Houston Person - Houston Express (1971) [re-rip]

As period soul-jazz goes, this is considerably above the average. It's funky, but not in the bland crossover sense; there's a sense of jazz ensemble discipline to the arrangements, but it's still R&B-based enough to groove to. Cecil Bridgewater (trumpet), Billy Butler (guitar), Bernard Purdie (drums), and Motown bassist Gerry Jemmott are among the more notable contributors to this 1971 session. ~ by Richie Unterberger, AMG.

There are some great players on this album. The electric piano really kicks in on a number of tunes and the brass section adds further highlights, but as usual Houston’s tone is very undeniable and full. Enjoy!

Prestige Records, PR 10017, 1971

Recorded 8^th & 9^th April, 1971 at Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:

Houston Person - Tenor Saxophone

Cecil Bridgewater - Trumpet (#A4-B2)

Harold "Money" Johnson - Trumpet (#A1-A3,B3)

Thad Jones - Trumpet (#A1-A3,B3)

Ernie Royal - Trumpet (#A1-A3,B3)

Garnett Brown - Trombone (#A1-A3,B3)

Jack Jeffers - Trombone (#A1-A3,B3)

Harold Vick - Tenor Sax, Flute (#A1-A3,B3)

Babe Clarke - Baritone Sax (#A1-A3,B3), Tenor Sax (#A4-B2)

Paul Griffin - Piano, Electric Piano (#A1-A3,B3)

Jimmy Watson - Organ

Ernie Hayes - Organ, Electric Piano (#A4-B2)

Billy Butler - Guitar

Jerry Jemmott - Electric Bass

Bernard Purdie - Drums

Buddy Caldwell - Congas

Tracks:

A1. Young Gifted And Black {Nina Simone, Weldon Irvine} (5:17)

A2. The Houston Express {Horace Ott} (5:50)

A3. Enjoy {Horace Ott} (4:57)

A4. [For God's Sake] Give More Power To The People {Eugene Record} (3:42)

B1. Chains Of Love {Ahmet Nugetre} (7:33)

B2. Just My Imagination {Norman Whitfield, Barrett Strong} (5:34)

B3. Lift Every Voice {James Weldon Johnson, John Rosamond Johnson} (5:40)

Credits:

Producer - Bob Porter

Recording Engineer - Rudy van Gelder

Arranger, Conductor - Horace Ott (#A1-A3,B3)

Art Direction, Cover Art - Tony Lane

Back Cover Photo - Al Johnson

Note:
Ahmet Nugetre aka Ahmet Ertegün [Founder Atlantic Records]

Billy Butler - Yesterday, Today & Tomorrow (1970) [re-rip]

Billy Butler is well known to guitarists only, as the co-author of the early R&B funked-up standard "Honky Tonk," with organist Bill Doggett. But the almighty groove wasn't Butler's only strength. With a saxophonist like Houston Person, he could play the most elegant swing - as in their read of the Rodgers & Hart classic "Dancing on the Ceiling" The wildest tune on the Person sessions is Neil Hefti and Bobby Troup's "Girl Talk." Before this I could never have imagined hearing this tune as an instrumental, but it works like grease on a bicycle chain with Butler punching up the melody and bending his strings all over it to make the language impenetrable to all but his rhythm section, and Person who flies over the top making the simple pop song into a work of groove jazz artistry. This album is a welcome introduction to one of the great, all-but-lost talents in jazz history. Billy Butler was a guitarist's guitarist and an innovator in both production and arrangements. This album is solid from top to bottom and reveals the restless spirit of a quiet yet demanding artist. ~ extracts taken from review by Thom Jurek, AMG.

This album is a continuation of display of ability and versatility presented in his first Prestige albums: This is Billy Butler! (Prestige 7622) and Guitar Soul! (Prestige 7734). This goes a bit further than the others in that it presents some music written and arranged by Billy for a guitar choir as well as some cooking things and standards he is known for. Most of the album reunites Billy with Ernie Hayes and Houston Person who were a part of his debut album for Prestige. Jimmy Lewis is no stranger to Billy since they worked together with King Curtis for some time. I think that once you have listened to the latest effort of Billy Butler you'll agree that it is every bit as good as his other two albums. If you are unfamiliar with him up to this point, welcome aboard! ~ Extract from Liner Notes by Sonny Mann.

Prestige Records, PRST 7797, 1970

Recorded 27th April (#B2,B3) & 29th June (#A1-B1,B4), 1970 at Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:

Billy Butler - Guitar, Bass Guitar

Houston Person - Tenor Saxophone (#A1-B1,B4)

Jerome Richardson - Tenor Saxophone, Flute (#B2,B3)

Ernie Hayes - Organ, Electric Piano (#A1-B1,B4)

Sonny Phillips - Organ, Electric Piano (#B2,B3)

Everett Barksdale - Guitar (#B2,B3)

Billy Suyker - Guitar (#B2,B3)

Jimmy Lewis - Electric Bass (#A1-B1,B4)

Chuck Rainey - Electric Bass (#B2,B3)

Jimmy Johnson - Drums

Track Listing:

A1. Yesterday, Today And Tomorrow {Billy Butler} (5:12)

A2. Girl Talk {Bobby Troup, Neal Hefti} (4:56)

A3. Dancing On The Ceiling {Lorenz Hart, Richard Rodgers} (5:43)

B1. Hold It! {Billy Butler, Clifford Scott} (3:51)

B2. Evening Dreams {Billy Butler} (4:10)

B3. The Butler Did It {Billy Butler} (3:47)

B4. Sweet Georgia Brown {Ben Bernie, Kenneth Casey, Maceo Pinkard} (4:49)

Credits:

Supervision - Bob Porter

Recording Engineer - Rudy van Gelder
Photo - Al Johnson
Design - Don Schlitten

Liner Notes - Sonny Mann, WFAS Radio, White Plains, N.Y. (Sept. 1970)

Billy Butler - This Is Billy Butler! (1968) [re-rip]

In the 1960s, Billy Butler was not only one of the top guitarists in the soul-jazz field - he was also a busy, in-demand session player who backed his share of R&B heavyweights. Butler, one of the countless jazz greats who came out of Philadelphia, had so much work as a sideman that it took him a long time to record an album under his own name. In fact, the guitarist had just turned 43 when, in December 1968, he recorded his first session as a leader, This Is Billy Butler. This vinyl LP is a soul-jazz/hard bop classic, and Butler has a talented cast of players to help him pull it off - one that includes producer Bob Porter and engineer Rudy van Gelder, as well as tenor saxman Houston Person and pianist/organist Ernie Hayes (among others). While Person delivers his share of inspired solos, Butler is the man in the driver's seat, and he really soars on material that ranges from Nat Adderley's "Work Song" to Butler originals like "Bass-ic Blues" and "The Soul Roll." Butler and his sidemen also turn their attention to Don Redman's "Cherry," a standard that has often been heard in classic jazz and swing settings, but easily lends itself to an inspired soul-jazz makeover. In retrospect, it's surprising that a guitarist of Butler's stature didn't record as a leader extensively - after providing four of his own LPs for Prestige in 1968-1970, he only recorded a few more LPs for various independent labels. But then, Butler's sidemen work didn't leave him with a lot of free time. It took the Philadelphian 43 years to record as a leader, and this excellent LP proved that he was certainly up to the task. ~ by Alex Henderson, AMG.

Prestige Records, PRST 7622, 1969

Recorded 16^th December, 1968 At Van Gelder Studio, Englewood Cliffs, New Jersey

Musicians:

Billy Butler - Guitar, Bass Guitar (#B3)

Houston Person - Tenor Saxophone (Except #B3)

Ernie Hayes - Organ (#A1,A3-B2), Electric Piano (#A2,B3)

Bob Bushnell - Electric Bass

Rudy Collins - Drums

Tracks:

A1. The Twang Thang {Billy Butler, Ernie Hayes} (5:13)

A2. Cherry {Don Redman, Ray Gilbert} (6:44)

A3. Work Song {Nat Adderley} (5:52)

B1. The Soul Roll {Billy Butler} (4:41)

B2. She Is My Inspiration {Connie Wharton, Edward Wharton} (5:12)

B3. Bass-ic Blues {Billy Butler} (6:23)

Credits:

Supervision, Liner Notes - Bob Porter

Recording Engineer - Rudy van Gelder

Design, Photo - Don Schlitten

George Benson - The Other Side of Abbey Road (1969) [vinyl>flac,24b/48k]

A wonderfully wicked album – one that sold so many copies that it's sometimes hard to remember how great it is! George takes on all of Abbey Road – or just about all of it – as he runs through some of the most beautiful tracks The Beatles ever wrote, like "Golden Slumbers", "I Want You (She's So Heavy)", "The End", "Because", and "You Never Give Me Your Money". The whole thing's set to some great baroque jazzy arrangements by Don Sebesky, and George digs the whole thing so much that he even sings a bit – vocalizing in a cool chromatic way that really works well with his guitar playing, and which would soon transform into a very popular style on his records of the 70s. Keyboards are by Bob James and Herbie Hancock – and there's plenty of other great jazz players in the mix! © Dusty Groove, Inc.

A&M Records, SP-3028, 1970

Recorded 22^nd,23^rd October and 4^th,5^th November, 1969
at Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:

George Benson - Guitar

Freddie Hubbard - Trumpet

Bernie Glow, Marvin Stamm, Mel Davis - Trumpet, Flugelhorn

Wayne Andre - Trombone, Euphonium

Sonny Fortune - Alto Saxophone

Jerome Richardson - Tenor Saxophone, Clarinet, Flute

Don Ashworth - Baritone Saxophone

Hubert Laws - Flute

Phil Bodner - Flute, Oboe

Don Ashworth - Bass Clarinet

Bob James, Ernie Hayes, Herbie Hancock - Piano, Organ, Harpsichord

Jerry Jemmott, Ron Carter - Bass

George Ricci - Cello

Ed Shaughnessy, Idris Muhammad - Drums

Andy Gonzalez, Ray Barretto - Percussion

Max Pollikoff, Raoul Poliakin - Violin

Emanuel Vardi - Viola

Track Listing:

A1-A2. Golden Slumbers {Lennon, McCartney}/
You Never Give Me Your Money {Lennon, McCartney} (4:47)

A2. Because/Come Together {Lennon, McCartney} (7:27)

A4. Oh, Darling {Lennon, McCartney} (4:01)

B1-B2. Here Comes The Sun {George Harrison}/
I Want You [She So Heavy] {Lennon, McCartney} (9:04)

B3. Something {George Harrison}/
Octopus's Garden {Richard Starkey} (4:31)

B4. The End {Lennon, McCartney} (1:57)

Credits:

Producer - Creed Taylor

Recording Engineer - Rudy van Gelder

Arranger - Don Sebesky

Design [Album] - Sam Antupit

Photography - Eric Meola