Saturday, March 26, 2016

Don Ewell

I just can't say enough about this album - a real gem.  Ewell is a name often attached to "Dixieland" via his work with the Dukes.  We also associate "Stride" with him because of his incredible style.

The fact is, those are both horrendous cliches which do nothing to really describe Don Ewell.  This self titled release for Chiaroscuro shows us that you simply can't put this pianist in a box.  For the sake of giving you something to relate him with, I would go with Traditional / NOLA jazz.

The music is bluesy, hard swingin and always joyous no matter the tempo or tune. This album is perfect, all the way through.  You won't find any filler or musical misgivings here, instead, we are given sides which display the best jazz has to offer.

Side 1 is a trio with Hall & Leeman, while side 2 is a quartet with Tate, Duvivier & Leeman.  The sidemen bring their A-game to these tunes, and are given plenty of room to shine.  Ewell himself gives us every reason to believe he is one of the more underrated pianists of his time.  It would be easy to overlook this album from it's unexciting cover, to it's 70's publishing date... but that would be a large mistake.  From start to finish this record delivers on all fronts and leaves you feeling upbeat.

I ripped this minty vinyl at 24/48 wav and transferred it to 24/48 FLAC for your convenience.  Superb stereo recording... enjoy!!!

______________________________________________

Chiaroscuro Records ‎– CR 130
1974

A1 Sweethearts On Parade
A2 Creole Love Call
A3 Diane
A4 Apex Blues
A5 All By Myself
B1 Coquette
B2 It Must Be True
B3 Let´s Fall In Love
B4 I Cover The Waterfront

Bass – George Duvivier (tracks: B1 to B4)
Clarinet – Herb Hall (tracks: A1 to A5)
Drums – Cliff Leeman
Piano – Don Ewell
Tenor Saxophone – Buddy Tate (tracks: B1 to B4)

Monday, March 21, 2016

Ted Curson - In Paris - Live At The Sunside (2006)

Great live material from Ted Curson - a Parisian performance that features Ted with a range of different artists, really opening up in ways that show the full range of his tremendous talents! Paris always seems to bring out the best in Curson (we consider ourselves fortunate to have caught him there live years back, sharing a stage with Rufus Harley) – and this set shows Ted really taking full advantage of the opportunities the scene offers him. Some cuts are straight small combo jazz – with Ted's trumpet burning it up over backing from the trio of pianist Alain Jean-Marie. Other numbers add in a bit of backup vocals, behind Curson's own bluesy lead. And still others feature added alto, flute, and percussion – making for a further level of expression that we don't usually hear on an album from Ted. Curson's vocal performances are peppered throughout the double-length set – and almost seem to be more crowd pleasing moments, where he might be expected to warble a standard for the overseas audience – but they do have a sort of charm, given the raspy style of singing – and one number, a hip take on "Summertime", is actually a funky groover that really makes happy that Ted decided to sing along (he gets some help on that number from soulful Sylvia Howard, too!) Titles include "Reava's Waltz", "Tears For Dolphy", "Caravan", "Dig", "Round Midnight", "Milestones", "Confirmation", "Cantaloupe Island", and "Pilma Boogie". © Dusty Groove, Inc.

Blue Marge, 1009, 2007
Recorded 30th & 31st August, 2006 Live at Sunside in Paris, France

Personnel:
Ted Curson - Trumpet, Piccolo Trumpet, Flugelhorn, Flute, Vocals
Alain Jean-Marie - Piano
Gilles Naturel - Bass
Philippe Soirat - Drums

Other Players:
Pierrick Pédron - Alto Saxophone [CD1: 1,3,5,7,8 & CD2: 1,3,5,7,8,9]
Guillaume Naturel - Flute [CD1: 2 & CD2: 3
Julie Saury - Percussion [CD1: 1,7 & CD2 3,6]

Voice Solos:
Daiva Starinsakite [CD1: 4]
Evrim Özsuca [CD2: 4,6,7]
Ferhat Öz [CD1: 4,6 & CD2: 2,6,7]
Jaanika Ventsel [CD1: 2,6 & CD2: 6]
Silvia Howard [CD2: 9]

Track Listing:

CD1:
1. Caravan {Juan Tizol, Duke Ellington, Irving Mills} (8:43)
2. Tears For Dolphy {Ted Curson} (8:12)
3. Dig {Miles Davis} (9:06)
4. 'Round About Midnight {Thelonious Monk} (8:54)
5. Woody 'N' You {Dizzy Gillespie} (11:33)
6. Georgia On My Mind {Hoagy Carmichael} (6:56)
7. Cantaloupe Island {Herbie Hancock} (8:06)
8. Plima Boogie {Ted Curson} (4:18)

Time: 1:05:48

CD2:
1. Reava's Waltz {Ted Curson} (7:27)
2. Blueberry Hill {Fats Domino} (5:45)
3. Tin Tin Deo {Dizzy Gillespie} (13:28)
4. Lover Man {Jimmy Davis, Ram Ramirez, James Sherman} (6:28)
5. Milestones {Miles Davis} (7:12)
6. Summertime {George Gershwin, DuBose Heyward} (6:35)
7. Cherokee {Ray Noble} (10:21)
8. Confirmation {Charlie Parker} (7:01)
9. Blues Medley {Various} (9:06)

Time: 1:13:23

Credits:
Producer - Gérard Terronès
Coordinator - Marianne Fernel
Recording, Mixing, Editing, Mastering - Alain Gandolfi
Design, Graphics - Fasm
Photography - Jacquie Dauvilliers-Morat
Liner Notes, Translation - Jean Szlamowicz

This two CD set contains over two hours of wonderfully entertaining jazz from the indefatigable Curson, 71 years old when recorded live in August of 2006. The fiery trumpeter whose early career associations included Cecil Taylor, Charles Mingus and Eric Dolphy, and then later established a notable presence on the European jazz scene, introduces us to some very talented but lesser known overseas musicians.

Pierrick Pédron is a formidable bebop altoist out of the Cannonball Adderley school, with a tone sometimes approaching the rawness of Vincent Herring. He plays with endless drive, polished technique and great clarity. Pianist Alain Jean-Marie has an absorbing, sophisticated style resembling that of Barry Harris. Bassist Gilles Naturel and drummer Philippe Soirat prove to be solid and tasteful in support, and Naturel’s lucid solos are quite effective. His brother Guillaume exhibits a pure, warm tone and nimble fingering on flute. Julie Saury, daughter of clarinetist Maxim, contributes engaging solos on congas and bongos. Sylvia Howard sings her heart out alongside Curson in a “Blues Medley.” That leaves the vocal choir, Ferhat Öz, Evrim Özsuca, Daiva Starinskaite and Jaanika Ventsel, four young singers that Curson discovered during a singing competition at the Nõmme Jazz Festival in Estonia. They all sing with great feeling, verve and individuality.

Curson himself plays with much spirit and creativity, and also sings up a storm in a blues-drenched, ingratiating voice. The program ranges from Curson’s own “Tears for Dolphy” and “Reava’s Waltz,” to many jazz classics and standards such as “Caravan,” “Dig,” “’Round About Midnight,” “Woody ’n’ You,” “Tin Tin Deo,” “Milestones,” “Cherokee,” “Confirmation,” “Georgia On My Mind,” “Lover Man” and even “Blueberry Hill.” Referring to Mingus, Curson is quoted as saying, “The older I get, the more I begin to look like my master and even act like him.” Mingus would certainly have appreciated this ambitious project, and the gusto and humor with which it’s delivered. ~ by Scott Albin, JazzTimes.

Saturday, March 19, 2016

Ted Curson - Sugar 'N Spice (1999)

Ted Curson's incandescent flame burns bright in this impassioned salute to bebop, the music that inspired the trumpeter to want to play jazz. The underrated Curson, it should be pointed out, is one of modern jazz's true innovators. In the late 1950s, he was a key participant in the seminal probes of avantgardist Cecil Taylor. A year later, he and Eric Dolphy helped ignite Charlie Mingus' tempestuous upheavals. In the mid-1970s, he led one of the era's great small groups, a bop-based sextet at once open-ended and disciplined.

Here, in a congenial setting with pianist Michael Cochrane, guitarist Lenny Argese, bassist Calvin Hill, and drummer Bruce Cox, the trumpeter flies with a brio reminiscent of Clifford Brown. Also impressive is Curson's "voice." Even in his more abstract work, Tears for Dolphy (1964), for instance, the trumpeter has displayed a brassy yet warmly centered sound. It's a sonic signature that continues to serve him well. Mixing standards like "Georgia" with originals such as the exuberant title track, Curson declaims with a heart that "sings." ~ by Chuck Berg, Jazztimes.

Level Green, 22008, 1999
Recorded, Mixed and Mastered 11th April, 1999 at BIOYA Recording Studios, Paterson, New Jersey

Personnel:
Ted Curson - Trumpet
Michael Cochrane - Piano
Lenny Argese - Guitar
Calvin Hill - Bass
Bruce Cox - Drums

Track Listing:
01. Playhouse March {Ted Curson} (6:16)
02. Jordu {Irving "Duke" Jordon} (6:26)
03. Marjo {Ted Curson} (5:39)
04. Summertime {Dubose Heyward, George Gershwin} (5:59)
05. Sugar 'N Spice {Ted Curson} (5:50)
06. All The Things You Are {Oscar Hammerstein II, Jerome Kern} (8:53)
07. Tin Tin Deo {Chano Pozo} (8:09)
08. Georgia {Hoagy Carmichael, Stuart Gorrell} (7:42)
09. Dig {Miles Davis} (7:49)
10. Milestones {Miles Davis} (5:34)

Credits:
Producer - Lenny Argese
Executive Producer - James Spitznagel
Recording, Mixing and Mastering - Lenny Argese
Photography - James Spitznagel
Design - Iron Design
Liner Comments - Ted Curson

Sunday, March 13, 2016

Don Patterson - Why Not... (1978) [vinyl>flac]

Later work from Don Patterson -- but a record that still shows him in fine fine form! The tunes are all long and spacious -- no gimmicks, just straight ahead soul jazz, in that beautiful back-to-basics mode that Muse was using with Charles Earland around the same time. The group's a quintet -- bigger than usual for Patterson -- with Don on the Hammond, plus Bootsie Barnes on tenor, Eddie McFadden on guitar, Virgil Jones on trumpet, and Idris Muhammad on drums. Titles include "Aries", "Why Not", "Three Miles Out", and "Freddie Tooks Jr". © Dusty Groove America, Inc.

Don was born in Columbus, Ohio, July 22, 1936. He’s now living in Philadelphia, a city that is a mecca for artists, as well as a stronghold for organist Jimmy Smith, Jimmy McGriff, Trudy Pitts, just to name a few. “Fats” Waller in the late 1930's was one of the first to use the organ as a jazz instrument. This is the fourth Don Patterson album on Muse Records. Don Patterson is not only a master organist, but also a talented compose. There are three of his originals on this album. He uses the melodic, harmonic and rhythmic lines in their proper colors. Tonal colors are important when playing or mastering the organ. ~ rappamelo.com.

Don Patterson is among my top five favourite organists. Never heard a bad recording of his. I always found him the closest to Horace Silver of all organists, especially as a composer. I think he inspired Sonny Stitt to some of his best playing. I like all the Muse sessions. The fourth Muse "Why Not" is nice, I always have a cassette of it in the car, with a nice Horace Silver vibe in the heads. ~ Mike Weil.

Don is the MAN! Another giant we lost too soon. He's really not on enough recordings, either. Have you got the Muse dates? Those are killer! ~ Jim Alfredson.

Muse Records, MR 5148, 1978
Recorded 26th January, 1978 at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:
Don Patterson - Organ
Bootsi Barnes - Tenor Saxophone
Virgil Jones - Trumpet
Eddie McFadden - Guitar
Idris Muhammad - Drums

Track Listing:
A1. Why Not {Houston Person} (11:39)
A2. Aries {Don Patterson} (8:12)
B1. Dem New York Dues {Don Patterson} (8:02)
B2. Three Miles Out {Bootsi Barnes} (5:23)
B3. Freddie Tooks Jr. {Don Patterson} (6:36)

Credits:
Producer - Houston Person
Recording Engineer - Rudy van Gelder
Art Direction and Cover Photo - Hal Wilson
Liner Notes - Samir Ali Sadiq, WRTI FM, Philadelphia, PA

Tuesday, March 8, 2016

Gabor Szabo - Rambler (1973) [vinyl>flac]

Although this LP is a CTI production, guitarist Gabor Szabo is well featured in a conventional quartet (without strings, horns or "sweetening") that also includes the electric piano of Mike Wofford, bassist Wolfgang Melz and drummer Bobby Morin; Bob James sits in on some cuts on keyboards. For what would be Szabo's last significant recording, the Hungarian guitarist performs an obscurity and five of bassist Melz's originals, including "Rambler," "It's So Hard to Say Goodbye" and "Reinhardt." Although the individual melodies are not that memorable (none caught on), Gabor Szabo's distinctive sound and logical improvisations make this an album worth searching for. ~ by Scott Yanow, AMG.

CTI Records, CTI 6035, 1974
Recorded September, 1973 at Van Gelder Studios, Englewood Cliffs, New Jersey

Personnel:
Gabor Szabo - Guitar
Bob James - Piano, Organ, Synthesizer
Mike Wofford - Electric Piano
Wolfgang Melz - Bass
Bobby Morin - Drums
Unknown - Percussion

Tracks:
A1. Rambler {Wolfgang Melz} (5:25)
A2. So Hard To Say Goodbye {Wolfgang Melz} (4:42)
A3. New Love {Wolfgang Melz} (5:19)
B1. Reinhardt {Wolfgang Melz} (6:55)
B2. Help Me Build A Lifetime {Wolfgang Melz} (4:25)
A3. All Is Well {Robert Lam} (6:21)

Credits:
Producer - Creed Taylor
Recording Engineer - Rudy van Gelder
Musical Supervision - Bob James
Cover Photograph - Pete Turner
Liner Photograph - Charles Stewart
Album Design - Bob Ciano