Pianist Frank Kimbrough's “Solstice” on the Pirouet label, is a delight from start to finish. Undeniably, the appeal of Solstice is its very Bley-ish style, which is conjoined with a deep contemplative intensity as well as a robust impression of a personal declaration being made. Bassist Jay Anderson and drummer Jeff Hirshfield have both known Kimbrough a long time and the trio plays unison. The choice of tunes is also very significant. The title track penned by Kimbrough's wife Maryanne de Prophetis has a melody that just keeps evolving. There are two striking tunes by the mysterious Annette Peacock "El Cordobes" and "Albert's Love Theme". "The Sunflower" by Paul Motian suits Kimbrough's penchant for the harmonies and lines of Bley. Another highlight is the composition "Walking By Flashlight" by Maria Schneider, in whose orchestra Kimbrough has been a member. Overall, a superb and captivating collection of music that is highly expressive and profoundly delivered. Enjoy!
Pirouet Records, PIT3097,
2016
Recorded 1st May, 2016 at
Sear Sound, New York
Musicians:
Frank Kimbrough - Piano
Jay Anderson - Bass
Jeff Hirshfield - Drums
Tracks:
1. Seven {Carla Bley} (4:11)
2. Here Come The Honey Man
{George Gershwin} (7:54)
3. Solstice {Maryanne De
Prophetis} (8:13)
4. The Sunflower {Paul
Motian} (5:30)
5. Albert's Love Theme
{Annette Peacock} (7:41)
6. Question’s The Answer
{Frank Kimbrough} (5:07)
7. From California With Love
{Andrew Hill} (4:54)
8. El Cordobes {Annette
Peacock} (4:41)
9. Walking By Flashlight
{Maria Schneider} (7:47)
Total Time: 56:01
Credits:
Producer, Mixing Engineer -
Jason Seizer
Recording Engineer - Chris
Allen
Mastering Engineer -
Christoph Stickel
Cover [Design], Photography -
Konstantin Kern
""Solstice" may well be this veteran pianist's masterwork. It's a sparkling consideration of favored pieces by such Kimbrough heroes as Paul Motian, Andrew Hill, and Annette Peacock, which also displays his telepathic rapport with two trusted associates: the bassist Jay Anderson and the drummer Jeff Hirshfield." ~ The New Yorker.
"Astute and poetic" ~ Nate Chinen, NY Times.
"A subtle pianist of uncommon finesse, a master of introspective piano art. Fabulous, fine-tuned, inspired music….a miracle in chamber format." ~ Peter Ruedi, Die Weltwoche.
