Even something as simple as a count-in oozed with ethusiasm when Terry Gibbs was at the helm. This is not your typical big band however, and certainly not your typical big band album. Desert island album? Pretty damn close. This one has it all. An incredible energy, translated from the live performance to us, the listener. All star line up of players. The best in composers/arrangers, with originals wrote just for Terry, and by Terry. To top it all off, this has to be one of the best recorded, live big band shows on record.
This side is quite rare. It's not that it's impossible to find, but to find one in reasonable condition is another story. In the late 80's and early 90's, Contemporary began releasing a series of albums with this group. They changed the name to "The Terry Gibbs Dream Band". Certainly an appropriate name when one looks at the roster. But this group is more than just a bunch of star power and hype...much, much more.
They were called the "Exciting" big band for a reason. This group could do it all, but always with a flare for fun and excitement. Clearly, with the skill level available, the arrangers went to town. Bill Holman, Al Cohn, Shorty Rogers and Manny Albam spun these tunes into absolute gold. Gibbs could lead his group to huge dynamic heights - glorious, crisp brass soaring overtop a driving and pulsing swing. But he could strip it down to a quiet calm, enough to make you forget that there are 17 players getting ready to pounce! In my mind, the Gibbs big band are up there with Eckstine and Basie in terms of dynamics.
Stylistically, the tunes range nicely, from slow pokin' blues, to high flying, dance worthy swing. Gibbs takes many solos, but always in great taste. We also hear from the saxes, probably more so than the trumpets which is unusual for a big band. The best part of this album is it's undeniable live energy, best defined by the soul callin' between Gibbs and the rest of the band. Audible are the shouts of joy, encouragement and just plain fun the band is clearly having.
I worked really hard on this one guys, and it paid off big time. I am really proud of the finished product, albeit not perfect. I think you'll agree, the fidelity is incredible making this a dynamite listen. This original Verve (V-2151) was ripped at 24/44.1 wav and dithered to 16/44.1 FLAC, there is little to no noise here folks. Just 100% swingin jazz...enjoy!!!
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January, 1961
Bass – Buddy Clark
Drums – Mel Lewis
Piano – Pat Moran
Saxophone – Bill Perkins, Charlie Kennedy, Jack Nimitz, Joe Maini, Richie Kamuca
Trombone – Bob Edmondson, Frank Rosolino, Vern Friley
Trumpet – Al Porcino, Conte Candoli, Frank Huggins, Ray Triscari, Stu Williamson
Vibraphone – Terry Gibbs
Drums – Mel Lewis
Piano – Pat Moran
Saxophone – Bill Perkins, Charlie Kennedy, Jack Nimitz, Joe Maini, Richie Kamuca
Trombone – Bob Edmondson, Frank Rosolino, Vern Friley
Trumpet – Al Porcino, Conte Candoli, Frank Huggins, Ray Triscari, Stu Williamson
Vibraphone – Terry Gibbs