Showing posts with label Horace Ott. Show all posts
Showing posts with label Horace Ott. Show all posts

Wednesday, March 12, 2025

Joey DeFrancesco - All Of Me (1989)

Organist Joey DeFrancesco's debut as a leader would be impressive even if he had not been 17 at the time! DeFrancesco, whose sound has always been strongly influenced by Jimmy Smith (sounding like an exact duplicate on "All of Me"), is backed by an eight-piece horn section on two songs and a 16-piece string section on three others but more important to the music is the playing of guitarist Lou Volpe, drummer Buddy Williams and the electric bass of Alex Blake. Houston Person's tenor is also a strong asset on two of the eight numbers in a program that ranges from swing to more modern funk. A strong start to a colorful career. ~ by Scott Yanow, AMG. 

Columbia Records, CK 44463, 1989
Recorded at Mastersound Studios, Astoria, New York 

Musicians:
Joey DeFrancesco - Organ [Hammond B-3], Ensoniq Keyboards (#5,6)
Houston Person - Tenor Saxophone (#7,8)
Lou Volpe - Guitar
Alex Blake - Acoustic Bass (#3,4), Electric Bass (#2,5-8)
Buddy Williams - Drums
Bashuri Johnson - Percussion
16-Piece String Section (#2,4,6)
8-Piece Horn Section (#8)
Horace Ott - Conductor

Tracks:
1. Blues For J. {Jimmy Smith} (4:20)
2. [They Long To Be] Close To You {Burt Bacharach, Hal David} (4:31)
3. Carbon Copy {Joey DeFrancesco} (6:00)
4. All Of Me {Seymour Simons, Gerald Marks} (7:03)
5. 30th Street Station {Joey DeFrancesco} (4:06)
6. One For C.C. {Joey DeFrancesco} (6:16)
7. L.G. Blues {Joey DeFrancesco} (5:58)
8. Pétala {Djavan} (6:19) 

Total Time: 44:39 

Credits:
Producer, Arranger, Conductor - Horace Ott
Executive Producer - Dr. George Butler
Engineer - Tom Roberts
Music Copyist - Frank Zuback
Art Direction - Howard Fritzson
Photography - Mark Malabrigo
Liner Notes - Al Pyror

LINK

L.G. Blues

Thursday, May 13, 2021

Joey DeFrancesco - Singin' And Swingin' (2001)

Joey DeFrancesco the jazz organist meets Joey DeFrancesco the Sinatra-style crooner on this, his first vocal outing. The album is rich in contrasts: eight of the 13 cuts feature a big band, with the likes of bassist Ray Brown, tenor saxophonist Pete Christlieb, and more; the rest are trio pieces featuring the leader, Paul Bollenback, on guitar and Byron Landham on drums. Vocally, DeFrancesco pours it on with beaucoup reverb (producer John Burk and engineer Bernie Kirsh could have backed off a bit), handling swingers like "Mack the Knife" and ballads like "They Say It's Wonderful" with equal poise and conviction. His organ is present on many of the vocal tracks, but it moves to the fore on the three instrumental originals: "Mr. Dennis Houlihan," a fast rhythm changes tune; "Did You Hear Him Holler," a tongue-in-cheek Cajun groove; and "The Sidewalk Is Wild," a sly big band shuffle that features the leader briefly on trumpet. DeFrancesco also gives his voice a rest on the swing classic "One Mint Julep," the penultimate "Danny Boy," done as a powerful trio ballad, and the closing standard, "I'm Getting Sentimental Over You." DeFrancesco's vocal affect is quite similar to Sinatra's, especially on songs closely associated with him, like "In the Wee Small Hours," one of the all-around best selections. Some won't be able to get past the hammy aspect of the album, but the fact is that DeFrancesco really can sing, and "if you've got it, flaunt it" is a worthy credo for any performer. You've got to applaud him for taking the plunge. ~ by David R. Adler, AMG. 

Concord Records, CCD-4861-2, 2001
Recorded 24th-25th January, 1999 at Capitol Records, Studio B, Hollywood, California 

Personnel:
Joey DeFrancesco - Organ [Hammond B-3], Trumpet, Vocals
Paul "Dukie" Bollenback - Guitar
Byron "Wookie" Landham - Drums 

Guests:
Mike Howard - Guitar (#7,13)
Paul Leibelshon - Drums (#7)
Dave Cook - Drums (#13) 

Frank Capp's Big Band (#1,2,5,6,8-11):
Ray Brown - Bass
Frank Szabo, Wayne J. Bergeron, Conte Candoli, Carl Saunders - Trumpet
Andy Martin, George Bohanon, Bob McChesney, Mike Millar - Trombone
Sal Lozano, Don Shelton - Alto Saxophone
Peter Christlieb, Rickey D. Woodard - Tenor Saxophone
Jack Nimitz - Baritone Saxophone
Horace Ott - Arrangements 

Strings (#1,3):
Bruce Dukov - Concertmaster
Russ Cantor, Gil Romero, Rachel Purkin, Horia Moroaica, Debbie Price,
Patricia Johnson, Darius Campo - Violin
Harry H. Shirinian, Jorge Moraga - Viola
Vage Ayrikyan, Armen Ksadjikian - Cello
Frank Capp - Conductor 

Tracks:
01. You'd Be So Nice To Come Home To {Cole Porter} (3:44)
02. Mr. Dennis Houlihan {Joey DeFrancesco} (3:53)
03. They Say It's Wonderful {Irving Berlin} (4:36)
04. Did You Hear Him Holler? {Joey DeFrancesco} (4:41)
05. Mack The Knife {Marc Blitzstein, Eugene Berthold, Brecht, Kurt Weill} (3:29)
06. One Mint Julep {Rudolph Toombs} (5:12)
07. In The Wee Small Hours {Bob Hilliard, David Mann} (5:29)
08. I Thought About You {Johnny Mercer} (3:38)
09. The Sidewalk Is Wild {Joey DeFrancesco} (6:03)
10. Let Me Love You Tonight {Mitchell Parish, Rene Touzet} (3:30)
11. Kansas City {Jerry Leiber, Mike Stoller} (3:44)
12. Danny Boy {Fred Weatherly} (6:17)
13. I'm Getting Sentimental Over You {George Bassman, Ned Washington} (6:28) 

Total Time: 60:44

Credits:
Producer - John Burk
Co-Producer - Heather & Joey DeFrancesco
Executive Producer - Glen Barros
Recording Engineer - Bernie Kirsh
Mixing, Assembly & Mastering - Tim Hunnicutt
Production Manager - Will Rose
Art Direction - Yalitza Ferreras
Photography - John Samora
Liner Notes - Joey DeFrancesco

Sunday, December 23, 2018

Christmas with Houston Person & Etta Jones (1997) [re-rip]

Tired of those bland Christmas jazz records that fail to capture the emotion and fervor of the season? Looking for an album that puts heart and soul into this momentous holiday? Then look no further than this album by Etta Jones and Houston Person (neither of whom are on all cuts) and other musicians who also not only want to play these songs for their holiday value, but for their musical value as well. With Jones' blues- and R&B-inflected vocal delivery, coupled with the sensuous and passionate sax of Person, this CD turns out to be one of the more attractive jazz Christmas albums extant. Instead of a sugar-coated version of the king of all Christmas pop tunes, "White Christmas," Jones and the trio of Horace Ott, Wilbur Bascomb, and Cecil Brooks III take this tune down a gently swinging lane. Peter Martin Weiss' bass and Stan Hope's piano are featured on "God Rest Ye Merry Gentlemen" and demonstrate that even a religious Christmas carol offers improvisational opportunities without detracting from the carol's solemn message. With Randy Johnson's rangy guitar kicking it off, Jones knocks the stuffings out of "Merry Christmas Baby" with her blues-soaked delivery, as the front line of Bill Easley and Johnny Coles make this a true jazz offering whose theme just happens to be a Yuletide one. But the album's pièce de résistance is Jones' rendition, complete with catch in the voice, of one of the saddest, most forlorn of all Christmas tunes, "I'll Be Home for Christmas" from World War II. This is one of those albums where it's best to listen with heavily spiked egg nog or another favorite alcoholic bracer. ~ Dave Nathan, AMG.

32 Jazz, 32034, 1997
Jazz Heritage, 515591L, 1999
Recorded June, 1990 - August, 1994 at Englewood Cliffs, NJ and New York, NY

Personnel:
Houston Person - Tenor Saxophone
Etta Jones - Vocals
Bill Easley - Flute, Tenor Saxophone
Johnny Coles - Flugelhorn
George Devens - Vibraphone
Horace Ott - Keyboards
Stan Hope - Piano
Benny Green - Piano
Mike Renzi - Piano
Randy Johnston - Guitar
Jay Leonhart - Bass
Cecil Brooks, III - Drums
Grady Tate - Drums
Chip White - Drums
Sammy Figueroa - Percussion
Della Griffin - Vocals

Tracks:
1. Medley: I'll Be Home For Christmas/You're All I Want for Christmas (2:42)
2. Blue Christmas (6:48)
3. I'll Be Home For Christmas (3:09)
4. Merry Christmas, Baby (9:15)
5. God Rest Ye Merry Gentlemen (4:23)
6. Merry Christmas, Baby (5:29)
7. What Are You Doing New Year's Eve? (8:06)
8. Christmas Song (5:14)
9. [I'm Dreaming Of A] White Christmas (3:36)

Credits:
Producer - Houston Person, Joel Dorn
Arranger - Houston Person
Engineer - Rudy van Gelder, Tony Viamontes
Assistant Engineer - Roger Scheepers
Mastering - Gene Paul
Art Direction - Nancy Dwyer, Page Simon
Liner Notes - Joel Dorn

Saturday, July 7, 2018

Houston Person - Suspicions (1980) [re-rip]

Here we have another solid outing by Houston Person. He is joined with the mastery of some other fine musicians, including to name a few; Virgil Jones, Melvin Sparks, Horace Ott, Sonny Phillips and Idris Muhammad. The title tune “Suspicions” gets it all started with a funky soul jazz beat. On the rest of the album he turns his tenor to a challenging mixture of tunes from the popular “If” and the more intrinsic “Blue Monk” and a classic standard “This Bitter Earth”, not to mention a funky composition by Sonny Phillips “Me and Me Brudder”, but as always, his interpretation and musicianship excels across anything he producers. Another highlight is the two compositions on offer by Horace Ott; “Pieces” and “Let’s Love Again”. By and large the listener will find something that gets the Soul A-Movin’.

Muse Records, MR 5199, 1980
Recorded 24th April, 1980 at Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:
Houston Person - Tenor Saxophone
Virgil Jones - Trumpet
Melvin Sparks - Guitar
Jack Cavari - Guitar
Sonny Phillips - Keyboards
Horace Ott - Keyboards
Ernie Hayes - Keyboards
"Bad" Wilbur Bascomb - Bass
Idris Muhammad - Drums
Ralph Dorsey - Percussion

Tracks:
A1. Suspicions {Eddie Rabbitt, Randy McCormick, David Malloye, Even Stevens} (5:22)
A2. If {David Gates} (3:56)
A3. Me & Me Brudder {Sonny Phillips} (3:25)
A4. Pieces {Horace Ott} (5:02)
B1. Blue Monk {Thelonious Monk} (8:43)
B2. This Bitter Earth {Clyde Otis} (4:44)
B3. Let's Love Again {Horace Ott} (4:58)

Credits:
Producer - Houston Person
Recording Engineer - Rudy van Gelder
Arranger - Horace Ott (#A1,A4,B3)
Art Direction & Design - Mark Larson
Cover Photo - Charles Redly
Liner Notes - Maxine S. Harvard