I just can't say enough about this album - a real gem. Ewell is a name often attached to "Dixieland" via his work with the Dukes. We also associate "Stride" with him because of his incredible style.
The fact is, those are both horrendous cliches which do nothing to really describe Don Ewell. This self titled release for Chiaroscuro shows us that you simply can't put this pianist in a box. For the sake of giving you something to relate him with, I would go with Traditional / NOLA jazz.
The music is bluesy, hard swingin and always joyous no matter the tempo or tune. This album is perfect, all the way through. You won't find any filler or musical misgivings here, instead, we are given sides which display the best jazz has to offer.
Side 1 is a trio with Hall & Leeman, while side 2 is a quartet with Tate, Duvivier & Leeman. The sidemen bring their A-game to these tunes, and are given plenty of room to shine. Ewell himself gives us every reason to believe he is one of the more underrated pianists of his time. It would be easy to overlook this album from it's unexciting cover, to it's 70's publishing date... but that would be a large mistake. From start to finish this record delivers on all fronts and leaves you feeling upbeat.
I ripped this minty vinyl at 24/48 wav and transferred it to 24/48 FLAC for your convenience. Superb stereo recording... enjoy!!!
______________________________________________
Chiaroscuro Records – CR 130
1974
A1 Sweethearts On Parade
A2 Creole Love Call
A3 Diane
A4 Apex Blues
A5 All By Myself
B1 Coquette
B2 It Must Be True
B3 Let´s Fall In Love
B4 I Cover The Waterfront
Bass – George Duvivier (tracks: B1 to B4)
Clarinet – Herb Hall (tracks: A1 to A5)
Drums – Cliff Leeman
Piano – Don Ewell
Tenor Saxophone – Buddy Tate (tracks: B1 to B4)
Saturday, March 26, 2016
Monday, March 21, 2016
Ted Curson - In Paris - Live At The Sunside (2006)
Great
live material from Ted Curson - a Parisian performance that features
Ted with a range of different artists, really opening up in ways that
show the full range of his tremendous talents! Paris always seems to
bring out the best in Curson (we consider ourselves fortunate to have
caught him there live years back, sharing a stage with Rufus Harley)
– and this set shows Ted really taking full advantage of the
opportunities the scene offers him. Some cuts are straight small
combo jazz – with Ted's trumpet burning it up over backing from the
trio of pianist Alain Jean-Marie. Other numbers add in a bit of
backup vocals, behind Curson's own bluesy lead. And still others
feature added alto, flute, and percussion – making for a further
level of expression that we don't usually hear on an album from Ted.
Curson's vocal performances are peppered throughout the double-length
set – and almost seem to be more crowd pleasing moments, where he
might be expected to warble a standard for the overseas audience –
but they do have a sort of charm, given the raspy style of singing –
and one number, a hip take on "Summertime", is actually a
funky groover that really makes happy that Ted decided to sing along
(he gets some help on that number from soulful Sylvia Howard, too!)
Titles include "Reava's Waltz", "Tears For Dolphy",
"Caravan", "Dig", "Round Midnight",
"Milestones", "Confirmation", "Cantaloupe
Island", and "Pilma Boogie". © Dusty
Groove, Inc.
Blue
Marge, 1009, 2007
Recorded
30th & 31st August, 2006 Live at Sunside in
Paris, France
Personnel:
Ted
Curson - Trumpet, Piccolo Trumpet, Flugelhorn, Flute, Vocals
Alain
Jean-Marie - Piano
Gilles Naturel - Bass
Gilles Naturel - Bass
Philippe
Soirat - Drums
Other
Players:
Pierrick
Pédron - Alto Saxophone [CD1: 1,3,5,7,8 & CD2: 1,3,5,7,8,9]
Guillaume
Naturel - Flute [CD1: 2 & CD2: 3
Julie
Saury - Percussion [CD1: 1,7 & CD2 3,6]
Voice
Solos:
Daiva
Starinsakite [CD1: 4]
Evrim
Özsuca [CD2: 4,6,7]
Ferhat
Öz [CD1: 4,6 & CD2: 2,6,7]
Jaanika
Ventsel [CD1: 2,6 & CD2: 6]
Silvia
Howard [CD2: 9]
Track
Listing:
CD1:
1.
Caravan {Juan Tizol, Duke Ellington, Irving Mills} (8:43)
2.
Tears For Dolphy {Ted Curson} (8:12)
3.
Dig {Miles Davis} (9:06)
4.
'Round About Midnight {Thelonious Monk} (8:54)
5.
Woody 'N' You {Dizzy Gillespie} (11:33)
6.
Georgia On My Mind {Hoagy Carmichael} (6:56)
7.
Cantaloupe Island {Herbie Hancock} (8:06)
8.
Plima Boogie {Ted Curson} (4:18)
Time:
1:05:48
CD2:
1.
Reava's Waltz {Ted Curson} (7:27)
2.
Blueberry Hill {Fats Domino} (5:45)
3.
Tin Tin Deo {Dizzy Gillespie} (13:28)
4.
Lover Man {Jimmy Davis, Ram Ramirez, James Sherman} (6:28)
5.
Milestones {Miles Davis} (7:12)
6.
Summertime {George Gershwin, DuBose Heyward} (6:35)
7.
Cherokee {Ray Noble} (10:21)
8.
Confirmation {Charlie Parker} (7:01)
9.
Blues Medley {Various} (9:06)
Time:
1:13:23
Credits:
Producer
- Gérard Terronès
Coordinator
- Marianne Fernel
Recording,
Mixing, Editing, Mastering - Alain Gandolfi
Design,
Graphics - Fasm
Photography
- Jacquie Dauvilliers-Morat
Liner
Notes, Translation - Jean Szlamowicz
This
two CD set contains over two hours of wonderfully entertaining jazz
from the indefatigable Curson, 71 years old when recorded live in
August of 2006. The fiery trumpeter whose early career associations
included Cecil Taylor, Charles Mingus and Eric Dolphy, and then later
established a notable presence on the European jazz scene, introduces
us to some very talented but lesser known overseas musicians.
Pierrick
Pédron is a formidable bebop altoist out of the Cannonball Adderley
school, with a tone sometimes approaching the rawness of Vincent
Herring. He plays with endless drive, polished technique and great
clarity. Pianist Alain Jean-Marie has an absorbing, sophisticated
style resembling that of Barry Harris. Bassist Gilles Naturel and
drummer Philippe Soirat prove to be solid and tasteful in support,
and Naturel’s lucid solos are quite effective. His brother
Guillaume exhibits a pure, warm tone and nimble fingering on flute.
Julie Saury, daughter of clarinetist Maxim, contributes engaging
solos on congas and bongos. Sylvia Howard sings her heart out
alongside Curson in a “Blues Medley.” That leaves the vocal
choir, Ferhat Öz, Evrim Özsuca, Daiva Starinskaite and Jaanika
Ventsel, four young singers that Curson discovered during a singing
competition at the Nõmme Jazz Festival in Estonia. They all sing
with great feeling, verve and individuality.
Saturday, March 19, 2016
Ted Curson - Sugar 'N Spice (1999)
Ted
Curson's incandescent flame burns bright in this impassioned salute
to bebop, the music that inspired the trumpeter to want to play jazz.
The underrated Curson, it should be pointed out, is one of modern
jazz's true innovators. In the late 1950s, he was a key participant
in the seminal probes of avantgardist Cecil Taylor. A year later, he
and Eric Dolphy helped ignite Charlie Mingus' tempestuous upheavals.
In the mid-1970s, he led one of the era's great small groups, a
bop-based sextet at once open-ended and disciplined.
Here,
in a congenial setting with pianist Michael Cochrane, guitarist Lenny
Argese, bassist Calvin Hill, and drummer Bruce Cox, the trumpeter
flies with a brio reminiscent of Clifford Brown. Also impressive is
Curson's "voice." Even in his more abstract work, Tears for
Dolphy (1964), for instance, the trumpeter has displayed a brassy yet
warmly centered sound. It's a sonic signature that continues to serve
him well. Mixing standards like "Georgia" with originals
such as the exuberant title track, Curson declaims with a heart that
"sings." ~ by
Chuck Berg, Jazztimes.
Level
Green, 22008, 1999
Recorded,
Mixed and Mastered 11th April, 1999 at BIOYA Recording
Studios, Paterson, New Jersey
Personnel:
Ted
Curson - Trumpet
Michael
Cochrane - Piano
Lenny
Argese - Guitar
Calvin
Hill - Bass
Bruce
Cox - Drums
Track
Listing:
01.
Playhouse March {Ted Curson} (6:16)
02.
Jordu {Irving "Duke" Jordon} (6:26)
03.
Marjo {Ted Curson} (5:39)
04.
Summertime {Dubose Heyward, George Gershwin} (5:59)
05.
Sugar 'N Spice {Ted Curson} (5:50)
06.
All The Things You Are {Oscar Hammerstein II, Jerome Kern} (8:53)
07.
Tin Tin Deo {Chano Pozo} (8:09)
08.
Georgia {Hoagy Carmichael, Stuart Gorrell} (7:42)
09.
Dig {Miles Davis} (7:49)
10.
Milestones {Miles Davis} (5:34)
Credits:
Producer
- Lenny Argese
Executive
Producer - James Spitznagel
Recording,
Mixing and Mastering - Lenny Argese
Photography
- James Spitznagel
Design
- Iron Design
Liner
Comments - Ted Curson
Sunday, March 13, 2016
Don Patterson - Why Not... (1978) [vinyl>flac]
Later
work from Don Patterson -- but a record that still shows him in fine
fine form! The tunes are all long and spacious -- no gimmicks, just
straight ahead soul jazz, in that beautiful back-to-basics mode that
Muse was using with Charles Earland around the same time. The group's
a quintet -- bigger than usual for Patterson -- with Don on the
Hammond, plus Bootsie Barnes on tenor, Eddie McFadden on guitar,
Virgil Jones on trumpet, and Idris Muhammad on drums. Titles include
"Aries", "Why Not", "Three Miles Out",
and "Freddie Tooks Jr". © Dusty Groove America, Inc.
Don
was born in Columbus, Ohio, July 22, 1936. He’s now living in
Philadelphia, a city that is a mecca for artists, as well as a
stronghold for organist Jimmy Smith, Jimmy McGriff, Trudy Pitts, just
to name a few. “Fats” Waller in the late 1930's was one of the
first
to use the organ
as a jazz instrument. This is the fourth Don Patterson album on Muse
Records. Don Patterson is not only a master organist, but also a
talented compose. There are three of his originals
on this album. He uses the melodic, harmonic and rhythmic
lines in their proper colors. Tonal colors are important when playing
or mastering the organ. ~ rappamelo.com.
Don
Patterson is among my top five favourite organists. Never heard a bad
recording of his. I always found him the closest to Horace Silver of
all organists, especially as a composer. I think he inspired Sonny
Stitt to some of his best playing. I like all the Muse sessions. The
fourth Muse "Why Not" is nice, I always have a cassette of
it in the car, with a nice Horace Silver vibe in the heads. ~ Mike
Weil.
Don
is the MAN! Another giant we lost too soon. He's really not on enough
recordings, either. Have you got the Muse dates? Those are killer! ~
Jim
Alfredson.
Muse
Records, MR 5148, 1978
Recorded
26th January, 1978 at Rudy Van Gelder Studio, Englewood
Cliffs, New Jersey
Personnel:
Don
Patterson - Organ
Bootsi
Barnes - Tenor Saxophone
Virgil
Jones - Trumpet
Eddie
McFadden - Guitar
Idris
Muhammad - Drums
Track
Listing:
A1.
Why Not {Houston Person} (11:39)
A2.
Aries {Don Patterson} (8:12)
B1.
Dem New York Dues {Don Patterson} (8:02)
B2.
Three Miles Out {Bootsi Barnes} (5:23)
B3.
Freddie Tooks Jr. {Don Patterson} (6:36)
Credits:
Producer
- Houston Person
Recording
Engineer - Rudy van Gelder
Art
Direction and Cover Photo - Hal Wilson
Liner
Notes - Samir Ali Sadiq, WRTI FM, Philadelphia, PA
Tuesday, March 8, 2016
Gabor Szabo - Rambler (1973) [vinyl>flac]
Although
this LP is a CTI production, guitarist Gabor Szabo is well featured
in a conventional quartet (without strings, horns or "sweetening")
that also includes the electric piano of Mike Wofford, bassist
Wolfgang Melz and drummer Bobby Morin; Bob James sits in on some cuts
on keyboards. For what would be Szabo's last significant recording,
the Hungarian guitarist performs an obscurity and five of bassist
Melz's originals, including "Rambler," "It's So Hard
to Say Goodbye" and "Reinhardt." Although the
individual melodies are not that memorable (none caught on), Gabor
Szabo's distinctive sound and logical improvisations make this an
album worth searching for. ~ by Scott Yanow, AMG.
CTI
Records, CTI 6035,
1974
Recorded
September, 1973 at Van Gelder Studios, Englewood Cliffs, New Jersey
Personnel:
Gabor
Szabo - Guitar
Bob
James - Piano, Organ, Synthesizer
Mike
Wofford - Electric Piano
Wolfgang
Melz - Bass
Bobby
Morin - Drums
Unknown
- Percussion
Tracks:
A1.
Rambler {Wolfgang Melz} (5:25)
A2.
So Hard To Say Goodbye {Wolfgang Melz} (4:42)
A3.
New Love {Wolfgang Melz} (5:19)
B1.
Reinhardt {Wolfgang Melz} (6:55)
B2.
Help Me Build A Lifetime {Wolfgang Melz} (4:25)
A3.
All Is Well {Robert Lam} (6:21)
Credits:
Producer
- Creed Taylor
Recording
Engineer - Rudy van Gelder
Musical
Supervision - Bob James
Cover
Photograph - Pete Turner
Liner
Photograph - Charles Stewart
Album
Design - Bob Ciano
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