Showing posts with label Tete Montoliu. Show all posts
Showing posts with label Tete Montoliu. Show all posts

Thursday, June 15, 2023

Dusko Goykovich Quartet - Ten To Two Blues (1971)

This album is a Spanish DiscMedi Blau reissue edition of the original Ensayo release in 1971. It is considered one of Tete Montoliu's hard-to-find Ensayo releases, that has been remastered, reissued and reprinted for the first time in a long time with the original vinyl jacket! If you are a Dusko or Tete fan, take this opportunity to acquire a copy! It has also been released "After Hours" on Enya Records. However, that release has incorrect labelling of some of the tracks and credits. Essentially, this album showcases the pinnacle of European hard bop, that is full of high-powered playing by all musicians with deep and emotive execution! Tete Montoliu joins with the magnificent Yugoslavian trumpet player Duško Gojković to produce this fine album. It was recorded as a result of a friendly meeting between the two. It includes three Gojković compositions, one an undisputed blues tune, two standards and a percussive, almost Monkian blues by Tete Montoliu. Recorded in Barcelona, in November 1971, at the height of both players extensive careers. Here, Dusko teams up with the Montoliu trio, comprising of bassist Robert Langereis and drummer Joey Nay. Together they deliver an exciting lesson in what jazz should sound like performing a rigorous repertoire of compositions. This release is noted for Gojković's popular song "Old Fisherman's Daughter", where Dusko's sharp trumpet, Tete's piano that weaves and twists around it, along with Rob's roaring bass and Joe's concise drumming is a memorable highlight, enjoy! 

Ensayo Records, ENY-45, 1971
DiscMedi Blau, DM5183-02, 2015
Recorded 9th November, 1971 in Barcelona, Spain 

Musicians:
Dusko Goykovich - Trumpet
Tete Montoliu - Piano
Robert Langereis - Bass
Joe Nay - Drums 

Tracks:
1. Ten To Two Blues {Gojković} (7:01)
2. I Remember O.P. {Gojković} (5:13)
3. Old Fisherman's Daughter {Gojković} (8:35)
4. I Love You {Harry Archer, Harlan Thompson} (9:03)
5. The Child Is Born {Thad Jones} (3:39)
6. Blues To Line {Tete Montoliu} (8:21) 

Total Time: 41:52

 

Friday, April 3, 2015

Archie Shepp, Lars Gullin Quartet - The House I Live In (1963)

This is a fascinating release. Tenor-saxophonist Archie Shepp would not burst upon the U.S. avant-garde scene until 1964-65 but here he is featured at a Danish concert with the great coolbop baritonist Lars Gullin and a top-notch straightahead rhythm section (pianist Tete Montoliu, bassist Niels Pedersen and drummer Alex Riel). The quintet stretches out on four lengthy standards (including "Sweet Georgia Brown" and a 19-minute rendition of "You Stepped out of a Dream") and it is particularly interesting to hear the reactions of the other musicians to Shepp's rather free flights; at a couple of points Gullin tries to copy him; an important historical release. ~ by Scott Yanow, AMG.

Nearly four decades have passed since this nightclub date in Copenhagen was recorded, and I still haven’t caught up with Archie Shepp. Perhaps I never will. Shepp, who never met a squeak, squawk, grunt or growl he didn’t like, is paired with Sweden’s Lars Gullin, one of the most restrained and lyrical baritone saxophonists of his era. How they ever got together is a mystery to me. Talk about your odd couples! On the one hand we have Gullin, struggling to stay somewhere in the neighborhood of a recognizable theme; on the other, Shepp, as determined to abandon any such constraints in favor of his own free–thinking approach to improvising. While it’s obvious that Shepp has extraordinary technique, his solos are (in my opinion) full of sound and fury but signifying very little. As with most “free Jazz,” I find listening to his dissonant and, yes, repetitious ad–libs a rather painful experience (but not as painful as I once did, which could be a step forward or backward; I’ve not yet resolved that). It’s said that Shepp incorporates elements of many players into his unorthodox style, from Webster, Hawkins and Lucky Thompson on through to his contemporaries. If what we hear on this recording is the result of that fusion, give me Zoot Sims or Stan Getz any day. Even Gullin (who performs with Shepp on only the first and last of the four extended numbers) is drawn into Shepp’s vortex, playing more stridently than is his custom and even screeching a few times, almost as if he were trying to earn Shepp’s stamp of approval. We admired him more when he was easygoing and ultra–cool. Lars has the first solo on “You Stepped Out of a Dream” and is featured all the way on “I Should Care,” as is Shepp on “The House I Live In” before the two are reunited for the finale, “Sweet Georgia Brown.” The topnotch rhythm section is composed of the late Catalonian pianist Tete Montoliu and a pair of “young lions,” Swedish drummer Alex Riel and Danish bassist Niels–Henning Ørsted Pedersen, seventeen years old when the recording was made. Montoliu’s swinging; straight–on solos are a breath of fresh air. In an interview with Coda magazine shortly before this concert in November ’63, the usually articulate Shepp makes a sweeping statement about Jazz that is not only totally unsupported but reveals far more about his personal agenda than the music itself. Jazz, he says, is “the one music that has not been mastered by white people.” Sorry, Archie; I can’t buy that, nor can most of the white people who have been mastering Jazz since its earliest days and continue doing so today. Like any music, Jazz has nothing to do with color and everything to do with artistry, which isn’t limited to any race or creed. Now that I’ve gotten that off my chest, back to the album. As its running time is only 49:44, there seems no excuse for the fadeout on “Sweet Georgia Brown” unless the engineer simply ran out of tape. That’s only an observation, not a complaint, as there’s nothing here that would have caused me to look forward to hearing more. ~ by Jack Bowers, 1st June, 2001, allaboutjazz.com

SteepleChase Records, SCCD 36013, 1993
Recorded 21st November, 1963 'Live' at Montmatre Jazzhus, Copenhagen, Denmark

Personnel:
Archie Shepp - Tenor Saxophone
Lars Gullin - Baritone Saxophone
Tete Montoliu - Piano   
Niels-Henning Ørsted Pedersen - Bass
Alex Riel - Drums

Track Listing:
1. You Stepped Out Of A Dream {Nacio Herb Brown, Gus Kahn} (18:50)
2. I Should Care {Sammy Cahn, Axel Stordahl, Paul Weston} (8:50)
3. The House I Live In {Earl Robinson} (9:01)
4. Sweet Georgia Brown {Ben Bernie, Kenneth Casey, Maceo Pinkard} (11:19)

Credits:
Producer, Mixing - Nils Winther
Artwork - Per Grunnet
Photography - Jan Persson

Note:
These tracks are from previously unissued recordings by the Danish radio. The quality of the captured tracks suffered from a discreet hum throughout and a couple of minor glitches. Also as the reviewer complains the last track is inadvertently faded out. The hum was sensitively filtered along with the removal of unnecessary extended applause and futile announcements, leaving the listener to enjoy the essence of the music.