Eddie "Lockjaw" Davis - Live At The Widder (1982)

Eddie "Lockjaw" Davis is heard during two-night club sets (1982) on this CD, one of his last recordings prior to his death in 1986. The gritty yet swinging tenor saxophonist is joined by veteran drummer Oliver Jackson, bassist Ilsa Eckinger, and pianist Gustav Csik during this engagement in Zurich, Switzerland. Davis is in top form, whether playing a brisk blues like "Oh Gee" or an up-tempo swinger such as "S'Wonderful." But Davis is especially enjoyable during the numerous ballad features. Typically starting off each one unaccompanied, his total mastery of the form during his stunning performance of "I Can't Get Started With You" and his lush interpretation of "Misty" demonstrate how much he could do with standards that had already been recorded hundreds of times. This Swiss CD is well worth the extra effort to track down. ~ by Ken Dryden, AMG. 

Divox Jazz, CDX 48701-2, 1995
Recorded 19th & 20th March, 1982 Live at the Widder Bar, Zürich, Switzerland 

Musicians:
Eddie "Lockjaw" Davis - Tenor Saxophone
Gustav Csik - Piano
Isla Eckinger - Bass
Oliver Jackson - Drums 

Tracks:
01. Oh Gee {Matthew Gee} (7:43)
02. I Can't Get Started {Vernon Duke, Ira Gershwin} (5:17)
03. Comin' Home Baby {Bob Dorough, Ben Tucker} (6:04)
04. If I Had You {Jimmy Campbell, Reginald Connelly, Ted Shapiro} (4:44)
05. 'S Wonderful {George Gershwin, Ira Gershwin} (5:02)
06. Hey Jim {Babs Gonzales, James Moody} (5:19)
07. Meditation {Norman Gimbel, Antônio Carlos Jobim, Newton Mendonça} (6:24)
08. Misty {Johnny Burke, Erroll Garner} (5:06)
09. Speak Low {Ogden Nash, Kurt Weill} (7:12)
10. Love Is Here To Stay {George Gershwin, Ira Gershwin} (6:20)
11. Intermission Riff {Ray Wetzel} (6:20) 

Total Time: 65:36 

Credits:
Producer, Liner Notes, Executive-Producer - Arnold Burri
Executive-Producer - Konrad Baeschlin, Wolfram M. Burgert
Engineer, Recording - Peter Pfister
Editing - Hans Krüsi 

'S Wonderful

Dexter Gordon - The Sound Of Jazz: Dexter Gordon (1977)

One of many impromptu sessions staged in 1977 for Lionel Hampton's Who's Who in Jazz label, this recording features the basic band of Hampton on vibes, Bucky Pizzarelli on guitar, Hank Jones on piano, George Duvivier on bass, Oliver Jackson on drums, and Candido Camero on congas that is common to many of the albums, plus, in this case, Dexter Gordon (an alumnus of the Hampton big band) on tenor and soprano saxophone. The songs are mostly standards like "They Say That Falling in Love Is Wonderful" and "I Should Care," and Hampton and Gordon are given extended solo time in the relaxed arrangements, with Pizzarelli and Jones also taking occasional turns. The charm of all the 1977 Who's Who sessions is their intimacy: they sound more like something overheard after the final set in a club than formal recordings. This is one of the better ones. ~ by William Ruhlmann, AMG. 

Masters Records, CLCD 5025, 1988
Recorded 11th November, 1977 at Studio 21 Sound, New York 

Musicians:
Dexter Gordon - Tenor & Soprano Saxophones
Lionel Hampton - Vibraphone [Vibes]
Hank Jones - Piano
Bucky Pizzarelli - Guitar
George Duvivier - Bass
Oliver Jackson - Drums
Candido - Percussion [Longa Drums] 

Tracks:
1. Cute {Neal Hefti, Stanley Styne} (7:01)
2. They Say That Falling In Love Is Wonderful {Irving Berlin} (7:56)
3. Lullaby Of Birdland {B. Y. Forster, George Shearing} (4:20)
4. I Should Care {Axel Stordahl, Paul Weston, Sammy Cahn} (5:13)
5. Seven Come Eleven {Charlie Christian, Benny Goodman} (6:29)
6. Blues For Gates {Lionel Hampton} (8:05) 

Total Time: 39:06 

Credits:
Producer - Lionel Hampton
Executive Producer - Robert W. Schachner
Compilation - Emiel Kamzol 

Lullaby Of Birdland

Harry Allen Quintet - A Night At Birdland, Volume 1 (1994)

A glance at this CD's cover might cause collectors to have a double take for it looks similar to the original A Night at Birdland album by Horace Silver and the Jazz Messengers from the mid-'50s. The Birdland in this case is a jazz club in Hamburg, Germany and the music is not hard bop but hard-driving swing. The excellent young tenor Harry Allen is heard leading a quintet that also includes trumpeter Randy Sandke, pianist Brian Dee, bassist Len Skeat and (in one of his final sessions) drummer Oliver Jackson. Allen has an attractive and passionate tone and is heard in excellent form throughout the nine standards; he and Sandke make for a very effective team. A rewarding release (as is the second volume) from the German Nagel-Heyer label. ~ by Scott Yanow, AMG.

"This must have been a marvellous concert to attend, but Nagel-Heyer's usually superb recording brings its quality right into your living room again and again. Very highly recommended!" Jazz Journal International

Nagel-Heyer Records, NHCD 007, 1994

Nagel-Heyer Records, NHCD 5002, 2002

Recorded 19^th & 20^th Nov. 1993 Live At Birdland Jazzland, Hamburg, DE

Musicians:

Harry Allen - Tenor Saxophone

Randy Sandke - Trumpet

Brian Dee - Piano

Len Skeat - Bass

Oliver Jackson - Drums

Tracks:

1. My Heart Stood Still {Lorenz Hart, Richard Rodgers} (9:04)

2. On A Slow Boat To China {Frank Loesser} (10:47)

3. Tickle Toe {Jon Hendricks, Lester Young} (7:42)

4. You Took Advantage Of Me {Lorenz Hart, Richard Rodgers} (7:29)

5. Stardust {Hoagy Carmichael} (7:40)

6. Sometimes I'm Happy {Clifford Grey, Irving Caesar, Vincent Youmans} (7:35)

7. How Deep Is The Ocean? {Irving Berlin} (9:59)

8. I Got It Bad [And That Ain't Good] {Duke Ellington, Paul Francis Webster} (5:08)

9. The Man I Love {George Gershwin, Ira Gershwin} (10:67)

Total Time: 76:21

Credits:

Producer, Liner Notes - Hans Nagel-Heyer

Producer, Executive-Producer, Liner Notes - Frank Nagel-Heyer

Executive-Producer - Sabine Nagel-Heyer

Recording & Mixing Engineer - Bernd Schultze

Assistant Engineer - Axel Fidelak

Digital Remastering - Mario Buthmann

Photography - Dieter Borgschulte, Harry Allen, Jan Sandtke

Art Direction - Nikolai Woeller

Notes:

Special Limited Edition: 24 bit digitally remastered reissue of NHCD 007

Source: http://www.nagelheyer.de/cd-details/cd/a-night-at-birdland-vol-1.html

CD ripped to WAV and excess applause trimmed prior to converting to FLAC

Harry Allen Quintet - A Night At Birdland, Volume 2 (1995)

Harry Allen leads a fine quintet on the second of two volumes recorded over a pair of nights in 1993 at Hamburg's Birdland nightclub. The tenor saxophonist was quite familiar with bandmates trumpeter Randy Sandke and drummer Oliver Jackson, having worked with them extensively on recordings and in all-star lineups assembled by George Wein. The band is rounded out by two veterans of the British jazz scene, pianist Brian Dee and bassist Len Skeat. Obviously, the familiarity keeps the group from sounding like a pickup effort with little or no rehearsal. Allen's melodic solos are steeped in the tradition of Coleman Hawkins and Ben Webster, especially in rich ballads like "My Foolish Heart" and the deliberate "Sweet Lorraine." For a little bit of variety from the swing era, the quintet offers a stimulating bop number and the early jazz chestnut "Blues My Naughty Sweetie Gives to Me." ~ by Ken Dryden, AMG.

Nagel-Heyer Records, NHCD 010, 1995

Nagel-Heyer Records, NHCD 5005, 2003

Recorded 19^th & 20^th Nov. 1993 Live At Birdland Jazzland, Hamburg, DE

Musicians:

Harry Allen - Tenor Saxophone

Randy Sandke - Trumpet

Brian Dee - Piano

Len Skeat - Bass

Oliver Jackson - Drums

Tracks:

01. Isn't This A Lovely Day {Irving Berlin} (6:17)

02. From This Moment On {Cole Porter} (8:01)

03. My Foolish Heart {Ned Washington, Victor Young} (6:20)

04. The Song Is You {Oscar Hammerstein II, Jerome Kern} (8:45)

05. Blues My Naughty Sweety Gives To Me {Russ Morgan, Arthur Swanstone} (8:39)

06. Sweet Lorraine {Clifford R. Burwell, Mitchell Parish} (5:42)

07. All God's Chillun Got Rhythm {Walter Jurmann, Gus Kahn, Bronislaw Kaper} (6:50)

08. Stardust {Hoagy Carmichael, Mitchell Parish} (5:42)

09. Now Is The Time {Charlie Parker} (7:24)

10. Sophisticated Lady {Duke Ellington, Irving Mills, Mitchell Parish} (6:00)

11. Lover Come Back To Me {Oscar Hammerstein II, Sigmund Romberg} (7:40)

Total Time: 77:20

Credits:

Producer, Liner Notes - Hans Nagel-Heyer, Frank Nagel-Heyer

Producer - Sabine Nagel-Heyer

Recording, Mixing & Remastering - Bernd Schultze

Assistant Engineer - Axel Fidelak

Photography - Jan Sandtke, Harry Allen

Art Direction - Nikolai Woeller

Notes:

Special Limited Edition: 24 bit digitally remastered reissue of NHCD 010

Source: http://www.nagelheyer.de/cd-details/cd/a-night-at-birdland-volume-2-1.html

CD ripped to WAV and excess applause trimmed prior to converting to FLAC

Gene Ammons - Bad! Bossa Nova (1962) [re-rip]

Bad! Bossa Nova is right – as Gene Ammons really hits a great groove here – one that's not exactly bossa, but which has lots of Latin and tropical touches! The session makes great use of 2 guitars at the same time – using that of Kenny Burrell for soulful rhythm, but also adding in Bucky Pizzarelli for some nice acoustic embellishments – in a mode that's similar to the soul jazz-com-bossa style used on records like Ike Quebec's Soul Samba or Charlie Rouse's Bossa Nova Bacchanal. The overall rhythms are a bit more complicated, and a bit more soul jazz based than those sets – with Hank Jones on piano, Oliver Jackson on percussion, and Al Hayes adding in some sweet extra bongo! Titles include the classic "Ca'Purange" – plus "Anna", "Yellow Bird", "Cae Cae", and "Moito Mato Grosso".  © Dusty Groove, Inc.

Prestige Records, PR 7257, 1962

Recorded 9^th September, 1962 At Van Gelder Studio, Englewood Cliffs, NJ

Musicians:

Gene Ammons - Tenor Saxophone

Hank Jones - Piano

Kenny Burrell - Rhythm Guitar

Bucky Pizzarelli - Spanish Guitar

Norman Edge - Bass

Oliver Jackson - Drums

Al Hayes - Bongos

Tracks:

A1. Pagan Love Song {Nacio Herb Brown, Arthur Freed} (4:46)

A2. Ca'purange [Jungle Soul] {Mussapere} (9:34)

A3. Anna {Roman Vatro, Francesco Giordano, William Engvick} (3:20)

B1. Caé Caé {Roberto Martins, Pedro Berrios, John Latouche} (3:46)

B2. Moito Mato Grosso {Gene Ammons} (7:44)

B3. Yellow Bird {Alan Bergman, Michael Keith, Norman Luboff} (5:07)

Credits:

Producer - Ozzie Cadena

Recording & Mastering Engineer - Rudy van Gelder

Cover Design - Don Schlitten

This was Ammons' final recording before "being made an example of" and getting a lengthy jail sentence for possession of heroin; his next record would be cut over seven years later. The music is surprisingly upbeat, with Ammons joined by two guitars (Bucky Pizzarelli and Kenny Burrell), a fine rhythm section (pianist Hank Jones, bassist Norman Edge, and drummer Oliver Jackson), and the bongos of Al Hayes for a set of Latin-flavored jazz that was masquerading as bossa nova. ~ by Scott Yanow, AMG.

Earl Hines Quintet - "Fatha" Blows Best

Hey gang.  This is a re-up from three years ago at the "old" Crypt.  Been spinning it recently and thought that perhaps some of you missed the original post.  You will notice that three out of four members of the JPJ Quartet appear on this album together.

Next up is the curiously titled "Fatha" Blows Best. Since we all know that Earl Hines was a pianist, I am not exactly sure what he blows...I will leave that up for you guys to figure out.

Title aside, this is another hard swingin winner. The group are all veterans of jazz, and it shows on the album. This quintet doesn't rush much of anything as they cook their way through ballads and mid tempo numbers.

Thinking Of You raises the fever, but only for a couple minutes. Infact most of the tunes don't exceed 3 minutes with the exception of Shine On Harvest Moon. On that tune, the group must have really been feelin it as it almost triples any other song on the album in length.

Hines mostly comps for his front line although he does throw in a pinch of hot pepper every now and again. Budd Johnson is excellent here, and fans will want to hear him tear through these numbers on both tenor and soprano. Infact his soprano work is excellent and it adds a nice dimension to the recording, expanding the realm of possibility and keeping things interesting. Buck Clayton was also having a fine day and compliments his partner well. Pemberton and Jackson mostly just keep things swingin for the group, which is fine by me.

This session could easily have appeared as a Swingville or Moodville side. The overall vibe gives me a visual of a hot southern day. This group had been together for some time, with the exception of Clayton, and clearly knew how to use their rapport to paint a picture.

This minty LP was ripped at 24/44.1 wav and dithered to 16/44.1 FLAC. A wonderfully swingin album...enjoy!!

Decca (DL75048) Mar. 8/11, 1968 NYC

Earl "Fatha" Hines - piano and vocal; Budd Johnson - soprano/tenor sax; Buck Clayton - trumpet; Bill Pemberton - bass; Oliver Jackson - drums

Billy Strayhorn's Septet - Cue For Saxophone

Another superb gem from the Felsted label, reissued by Affinity.  Johnny Hodges plays under the pseudonym Cue Porter, and the rest of the group need no introduction.

A real great feel to this side as the band swing through an incredible songlist.  This copy is super minty and an absolute joy to listen to... enjoy!!!

Composer/arranger/pianist Billy Strayhorn led surprisingly few sessions throughout his career, and this was only his second full-length album. Actually, the main star is altoist Johnny Hodges (who goes here under the pseudonym of "Cue Porter"), while Strayhorn (who plays piano on the seven songs) only co-wrote two basic tunes ("Cue's Blue Now" and "Watch Your Cue") with Hodges and played a fairly minor role. Also in the septet are three fellow Ellingtonians (trumpeter Shorty Baker, trombonist Quentin Jackson and clarinetist Russell Procope), along with bassist Al Hall and drummer Oliver Jackson. The results are a fine mainstream session (which has been reissued on this CD) with highlights including "Gone With the Wind," the ten-minute "Cue's Blue Now" and "Rose Room." ~ Scott Yanow/AMG

Affinity AFF-166

1986

Recorded in NYC Apr. 14th, 1959

Billy Strayhorn (piano), Quentin Jackson (trombone), Cue Porter [a.k.a. Johnny Hodges] (alto saxophone), Harold "Shorty" Baker (trumpet), Russell Procope (clarinet), Al Hall (bass), Oliver Jackson (drums).

Black And Blue

 Ripped from my I Giganti Del Jazz LP... ultra minty!!

Also made available on the Italian budget label I Ganti Del Jazz, this little-known effort finds veteran trumpeter Joe Newman (55 at the time) stretching out quite effectively on four standards and two originals. In what was his first opportunity to lead a recording session since 1962, Newman and his top-notch rhythm section (pianist Hank Jones, bassist George Duvivier and drummer Alan Dawson) swing their way through such songs as "Softly As In a Morning Sunrise," "Paper Moon" and "Fiddy's Moods."  - Scott Yanow

 

 

 

 

 

Curcio Editore GJ-50 / Black and Blue 

I Giganti Del Jazz Vol. 50


Recorded 1960??, Released 1972



Joe Newman - trumpet;  Hank Jones - piano;  George Duvivier - bass;  Alan Dawson - drums

1. Softly As A Morning Sunrise
2. It's Only A Papermoon
3. I Love My Woman
4. Fiddy's Moods
5. Summertime
6. Prelude To a Kiss

__________________________________________________________________________

This is a mint rip from my Classic Jazz reissue, as is the review.  A killer side to be sure...enjoy!!!

Also put out on the French Black & Blue label, this is one of the more obscure LPs to team together tenor saxophonist Eddie "Lockjaw" Davis and trumpeter Harry "Sweets" Edison. Lockjaw and Sweets always made for an exciting combination, constantly challenging each other to play with fire. Highlights of this particular encounter include "Jim Dawg," "Intermission Riff" and "Light and Lovely"; the two distinctive horn stylists are even able to uplift "The Good Life."  - Scott Yanow

Classic Jazz CJ116 / Black and Blue 33121
1975

Recorded on July 26th 1975 in Nice.

1. Jim Dawg
2. The Good Life
3. Meditation
4. Intermission Riff
5. Land Of Dreams
6. Light And Lovely

Eddie Lockjaw Davis - ts
Harry Sweets Edison - tp
Gerry Wiggins - p

Major Holley - b
Oliver jackson - d

________________________________________________________________________

This was ripped from my mint I Giganti Del Jazz reissue.  The Curcio label was an Italian imprint, they put out a set of 100 albums, all reissues or out takes.

This album is a superb set, with both Tate and Buckner as expressive as can be.  Enjoy!!

 I Giganti Del Jazz Vol. 13 / Black and Blue 33014
Paris, France
1967

A1 - When I'm Blue (Tate), 10:50
A2 - You Have Changed (Fisher, Carey), 05:10
A3 - Day by Day (Weston, Stordhal), 06:45
B1 - Them There Eyes (Tracy, Tauber, Pinkard), 10:46
B2 - Margie (Davis, Conrad, Robinson), 10:29

Buddy Tate (Tenor Sax), Milt Buckner (Organ), Wallace Bishop (Drums)