This is a fascinating
release. Tenor-saxophonist Archie Shepp would not burst upon the U.S.
avant-garde scene until 1964-65 but here he is featured at a Danish concert
with the great coolbop baritonist Lars Gullin and a top-notch straightahead
rhythm section (pianist Tete Montoliu, bassist Niels Pedersen and drummer Alex
Riel). The quintet stretches out on four lengthy standards (including
"Sweet Georgia Brown" and a 19-minute rendition of "You Stepped
out of a Dream") and it is particularly interesting to hear the reactions
of the other musicians to Shepp's rather free flights; at a couple of points
Gullin tries to copy him; an important historical release. ~ by Scott Yanow, AMG.
Nearly four decades have
passed since this nightclub date in Copenhagen was recorded, and I still
haven’t caught up with Archie Shepp. Perhaps I never will. Shepp, who never met
a squeak, squawk, grunt or growl he didn’t like, is paired with Sweden’s Lars
Gullin, one of the most restrained and lyrical baritone saxophonists of his
era. How they ever got together is a mystery to me. Talk about your odd
couples! On the one hand we have Gullin, struggling to stay somewhere in the
neighborhood of a recognizable theme; on the other, Shepp, as determined to
abandon any such constraints in favor of his own free–thinking approach to
improvising. While it’s obvious that Shepp has extraordinary technique, his
solos are (in my opinion) full of sound and fury but signifying very little. As
with most “free Jazz,” I find listening to his dissonant and, yes, repetitious
ad–libs a rather painful experience (but not as painful as I once did, which
could be a step forward or backward; I’ve not yet resolved that). It’s said
that Shepp incorporates elements of many players into his unorthodox style,
from Webster, Hawkins and Lucky Thompson on through to his contemporaries. If
what we hear on this recording is the result of that fusion, give me Zoot Sims
or Stan Getz any day. Even Gullin (who performs with Shepp on only the first
and last of the four extended numbers) is drawn into Shepp’s vortex, playing
more stridently than is his custom and even screeching a few times, almost as
if he were trying to earn Shepp’s stamp of approval. We admired him more when
he was easygoing and ultra–cool. Lars has the first solo on “You Stepped Out of
a Dream” and is featured all the way on “I Should Care,” as is Shepp on “The
House I Live In” before the two are reunited for the finale, “Sweet Georgia
Brown.” The topnotch rhythm section is composed of the late Catalonian pianist
Tete Montoliu and a pair of “young lions,” Swedish drummer Alex Riel and Danish
bassist Niels–Henning Ørsted Pedersen, seventeen years old when the recording
was made. Montoliu’s swinging; straight–on solos are a breath of fresh air. In
an interview with Coda magazine shortly before this concert in November ’63,
the usually articulate Shepp makes a sweeping statement about Jazz that is not
only totally unsupported but reveals far more about his personal agenda than
the music itself. Jazz, he says, is “the one music that has not been mastered
by white people.” Sorry, Archie; I can’t buy that, nor can most of the white
people who have been mastering Jazz since its earliest days and continue doing
so today. Like any music, Jazz has nothing to do with color and everything to
do with artistry, which isn’t limited to any race or creed. Now that I’ve
gotten that off my chest, back to the album. As its running time is only 49:44,
there seems no excuse for the fadeout on “Sweet Georgia Brown” unless the
engineer simply ran out of tape. That’s only an observation, not a complaint,
as there’s nothing here that would have caused me to look forward to hearing
more. ~ by Jack Bowers, 1st June, 2001, allaboutjazz.com
SteepleChase Records, SCCD 36013, 1993
Recorded 21st
November, 1963 'Live' at Montmatre Jazzhus, Copenhagen, Denmark
Personnel:
Archie Shepp - Tenor
Saxophone
Lars Gullin - Baritone
Saxophone
Tete Montoliu - Piano
Niels-Henning Ørsted Pedersen
- Bass
Alex Riel - Drums
Track Listing:
1. You Stepped Out Of A Dream
{Nacio Herb Brown, Gus Kahn} (18:50)
2. I Should Care {Sammy Cahn,
Axel Stordahl, Paul Weston} (8:50)
3. The House I Live In {Earl
Robinson} (9:01)
4. Sweet Georgia Brown {Ben
Bernie, Kenneth Casey, Maceo Pinkard} (11:19)
Credits:
Producer, Mixing - Nils
Winther
Artwork - Per Grunnet
Photography - Jan Persson
Note:
These tracks are from previously unissued recordings by the Danish
radio. The quality of the captured tracks suffered from a discreet hum
throughout and a couple of minor glitches. Also as the reviewer complains the
last track is inadvertently faded out. The hum was sensitively filtered along
with the removal of unnecessary extended applause and futile announcements,
leaving the listener to enjoy the essence of the music.