Curson} (7:41)
2. East 6th Street {Bill Barron} (5:39)
3. 7/4 Funny Time {Bill Barron} (5:28)
4. Tears For Dolphy {Ted Curson} (8:32)
5. Quicksand {Ted Curson} (6:40)
6. Reava's Waltz {Ted Curson} (7:11)
7. Searchin' For The Blues {Ted Curson} (7:48)
8. Desolation {Bill Barron} (8:46)
9. Light Blue {Bill Barron} (3:44) 

Total Time: 61:29

Credits:
Producer, Liner Notes - Alan Bates 

Notes:
Originally released on Freedom Records.
#7-9 not on original LP but previously released on Flip Top. 

Sunday, January 17, 2016

Ted Curson - Flip Top (1964,66) [vinyl>flac,24b/48k]

The first half of this release is from the same session that resulted in Ted Curson's Tears for Dolphy. The three selections (performed by the trumpeter in a pianoless quartet with tenor saxophonist Bill Barron, bassist Herb Bushler and drummer Dick Berk) are of the same high quality as the other cuts, highlighted by Curson's "Searchin' for the Blues." The second half of the program features Curson with the Zagreb Radio Orchestra at the 1966 Yugoslavian Jazz Festival. Zita Carno provided the arrangements to three of the trumpeter's originals (including "Quicksand" and "Flip Top") and Curson plays (in his own words) with "one foot in avant-garde, one foot in mainstream." A recommended and consistently stimulating release. ~ Scott Yanow, All Music Guide.

Seventies reissue of two sets of sparkling material from one of Ted Curson's best periods ever! Side one is classic Ted Curson/Bill Barron quartet stuff, with the two of them swinging, going out, and then hitting the money back again. Side two is some rare Eastern European stuff with a large group, and includes great workings of "Quicksand" and "Straight Ice", two of our favorite tracks by him! © Dusty Groove America, Inc.

Ted's audience now is young, something that continually surprises him. His music is so vital especially now, so many of Ted's constituents have died during his tenure (he will be 42 this year). The death of Booker Ervin is something Ted will never get over. The drug scene has eluded him totally for the simple reason that Ted thinks of his body as a shrine, his influences were Johnny Splawn, Clifford Brown and Miles Davis' lyricism. Charles Mingus was definitely the pivot point in his career, every musician around would listen to that band. With all the frustration Ted has gone through his positive attitude prevails. Although he hasn't reflected on what is happening to him now, he is really wired! "I like this album even better than my new one, because it seems to me that I'm getting closer to that big band sound". Ted is definitely ahead of his time and knows it, but with the release of this LP, the pieces finally fit. ~ Extract from Liner Notes by Mary Lou Webb, 1977

Arista/Freedom, AL 1030, 1977

Side A:

Tracks:
A1. Searchin' For The Blues {Ted Curson} (7:43)
A2. Desolation {Bill Barron} (8:42)
A3. Light Blue {Bill Barron} (3:40)

Musicians:
Ted Curson - Trumpet
Bill Barron - Tenor Saxophone
Herb Bushler - Bass
Dick Berk - Drums

Recorded 1st August, 1964 at Acousti Studio, Paris, France

Side B:

Tracks:
B1. Quicksand {Ted Curson} (6:17)
B2. Straight Ice {Ted Curson} (4:59)
B3. Flip Top {Ted Curson} (4:19)

Personnel:
Ted Curson - Trumpet
with Unnamed Members of The Zagreb Radio Orchestra
Miljenko Prohaska - Conductor
Arranger - Zita Carno

Recorded at the Seventh Yugoslavia Jazz Festival, Ljubljana, Yugoslavia
Date: Summer 1966
Label: [Private Recording]

Credits:
Producer - Alan Bates
Additional Production - Michael Cuscuna
Cover Art - Guy Billout
Photography - David Gahr
Art Direction - Bob Heimall

Tuesday, January 8, 2013

Ted Curson & Bill Barron Quintet - Now, Hear This!!

I must start by saying how proud i am to be a part of The Crypt.  Looking down this main page I see a list of wonderfully rare and solid sides.  I also see a community which reaches out to say something, which makes this place a cut above.  Everybody should be really pleased with how redux has turned out, both followers and authors.

Now... much like Impulse! was breaking their modern mold by recording an artist like Basie, Audio Fidelity also enjoyed shaking things up.  Like all of their recordings from this era, this album is a stone cold classic.  As far as Curson and Barron go, this is one of my favorites and arguably one of their best sides.

For anyone lucky enough to be landing on these artists for the first time, buckle up!!  This is a duo of jazz legend - think Morgan/Shorter, Henderson/Shaw or Farmer/Golson.  Now, Hear This! stands up as a bop influenced classic with gorgeous playing and interaction from the entire group.  It's a must hear, so rather than reading my seemingly limitless blathering... grab it and sit down!

The blog formerly known as the Crypt - reduxless that is - had a wonderful archive of Ted Curson and Bill Barron.  Infact, I may be wrong but I think Chris and KC had amassed all of their studio sides.  Hopefully we can bring back a bit of that glory here in reduxland.  This album was ripped from my minty and flawless LP at 24/44.1 wav, and dithered to 16/44.1 FLAC... enjoy!!!

Audio Fidelity AFSD6123
1963