Marion Brown Quartet - Why Not? (1966) [vinyl]

Issued in 1968, Why Not? is Marion Brown's second outing for the ESP label as a leader. The saxophonist also guested on a Burton Greene date earlier that same year. Featuring pianist Stanley Cowell, Coltrane alumnus Rashied Ali (Coltrane had been dead less than a year at this time), and bassist Norris Sirone Jones, Brown reveals his great strengths as a composer and bandleader, which are matched by his abilities as a soloist. The opener, "La Sorella," features a gorgeous opening solo by Cowell. Using large and intricate chorded modal phrases, Cowell creates a virtual chromatic field for the rest of the rhythm section -- Jones, in particular, responds in kind with scintillating three-string figures that add a deeper series of conical figures for ballast. Brown enters just behind Ali in full cry on the alto. Using a Coltrane-esque song figure to respond to Cowell's stunningly beautiful foundation, Brown blows lean but long lines before a long solo by Jones cuts them all quiet. When the band enters, they are in prelude form, with spun-out piano lines ever in anticipation and Brown calling something out of the ether that never quite materializes, which is fine because on "Fortunata" it does: a ballad that develops into something wholly other without changing tempo. This is jazz as expressionism; it doesn't need to be "free" because it has been untethered from the opening bars. Brown's solo here lilts on the branches of Cowell's arresting, nearly Debussian chromatic figures that extend harmonic ranges almost without end. By the time the band gets to the title track, a free workout in a dizzying tempo, the listener is grounded enough in Brown's composed lyricism so as not to be surprised at all when the fury of the tempo is elongated by the temperance in tension the band creates. Finally, on "Homecoming," where the ballad begins to show its face once more, each member steps in to underline and deconstruct it by using contrapuntal lyricism as a contrast. Even Ali, one of the great powerhouse drummers, dances rather than sprints around the band, even in his lengthy solo. This is a phenomenal album, a place where Marion Brown got to reveal early on why he was such a formidable force: He understood the inherent importance of musical traditions and he also understood how imperative it was to them and to jazz to extend them in a manner that left their roots clearly visible. ~ Thom Jurek, AMG.

ESP-Disk, ESP 1040, 1968
Recorded 23^rd October, 1966 in New York City 

Musicians:
Marion Brown - Alto Saxophone
Stanley Cowell - Piano
Norris "Sirone" Jones - Bass
Rashied Ali - Drums 

Tracks:
A1. La Sorrella {Marion Brown} (11:28)
A2. Fortunato {Marion Brown} (8:33)
B1. Why Not? {Marion Brown} (6:56)
B2. Homecoming {Marion Brown} (10:15) 

Total Time: 37:12

Credits:
Recording Engineer - George Klabin
Cover Photo - Guy Kopelowicz
Cover Graphics - Boby Jerry

Eddie "Cleanhead" Vinson - The "Clean" Machine (1978) [vinyl>flac]

This classic ‘Texas Blues’ LP by Eddie “Cleanhead” Vinson truly entertains. Eddie as Scott states below is in a grand setting showcasing his virtuosity on Alto. He is backed by a highly compatible crew of equally great jazz musicians. If you get down to the ‘Blues’ you’ll definitely dig this, Enjoy!

What makes this album different from many of Eddie "Cleanhead" Vinson's is that four of the seven selections are taken as instrumentals. Vinson's alto playing has long been underrated due to his popularity as a blues singer, so this release gives one the opportunity to hear his bop-influenced solos at greater length. With the assistance of a strong rhythm section led by pianist Lloyd Glenn and some contributions from trumpeter Jerry Rusch and Rashid Ali on tenor, Vinson is in excellent form throughout this enjoyable set. ~ by Scott Yanow, AMG.

Muse Records, MR 5116, 1978

Recorded 22^nd February, 1978 At Wally Heider Studio, Hollywood, California

Musicians:

Eddie "Cleanhead" Vinson - Alto Saxophone, Vocals (#A2,B1,B2)

Jerry Rusch - Trumpet

Rashid Ali - Tenor Saxophone

Lloyd Glenn - Piano

Gary Bell - Guitar

Larry Gales - Bass

Bruno Carr - Drums

Tracks:

A1. The Clean Machine {Eddie "Cleanhead" Vinson} (5:30)

A2. Taxi Driver Blues {Leonard Feather} (5:05)

A3. Corn Fed {Eddie "Cleanhead" Vinson} (6:38)

B1. When My Baby Left Me {Eddie "Cleanhead" Vinson} (4:54)

B2. Old Maid Boogie {Eddie "Cleanhead" Vinson} (2:59)

B3. Tenderly {Walter Gross} (4:32)

B4. Non-Alcoholic {Eddie "Cleanhead" Vinson} (4:37)

Credits:

Executive-Producer - Joe Fields

Engineer - Peter Granet

Art Direction - Tamar Zinn

Liner Notes, Cover Photo - Pete Lowry