Monday, December 30, 2019

Flavio Boltro 5et - Joyful (2012)

For those who do not yet know: Flavio Boltro is one of those natural talents thrown down from the sky to the Italian land that plays the jazz trumpet and who preferred to move to France to practice this music. His new record is a beautiful example of what today's jazz can be, drawing from the best jazz tradition of the 1960s, from those records released by two German Jews who fled Europe, Alfred Lion and Frank Wolff, on their label which took the name of Blue Note. Flavio Boltro pays tribute to two of their most famous artists, Lee Morgan and Horace Silver, of whom he plays some famous compositions at the end of the album. Boltro's themes, solos, style, everything brings us back to a jazz season projected in the contemporary world, see for example the contribution of Alex Ligertwood, former singer with Santana, who performs some songs, including the famous Every Breath You Take by Sting, rendered in a very singular version, far from that of the author. Boltro has chosen a nice group for his music, there is Rosario Giuliani on the soprano sax and on the alto sax to support the leader with well thought out solos, and then the rhythm led by Pietro Lussu on piano and electric keyboards together with Darryll Hall on bass and André Ceccarelli on drums. The entire record is pervaded by the solos of an artist rich in talent and confident in his own technical means (great the duo together with Darryll Hall on the famous Over the Rainbow standard), eclectic between songs more in the tradition of acoustic jazz and others more passages on radios, like the cover of Sting's song. It is difficult to imagine a success on a global scale, like that of other colleagues, but the music of the disc is listened to with pleasure, put together with wit in the editing phase. A record that still honors that Italian jazz that draws from the African American tradition, far from Mediterranean languors and sighs. ~ by Vittorio, Musiczoom.It. [Translated from Italian]

Bonsaï Music, BON 120501, 2012
Recorded 24th October-26th November, 2011
At Such Production Studio; Virus Studio, Poggibonsi, Italy

Musicians:
Flavio Boltro - Trumpet
Rosario Giuliani - Soprano Saxophone, Alto Saxophone
Pietro Lussu - Piano, Electric Keyboards
Darryl Hall - Bass
André Ceccarelli - Drums
Alex Ligertwood - Vocals (#3,5,8)

Tracks:
1. Mister Italo {Flavio Boltro} (6:27)
2. Black Jack {Flavio Boltro} (4:25)
3. See You Tomorrow {Flavio Boltro} (6:56)
4. Piccola Nina {Flavio Boltro} (6:38)
5. Every Breath You Take {Sting} (4:00)
6. Bora Bora {Flavio Boltro} (7:16)
7. Over The Rainbow {E.Y. Harburg, Harold Arlen} (3:08)
8. Sidewinder {Lee Morgan} (5:24)
9. The Preacher {Horace Silver} (1:54)

Credits:
Producer - Pierre Darmon, Emmanuel Jolivet
Engineer - Alessandro Guasconi
Mixing, Mastering - Julien Birto
Photography - Basile Picard

Total Time: 46:08

Sunday, December 29, 2019

Marion Brown - Vista (1975)

A strangely wonderful album from Marion Brown – quite different from his other work on Impulse, with a mellow electric edge that gives it a warm and laidback feel! The approach here is much more soulful than before – with finely crafted tunes that weave Brown's work on alto with electric piano by Anthony Davis and Stanley Cowell, percussion by Ed Blackwell and Jimmy Hopps, and bass by Reggie Workman. If you're expecting the angrier Brown from earlier years, you'll be disappointed - but if you're ready to hear a Brown that's gently crafting mellow lines in a soulful setting, then you're in for a treat. Tracks include Cowell's "Maimoun", Stevie Wonder's "Visions", Brown's "Vista", "Moment of Truth", "Bismillah 'Rrahimani' Rrahim", and "Djinji". ~ Dusty Groove, Inc.

Impulse! Records, AS-9304, 1975
Verve/Universal Music, UCCI-9288, 2015
Recorded 18th (#2,3,6) & 19th (#1,4,5) February, 1875 at Generation Sound, NYC

Musicians:
Marion Brown - Alto Saxophone (#1-6), Wind Chimes (#2)
Stanley Cowell - Piano (#1,5,6), Fender Rhodes (#2,3), Mbira (#1)
Anthony Davis - Piano (#2,3), Fender Rhodes (#1,4-6)
Bill Braynon - Celeste (#2,5) Electric Piano [RMI] (#3)
Reggie Workman - Bass (#1,3-6)
Jimmy Hopps - Drums (#1,3,4), Cymbals (#5)
Ed Blackwell - Drums (#6), Slit Drum, (#3)
Jose Goico - Congas (#1,3,4,6) Tambourine (#1), Finger Cymbals (#5)
Allen Murphy - Vocals (#2), Bells (#5)
Harold Budd - Celeste (#5), Gong (#5)

Tracks:
1. Maimoun {Stanley Cowell} (7:33)
2. Visions {Stevie Wonder} (5:40)
3. Vista {Marion Brown} (7:45)
4. Moment Of Truth {Bill Braynon} (4:37)
5. Bismillahi 'Rrahmani' Rrahim {Harold Budd} (6:02)
6. Djinji {Bill Braynon} (9:45)

Credits:
Producer - Ed Michel
Recording Engineer - Tony May (Generation Sound, NYC)
Mixing Engineer - Baker Bigsby
Photography - George Whiteman
Album Design - Tim Bryant
Disc Mastering - Kendun Recorders

Total Time: 41:22

Alto saxophonist Marion Brown is an under-sung hero of the jazz avant-garde. Committed to discovering the far-flung reaches of improvisational expression, Brown nonetheless is possessed of a truly lyrical voice but is largely ignored when discussions of free jazz of the '60s and '70s are concerned. ~ Thom Jurek, AMG.

Monday, December 23, 2019

Kevin Hays - Andalucia (1997)

Kevin Hays was already comfortable in the big leagues by the time he recorded Andalucia, his third album for Blue Note. But the fact that this outing featured the young pianist in a trio setting with bassist Ron Carter and drummer Jack DeJohnette turned heads nonetheless. Hays more than holds his own in the company of these two giants, and he's not a chops player, so his strong showing is all the more impressive. His rhythmic and harmonic ingenuity generates well-paced excitement throughout the set. Half the tunes are non-originals, and they include the standard "That's All," Ernesto Lecuona's "Andalucia (The Breeze and I)," Dizzy Gillespie's "Con Alma," and Ron Carter's "Einbahnstrasse." There's also an inventive reworking of the Beatles' "And I Love Her." But the five originals do more to reveal the full depth of Hays' musicality. "Agua," a driving boogaloo tune, kicks off the record. The other four are clustered consecutively in the middle of the program: first the calmly flowing "Mind," then the swinging Chick Corea tribute "Chickory Stick," the amorphous Billy Hart tribute "Hart," and the vigorous abstraction "Break." No matter what he's playing, Hays' soulful, uncluttered, unassuming style sets him apart among talented young jazz pianists. ~ by David R. Adler, AMG.

Blue Note, CDP 7243 8 55817 2 4, 1997
Recorded 21st-22nd December, 1996 At Clinton Recording Studio, New York

Musicians:
Kevin Hays - Piano
Ron Carter - Bass
Jack DeJohnette - Drums

Tracks:
01. Aqua {Kevin Hays} (5:11)
02. Andalucia [The Breeze And I] {Ernesto Lecuona} (4:28)
03. And I Love Her {John Lennon, Paul McCartney} (6:20)
04. That's All {Alan Brandt, Bob Haymes} (8:48)
05. Mind {Kevin Hays} (4:59)
06. Chickery Stick {Kevin Hays} (5:52)
07. Hart {Kevin Hays} (3:25)
08. Break {Kevin Hays} (4:35)
09. Einbahnstrasse {Ron Carter} (6:22)
10. Con Alma {Dizzy Gillespie} (5:34)

Credits:
Producer, Liner Notes - Bob Belden
Engineer - James Farber
Mastering - Mark Wilder
Art Direction - Darey Cloutier
Design - Brigid Pearson
Photography - Chuck Stewart, Jules Allen

Total Time: 55:35

Thursday, December 19, 2019

George Cables - Some of My Favourite Things (1980) [vinyl 24/96]


01 - Body And Soul
02 - Come Rain Or Come Shine
03 - You Stepped Out Of A Dream
04 - A Foggy Day
05 - My Funny Valentine
06 - Alone Together

George Cables (p) Tony Dumas (b) Billy Higgins (d)
Sage & Sound, Hollywood, California, February 18 & 19, 1980

Atlas (J) LA27-1002

Sunday, December 15, 2019

Aaron Goldberg - Worlds (2006)

Pianist Aaron Goldberg has an intriguing style that is a little reminiscent of Marian McPartland in its harmonic sophistication. Although seven of the ten selections on Worlds are his originals, several hint at various standards, most notably "Unstablemates," a witty de-construction of Benny Golson's "Stablemates." The interplay between Goldberg, bassist Reuben Rogers, and drummer Eric Harland is consistently inventive, and Luciana Souza adds her haunting voice to "Kianda's Song." However, the high point of this CD is "Oud to Omer," which matches Goldberg with guest guitarist Kurt Rosenwinkel. The two musicians bring out the best in each other and plenty of sparks fly, making one hope that Goldberg and Rosenwinkel work together more often. ~ by Scott Yanow, AMG.

Sunnyside Communications, SSC 1152, 2006
Recorded 15th, 17th & 18th December, 2003

Musicians:
Aaron Goldberg - Piano
Reuben Rogers - Bass
Eric Harland - Drums
Kurt Rosenwinkel - Guitar (#9)
Luciana Souza - Vocals (#3)

Tracks:
01. Lambada de Serpente {Djavan Caetano Viana, Cacaso} (8:05)
02. Taurus {Aaron Goldberg} (8:31)
03. Kianda's Song {Aaron Goldberg} (2:27)
04. Unstablemates {Aaron Goldberg} (5:06)
05. Modinha {Antônio Carlos Jobim, Vinicius de Moraes} (5:10)
06. Salvador {Aaron Goldberg} (5:29)
07. Oam's Blues {Aaron Goldberg} (4:27)
08. Inútil Paisagem {Antônio Carlos Jobim, Aloysio de Oliveira} (6:58)
09. Oud To Omer {Aaron Goldberg} (11:01)
10. Between Worlds {Aaron Goldberg} (1:59)

Credits:
Producer - Aaron Goldberg
Management, Co-Producer - Jason Olaine
Recording Engineer - Michael Brorby (#1-8,10)
Recording Engineer - Peter Karl (#9)
Mixing Engineer - Jay Newland
Mastering Engineer - Greg Calbi
Photography - Maya Yadid
Photography [Band Photo] - JD Sloan
Cover Art - David Ellis

Total Time: 59:13

Tuesday, December 10, 2019

Bill Stewart - Telepathy (1997)

Drummer Bill Stewart has made a name for himself with John Scofield’s band on several excellent recordings including What We Do and Hand Jive,. He has also made great contributions to sessions with Joe Lovano, Marty Ehrlich and Maceo Parker. If it sounds to you like he has great range as a drummer, you’re right. Stewart combines the polyrhythmic inventiveness of modern drumming with the taste and groove of funk. He creates fire and drive without volume, always supporting and creating, but never overpowering.

Telepathy is his second date as a leader and it offers further evidence of his talents as both instrumentalist and composer. Stewart’s compositions range from aggressive to introspective and he has chosen a superb roster of musicians to assist him in his musical expression. Saxophonists Steve Wilson (alto and soprano) and Seamus Blake (tenor) are also coming into their own as great improvisers and their ideas and interplay are constantly engaging. Pianist Bill Carrothers is less well-known but is featured prominently and his imaginative harmonic sense invites close listening and the hope that he will appear more often on disc. Larry Grenadier’s bass work is superb. On one of your listens to this disc, focus on his bassistic creations. Great stuff!

Of the nine tunes on this disc only two are from the jazz canon. Jackie McLean’s "Little Melonae" and Monk’s "Rhythm-A-Ning" are given fresh treatments with Blake blazing through the Monk accompanied only by Stewart and Carrothers, while only the rhythm section is spotlighted on McLean’s great tune. The remaining tunes were penned by the leader. Stewart’s compositions range from angular and aggressive to dark and moody. Try to keep from smiling as Blake squawks and struts on "Happy Chickens." Blake and Wilson get into a wildly raucous mood on "Fano," exchanging ideas and honks, followed by some intensely creative statements from Grenadier and Stewart. "Calm" is a beautiful ballad feature for Carrothers, with the leader painting soft colors with brushes. Stewart proves to be as imaginative in his writing as in his drumming.

This is a rewarding disc, straight from the jazz tradition but consistently original and forward-looking. Highly recommended. ~ by Rick Bruner, AAJ.

Blue Note, CDP 7243 8 53210 2 3, 1997
Recorded 29th & 30th September, 1996 At Clinton Recording Studios, New York City

Musicians:
Bill Stewart - Drums
Seamus Blake, Steve Wilson - Saxophone
Bill Carrothers - Piano
Larry Grenadier - Double Bass

Tracks:
1. These Are They {Bill Stewart} (8:44)
2. Mynah {Bill Stewart} (5:36)
3. Happy Chickens {Bill Stewart} (6:23)
4. Lyra {Bill Stewart} (7:37)
5. Rhythm-A-Ning {Thelonous Monk} (5:39)
6. Dwell On This {Bill Stewart} (6:51)
7. Calm {Bill Stewart} (6:49)
8. Fano {Bill Stewart} (6:31)
9. Little Melonae {Jackie McLean} (4:11)

Credits:
Producer - Bob Belden, Bill Stewart
Recording Engineer - David Baker
Mastering Engineer - Tom "Curly" Ruff (Sony Studios, NYC)
Photography - Jimmy Katz (Giant Steps)
Design - Patrick Roques

Total Time: 58:21

Monday, December 9, 2019

Buck Clayton with Buddy Tate - Buck & Buddy blow the blues (1961) [re-rip]

A romping little session from Buck Clayton and Buddy Tate - served up in a looser, more relaxed setting than the former's albums for Columbia, and a slightly more swing-based mode than the latter's dates for Chess! Both horn players get plenty of room to solo in the open-ended Swingville mode - Buck on trumpet and Buddy on both tenor and clarinet - and the group's a nice one too, since Sir Charles Thompson's playing piano, Gene Ramey's on bass, and Gus Johnson's on drums. Titles include "Blue Creek", "Blue Breeze", "Blue Ebony", "Rompin At Red Bank", and "Dallas Delight". © Dusty Groove, Inc.

Prestige/Swingville, SVST 2030, 1961
Recorded 15th September, 1961 in Englewood Cliffs, New Jersey

Musicians:
Buck Clayton - Trumpet
Buddy Tate - Tenor Saxophone, Clarinet
Sir Charles Thompson - Piano
Gene Ramey - Bass
Gus Johnson - Drums

Tracks:
A1. Rompin’ At Red Bank {Buddy Tate} (6:35)
A2. Blue Creek {Buddy Tate} (6:32)
A3. A Swinging Doll {Buck Clayton} (3:55)
A4. Dallas Delight {Buck Clayton} (4:36)
B1. Don’t Mind If I Do {Buddy Tate} (8:06)
B2. Blue Breeze {Buck Clayton} (4:13)
B3. Blue Ebony {Buck Clayton} (5:59)

Credits:
Supervision - Esmond Edwards
Recording Engineer - Rudy van Gelder
Design, Photo - Don Schlitten
Liner Notes - Joe Goldberg

Thursday, December 5, 2019

Alex Sipiagin - Live At Smalls (2013)

Wonderful Live Date

Alex Sipiagin was recently voted a "rising star" in the Down Beat Critic's poll, and this terrific recording will only boost his growing reputation. It's a blistering live date with Seamus Blake on tenor sax, David Kikoski on piano, Boris Kozlov on bass, and Nate Smith on drums. Sipiagin has recorded about 15 albums as a leader and another 25 or so as a sideman, many of which are with members of this band, and this is one of my favorites. The band is tight and the energy is high throughout the set. In terms of style, Sipiagin sounds a bit like the late great trumpeter Woody Shaw -- very fluent post-bop that is rich with ideas. Unfortunately, the recording is on the pricey side, but the quality of the music is terrific. Recommended. ~ by Kerron, Amazon.com.

SmallsLIVE Records, SL0033, 2013
Recorded 25th-26th June, 2012 At Smalls Jazz Club, Greenwich Village, NYC

Musicians:
Alex Sipiagin - Trumpet
Seamus Blake - Tenor Saxophone
David Kikoski - Piano
Boris Kozlov - Bass
Nate Smith - Drums

Tracks:
1. Live Score {Alex Sipiagin} (13:53)
2. Videlles {Alex Sipiagin} (15:01)
3. Calming {Alex Sipiagin} (10:49)
4. Pass {Alex Sipiagin} (19:34)
5. Returning {Alex Sipiagin} (13:50)

Total Time: 73:07

Credits:
Producer, Executive Producer - Spike Wilner
Producer, Mixing Engineer - Ben Rubin
Recording Engineer - Tyler McDiarmid
Mastering Engineer - Gene Paul (G&J Audio)
Photography, Design - Michelle Watt

Notes:
Where possible applause has been trimmed or edited out.
Mixed at The House of Cha Cha
Mastered At G&J Audio

Blistering Trumpet Skills, Deeply Interactive Band
A fantastically energized live album showcasing both Sipiagin's burning skills as a trumpet player but also the deep synergistic interactions between the band and all soloists. Nate Smith's highly interactive approach on drums is particularly captivating. 5 stars. THIS is a prime example of what modern jazz sounds like. ~ by Brownmanon, Amazon.com.

Harry Allen-Joe Cohn Quartet, The - Hey, Look Me Over (2004)

The first fact one needs to know about the Harry Allen-Joe Cohn Quartet is that it is, as described in the liner notes, a "working band." This may sound like a negligible fact on Hey, Look Me Over, but it isn't. A number of famous combos in the history of jazz have only played together in the studio. Here, however, guitarist Cohn, tenor Allen, bassist Joel Forbes, and drummer Chuck Riggs have developed the synchronicity that only comes from performing together night after night. For Hey, Look Me Over, that equals an hour of lovely ensemble work highlighted by some well-wrought guitar and tenor workouts on a solid set list. The next thing one would want to know about the Harry Allen-Joe Cohn Quartet is that they play traditional mainstream jazz with such pizzazz that one would never mistake it for regurgitated classics. With two or three exceptions, this is an upbeat, happening set, with vibrant versions of Charlie Christian-Benny Goodman's "Seven Come Eleven" and the title cut. "Seven Come Eleven," in particular, is a six-minute free-for-all, with superb back-and-forth exchanges between Cohn and Allen played against Forbes' busy bassline and Riggs' frantic backbeat. Hey, Look Me Over is the kind of tuneful, well-executed album that makes the listener feel good. ~ by Ronnie D. Lankford, Jr., AMG.

Arbors Records, ARCD 19333, 2004
Recorded 28th & 29th August, 2004 At Nola Studios, New York City

Musicians:
Harry Allen - Tenor Saxophone
Joe Cohn - Guitar
Joel Forbes - Bass
Chuck Riggs - Drums

Tracks:
01. With The Wind And The Rain In Your Hair {Jack Lawrence, Clara Edwards} (6:30)
02. Take Four {Al Cohn} (6:08)
03. It's Been A Long, Long Time {Sammy Cahn, Jule Styne} (6:11)
04. Hey, Look Me Over! {Carol Leigh, Cy Coleman} (6:19)
05. Seven Come Eleven {Charlie Christian, Benny Goodman} (5:30)
06. I'll Only Miss Her When I Think Of Her {Sammy Cahn, Jimmy Van Heusen} (6:24)
07. Travisimo {Al Cohn} (6:08)
08. Get Out {Harry Allen} (6:32)
09. Pick Yourself Up {Dorothy Fields, Jerome Kern} (3:18)
10. Danielle {Al Cohn} (7:30)

Credits:
Producer - Harry Allen
Executive Producer - Ikuyoshi Hirakawa for Swingbros, Inc., Japan
U.S. Executive Producers - Rachel and Mat Domber for Arbors Records, Inc.

Total Time: 60:30

Monday, December 2, 2019

Ray Bryant - Somewhere In France (2000)

Recorded in 1993 before a live audience somewhere in France, this session was sitting around in Ray Bryant's home on a cassette tape that the sound man had handed him after the performance. The artist hadn't had time to listen to it; he hadn't even realized he was being recorded until the performance was over. The session turns out to be a significant milestone that documents this unique pianist. As a solo piano performance, the music is unobstructed. The sound is well done. But what makes this one special is that Bryant's comments to the audience are captured on the recording as well. He was candid and offered considerable insight. The pianist's distinctive bass lines appear in each of the styles he performs here. Whether walking the blues, bouncing a boogie-woogie, forcefully "preaching" a gospel piece, or simply interpreting a lullaby, Bryant's romping, two-hand approach remains unique. His theme song, "Slow Freight," makes a lasting impression. ~ by Jim Santella, AAJ.

Label M, 495701, 2000
Recorded Live in 1993 somewhere in France

Ray Bryant - Piano [Solo]

Tracks:
01. Take The "A" Train {Billy Strayhorn} (4:15)
02. Blues In G {Ray Bryant}/Willow Weep For Me {Ann Ronell} (6:38)
03. Con Alma {Dizzy Gillespie} (7:43)
04. Slow Freight {Ray Bryant, Esmond Edwards} (7:03)
05. Jungletown Jubilee {Lloyd Glenn} (2:58)
06. Django {John Lewis} (6:40)
07. After Hours {Erskine Hawkins, Avery Parrish} (3:24)
08. When I Look In Your Eyes {Xavier Cugat} (2:54)
09. Good Morning Heartache {Ervin Drake, Dan Fisher, Irene Higginbotham} (4:56)
10. In The Back Room {Ray Bryant} (5:26)
11. If I Can Just Make It Into Heaven {Traditional} (3:57)
12. St. Louis Blues {W.C. Handy} (6:57)
13. Until It's Time For You To Go {Buffy Sainte-Marie} (3:58)

Credits:
Producer - Ray Bryant
Producer, Liner Notes - Joel Dorn
Mastering - Gene Paul [DB Plus Studios, NY]
Production Coordination - Alex Karas
Sonic Solutions - Jennifer A. Munson
Cover Art, Cover Design, Graphic Design - Page Simon
Cover Photo - Chuck Stewart

Ray Bryant provided the master tape for this live solo piano CD from a personal archive of over 100 cassettes given to him by various soundboard technicians working his concerts over the years. Bryant was unable to identify the tape more specifically than being recorded "Somewhere in France" during 1993; hence the CD's title. The play list and the arrangements overlap somewhat with Bryant's Alone at Montreux date, though the pianist's first-rate performance and the surprisingly excellent sound from Somewhere in France's humble cassette source make this worth acquiring along with his earlier solo concert CD. Highlights include a boogie-woogie version of "Take the 'A' Train," a choppy delightful "Con Alma," "Jungletown Jubilee" (an obscure tune with obvious gospel roots), a swinging take of John Lewis' "Django," and a savory take of the slow blues "After Hours." Since Bryant turned over more than 40 personal tapes that he personally liked, here's hoping that producer Joel Dorn and Label M will release more music from the pianist's own collection. Very highly recommended. ~ by Ken Dryden, AMG.

Total Time: 66:49