Harry Allen - Here's To Zoot (2001)

Impressive And Delightful

Here's another fine Harry Allen CD. There are some interesting surprises here. Harry plays the verse to "I Cover The Waterfront" slowly, and where you expect him to double the tempo, he doesn't, but keeps it slow. It makes for a different and pleasing approach. He does the same think on "Someone To Watch Over Me", though this one might be taken just a tad too slowly. "I Cried For You" is taken way up-tempo and features excellent brush work by Hanna. The most ambitious track is "I'll Take Romance", done in waltz time, medium-slow at first; then comes an unaccompanied piano solo by McKenna in 4/4, followed by Harry back in 3/4 time and with the tempo doubled. It's an impressive performance. "I Remember You" is played as a Bossa Nova, and "The Way You Look Tonight" has a crisp, jaunty flavor to it. This is a most attractive CD that will not fail to delight Harry Allen fans. ~ Bomojaz, Amazon.com.

Deserves To Be Heard.........

Harry Allen is in supurb form in this wonderful 1997 salute to his "hero", Zoot Sims. Fact is, Harry's tenor is sounding more and more like Stan Getz. The group is tight (McKenna, Moore and Hanna all played with Zoot Sims and they excel here), and the solos and interplay (and the recording quality) are excellent. Because it has only been issued in Japan, not too many people know about it and it is difficult to find. That's a shame, because it is a wonderful listen. Grab it if you get the chance. ~ Stephen W. Mckenna, Amazon.com.

BMG Records, BVCJ-648, 2001

Recorded 17^th & 18^th June, 1997 At Nola Studios, New York, NY

Personnel:

Harry Allen - Tenor Saxophone

Dave McKenna - Piano

Michael Moore - Bass

Jake Hanna - Drums

Tracks:

01. I Cover The Waterfront {Johnny Green, Edward Heyman} (5:07) 

02. Stars Fell On Alabama {Mitchell Parish, Frank Perkins} (4:27)

03. Spring Is Here {Lorenz Hart, Richard Rodgers} (4:48)

04. I Cried For You {Gus Arnheim, Arthur Freed, Abe Lyman} (4:21)

05. Grooveyard {Carl Perkins} (6:40)

06. I Remember You {Johnny Mercer, Victor Schertzinger} (6:05)

07. Someone To Watch Over Me {George Gershwin, Ira Gershwin} (5:28)

08. 9:20 Special {William Engvick, Earle Warren} (5:14)

09. The Way You Look Tonight {Dorothy Fields, Jerome Kern} (4:36)

10. All My Tomorrows {Sammy Cahn, James Van Heusen} (4:03)

11. I'll Take Romance {Oscar Hammerstein II, Ben Oakland} (5:41)

Credits:

Producer - Ikuyoshi Hirakawa

Engineer - Jim Czak

Assistant Engineer - Bill Moss

Mastering Engineer - Hiromichi Takiguchi

Dave McKenna, Scott Hamilton, Jake Hanna - No Bass Hit (1979) [vinyl>flac]

Most pianists are dependent on a bassist to keep the rhythm unless they are playing unaccompanied solos, but not Dave McKenna. McKenna, who has the ability to consistently set a fire under tenor saxophonist Scott Hamilton, teams up with Hamilton and drummer Jake Hanna for this superlative trio set. The eight standards (which include “If Dreams Come True,” “Drum Boogie,” “I Love You, Samantha,” and “Get Happy”) consistently swing hard, and there is plenty of excitement. Highly recommended, particularly to lovers of mainstream jazz.

Concord Jazz, CJ-97, 1979

Recorded and Remixed March, 1979 at Normandy Studios, Warren, Rhode Island

Musicians:

Dave McKenna - Piano

Scott Hamilton - Tenor Saxophone

Jake Hanna - Drums

Track Listing:

A1. But Not For Me {George & Ira Gershwin} (4:57)

A2. If Dreams Come True {Benny Goodman, Irving Mills, Edgar Sampson} (3:50)

A3. Long Ago And Far Away {Jerome Kern, Ira Gershwin} (3:48)

A4. Drum Boogie {Gene Krupa, Roy Eldridge} (6:56)

B1. I Love You, Samantha {Cole Porter} (5:50)

B2. I'm Gonna Sit Right Down And Write Myself A Letter {Joe Young, Fred Ahlert} (6:07)

B3. Easy To Love {Cole Porter} (5:23)

B4. Get Happy {Ted Koehler, Harold Arlen} (3:51)

Credits:

Producer - Carl E. Jefferson

Recording and Remix Engineer - Wil Morton

Cover Photo - Bruce Burr

Art Direction - DH Studio

Liner Notes - Charlie Drago

Charlie Ventura Plays Hi Fi Jazz

Hey gang!!  I have been sitting on this completed transfer for a few weeks now.  I actually opted to not share it, mostly because the transfer quality isn't where I would like it to be, and the music is easily found on remastered CD.  That said, after several listenings I realized I am my own worst critic - the music is more important than my ego.

This post is really focused on those cats who haven't had the chance to hear Ventura in a small group.  There isn't anything revolutionary happening on this Tops record, but the playing and the vibes are all excellent.  Our main man plays a different sax on each track, including bass!!  Laid back feel in his playing, even on the up tempo numbers and overall there's a wonderful bluesy logic.

The band hold it down as only the best can do.  Billy Bean is heard on a few tracks with his gorgeous soloing.  McKenna also gets mention for some terrific comping.  Overall this one's a winner, especially if you enjoy that mainstream/swing sound.  I cleaned up the record as best I could, without hurting the music itself.  There's no doubt about the source, but if you're a vinyl fan I think you will find it less interruptive and more "atmospheric".  Yes, that's what we'll call it.  Ripped at 24/48 wav and transferred to 24/48 FLAC, this album is sure to get your weekend started right... enjoy!!!

By 1956 tenor-saxophonist Charlie Ventura no longer had a regular band and was drifting into semi-retirement. In fact, other than an album for King the following year and a set for Famous Door in 1977, this Lp was his final recording. Teamed with the then-unknown pianist Dave McKenna, guitarist Billy Bean, bassist Richard Davis (at the beginning of his career) and drummer Mousey Alexander,Ventura switches between tenor, alto, baritone and bass saxophones. The repertoire is filled with swing and dixieland standards including such unlikely songs as "When The Saints Go Marching In," "Bill Bailey" and "Sweet Sue" (in addition to a remake of Ventura's old hit with Gene Krupa "Dark Eyes") but the interpretations are full of spirit and swing. Although it may not look too promising, this budget Lp (which is long out of print but may be found at a cheap price) is actually well worth picking up. - Scott Yanow

1957 Tops Records ‎– L1528