Showing posts with label Alvin Queen. Show all posts
Showing posts with label Alvin Queen. Show all posts

Friday, June 3, 2022

Alvin Queen feat. Jesse Davis & Terell Stafford - Mighty Long Way (2009)

Alvin Queen's longtime European expatriate status has apparently ended, as this recording for the veteran drummer was done in New York City with younger musicians who admire his veteran presence and solid mainstream jazz credentials. Several cuts hearken back to modified Jimmy Smith style organ combos, while others have a feel stemming from Art Blakey's Jazz Messengers, and some get down and dirty with the original funk of those like Horace Silver. Queen himself is a solid drummer who does not employ bashing or histrionics à la Elvin Jones, Tony Williams, or Jeff Watts, while his musicality is second to none, and rivals peers like Joe Chambers. Organist Mike LeDonne shines brightly as the glue on this session, with guitarist Peter Bernstein right by his side, while trumpeter Terell Stafford and alto saxophonist Jesse Davis prove a fine tandem that front the music in a faithful, straight-ahead, no-nonsense fashion. For those who are veteran listeners of jazz, you'll recognize a faithful version of Silver's "Cape Verdean Blues" with its wonderfully rich harmonies and churning rhythm, or Wayne Shorter's "United" with a similar Latin beat tacked onto a New Orleans feeling, not so much embellished as it is slightly shaded with LeDonne's organ. "I Got a Woman" is a typical, tried and true boogaloo groove that would make its author Ray Charles smile. Two obscure Oscar Peterson tunes are included, with "Sushi" a fast, insistent bop, and "Backyard Blues" a galloping romp/shuffle served under the tangy horns. Joe Pace, hardly known as a writer of jazz, contributed the title track in its happy, more contemporary modern organ combo format, while "Let Us Go into the House" certainly lives up to its singsongy, blues/gospel funk title. Davis brings to the repertoire the slow, cool, and basic "Blues on Q," as well as "Alba," a hip Blakey-type modern jazz swinger with Queen's drum fill-ins as pauses for thought and Bernstein's tasty guitar work. The obligatory Queen solo, "The Drum Thing," concludes the CD on a rumbling, tasteful note with help from Randy Weston's longtime conga player Neil Clarke. Were this to be a real working band (all of the participants are leaders in their own right,) jazz listeners would be shouting to the rafters for more of this excellent unit perhaps touring in support of this music. For now, this should do just fine as a quite memorable effort. ~ by Michael G. Nastos, AMG. 

Enja Records, ENJ-9522 2, 2009
Recorded 25th & 26th March, 2008 at Muzic Complex Studio, Dobbs Ferry, New York 

Musicians:
Alvin Queen - Drums
Terell Stafford - Trumpet, Flugelhorn
Jesse Davis - Alto Saxophone
Mike LeDonne - Organ [Hammond B-3]
Peter Bernstein - Guitar
Elias Bailey - Bass (#4,7)
Neil Clark - Congas, Percussion 

Tracks:
1. Mighty Long Way {Joe Pace} (5:23)
2. Sushi {Oscar Peterson} (7:48)
3. Cape Verdean Blues {Horace Silver} (6:25)
4. Blues On Q {Jesse Davis} (7:46)
5. I Got A Woman {Ray Charles} (7:41)
6. Backyard Blues {Oscar Peterson} (5:16)
7. Alba {Jesse Davis} (4:51)
8. Let Us Go Into The House {Joe Pace} (7:13)
9. Drum Thing {Alvin Queen} (8:46) 

Total Time: 61:09 

Credits:
Producer - Matthias Winckelmann
Audio Engineer - Vito Luizzi
Design - Franziska Erdle, David Winckelmann
Assistant Engineer - Alec Head
Cover Photo - Mark Wohlrab

Tuesday, June 1, 2021

Clark Terry All Stars Band - New Morning Jazz Blues Festival, Geneve (1994)

In 1994, Clark Terry took to the stage at the New Morning Jazz and Blues Festival in Geneva alongside his quartet, All Stars, composed of Dado Moroni on piano, Pierre Boussaguet on bass, and Alvin Queen on drums. He begins the concert with a trumpet solo, every note emanating his particular energy, one of warmth, sincerity and musical generosity. This mood sustains for the first part of the concert, with the group rolling out the solos, devoting themselves to jazz standards such as "Bye Bye Blackbird", Misty" and "Perdido" to name a few from this enthralling set. Clark Terry, the man who inspired the careers of Quincy Jones and Miles Davis, the man who played with Duke Ellington, Count Basie, Dizzy Gillespie and all the greats of the era, remains one of the most recorded and award-winning artists in history. ~ extract by Anaïs Christidis Guillemard. 

Recorded at New Morning Jazz Blues Festival, Geneve in 1994
Released: 2009 

Musicians:
Clark Terry - Trumpet
Dado Moroni - Piano
Pierre Boussaguet - Bass
Alvin Queen - Drums 

Total Time: 52:05

Credits:
Realization - Patrick Savey
Co-Producers - Daniel Farhi, Etienne Mirlesse, Jean-Daniel Bloesch
Assistant Director - Nathalie Portman
Montage HD - Frederic Sery
Sound Engineer [Venue] - Kiet Nguyen
Manager - Patrick Merz
MCM Production Director - Francois Niviere