Willis Jackson - Gentle Gator (1995)

Gentle Gator is a compilation album by American jazz saxophonist Willis "Gator" Jackson, released in 1995 by Prestige Records. The album showcases the "mellow" side of Jackson, who was primarily known as a high-energy "honker" and rhythm and blues tenor man. The collection features recordings from 1961 and 1962, focusing on "deep soul ballads" and "caressing blue ballads". It includes tracks originally released on his Prestige albums like In My Solitude (Moodsville, Vol. 17), Really Groovin' (Prestige 7196), Neopolitan Nights (Prestige 7264) and Shuckin' (Prestige 7260). Jackson is joined by notable sidemen including pianists Tommy Flanagan and Richard Wyands, guitarists Kenny Burrell and Bucky Pizzarelli, bassists Peck Morrison and Wendell Marshall, Drummers Mickey Roker and Gus Johnson, conga player Juan Amalbert, along with a myriad of other fine musicians. Overall, this album captures Jackson's ability to render "ravishing" and "enchanted" balladry. 

Prestige Records, PRCD-24158-2, 1995
Recorded 11th April, 1961 (#1,2,4,10-12) [My Solitude]
Recorded 10th January, 1961 (#3,6-8) [Really Groovin']
Recorded 19th December, 1962 (#5) [Neopolitan Nights]
Recorded 30th October, 1962 (#9) [Shuckin'] 

Musicians:
Willis Jackson - Tenor Sax
Richard Wyands - Piano (#1,2,4,10-12)
Jimmy Neeley - Piano (#3,6-8)
Gildo Mahones - Piano (#5)
Tommy Flanagan - Piano (#9)
Bucky Pizzarelli - Guitar (#5)
Kenny Burrell - Guitar (#9)
Peck Morrison - Bass (#1,2,4,10-12)
Wendell Marshall - Bass (#3,6-8)
George Tucker - Bass (#5)
Eddie Calhoun - Bass (#9)
Mickey Roker - Drums (#1,2,4,10-12)
Gus Johnson - Drums (#3,6-8)
Bobby Donaldson - Drums (#5)
Roy Haynes - Drums (#9)
Juan Amalbert - Congas (#3,6-9)
Montego Joe - Congas (#5), Percussion (#9)
Jose Paulo - Percussion (#9) 

Tracks:
01. Solitude {Duke Ellington, Eddie Delange, Irving Mills} (5:04)
02. Estrellita {Manuel María Ponce Cuéllar} (4:10)
03. Girl Of My Dreams {Sunny Clapp} (6:36)
04. It Never Entered My Mind {Richard Rodgers, Lorenz Hart} (4:01)
05. Al Di La {Carlo Donida} (4:46)
06. Careless Love {Traditional} (4:24)
07. I Remember Clifford {Benny Golson} (3:48)
08. Again {Dorcas Cochran, Lionel Newman} (4:05)
09. Amor {Gabriel Ruiz, Ricardo Lopez Mendez} (7:48)
10. Nancy [With The Laughing Face] {Jimmy Van Heusen, Phil Silvers} (5:22)
11. Home {Geoffrey Clarkson, Harry Clarkson, Peter Van Steeden} (5:10)
12. They Didn't Believe Me {Jerome Kern, Michael E. Rourke} (3:37) 

Total Time: 58:51 

Credits:
Supervisor - Esmond Edwards (#1-4,6-8,10-12)
Supervisor - Ozzie Cadena (#5,9)
Recording Engineer - Rudy van Gelder
Digital Remastering - Phil De Lancie
Compilation, Liner Notes - Bob Porter
Art Direction - Phil Carroll
Liner Notes - Sidney Falco

LINK

It Never Entered My Mind

Willis Jackson - In My Solitude (1961) [vinyl]

One of the rarest Willis Jackson albums of the 60s - recorded for the smaller Moodsville subsidiary of Prestige, and done in a dreamy late nite mode that's quite different from some of Jackson's other sets! The group is a quartet with Richard Wyands on piano - offering a starker, darker backing than Willis received on his organ-based albums for Prestige - a sound that allows Jackson to open up in these mellow and introspective solos, blown out of sadness into the darkness - with a tone and sound that seems to know no bottom. The set is recorded with a nice use of echo that seems to enforce this quality - and titles include "It Never Entered My Mind", "Home", "They Didn't Believe Me", "Estrellita", and "In My Solitude". © Dusty Groove, Inc.

Prestige/Moodsville Records, MVLP 17, 1961

Recorded 10^th January, 1961 (#A4) & 11^th April, 1961 (#A1-A3,B1-B4)
At Van Gelder Studio in Englewood Cliffs, New Jersey

Personnel:

Willis Jackson - Tenor Saxophone

Richard Wyands - Piano (#A1-A3,B1-B4)

Jimmy Neeley - Piano (#A4)

Peck Morrison - Bass (#A1-A3,B1-B4)

Wendell Marshall - Bass (#A4)

Mickey Roker - Drums (#A1-A3,B1-B4)

Gus Johnson - Drums (#A4)

Juan Amalbert - Congas (#A4)

Tracks:

A1. Nobody Knows The Trouble I Seen {Traditional} (4:12)

A2. Sometimes I Feel Like A Motherless Child {Traditional} (3:41)

A3. [In My] Solitude {Eddie DeLange, Duke Ellington, Irving Mills} (5:04)

A4. Estrellita {Manuel Ponce} (4:11)

B1. It Never Entered My Mind {Lorenz Hart, Richard Rodgers} (4:03)

B2. They Didn't Believe Me {Jerome Kern, Michael E. Rourke} (3:38)

B3. Home {Harry Clarkson, Geoffrey Clarkson, Peter van Steeden} (5:11)

B4. Nancy [With The Laughing Face] {James van Heusen, Phil Silvers} (5:23)

Credits:

Producer, Photo - Esmond Edwards

Recording Engineer - Rudy van Gelder
Design - Don Schlitten
Liner Notes - Sidney Falco

Buck Clayton with Buddy Tate - Buck & Buddy blow the blues (1961) [re-rip]

A romping little session from Buck Clayton and Buddy Tate - served up in a looser, more relaxed setting than the former's albums for Columbia, and a slightly more swing-based mode than the latter's dates for Chess! Both horn players get plenty of room to solo in the open-ended Swingville mode - Buck on trumpet and Buddy on both tenor and clarinet - and the group's a nice one too, since Sir Charles Thompson's playing piano, Gene Ramey's on bass, and Gus Johnson's on drums. Titles include "Blue Creek", "Blue Breeze", "Blue Ebony", "Rompin At Red Bank", and "Dallas Delight". © Dusty Groove, Inc.

Prestige/Swingville, SVST 2030, 1961

Recorded 15th September, 1961 in Englewood Cliffs, New Jersey

Musicians:

Buck Clayton - Trumpet

Buddy Tate - Tenor Saxophone, Clarinet

Sir Charles Thompson - Piano

Gene Ramey - Bass

Gus Johnson - Drums

Tracks:

A1. Rompin’ At Red Bank {Buddy Tate} (6:35)

A2. Blue Creek {Buddy Tate} (6:32)

A3. A Swinging Doll {Buck Clayton} (3:55)

A4. Dallas Delight {Buck Clayton} (4:36)

B1. Don’t Mind If I Do {Buddy Tate} (8:06)

B2. Blue Breeze {Buck Clayton} (4:13)

B3. Blue Ebony {Buck Clayton} (5:59)

Credits:

Supervision - Esmond Edwards

Recording Engineer - Rudy van Gelder

Design, Photo - Don Schlitten

Liner Notes - Joe Goldberg

Willis Jackson - Really Groovin' (1961) [vinyl]

A killer batch of tracks from Willis Jackson - recorded in a slightly different format than some of his other work for Prestige! The album features Gatortail in two different piano-based quartets - one with the obscure Jimmy Neely on the keys, the other with the great Richard Wyands riffing things up. Juan Amalbert of the Latin Jazz Quintet plays conga on a number of tracks - giving them that rolling groove that you'd often hear with Gene Ammons or Lou Donaldson during the time, and Jackson more than does his job of matching those two in adapting to the slight Latin tinge of the format. Titles include "Sweet Peter Charleston", "A Twist of The Blues", "Oatmeal", and "He Said She Said I Said". ~ Dusty Groove America.

Prestige Records, PRLP 7196, 1961

Recorded 10^th January (#A1-B3) and 11^th April (#B4), 1961

At Van Gelder Studio, Englewood Cliffs, New Jersey

Musicians:

Willis Jackson - Tenor Saxophone

Jimmy Neeley - Piano (#A1-B3)

Richard Wyands - Piano (#B4)

Wendell Marshall - Bass (#A1-B3)

Peck Morrison - Bass (#B4)

Gus Johnson - Drums (#A1-B3)

Mickey Roker - Drums (#B4)

Juan Amalbert - Conga (#A1-B3)

Tracks:

A1. Careless Love {W. C. Handy, Spencer Williams} (4:28)

A2. Oatmeal {Johnny Griffin} (4:28)

A3. I Remember Clifford {Benny Golson} (3:53)

A4. A Twist Of Blues {Willis Jackson} (5:47)

B1. Sweet Peter Charleston {Johnny Griffin} (6:56)

B2. Again {Lionel Newman, Dorcas Cochran} (4:11)

B3. He Said, She Said, I Said {Willis Jackson} (3:58)

B4. Girl Of My Dreams {Sunny Clapp} (6:48)

Credits:

Supervision - Esmond Edwards

Recording Engineer - Rudy van Gelder

Liner Notes - Joe Goldberg

Ray Bryant And His Combo - Dancing The Big Twist (1960) [re-rip]

This Ray Bryant album was released on Columbia Records in 1961. Dancing The Big Twist is basically an album of novelty tunes with a twist theme, including "Twist City," "Twistin' On A Cat's Paw," and "Do That Twist." This session will appeal to those who favour Bryant's dance hit of the era, "MadisonTime."

Columbia Records, CS 8546, 1961

Musicians:

Ray Bryant - Piano

Harry Edison - Trumpet (#B3)

Joe Newman - Trumpet (#A1-B2,B4)

Pat Jenkins - Trumpet (#A1-B2,B4)

Matthew Gee - Trombone (#A1-B2,B4)

Buddy Tate - Tenor Saxophone (#A1-B2,B4)

Ben Richardson - Baritone Saxophone (#B3)

Jimmy Rowser - Bass (#A1-B2,B4)

Bill Lee - Bass (#B3)

Mickey Roker - Drums (#A1-B2,B4)

Gus Johnson - Drums (#B3)

Ray Barretto - Bongos, Scraper (#B3)

Don Covay - Vocals (#A2)

Tracks:

A1. Twist City {Matthew Gee} (5:44)

A2. Just A Little Bit Of Twist {Don Covay} (2:47)

A3. Big Susie {Ray Bryant} (5:21)

A4. Twist On {Ray Bryant} (4:45)

B1. Twistin' On A Cat's Paw {Buddy Tate} (5:00)

B2. Mo-Lasses {Joe Newman} (5:16)

B3. Fast Twist {Harry Edison, Ray Bryant} (2:16)

B4. Do That Twist [Early In The Morning] {Matthew Gee} (5:32)

Credits:

Producer, Liner Notes - John Hammond

Mose Allison - I Love The Life I Live (1960) [vinyl, mono>flac]

Here’s my tribute to a great musician, singer & composer.

Recorded In the mid-1960, this Mose's second album with Columbia Records, captures the artist and his trio as he develops as a pianist, vocalist and composer. With signature passion and prowess, Mose Allison has created another ripe with personality. Known for his work on the trumpet as well as the piano Mose has played with the likes of Stan Getz and Zoot Sims among others as he has spread his own version of blues inflected jazz across the land. Sticking to the piano on this outing Mose sings and plays a few of his own compositions and a nice selection of other works. His piano presence is light and tasty and the blend of the trio sounds just right ever changing directions from song to song as Mose follows his muse.

When this album was recorded in 1960, this laconic Mississippian wasn't the brilliant lyricist he would later become. But he had great taste. The title track, written by Willie Dixon, sure sounds like a Mose song; "Fool's Paradise" is another gem. Mose's four tunes are instrumentals. The production by Teo Macero makes it feel like you're perched on one end of the piano bench. ~ by Mark Allan, AMG.

Columbia Records, CL 1565 [Mono], 1960

Recorded 28^th June, 1960 - 9^th September, 1960

Personnel:

Mose Allison - Piano, Vocals

Henry Grimes - Bass (#A1,A2,B4)

Addison Farmer - Bass (#A3,A4,B1,B3)

Bill Crow - Bass (#A5,B5,B6)

Paul Motian - Drums (#A1,A2,B4)

Jerry Segal - Drums (#A3,A4,B1,B3)

Gus Johnson - Drums (#A5,B5,B6)

Tracks:

A1. I Love The Life I Live, I Live The Life I Love {Willie Dixon} (2:29)

A2. News {Mose Allison} (3:21)

A3. Fool's Paradise {Jerry Fuller, Robert Geddins, Dan Rosenbaum} (3:39)

A4. You Turned The Tables On Me {Louis Alter, Sidney Mitchell} (4:01)

A5. Isobel {Al Cohn} (4:09)

A6. You're A Sweetheart {Harold Adamson, Jimmy McHugh} (2:18)

B1. Night Ride {Mose Allison} (3:16)

B2. Path {Mose Allison} (3:37)

B3. Mad With You {Lightnin' Hopkins} (2:12)

B4. Hittin' On One {Mose Allison} (3:36)

B5. I Ain't Got Nobody {Roger Graham, Don Peyton, Spencer Williams} (1:53)

B6. Can't We Be Friends {Paul James, Kay Swift} (4:31)

Credits:

Producer - Teo Macero

Cover Photo - Bernie Friedman (Columbia Records Studio)

Liner Notes - Mose Allison

Woody Herman Phillips Recordings

Hey gang!!!  Sorry for my absence, but I come baring gifts.  These two albums come from a much less examined period of Herman and his Herd - but an equally rewarding one to be sure.  I have two distinctive sides of Woody on offer today, a quiet quartet session and a roaring big band set.

Mosaic Records offered a small glimpse into this period with one of their 4 album, "Mosaic Select" sets.  This should send some indication to the importance and excellence of the music.  That said there will be no digital remastering here - just good old wax as we all know and love.

The album "1964" cleaned up wonderfully, but the quartet album still has some blemishes.  Both are in glorious mono sound, infact, they are excellent examples of just how incredible mono can be.  Lots of dynamic punch and space within the soundstage.  They have been ripped at 24/48 and transferred to FLAC for your convenience.  Of course, the full scans are included at 300 dpi... enjoy!!!

Swing Low, Sweet Clarinet

Herman took time off from leading his big band to participate in this unusual quartet session. Sticking exclusively to clarinet (although never on the same level as Benny Goodman and Artie Shaw), he shows himself to be a fine improviser and an expressive player who gives fresh interpretations to a variety of standards, some closely associated with BG and Shaw. Nat Pierce leads the fine rhythm section on this out-of-print but worthy LP. - Scott Yanow / AMG

Phillips PHM 200-004
1962

Woody Herman, clarinet;  Nat Pierce, piano;  Chuck Andrus, bass;  Gus Johnson, drums.

A1 Swing Low, Sweet Clarinet 3:10
A2 Rose Room 2:10
A3 Sweet Lorraine 3:01
A4 Blue Moon 3:15
A5 Begin The Beguine 2:57
A6 Pee Wee Blues 3:03
B1 Don't Be That Way 2:55
B2 Someday Sweetheart 3:25
B3 Mood Indigo 3:21
B4 Summit Ridge Drive 3:02
B5 On The Sunny Side Of The Street 2:12
B6 Alexandra 2:53

______________________________________________________________________

Woody Herman : 1964

All of Woody Herman's recordings for Philips (which regrettably remain out-of-print and unissued on CD) are excellent. He was leading one of the finest orchestras of his long career, playing both current and older tunes with creativity (helped out greatly by Nat Pierce's arrangements) and featuring such talented soloists as trumpeter Bill Chase, trombonist Phil Wilson and tenor great Sal Nistico. The release ranges from "Deep Purple" and "After You've Gone" to Oscar Peterson's "Halleluah Time" and even "A Taste of Honey"; everything works. - Scott Yanow / AMG

Phillips PHM 200-118
1964

Baritone Saxophone – Nick Brignola
Bass – Chuck Andrus
Drums – Jake Hanna
Leader, Clarinet, Alto Saxophone – Woody Herman
Piano – Nat Pierce
Saxophone – Sal Nistico
Tenor Saxophone – Carmen Leggio, John Stevens
Trombone – Henry Southall, Kenny Wenzel, Phil Wilson
Trumpet – Bill Chase, Billy Hunt, Danny Nolan, Gerald Lamy, Paul Fontaine

A1 Hallelujah Time 3:23

A2 Deep Purple 3:42

A3 Jazz Hoot 4:30

A4 A Taste Of Honey 3:13

A5 Satin Doll 3:18

B1 After You've Gone 5:08

B2 The Strut 3:07

B3 My Wish 3:28

B4 Cousins 5:53

Jazz For Playboys

During the 50's, Savoy released quite a few mainstream jam sessions.  They generally revolved around the same batch of players, mostly culled from Basie's band.  The results were excellent and most importantly, consistent.  Jazz For Playboys is no exception and overall is a pleasant ride through jazzville.

You will find that this side gets listed under Frank Wess and Kenny Burrell's names... rightly so.  They appear on all of the tracks and definitely lead the charge as far as soloing is concerned.

I thought this would be a nice break from the Basie project, while still staying in a related sound.  This minty Savoy side is a 1985 reissue, ripped at 24/44.1 wav and dithered to 16/44.1 FLAC... enjoy!!

Savoy Jazz MG-12095