Showing posts with label Bill Harris. Show all posts
Showing posts with label Bill Harris. Show all posts

Sunday, October 11, 2020

Bill Harris - The Soul Of Jazz (1958) [re-rip]

This a rare and dynamic session, recorded by Rudy van Gelder in 1958, features an amazing All Stars cast. Essentially it showcases Bill Harris playing alongside Joe Wilder, Bobby Jaspar, Pepper Adams, Eddie Costa, George Duvivier and Art Taylor. These musicians truly display the essence of jazz and hence the album’s title is so very appropriate. The sound even though ripped from a well-loved old vinyl still comes across ‘alive and fresh’ even by today’s standards. The concept of this LP is masterminded by the arrangements and conducting skills of Billy Ver Plank. The choices of tunes are very complimentary and blend well, all the while giving the players plenty of room to solo. Well Recommended.

Generally speaking the men on the date fall into either a late swing or neo-modern period, as to their particular improvisatory allegiances. Yes, all bear the same "pure" approach to their performance of jazz. Bill Harris, veteran trombone star of the 1940's and the Woody Herman band has been a "preaching" jazzman of great fame for many years. Joe wilder, the early modern trumpet star, sparkles here with his growls, his various muses, and that unbelievably pure bell-tone while blowing a modern cascade of notes. Bobby Jaspar, Belgian import who has come to fame with J.J. Johnson and other combos on both tenor and flute, he is a "wailer" who plays in the Coltrane-Sims tradition these days. Pepper Adams, deserving of his nickname, bursts fierily throughout the proceedings. He is a Detroit export who rose to fame with Kenton, and has recently led his own combo in New York City. Eddie Costa, vibist and pianist once again proves his prowess as a tasty and ever-swinging keyboard man. George Duvivier can only be described as a "Rock" in a rhythm section ... with both beat, intonation, and "life" that are impeccable. Art Taylor, a usually intrepid bopper, illustrates his more quiet moods here, lapsing into the more normal "popping" style he has become noted for on two tracks. Basically, the tunes are simple harmonic changes, with tried harmony, open voiced for the horns, and usually ending with the traditional "Amen" chord resolution. The solo-work, in almost every case stays fairly close to the simple diatonic harmonies, yet conveying a combined "preaching" and "funky blues" feel. ~ Extract from Liner Notes by H. Alan Stein.

World Wide, MGS 20002, 1958
Recorded 5th May, 1958, Hackensack, New Jersey

Personnel:
Bill Harris - Trombone
Joe Wilder - Trumpet
Bobby Jaspar - Tenor Saxophone
Pepper Adams - Baritone Saxophone
Eddie Costa - Piano
George Duvivier - Bass
Art Taylor - Drums

Tracks:
A1. You Gotta Be A Good Man {David} (8:41)
A2. Each Side Of The River {David} (4:48)
A3. Where Ya Gonna Run To? {David} (5:08)
B1. I Can't Believe It {David, Cadena} (6:33)
B2. What Should I Do? {David} (3:57)
B3. Royal Garden Blues {Williams} (6:27)

Total Time: 35:34

Credits:
Supervisor - Ozzie Cadena
Recording Engineer - Rudy van Gelder
Arranger, Conductor - Billy Ver Planck
Cover Photo - Hank Schneider
Liner Notes - H. Alan Stein

Tuesday, September 22, 2015

Lennie Tristano, Buddy DeFranco, Bill Harris - Crosscurrents 24/48 Vinyl Rip

"Even though the music on this LP has yet to be made available on CD, it gets the highest rating because the performances are so unique. Pianist Lennie Tristano is heard with his finest group, a sextet with altoist Lee Konitz, tenor-saxophonist Warne Marsh, guitarist Billy Bauer, bassist Arnold Fishkin, and either Harold Granowsky or Denzil Best on drums. Their seven selections include some truly remarkable unisons on "Wow," memorable interplay by the horns on "Sax of a Kind," and the earliest examples of free improvisation in jazz: "Intuition" and "Digression." In addition, the set features clarinetist Buddy DeFranco with vibraphonist Teddy Charles in a sextet on three numbers and backed by a big band for two others; the radical "A Bird in Igor's Yard" was composed and arranged by George Russell. This essential LP (which is subtitled Capitol Jazz Classics Vol. 14) concludes with a feature for trombonist Bill Harris on Neal Hefti's "Opus 96." Consistently brilliant and advanced music." AMG