Billy Butler - Yesterday, Today & Tomorrow (1970) [re-rip]

Billy Butler is well known to guitarists only, as the co-author of the early R&B funked-up standard "Honky Tonk," with organist Bill Doggett. But the almighty groove wasn't Butler's only strength. With a saxophonist like Houston Person, he could play the most elegant swing - as in their read of the Rodgers & Hart classic "Dancing on the Ceiling" The wildest tune on the Person sessions is Neil Hefti and Bobby Troup's "Girl Talk." Before this I could never have imagined hearing this tune as an instrumental, but it works like grease on a bicycle chain with Butler punching up the melody and bending his strings all over it to make the language impenetrable to all but his rhythm section, and Person who flies over the top making the simple pop song into a work of groove jazz artistry. This album is a welcome introduction to one of the great, all-but-lost talents in jazz history. Billy Butler was a guitarist's guitarist and an innovator in both production and arrangements. This album is solid from top to bottom and reveals the restless spirit of a quiet yet demanding artist. ~ extracts taken from review by Thom Jurek, AMG.

This album is a continuation of display of ability and versatility presented in his first Prestige albums: This is Billy Butler! (Prestige 7622) and Guitar Soul! (Prestige 7734). This goes a bit further than the others in that it presents some music written and arranged by Billy for a guitar choir as well as some cooking things and standards he is known for. Most of the album reunites Billy with Ernie Hayes and Houston Person who were a part of his debut album for Prestige. Jimmy Lewis is no stranger to Billy since they worked together with King Curtis for some time. I think that once you have listened to the latest effort of Billy Butler you'll agree that it is every bit as good as his other two albums. If you are unfamiliar with him up to this point, welcome aboard! ~ Extract from Liner Notes by Sonny Mann.

Prestige Records, PRST 7797, 1970

Recorded 27th April (#B2,B3) & 29th June (#A1-B1,B4), 1970 at Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:

Billy Butler - Guitar, Bass Guitar

Houston Person - Tenor Saxophone (#A1-B1,B4)

Jerome Richardson - Tenor Saxophone, Flute (#B2,B3)

Ernie Hayes - Organ, Electric Piano (#A1-B1,B4)

Sonny Phillips - Organ, Electric Piano (#B2,B3)

Everett Barksdale - Guitar (#B2,B3)

Billy Suyker - Guitar (#B2,B3)

Jimmy Lewis - Electric Bass (#A1-B1,B4)

Chuck Rainey - Electric Bass (#B2,B3)

Jimmy Johnson - Drums

Track Listing:

A1. Yesterday, Today And Tomorrow {Billy Butler} (5:12)

A2. Girl Talk {Bobby Troup, Neal Hefti} (4:56)

A3. Dancing On The Ceiling {Lorenz Hart, Richard Rodgers} (5:43)

B1. Hold It! {Billy Butler, Clifford Scott} (3:51)

B2. Evening Dreams {Billy Butler} (4:10)

B3. The Butler Did It {Billy Butler} (3:47)

B4. Sweet Georgia Brown {Ben Bernie, Kenneth Casey, Maceo Pinkard} (4:49)

Credits:

Supervision - Bob Porter

Recording Engineer - Rudy van Gelder
Photo - Al Johnson
Design - Don Schlitten

Liner Notes - Sonny Mann, WFAS Radio, White Plains, N.Y. (Sept. 1970)

Wally Richardson - Soul Guru (1968) [vinyl>flac]

Wally Richardson came out of a rhythm and blues, soul jazz and pop experience. Because of this background and music reading ability, he was very active as an all-around studio guitarist in the late 50's/60's/70's. He recorded a good cult album of psychedelic jazz funk which is now a collector’s item. "Soul Guru" came out in 1969 on Prestige Records in New Jersey.

Guitar driven soul jazz album with a great variety of influences, soul, jazz, east, blues, rock, from sitar-like sounds on Soul Guru to twangy style Surf Side Shuffle, acoustic songs and jazz driven themes. ~ mekkipuur, RateYourMusic.

Prestige Records, PRST 7569, 1968

BGP Records, BGPD 1113, 1988

Recorded 5^th (#A1,A3,B1-B3) & 7^th (#A2,A4,B4) February, 1968

At Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:

Wally Richardson - Guitar

Zane Zacharoff - Bass Clarinet (#A1,A3,B1-B3)

Ernest Hayes - Piano (#A2,A4,B4)

Everett Barksdale - 12-String Guitar (#A1,A3,B1-B3)

Richard Davis - Bass (#A1,A3,B1-B3)

Jimmy Lewis - Bass (#A2,A4,B4)

Orville Mason - Fender Bass (#A1,A3,B1-B3)

Bobby Donaldson - Drums

Montego Joe - Percussion (#A1,A3,B1-B3)

Tracks:

A1. Senor Boogaloo {Wally Richardson} (4:11)

A2. Elbow Blues {Wally Richardson} (5:25)

A3. Monday Monday {John Phillips} (3:08)

A4. Surf Side Shuffle {Wally Richardson} (5:43)

B1. Soul Guru {Wally Richardson} (6:02)

B2. Lonely Rider {David Raksin} (2:44)

B3. Khyber Pass Boogaloo {Wally Richardson} (3:50)

B4. Square Heels, White Stockings {Wally Richardson} (4:53)

Credits:

Producer - Cal Lampley

Recording Engineer - Rudy van Gelder

Design, Photography - Don Schlitten

Liner Notes - Chris Albertson (April, 1968)

Taft Jordan - The Moods Of Taft Jordan

Hello everybody!!!  Hope you've all had a great summer, I sure have.  Aside from summertime fun, my computer had some issues - both of which conspired to keep me away from blogging.  Well, I'm back and with a nice gem of an album on offer.

The only issue with "Moods" is that its too short.  If you enjoyed the Erskine Hawkins album, then you will enjoy this.  Overall I find it has that carefree and fun vibe to it.  The tunes cover a range of tempos, feels and styles.  That said, I wouldn't describe Jordan as an adventurous player.  He plays with lots of feeling and makes his notes count.  So yes, when I likened this to the Hawkins sides, I was referring to the soulful approach.

The supporting players don't display much in the way of fireworks (save a couple tunes), but the band is tight, tight, tight.  They show creativity in subtle ways that often help Jordan to sound better.  Lots of harmonizing and tons of fantastic rhythm.  If you're looking for something light, fun & swingin - then this is an album for you.  I captured this glorious, near-mint mono LP in 24/48 wav and then transferred it to 24/48 FLAC.  I hope it helps to kick up your weekend... enjoy!!!

Mercury MG-20249
1959

1. When Your Lover Has Gone 1:37
2. Night Boat 4:55
3. My Man (Cha Cha) 3:06
4. Do Anything 2:43
5. September Song 3:17
6. It's The Talk Of The Town 3:20
7. Smoky 4:55
8. Mariquita 3:47
9.Second Balcony Jump 3:55

Taft Jordan (tp), Dave Martin (p), Everett Barksdale (g), Joe Benjamin (b), Chick Martin (ds)

Rex Stewart - Rendezvous With Rex

This interesting and well-rounded LP has two separate sessions originally cut for the Felsted label. Cornetist Rex Stewart is fiery on the first date, jamming on a trio of his worthy but obscure originals (when was the last time anyone played "Tillie's Twist" or "Tell Me More?") with trombonist George Stevenson, Haywood Henry (on clarinet and baritone), tenorman George Kelly, either Willie "The Lion" Smith or Dick Cary on piano, bassist Leonard Gaskin and drummer Arthur Trappier; Stewart takes a pleasant vocal on "My Kind of Gal." The three numbers from the later date have moody arrangements by Cary (who doubles on trumpet) and find Stewart in a septet with Hilton Jefferson (heard on clarinet and alto), clarinetist Garvin Bushell (whose bassoon work makes the date most memorable), guitarist Everett Barksdale, bassist Joe Benjamin and drummer Mickey Sheen. Superior music that will hopefully resurface on CD someday. - Scott Yanow/ AMG

Felsted FAJ 7001
1958

A1   Tillie's Twist
A2   Pretty Ditty
A3   Tell Me More
B1   Danzon D'amor
B2   My Kind Of Gal
B3   Blue Echo

Alto Saxophone – Hilton Jefferson (tracks: A2, B1, B3)
Baritone Saxophone – Haywood Henry (tracks: A1, A3, B2)
Bass – Joe Benjamin (tracks: A2, B1, B3), Leonard Gaskin (tracks: A1, A3, B2)
Bassoon – Garvin Bushell (tracks: A2, B1, B3)
Clarinet – Garvin Bushell (tracks: A2, B1, B3), Haywood Henry (tracks: A1, A3, B2), Hilton Jefferson (tracks: A2, B1, B3)
Cornet – Rex Stewart
Drums – Arthur Trappier (tracks: A1, A3, B2), Mickey Sheen (tracks: A2, B1, B3)
Guitar – Everett Barksdale (tracks: A2, B1, B3)
Piano – Dick Cary (tracks: A2, B1, B2, B3), Willie "The Lion" Smith (tracks: A1, A3)
Tenor Saxophone – George Kelly (tracks: A1, A3, B2)
Trombone – George Stevenson (tracks: A1, A3, B2)
Trumpet – Dick Cary (tracks: A2, B1, B3)
Vocals – Rex Stewart (tracks: B2)

Dicky Wells - Trombone Four-In-Hand

This is the second album that Wells recorded for Felsted, and the finer of the two in my opinion.  Lots more of what the people want - soloing and super killin ensemble work.  There are four trombone players on this date, so if you're not down with that nasally a-tonal sound, this album may not be for you.  That said, Skip Hall and the guitarists, Burrell/Barksdale, do a great job to counter the 'bone dominance.

Once again this comes from my Felsted boxset and is in FLAC.  If you are just joining us please check out the previous posts here.  Enjoy!!






Felsted FAJ7009
1959

Vic Dickenson, George Matthews, Benny Morton, Dicky Wells (trombone) Skip Hall (piano, organ) Kenny Burrell (guitar) Everett Barksdale (bass) Herbie Lovelle (drums)

NYC, April 21, 1959

Blue Moon
Air Lift
It's All Over Now
Wine-O Junction

Barksdale plays (guitar). Major Holley (bass) replaces Burrell

NYC, probably April 22, 1959

Heavy Duty
Short,Tall, Fat, Small
Girl Hunt

Dicky Wells - Bones For The King

What can I say??!??  This album is a must have for anyone who considers themself a mainstream fan.  A wonderful, swaggering swing topped with relaxed and inspired solos.  Lots of fun vocals.  Jazz at its finest.  As promised, the Felsteds kept-a-rollin.  Taken from the Felsted Mainstream Jazz Series boxset, remastered in 24 bit, ripped to FLAC... enjoy!!!

Felsted FAJ 7006
1958

Buck Clayton (trumpet) Dicky Wells (trombone) Rudy Rutherford (clarinet, baritone saxophone) Buddy Tate (tenor saxophone, baritone saxophone) Skip Hall (piano) Everett Barksdale (guitar) Major Holley (bass) Jo Jones (drums)

• Hello Smack! 
• Come And Get It 
• Stan's Dance

Vic Dickenson, George Matthews, Benny Morton, Dicky Wells (trombone) Skip Hall (piano) Major Holley (bass) Jo Jones (drums)

• Bones For The King 
• Sweet Daddy Spo-de-o 
• You Took My Hear