Showing posts with label Wycliffe Gordon. Show all posts
Showing posts with label Wycliffe Gordon. Show all posts

Friday, August 23, 2024

Andrea Brachfeld - Lady Of The Island (2011)

This is Andrea's 6th release on ZOHO music which was released in 2012. This is Andrea's first jazz release as she started moving back to her first love, jazz. The guest artists on this CD were Wallace Roney, Wycliffe Gordon, Todd Bashore, Yasek Manzano, Bill O' Connell and Chembo Corniel. It received rave reviews. ~ Andrea Brachfeld Bandcamp. 

Lady of the Island is a wonderful mix of musical selections to be enjoyed by everyone from the studied musician to the casual listener. The tunes on this recording swing hard and groove hard, and are executed at the highest level of musicality and musicianship. To date, this may be the clearest representation of Andrea's expression through her music. Though she has varied tastes in musical approaches and stylistic interpretations, she is a hard bopper at heart, and this is obvious on this date. ~ Wycliffe Gordon, Cover Notes. 

Zoho Music, ZM 201210, 2012
Recorded 20th, 21st August, 2011 at Knoop Studios, River Edge, New Jersey 

Musicians:
Andrea Brachfeld - C Flute (#1,2,4-7,9), Alto Flute (#3,8), Vocals (#8)
Wallace Roney - Trumpet (#5), Solo (#2)
Yasek Manzano - Trumpet (#2,6,9), Flugelhorn (#8)
Wycliffe Gordon - Trombone (#1,2,6)
Todd Bashore - Alto Saxophone (#2,6)
Bill O’Connell - Piano (#1-3,5-8)
Bob Quaranta - Piano (#4,9), Fender Rhodes (#8)
Andy Eulau - Bass (#1,2,4-9)
Kim Plainfield - Drums (#1,2,4-9)
Chembo Corniel - Congas (#2,6,8,9), Percussion (#8)

Tracks:
1. BeBop Hanna {Andrea Brachfeld} (6:39)
2. Eye Of The Hurricane {Herbie Hancock} (6:04)
3. I Got It Bad {Duke Ellington} (6:02)
4. Little Girl's Song {Andrea Brachfeld} (7:57)
5. Dead Ahead {Bill O’Connell} (7:00)
6. Birdlike {Freddie Hubbard} (5:47)
7. In The Center {Andrea Brachfeld, Bill O’Connell} (7:47)
8. Lady Of The Island {Graham Nash} (6:59)
9. Four Corners {Andrea Brachfeld} (6:26) 

Total Time: 60:40 

Credits:
Producer, Liner Notes - Andrea Brachfeld
Producer - Bill O'Connell
Executive Producer - Joachim "Jochen" Becker
Recording and Mixing - Chris Sulit
Mastering - Ed Littman
Design, Photography - Jack Frisch
Photography - Maureen Plainfield 

Lady Of The Island

Monday, July 24, 2023

The Nagel Heyer Allstars - Uptown Lowdown + Bonus (1999)

A Jazz Salute To The Big Apple

It took a German recording team to enable trumpeter/arranger Randy Sandke to assemble this all-American, 12-piece ensemble for a panorama of New York-inspired tunes, recorded in the Big Apple in the Sylvia and Danny Kaye Playhouse as part of the 1999 JVC Jazz Festival. In doing so, he raided the Lincoln Center Jazz Orchestra, as well as several independent history-minded players in the area, and emerged with a band that fires off the numbers with crisp virtuosity in any idiom called for. Thankfully, there is also more than enough gusto in the playing, due in no small part to the live festival recording situation. "The Harlem Medley," a lengthy leadoff stream of delicacies from the land of Ellingtonia, gets close enough to the Ellington sound to convey the idea without being slavishly imitative or ghostly. From there, the band doubles back to Dixieland, works its way up to swing, and slides without a glitch into bebop "Scrapple From the Apple", a Mingus shuffle blues "Nostalgia in Times Square", transitional Coltrane "Grand Central", and some Monk "52nd Street Theme", before being deposited back in Harlem by -- naturally -- the “ATrain." In between the main tour stops, Concord Jazz teammates guitarist Howard Alden and clarinetist Ken Peplowski serve up another of their fluid duets on Irving Berlin's "Slumming on Park Avenue." Other high points include clarinetist Allan Vaché wailing in the trad flagwaver "Chinatown" and trumpeters Sandke and Warren Vaché duking it out on "42nd Street." In all, a well-recorded souvenir of what sounds like a heartwarming local celebration. ~ by Richard S. Ginell, AMG. 

Nagel Heyer Records, nagel heyer 2004, 2004
Nagel Heyer Records, Digital DL, 2021
Recorded 16th June, 1999 Live at Sylvia & Danny Kaye Playhouse, NYC 

Musicians:
Randy Sandke, Warren Vaché - Trumpet
Wycliffe Gordon - Trombone
Joe Temperley - Saxophone
Ken Peplowski - Saxophone, Clarinet
Scott Robinson - Saxophone, Flute
Allan Vaché - Clarinet
Eric Reed - Piano (#1-6,11-13,15)
Mark Shane - Piano (#7-8,10,14)
Howard Alden - Guitar

Rodney Whitaker - Bass
Joe Ascione - Drums 

Tracks:
The Harlem Medley:
01. Echoes Of Harlem {Duke Ellington} /
Drop Me Off In Harlem {Duke Ellington, Nick Kenny} (3:07)
02. Jungle Nights In Harlem {Duke Ellington} (3:37)
03. Boys From Harlem {Duke Ellington} (3:33)
04. Sugar Hill Penthouse {Duke Ellington} (2:31)
05. Blue Belles Of Harlem {Duke Ellington} (3:07)
06. Harlem Speaks {Duke Ellington} (5:28)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
07. Chinatown {Jean Schwartz, William Jerome} (3:09)
08. Rose Of Washington Square {James Hanley, Ballard MacDonald} /
Broadway Rose {Martin Fried, Otis Spencer} (6:43)
09. Slumming On Park Avenue {Irving Berlin} (5:13)
10. 42nd Street {Al Dubin, Harry Warren} (5:59)
11. Scrapple From The Apple {Charlie Parker} (5:48)
12. Nostalgia In Times Square {Charles Mingus} (8:14)
13. Grand Central {John Coltrane} (8:31)
14. 52nd Street Theme {Thelonious Monk} (4:42)
15. Take The "A" Train {Billy Strayhorn} (7:46) 

Bonus Track
16. What's New? {Johnny Burke, Bob Haggart} (5:09) 

Total Time: 82:45 

Credits:
Producer - Charlie Bertini
Director, Arranger - Randy Sandke
Executive-Producer - Hans Nagel-Heyer, Sabine Nagel-Heyer
Recording Engineer - David Baker
Recording Assistant - Katsuhiko Naito
Mixing Engineer - Ben Ahrens
Photography - Alan Nahigian, Ed Berger 

Bonus Track [What's New?]

Thursday, October 28, 2021

Winard Harper Sextet - Make It Happen (2006)

Veteran drummer Winard Harper (who has played with Dexter Gordon, Johnny Griffin, Betty Carter, Ray Bryant, Abdullah Ibrahim, Pharoah Sanders, Clifford Jordan and others) gives us two albums in one on Make It Happen. The first is percussion-heavy. The opening tracks, for example, present an approach to ensemble sound that recalls Mosaic-era Jazz Messengers (carefully arranged multiple-horn lines over a busy, insistent rhythm section). The best compositions echo episodes in the Mingus lineage (notably Dave Holland's excellent mid-'80s groups). These elements can be traced back to a common ancestor in Duke Ellington, and you can't have better roots than that. These musical elements are held together by a genuinely novel mix of Afro-Cuban and unhyphenated African percussion. The percussion draws upon the more familiar Latin rhythms known to jazz audiences since Dizzy Gillespie invited Mario Bauza into his band (witness the flawless Latin jazz marriage in Harper's treatment of Charlie Parker's "Segment"), but also other West African elements which are distinct from the more familiar Yoruba heritage: most notably the invigorating Senegalese talking drum passages on "Children of the World." Three nearly all-percussion numbers are a special treat, especially the title track, from Wycliffe Gordon's didgeridoo prelude to its organ-drenched finale over a Brazilianesque rhythm. The other album is a relatively crammed set of decidedly mainstream allegro ma non troppo jazz; more than a few numbers have to be faded out long before they've worn out their welcome to make room for the others. The locus of inspiration for this second part fluctuates between the '50s ("I've Never Been in Love Before") and '60s ("Chronic Mistakes", the bass/alto duet "Tamisha"), and the added percussion is either inaudible or unobtrusive (and always appreciated, when you can hear it). It manifests the same great Duke-ish approach to group sound. Harper assembles a spirited ensemble, augmented on the best tracks by an idiosyncratic band of supplementary percussionists, who play with a palpable joy and solidarity. The percussionists, beginning with Harper, lead the pack; trumpeter Josh Evans' brassy (as opposed to airy) tone recalls Lester Bowie (and ultimately, Rex Stewart) and deserves special mention, but then so too do guests Antonio Hart (alto sax) and Lawrence Clark (tenor sax). I could listen to the numbers on the percussion-heavy part again and again. As for the cuts on the "second" album, they offer fewer reasons to return for more (with the exception of "Divine Surveillance, which has a certain gravitas). If the balance between the two had been struck more decisively in favor of the first, this would be a stronger overall release, and there is no doubt in my mind that these players could have sustained the passion of the percussion-based group over nearly eighty minutes. As it is, the unflagging excellence of the compositions, arrangements and soloing (that's just about everything on a jazz record, isn't it?), added to the evident camaraderie of the players throughout, make for a strong and joyful entry under the "soulful/mainstream heading. ~ by Jeff Dayton Johnson, AAJ. 

Piadrum Records, PIADRUM-0602, 2006
Recorded 8th January & 3rd April, 2006 at Bennett Studios, Englewood, New Jersey 

Musicians:
Winard Harper - Drums, Balafon (#2,15)
Josh Evans - Trumpet
Wycliffe Gordon - Trombone (#4,7,14), Didgeridoo (#4)
Antonio Hart - Alto Saxophone (#3,5,6)
Lawrence Clark - Tenor Saxophone
Stacy Dillard - Tenor Saxophone (#1,12)
Sean Higgins - Piano (#1,9,12)
T. W. Sample - Piano, Synthesizer
Ameen Saleem - Acoustic Bass
Kevin Jones - Congas, Drum [Jamba], Shaker, Triangle
Alioune Faye - Drum [Sabar], Drum [Jamba], Djembe
Abdou M'Boup - Talking Drum (tama) (#2,15), Vocals (#15)
Jeremy Jones - Tambourine, Cowbell, Drum [Dundun] 

Tracks:
01. Segment {Charlie Parker} (4:12)
02. Children Of The World {Winard Harper} (5:51)
03. Morning Glow {Onaje Allan Gumbs} (6:05)
04. Make It Happen {Winard Harper} (6:37)
05. Tamisha {Winard Harper} (6:45)
06. I've Never Been In Love Before {Frank Loesser} (6:48)
07. Get It! Get It! {Wycliffe Gordon} (4:01)
08. Not One Chance {Winard Harper} (5:14)
09. Reflection {Ray Bryant} (4:18)
10. Divine Surveillance {Winard Harper} (6:02)
11. Lourana {Lawrence J. Clark} (3:31)
12. Chronic Mistakes {Winard Harper} (3:52)
13. Bangbangboomboombapbap {Winard Harper} (2:07)
14. After Hours {Avery Parrish} (6:25)
15. The Prayer {Winard Harper} (5:40) 

Total Time: 77:28 

Credits:
Producer - Winard Harper
Audio Engineer - Dae Bennett
Art Direction, Design, Photography - Janis Wilkins