Hank Mobley - The Flip (1969) [re-rip]

Late work by tenor giant Hank Mobley - and a really unique session that stands out from his other Blue Note work of the time! The set was recorded in Paris with an ultra-hip lineup - one that features Dizzy Reece on trumpet and Slide Hampton on trombone - both fresh players alongside Hank's work on tenor sax, making for really wonderful phrasing and timing in the front line! The bottom's pretty great, too - with wicked rhythms from Philly Joe Jones on drums, at a level that bounces around with a growing sense of soul - yet still has all the complex colors of Mobley's classic work. The balance is beautiful - as fresh as the image on the cover - and the album's one that we'd rank right up there with The Phantom by Duke Pearson and Slow Drag by Donald Byrd - overlooked gems that show some great Blue Note growth in the late 60s. Titles include "The Flip", "Feelin' Folksy", and "Snappin' Out".  © Dusty Groove, Inc.

Blue Note, BST 84329, 1970

Recorded 12th July, 1969 at Studio Barclay, Paris, France

Musicians:

Hank Mobley - Tenor Saxophone

Dizzy Reece - Trumpet

Slide Hampton - Trombone

Vince Benedetti - Piano

Alby Cullaz - Bass

Philly Joe Jones - Drums

Tracks:
A1. The Flip (9:02)
A2. Feelin' Folksy (8:29)
B1. Snappin' Out (7:13)
B2. 18th Hole (5:59)
B3. Early Morning Stroll (6:52)

All compositions by Hank Mobley 

Total Time: 37:35 

Credits:
Producer - Francis Wolff
Recording Engineer - Jacques Yves Barral
Rerecording Engineer, Lacquer Cut - Rudy van Gelder
Cover Design - Bob Venosa, Havona
Art Direction - Frank Gauna
Liner Notes - Leonard Feather 

Leonard Feather once hailed Hank Mobley as "the middleweight champion of the tenor saxophone." Mobley was better than that. An exquisite soul messenger, Mobley was criticized for not being as aggressive, voluminous, or trailblazing as his contemporaries. Indeed, he was not. Instead, his music was steeped in care, precision and nuances. In Mobley's hands, such treatment often dazzled, as on this Blue Note LP, The Flip. He's supported by an excellent crew of international musicians, including Dizzy Reece on trumpet, Slide Hampton on trombone, Vince Benedetti on piano, Alby Cullaz on bass and Philly Joe Jones on drums. All the tunes on The Flip were composed by Mobley and are built around his strengths of soul, swing, and subtlety. Listen to the opening statements of the title track, the punch of the horns, the dance of the rhythm section, and the sheer joy of it all. It's a vicious groove by all accounts, as the members revel in this boogaloo scene. The charms do not end with Mobley, either. Hampton's trombone wailings are often clever and valuable throughout the album. Check out Reece's trumpet solos on "Snappin' Out," and "18th Hole." Jones, as always, is beyond compliments. The true surprise on this album is the pianist, Benedetti. His accompaniments are in excellent taste, as are those of Cullaz. True, this album and its composer will never be within the ranks of the most influential, the most revered, or even the most downloaded. Fine. Besides, as a provocateur of beauty, Mobley is in a class all his own. ~ excerpts from Germein Linares, All About Jazz.

LINK

18th Hole

Saori Yano - Groovin' High (2006)

Saori Yano, celebrated her 20th birthday on 27th October, 2006, and released this album "Groovin' High" that marks the end of her teenage years and the start of her 20s and beyond. The theme of this, her fifth album as leader is based around jazz expression in an ensemble format utilizing such jazz greats as: Randy Brecker (tp), Slide Hampton (tb), Jimmy Heath (ts), James Moody (ts,fl), Gary Smulyan (bs), Masaaki Imaizumi (p), Ray Drummond (b) and Adam Nussbaum (ds) in a mode reminiscent of her much loved and admired Dizzy Gillespie, whom was equally noted for his own big band groupings. Recorded at Clinton Studio, New York, Saori chose as her setlist a vivid array of well-known jazz standards. Listeners of Saori, even at this early age can truly appreciate her versatile and expansive performance/s, whilst accompanied by the some of the best modern day jazz masters. Her prowess lies in her ability to express herself freely at the same time showcasing her virtuosity, laying down the ground to be recognised as a bright new contender in the jazz world today. Overall, for any jazz fan this album serves as one not to be overlooked, enjoy! 

Savoy Records, COCB-53576, 2006
Recorded 22nd-23rd July, 2006 at Clinton Studio, New York 

Musicians:
Saori Yano - Alto Saxophone
Randy Brecker - Trumpet
Slide Hampton - Trombone
Jimmy Heath - Tenor Saxophone
James Moody - Tenor Saxophone, Flute
Gary Smulyan - Baritone Saxophone
Masaaki Imaizumi - Piano
Ray Drummond - Bass
Adam Nussbaum - Drums 

Featured Personnel:
01. Speak Low with Slide Hampton & Randy Brecker
02. Manteca with Full Band
03. My Ideal with Quartet
04. Greenism with Quartet
05. Over The Rainbow with Quartet
06. Groovin' High with Full Band
07. Corcovado with James Moody & Gary Smulyan
08. There Will Never Be Another You with James Moody
09. Billie's Bounce with James Moody
10. Song Of The Seashore with Full Band 

Tracks:
01. Speak Low {Kurt Weill} (9:20)
02. Manteca {Dizzy Gillespie} (6:56)
03. My Ideal {Newell Chase, Richard A. Whiting} (6:11)
04. Greenism {Saori Yano} (4:44)
05. Over The Rainbow {Harold Arlen} (6:43)
06. Groovin' High {Dizzy Gillespie} (6:50)
07. Corcovado {Antônio Carlos Jobim} (7:46)
08. There Will Never Be Another You {Harry Warren, Mack Gordon} (6:37)
09. Billie's Bounce {Charlie Parker} (3:35)
10. 浜辺の歌 [Song Of The Seashore] {Tamezō Narita} (6:28) 

Total Time: 65:16 

Credits:
Producer - Hiroyuki Okano
Artist Management, Co-producer - Haruki Naoi
Recording Engineer - Bryan Smith
Assistant Recording Engineer - Sheldon Yellowhair
Mixing Engineer - Toshiyasu Shiozawa
Assistant Mixing Engineer - Masumi Iwata
Mastering Engineer - Hiroshi Sato
Art Direction, Design - Ikkun Hagi
Inner Editor - Hiroshi Ajimoto
Photography - Nicci Keller 

Groovin' High