Showing posts with label Harvey Mason. Show all posts
Showing posts with label Harvey Mason. Show all posts

Tuesday, April 6, 2021

Patti Austin - Love Is Gonna Getcha (1990)

With apologies to Dianne Reeves, Patti Austin has always quite simply been the best jack-of-all-genre singers on the planet, crossing effortlessly from jazz to pop and R&B with a voice that's so sweet, rich, and lovely, it can't help but warm the heart. On the heels of her 1988 masterpiece The Real Me, her GRP debut packs a wallop of festive up-tempo tunes, lite funk pop, torchy message songs, passionate ballads, and breezy tenderness -- all delivered with a truly Austin-tatious flair. Austin surrounds herself with some of pop jazz's best here, with GRP's 1990 roster well represented: Dave Grusin (whose production is flawless), Don Grusin (with whom she co-wrote the happy "Ooh Wee [The Carnival]"), Deborah Henson-Conant (whose harp adds punch to "In My Dreams"), Lee Ritenour, and Nelson Rangell (whose alto soars on the title cut). But as tantalizing as the music is, it is Austin who gives the collection wings with a powerful voice whose mood she so artfully modulates depending on the feel of the individual tune. Soft and tender on her own composition "In My Life," easy and lilting for "In My Dreams," and full of genuine excitement for "Through the Test of Time" and "Ooh Wee." An added bonus is the Oscar nominated "The Girl Who Used to Be Me," which gives Austin a chance to show her range, even if the tune is a bit schmaltzy. ~ by Jonathan Widran, AMG. 

GRP Records, GRD-9603, 1990
Recorded At Sunset Sound Studios, Hollywood, California 

Personnel:
Patti Austin - Vocals, Backing Vocals, Vocal Arrangements
Dave Grusin - Piano, Synthesizer, Keyboards, Harmonica,
Rhythm & Vocal Arrangements, Vocals [Background]
Nelson Rangell - Alto Saxophone
Ernie Watts - Tenor Saxophone
David Paich - Keyboards, Synthesizer, Arranger
Greg Phillinganes - Piano
Steve Porcaro - Synthesizer
Michael Landau, Lee Ritenour - Guitar
Nathan East, Neil Stubenhaus - Bass
Deborah Henson-Conant - Harp
Harvey Mason - Drums
Paulinho Da Costa, Lenny Castro, Michael Fisher, Jeff Porcaro - Percussion
Robin Beck, Shelton Becton, Jocelyn Brown, Bill Eaton, Lani Groves,
Casey Sissik, James "D-Train" Williams - Vocals [Background] 

Strings:
David Nadien - Concert Master, Violin
Elena Barere, Arnold Eidus, Barry Finclair, Regis Iandiorio, Charles Libove, Louann Montesi, John Pintavalle, Matthew Raimondi, Richard Sortomme, Marti Sweet, Gerald Tarack - Violin
Jean R. Dane, Carol Landon, Sue Pray - Viola
Charles McCracken, Richard Locker - Cello 

Tracks:
01. Through The Test Of Time {David Pack, Jeff Pescetto} (5:07)
02. Too Soon To Know {Lorraine Feather, Michael McDonald, David Pack} (4:23)
03. In My Life {Patti Austin} (4:04)
04. Love Is Gonna Getcha {Lou Pardini, Alan Scott, Reed Vertelney} (5:04)
05. Ooh-Whee [The Carnival] {Patti Austin, Don Grusin} (5:41)
06. Believe The Children {Lyn Laboriel, Lou Pardini, Abraham Laboriel, Sr.} (5:36)
07. Good In Love {Robin Batteau, François Eckart, Jeff Southworth} (4:38)
08. Wait For Me {Don Grusin, Kate Markowitz, Christina Trulio} (5:26)
09. First Time Love {Patti Austin, Dave Grusin, Harvey Mason, Sr.} (5:31)
10. In My Dream {Eddie Arkin, Edward Arkin, Beckie Foster} (5:09)
11. The Girl Who Used To Be Me {Alan & Marilyn Bergman, Marvin Hamlisch} (4:16) 

Total Time: 54:55 

Credits:
Producer, Executive Producer, Liner Notes - Dave Grusin
Executive Producer, Producer - Larry Rosen
Producer - David Paich
Production Coordination - Suzanne Sherman
Production Assistant - Barbara Hein
Engineer - Bill Cooper, Tom Knox, Ed Rak, Bob Schaper
Assistant Engineer, Engineer - Matthew "Boomer" La Monica, Joe Martin, Brian Soucy
Engineer, Mixing - Don Murray
Mixing Assistant - Elaine Anderson
Digital Editing - Mike Landy, Robert Vosgien
Mastering - Wally Traugott
Creative Director - Andy Baltimore
Photography - Richard Corman
Graphic Design - David Gibb, Jacki McCarthy, Andy Ruggirello, Dan Serrano
Liner Notes - Patti Austin



Saturday, January 25, 2020

Gene Harris - Astral Signal (1974)

A well sought out jazz-funk title from blue note. Although most of this album is Gene on his piano, this album brings out Gene's talent with the ARP and Minimoog Synthesizers. One listen to his cover of sly stone's "Don't Call Me Nigger, Whitey" and you'll become a definite believer! Boy, does this cut blaze a trail of hard driving synth funk! The MiniMoog bass line is all over this one, as Gene fills the top off with some squealy ARP Odyssey/Pro soloist overlays. A killer funk ride classic. Then there's "Losalamitoslatinfunklovesong", a buttery smooth, slow grinding funk love jam that will get your juices flowing on the dance floor! The Moog bass kicks up and down, and side to side, while the high synth notes make love to the listeners ear. Great synth playing all around from gene and good background vocals from the session players, too. Also check out the eerie, spacey prelude at the start of the album, it's a sonic statement! ~ fonkay, RYM.

Blue Note, BN-LA313-G, 1974
Blue Note/EMI, TOCJ-50511, 2012
Recorded 13th August, 1974 At The Village Recorder, Los Angeles, California

Personnel:
Gene Harris - Keyboards, Vocals (#B2), Arranger (#7)
Keg Johnson - Trombone, Background Vocals
George Bohanon - Trombone
Oscar Brashear - Trumpet
Sidney Muldrow - French Horn
Ernie Watts - Reeds
Jerry Peters - Keyboards, Background Vocals
John Rowin - Guitar
David T. Walker - Guitar
Chuck Rainey - Electric Bass
Harvey Mason - Drums, Arranger (#11)
Jim Shifflett - Unknown Instrument

Vocalists:
Annesther
Julia (Tillman) Waters
Luther Waters
Lynn Mack
Maxine (Johnson) Waters
Oren Waters
Trisha Chamberlain

Tracks:
01. Prelude {Gene Harris} (1:41)
02. Summer [The First Time] {Bobby Goldsboro} (3:21)
03. Rebato Summer {Jerry Peters} (0:35)
04. I Remember Summer {Jerry Peters} (2:03)
05. Don't Call Me Nigger, Whitey {Sylvester Stewart} (3:44)
06. Losalamitoslatinfunklovesong {Jerry Peters} (3:10)
07. My Roots {Arr. Gene Harris, J.K. Abernathy} (4:20)
08. Green River {John Fogerty} (3:05)
09. Beginnings {Robert Lamm} (5:54)
10. Feeling You, Feeling Me Too! {Alex Brown, Monk Higgins} (1:59)
11. Higga-Boom {Arr. Harvey Mason, Jerry Peters, Harvey Mason} (6:00)
12. Love Talkin' {Jerry Peters} (4:49)

Credits:
Producer, Recording, Mixing, Mastering Engineer - Jim Shifflett
Producer - Jerry Peters, Keg Johnson
Executive-Producer - George Butler
Recording Engineer - Gilmar Fortis
Mastering Engineer - Bill Lazerus
Production Assistance - Harvey Mason, John Rowin, Charlotte Politte
Art Direction, Cover Illustration - Bob Cato
Photography - Kenny Dorr

This album is a magical balance between psychedelic laid back california inspired acid jazz sounds scapes and the greasy soul of a mid-century (last century) juke joint. A pastiche of professional music with heart and creativity. No other album on blue note or by Harris sounds like this. A fine artistic statement by Harris who seemed to be at his peak in the mid-70s. ~ freqazoidiac, RYM.

Total Time: 40:41

Sunday, April 1, 2018

Earl Klugh - Finger Paintings (1977)

This might be one of Earl's greatest albums whereby the intricacies and yet simple music only Earl can produce. The music in the album ranges from slow heartbreaking "Christina" to finger snapping "Cabo Frio". The arrangements in "summer song" is nice. His renditions of Dance with Me, This Time (another great song from a great jazz artist, Al Jarreau),John Taylor's "Long ago and far away" are timeless classics! ~ C. Tongol, Amazon.com

I've been listening to Earl Klugh for over 30 years and this is one of my favorites. Great for dedicated listening and for just having in the background, very accessible and relaxing. ~ ejr1953, Amazon.com

Blue Note; BN-LA737-H, 1977
Mobile Fidelity Sound Lab, UDCD 549, 1991
Recorded, Mixed, and Mastered at Kendun Recorders, Burbank, California

Personnel:
Earl Klugh - Acoustic Guitar
Dave Grusin - Fender Rhodes, Synthesizer, Percussion (#5,6)
Lee Ritenour - Electric Guitar (#1-3,5,9), 12-String Guitar (#9)
Chuck Findley, Dick Hyde, Jack Nimitz, Jerome Richardson, Tom Scott, Lawrence Williams - Horns
Anthony Jackson - Electric Bass (#1-3,5,9)
Louis Johnson - Electric Bass (#4,6,7)
Francisco Centeno - Electric Bass (#8)
Harvey Mason - Drums (#2,3,5,9)
Steve Gadd - Drums (#1,4,6-8)
Ralph MacDonald - Percussion (#1,2,7,9)
Steve Forman - Percussion (#3,4,8)
Arnold Belnick, Pamela Goldsmith, Endre Granat, Allan Harshman, Karen Jones, Jacob Krachmalnick, Bernard Kundell,
Edgar Lustgarten, David Montagu, Constance Pressman, Dana L. Rees, Sheldon Sanov, Marshall Sosson, Ann M. Stockton, and Gerald Vince - Strings
Alexandra Brown, Lisa Roberts, Stephanie Spruill - Vocals (#4)
Dave Grusin - Arranger, Conductor
Tom Scott - Arranger [Horns] (#4)

Tracks:
1. Dr. Macumba {Earl Klugh} (4:26)
2. Long Ago And Far Away {James Taylor} (5:36)
3. Cabo Frio {Earl Klugh} (3:32)
4. Keep Your Eyes On The Sparrow{Dave Grusin, Morgan Ames} (4:40)
5. Catherine {Earl Klugh} (4:11)
6. Dance With Me {Johanna Hall, John Joseph Hall} (3:26)
7. Jolanta {Earl Klugh} (3:02)
8. Summer Song {Earl Klugh} (4:09)
9. This Time {Earl Klugh} (3:41)

Credits:
Producer - Dave Grusin, Larry Rosen
Executive-Producer - Dr. George Butler
Recording & Mixing Engineer - Larry Rosen
Mastering Engineer - John Golden
Recording [Strings & Horns] - Phil Schier
Photography - Greg Heisler
Design - Bill Burks

Notes:
"Summer Song" recorded at Electric Lady Studios, New York
Strings recorded at Columbia Studios, 30th Street, New York

Wednesday, November 9, 2016

David "Fathead" Newman - Scratch My Back (1979) [vinyl>flac]

Here's another LP by David "Fathead" Newman which has been cast aside; this time from 1979 when Disco/Jazz Funk was trying to counteract the onslaught of Rock music and all its derivatives. This album is arranged and co-produced by William Fischer whom also co-writes with Newman four tunes. Many of the tracks are backed by vocals, especially Side A, but the balance showcase many well-known artists giving the listener many an opportunity to hear some great playing. These include: Randy Brecker, Earl McIntyre, James Buffington on horns, Richard Tee, Kevin Toney on keyboards, Cornell Dupree, Eric Gale on guitar, Ron Carter on bass, Harvey Mason on drums and Bill Summers on congas etc.,. Highlights include "Two Can Do It", "Scratch My Back", "After The Ball" & “The Buggs”. An album easily overlooked or put down by jazz purists but in many ways it is a great example of a new style that was emerging in the late seventies, listen with revived appreciation and enjoy!

Prestige Records, P-10108, 1979
Recorded March, 1979 at Fantasy Studios, Berkeley, California

Personnel:
David Newman - Flute, Soprano, Alto & Tenor Saxophones
Randy Brecker, Jon Faddis - Trumpet
Earl McIntyre - Trombone
James Buffington - French Horn (#A3)
Jerry Dodgion, Kenneth Harris, George Marge - Flute
Richard Tee - Acoustic Piano (#A1-A3,B3,B4)
Kevin Toney - Electric Piano, Clavinet, Synthesizers
Cornell Dupree - Guitar (#A3,B1-B4)
Eric Gale - Guitar (#A1,A2)
Ron Carter - Acoustic Bass (#A1-A3,B3,B4)
Wilbur Bascomb, Jr. - Electric Bass (#A3,B1,B2)
Harvey Mason - Drums
Bill Summers - Congas, Percussion
Flame Braithwaite, Deborah McGriff, Bessie Ruth Scott, Tanyette - Vocals
and Strings

Tracks:
A1-A2. One Step At A Time_You Gotta Keep Gotta Keep Dancin' {Newman, Fischer} (12:22)
A3. Two Can Do It {David "Fathead" Newman, William Fischer} (6:32)
B1. Scratch My Back {Kevin Toney} (5:51)
B2. Rock Me,Baby [Like My Back Ain't Got No Bone] {Kevin Toney, Bessie Scott} (5:32)
B3. After The Ball {David "Fathead" Newman, William Fischer} (3:40)
B4. The Buggs {Claude Johnson} (3:26)

Credits:
Producer - Orrin Keepnews, William Fischer
Arranger - William Fischer
Recording Engineer - Vince McGarry
Assistant Engineer - James Faber
Art Direction - Phil Carroll
Design - Kris Johnson
Photography - Phil Bray

Saturday, March 28, 2015

Freddie Hubbard - High Energy (1974) [vinyl>flac]

One of Freddie Hubbard's few decent efforts during his very commercial period with Columbia, this LP found his quintet (with tenor-saxophonist Junior Cook and keyboardist George Cables) joined by a small orchestra and a string section on a set of potentially dismal material. Fortunately these six performances (particularly "Crisis," "Ebony Moonbeams" and Stevie Wonder's "Too High") are given fairly creative treatment. The leader/trumpeter is in good form and there is solo space given to Ernie Watts (on bass flute, soprano and flute) and tenorman Pete Christlieb in addition to the quintet members. ~ Scott Yanow, All Music Guide.

Columbia Records, KC 33048, 1974
Recorded 29th April-2nd May, 1974 Live at Sunset Sound Recorders, Hollywood, California

Personnel:
Freddie Hubbard - Trumpet, Flugelhorn
George Bohanon - Trombone
Dick Hyde - Trombone (#B1)
Ernie Watts - Tenor Sax, Bass Flute (#A1), Soprano Sax (#B2), Flute (#B3)
Junior Cook - Tenor Saxophone (#B3), Flute
Pete Christleib - Bass Clarinet (#B2), Tenor Sax (#B3)
George Cables - Electric Piano
Ian Underwood - Synthesizer [Arp]
Joe Sample - Clavinet, Organ
Dean Parks - Guitar
Kent Brinkley - Bass
Ralph Penland - Drums
Harvey Mason - Drums (#A2,B1)
Victor Feldman - Percussion
Carmello Garcia - Timbales
King Errisson - Congas
Jules Chaikin - Contractor [Strings]

Track Listing:
A1. Camel Rise {George Cables} (6:22)
A2. Black Maybe {Stevie Wonder} (4:54)
A3. Baraka Sasa {Freddie Hubbard} (10:26)
B1. Crisis {Freddie Hubbard} (5:42)
B2. Ebony Moonbeams {George Cables} (6:59)
B3. Too High {Stevie Wonder} (6:36)

Credits:
Producer - Paul A. Rothchild
Producer [Assistant] - Mike Levy
Engineer [Recording and Mixing] - Jack Haeny
Engineer [Assistant] - Kent Nebergall
Conductor, Arranger - Dale Oehler
Artwork [Hand-Lettering] - Andy Engel
Design [Cover] - Anne Garner, Ron Coro
Photography - Fred Valentine