Jimmy Ponder - White Room (1977) [vinyl]

A sweet little groover from guitarist Jimmy Ponder -- a surprisingly satisfying record that features Ponder soloing out over some tight funky backings that almost sound like the best of the larger group sessions on Kudu or Groove Merchant. Jimmy's playing a sweet hollow body that gives him a tone that's a bit like O'Donnel Levy -- warm and chromatic, with single notes picked out in a tight progression that has a lot more jazz than you'd expect for the session at the time. One cut does have some vocals from Jimmy, but the rest is instrumental -- with tracks that include "So In Love", "Quintessence", "Bro James", and "Easy".  Dusty Groove. 

ABC Impulse! AS-9327, 1977
Recorded at Sound Ideas, New York, N.Y. and
ABC Recording Studios, Los Angeles, California 

Musicians:
Jimmy Ponder - Guitar, Vocals (#A1)
Albert Prince - Electric Piano (#A1,B3), Organ (#A2,A3,B1), Clavinet (#A4), Piano (#B2)
Sonny Burke - Clavinet (#A1,B1), Piano (#A2), ARP String Ensemble (#B1)
Cedric Lawson, Michael Boddicker - Synthesizer (#B2)
Chris White - Bass (#A3,A4,B2)
James Jamerson, Sr. - Bass (#A1,B3)
Scott Edwards - Bass (#A2,B1)
Victor Jones - Drums (#A1-A4,B2,B3)
James Gadson - Drums (#B1)
Paulinho Da Costa - Conga Drums (#A1,A2,A4), Percussion (#A2,B2), Bongo Drums (#B1)
Stacy Edwards - Percussion (#A3)
+ Strings (#A1,A3,B3)
Arranger, Conductor - Johnny Pate
Concertmaster - Charles Veal

Tracks:
A1. If You Need Someone To Love {Jimmy Ponder} (6:10)
A2. Going Back To Country Living {Bell, Creed} (5:18)
A3. Easy {Jimmy Ponder} (4:02)
A4. Bro' James {Jimmy Ponder} (5:20)
B1. White Room {Bruce, Brown} (6:10)
B2. Quintessence {Jimmy Ponder} (7:02)
B3. So In Love {Jimmy Ponder} (5:47) 

Total Time: 39:49 

Credits:
Producer - Esmond Edwards
Recording & Mixing Engineer - Barney Perkins
Recording Engineer - Skip Juried
Collage Design - John Van Hamersveld
Photography - Chris Callis
Art Direction - Earl Klasky 

Easy

Link

Ernie Watts - Sanctuary (1986)

This Qwest project was a typical crossover project for Ernie Watts, who recorded a series of commercial sets for Elektra and Qwest. The rhythms are danceable; Watts displays attractive tones on tenor, alto, and soprano; the supporting cast includes top L.A. studio musicians; Don Grusin contributes keyboards and electronic rhythms; among the many vocalists are Larry Williams and Phil Perry; and guitarist Lee Ritenour pops up on a few numbers. Ernie Watts would soon start recording more creative jazz and start to realize his potential, which is largely wasted on this effort. ~ by Scott Yanow, AMG.

 

Qwest Records, 9 25513-1, 1986
Recorded at Monterey Sound Studios, Glendale, California;
and Additional at Starlight Studio, Malibu, California. 

Musicians:
Ernie Watts - Alto (#A1,A3,B1,B3), Soprano (#A2,B1), Tenor (#A2,A4,B2,B4)
Larry Williams - Synth Voice (#A1), Funny Horns (#A2), Horse Hoofs (#A3),
Synth Horn (#B1), Synth Strings (#B4), Vocals [Background]
Don Grusin - Keyboards, Drum & Synthesizer Programming, Vocal Arranger
Lee Ritenour - Guitar (#A1,A3,B2)
Carlos Rios - Guitar (#A2,B3)
Abraham Laboriel, Sr. - Bass (#A4,B2)
Nathan East - Bass (#B1)
John Robinson - Drums (#A1-A3,B3)
Carlos Vega - Drums (#A4,B1)
Paulinho da Costa - Percussion (#A1,A2,B2)
Alex Acuña - Drums (#B2), Percussion (#B2,B4)
Phil Perry - Vocals (#A2,A4,B3), Background Vocals (#A1), Arranger [Vocals]
Kevin Dorsey, Aladrain Elmore, Roy Galloway, Siedah Garrett, Kate Markowitz,
Lillain Tynes Perry, Darryl Phinnessee, Oren Waters - Background Vocals 

Tracks:
A1. Taj {Don Grusin} (4:11)
A2. She Feels Good {Don Grusin} (3:53)
A3. Cowboy Dreams {Don Grusin} (4:22)
A4. Homeland {Phil Perry, Don Grusin} (4:55)
B1. Chinook {Don Grusin} (5:30)
B2. Sanctuary {Ernie Watts} (5:20)
B3. City Speak {Don Grusin} (4:18)
B4. The Peace Offering {Ernie Watts} (3:22) 

Total Time: 35:51 

Credits:
Producer - Ernie Watts
Producer, Mixing [Digital], Arranger - Don Grusin
Executive-Producer - Quincy Jones
Recording Engineer, Mixing [Digital] - Geoff Gillette
Additional Engineering - Don Murray
Assistant Engineer, Digital Mixing - Stan Katayama
Assistant Engineer - Terry Bower
Mastering - Wally Traugott
Art Direction, Design - Gabrielle Raumberger 

"Deep within our souls is a place of peace and love,
where there is no hate, no war, no competition.
This is our true homeland - our sanctuary of the heart."

Randy Crawford - Secret Combination (1981)

It is little wonder that Secret Combination remains Randy Crawford's most successful album in the UK. It is a superb collection of well-chosen material, expertly played by the cream of L.A session players and sung with great conviction. Macon, Georgia-born Crawford had first risen to prominence in the UK as the featured vocalist on the Crusaders' Street Life in 1979, and enjoyed her first solo hit the following year with One Day I'll Fly Away. Secret Combination, released in May 1981, was the album that capitalised on this success. Although Crawford had previously been an earthy jazz singer, Secret Combination barely breaks a sweat. Produced by Tommy LiPuma (the man responsible for turning George Benson from a jazzer into a commercial superstar) and it is consistently pleasant, radio-friendly pop-soul. What bite there is can be found on lead single You Might Need Somebody, a Hollywood-softened dirty blues and the album's closer, Trade Winds. Crawford imbues everything with a honeyed experience - none more so than on the title track where her quiet steadfastness retains the love of the song’s hero. Secret Combination’s covers excel: Crawford's version of Tony Joe White's A Rainy Night In Georgia may lack the despair of Brook Benton's famous reading, but sweetens the longing. That's How Heartaches Are Made (made famous by 'Baby' Washington/the Marvelettes) makes the song's desperation almost playful. In 1981, Secret Combination seemed to be everywhere. It spent 60 weeks on the UK charts and reached No. 2. And in 1982, she won the Best Female Artist award at the Brits on the strength of this record. It remains a delightful time-capsule, perfect for sunny Sunday mornings. ~ Daryl Easlea, 2009, BBC Review. 

Warner Bros., 7599-23541-2, 1990?
Recorded and Mixed at Sound Labs and Capitol Recording, Hollywood 

Personnel:
Randy Crawford - Vocals
Ernie Watts - Flute, Solo (#B1)
Chuck Findley - Horn
Gary Herbig - Horn
Larry Williams - Horn
Bill Reichenbach Jr. - Horn
Jim Horn - Horn
Leon Pendarvis - Piano, Keyboards, Arranger [Rhythm]
Neil Larsen - Organ (#A2,B3,B5), Keyboards
Dean Parks - Guitar
Robben Ford - Guitar, Guitar [Electric] (#A4)
Steve Lukather - Guitar
Abraham Laboriel, Sr. - Bass
Jeff Porcaro - Drums
Lenny Castro - Percussion
Marti McCall - Vocals [Background]
Petsye Powell - Vocals [Background]
Alfie Silas - Vocals [Background]
Phyllis Saint James - Vocals [Background]
=============================================
Arranger [Strings] - Nick DeCaro (#A1,A3,A4,B1,B2,B4,B5)
Bill Reichenbach - Arranger [Horns] (#A1,B3)
Dale Oehler - Arranger [Strings] (#A2,A5)
Arranger [Horns] - Larry Williams (#B3) 

Tracks:
A1. You Might Need Somebody {Tom Snow, Nan O'Byrne} (4:19)
A2. Rainy Night In Georgia {Tony Joe White} (4:22)
A3. That's How Heartaches Are Made {Ben Raleigh, Bob Halley} (2:57)
A4. Two Lives {Mark Jordan} (3:47)
A5. You Bring The Sun Out {Tom Snow, Jesse Dixon} (3:23)
B1. Rio De Janeiro Blue {Richard Torrance, John Haeny} (4:18)
B2. Secret Combination {Tom Snow, Frannie Golde}  (3:24)
B3. When I Lose My Way {Turley Richards} (3:44)
B4. Time For Love {Leon Russell} (4:15)
B5. Trade Winds {Ralph MacDonald, William Salter} (4:55) 

Total Time: 39:28 

Credits:
Producer - Tommy LiPuma
Recording & Mixing - Al Schmitt
Assistant Engineer - Stewart Whitmore, Don Henderson
Production Coordination - Noel Newbolt
Original Mastering - Mike Reese
CD Remastering - Lee Herschberg
Art Direction - Richard Seireeni
Photography - Phillip Dixon 

Secret Combination on Two Ronnies Show