Americans In Europe (1966-7)

Re-upped from the Crypt

An album of out-takes from LPs issued by the UK Fontana label in the late 60s and, as far as I know, never issued on CD. Included are two extra tracks from the Jimmy Witherspoon recording from the Bull's Head, Barnes that I posted earlier. Overall, there's some great straight ahead jazz here - enjoy!

01 - Bud Meets Eddie (Bud Freeman & Eddie Miller)
02 - Things Are Getting Tougher Than Tough (Jimmy Witherspoon)
03 - Time On My Hands (Earl Hines)
04 - Laura (Bud Freeman)
05 - I Can't Believe That You're In Love With Me (Wild Bill Davison)
06 - Diane (Eddie Miller)
07 - Can't We Talk It Over (Earl Hines)
08 - I'll Be So Glad (Jimmy Witherspoon)
09 - Church House Blues (Sir Charles Thompson)
10 - La Rosita (Ben Webster)

All tracks recorded in London 1966-7, apart from track 9 recorded in Paris.

Sidney Bechet w/ Wild Bill Davison - Runnin Wild

This is a long OOP disc which features all of the Blue Note sessions of Bechet and Davison.  Undoubtedly some of his best output from the revival period, with excellent fidelity to boot!  Ripped in FLAC... enjoy!!!

After Blue Note switched to bop in 1947, it was the end of trad jazz on the label, with the exception of a few sessions led by Sidney Bechet and George Lewis. The masterful soprano saxophonist Bechet led no less than nine dates for Blue Note, as well as appearing as a sideman on four others, all of which were included in Mosaic's now out-of-print comprehensive Bechet box set. Three of Bechet's outings for Blue Note co-featured cornetist Wild Bill Davison, and all of that music is on this single 1998 CD. Since Bechet was generally quite dominant in ensembles, he did not usually get along well with trumpeters, and since Davison could be quite fiery, it is surprising that this matchup works so well. Bechet actually enjoyed Wild Bill's playing because the cornetist played fairly simply and left plenty of space. Davison had great respect for Bechet and is slightly more restrained than usual throughout these numbers, although he does let loose with some heated blasts here and there. This excellent Dixieland collection features one quintet and two sextet sessions with Bob Diehl or Jimmy Archey on trombone, Art Hodes or Joe Sullivan on piano, Pops Foster or Walter Page on bass and Freddie Moore or Slick Jones on drums; there are lots of hot moments on the warhorse material from the two principals. A surprise success.

  - Scott Yanow/AMG

Recorded at WOR Studios, New York, New York on January 21 & March 23, 1949 and April 19, 1950

Sidney Bechet (soprano saxophone);  Wild Bill Davidson (cornet); Bob Diehl, Jimmy Archey (trombone); Art Hodes, Joe Sullivan (piano); Walter Page, Pops Foster (bass); Fred Moore, Slick Jones (drums)