Leo Parker - Rollin' With Leo (1961) [vinyl>flac]

Drugs and addictions defined most of Leo Parker's adult life, finally claiming it entirely in February of 1962 when he was only 36 years old. Only months earlier in 1961, in two sessions held on October 12 and October 20, Parker had played his heart out in what would have been his second album for Blue Note Records that year, and it had appeared that the baritone saxophonist was well on his way to a much-deserved career comeback. The sessions, however, weren't released until almost 20 years later. Rollin' with Leo, presented here in remastered form, is a wonderful portrait of this unsung but brilliant player, whose huge, sad, but almost impossibly strong tone always felt like it carried the world on its shoulders. The centerpiece of Rollin' with Leo is the fascinating "Talkin' the Blues," which unfolds, nearly themeless, like a late-night conversation, ebbing and flowing exactly the way a conversation does, with Parker's baritone swinging back to gather notes, but always moving and stretching forward, expanding the conversation until it seems like everything that could be said HAS been said. Parker's death was tragic because he had so much more to say, and that makes this fine set all that more of a treasure. ~ by Steve Leggett, AMG.

Blue Note Records, LT-1076, 1980
Recorded 12th (#A3,A4) and 20th (#A1,A2,B1-B4) October, 1961
At Van Gelder Studio, Englewood Cliffs, New Jersey

Musicians:
Leo Parker - Baritone Saxophone
Dave Burns - Trumpet
Bill Swindell - Tenor Saxophone
Johnny Acea - Piano
Al Lucas - Bass (#A1,A2,B1-B4)
Stan Conover - Bass (#A3,A4)
Wilbert Hogan - Drums (#A1,A2,B1-B4)
Purnell Rice - Drums (#A3,A4)

Tracks:
A1. The Lion's Roar {Leo Parker} (4:51)
A2. Bad Girl {Stan Conover} (6:14)
A3. Rollin' With Leo {Leo Parker} (6:23)
A4. Music Hall Beat {Illinois Jacquet} (4:55)
B1. Jumpin' Leo {Leo Parker} (4:29)
B2. Talkin' The Blues {Leo Parker} (6:28)
B3. Stuffy {Coleman Hawkins, Livingstone, Evans} 5:39)
B4. Mad Lad Returns {Leo Parker} (4:35)

Credits:
Producer - Alfred Lion
Recording Engineer - Rudy van Gelder
Release Producer - Michael Cuscuna
Art Direction, Design - Bill Burks
Photography - Jed Wilcox
Liner Notes - Bob Porter

Dave Burns - Warming Up! [Vinyl rip/FLAC]

When poppachubby posted this a couple years back, I had just purchased a new sealed copy which actually stayed that way until a few days ago. Obviously I've opened it and ripped a fresh copy. Sounds pretty damn good to me! Not only is the ripping rig much improved but I've learned some new tricks too!

Vanguard (VRS-9143)
1964

Dave Burns (tp);  Al Grey (tb);  Billy Mitchell (ts);  Herman Wright (bass fiddle);
Harold Mabern (p);  Bobby Hutcherson (vh);  Otis Finch (d);  *Willie Corea (tymboli)
* on Richie's Dilemma and Rigor Mortez only

1. Day By Day   2. Now Ain't It   3. I Can't Give You Anything But Love
4. Richie's Dilemma   5. Slippers   6. Warm Up   7. My Romance   8. Rigor Mortez

Al Grey - Basic Grey

Mwha...MMMwhaaaaaaaa.

That one of a kind, distinct sound was Al Grey's calling card. Infact, he literally wrote the book on it. Grey's career is the stuff of jazz legend, setting the bar for all who follow. He did it all...composer, arranger, player, performer, recording artist, author, educator and all around purveyor of all things jazz.

Al Grey played for years with Count Basie, but luckily for us, set out to lay down his own path. For the most part, he brought his Basie bandmates along forming firstly the Al Grey/Billy Mitchell sextet, and The Basie Wing. During the 60's he recorded several wonderful sides for Argo/Cadet, the jazz arm of Chess Records.


Basic Grey is a collection from his Argo sessions. More specifically, it's actually 3 full length sides released on two LPs. This album was released on the Chess Jazz Masters Series, which took a close look at their jazz catalogue, re-issuing some greats. Unlike many of the two-fers that Prestige or Riverside released, Chess decided to give the listeners the full experience of each album, even keeping the track listings as they originally appeared. We are treated to Snap Your Fingers, The Al Grey/Billy Mitchell Sextet and The Last Of The Big Plungers. "Sextet" is actually a live album, recorded in NYC.

I will keep this review limited to generalizations. Clearly from the list of sidemen, this collection is a monster. Grey favours larger groups as far as the "small" group goes, usually between 6 - 9 players. The front line is generally weighed down with brass and as a result is real, real heavy. Dynamically the impact is just like a big band...fantastic.


All manner of tunes are called upon, but the consistent theme with Al Grey is the blues. It's best fit to his style, and he is relentless during a full on blues jam.


This double set is in NM condition. The fidelity of these recordings is outstanding making these transfers a real joy. Of course, they were ripped at 24/44.1 wav and dithered to 16/44.1 FLAC. The tracks from the live set are best enjoyed with no dead space or cross fade between. I have included all images from the original gatefold, and the notes will help to guide anyone wishing to re-tag these into single sides. And here we go again...Crypt style!! Enjoy!!

Snap Your Fingers:
Al Grey (tb); Billy Mitchell (ts); Dave Burns (tp); Bobby Hutcherson (vibes); Floyd Morris (p); Herman Wright (b); Ed Williams (d) also Al Grey (tb); Billy Mitchell (ts); Donald Byrd (tp); Herbie Hancock (p); Bobby Hutcherson(vibes); Herman Wright (b); Ed Williams (d)

The Last Of The Big Plungers: Al Grey (tb); Bennie Powell (tb); Joe Newman (tp); Billy Mitchell (ts); Charlie Fowlkes (bs); Floyd Morris (p); Ed Jones (b); Sonny Payne (d)

The Al Grey/Billy Micthell Sextet: Al Grey (tb); Billy Mitchell (ts); Henry Boozier (tp); Gene Kee (p); Art Davis (b); Jule Curtis (d); Ray Barretto (c)

Dave Burns - Warming Up!

Dave Burns is another one of those top flight players who was consistently overlooked by listeners, and grossly under recorded by the labels. Probably his biggest, and best known date, was on Art Taylor's Blue Note, A.T.'s Delight. Burns played as a member of the Al Grey/Billy Mitchell sextet and cut a couple albums on the Argo imprint with that group.

This outing is essentially a septet, but the core members are the same as the Grey/Mitchell group.
Although Mitchell and Grey make their presence
known on this side, there's no doubt it's under DB's leadership. He gets most of the shine as far as solo's are concerned, and two of his own compositions are used. Aside from this album, Burns cut another for Vanguard which makes this the follow up. There's no doubt in my mind that this is the best session to get to know Burns as an artist.

That said, this group was well experienced and at this point, ultra tight. All the players are at the top of their game and it"s evidenced in the loose and creative solos. Billy Mitchell in particular is a wild man, playing behind and on top of the beat, inside and outside...he's absolutely inspired.

This LP is absolute mint and of the highest fidelity. It's never seen a CD reissue. Ripped at 24/44.1 wav and dithered to 16/44.1 FLAC, you guys are sure to be entertained to the utmost. Enjoy!!!

Vanguard (VRS-9143)
1964

Dave Burns (tp);  Al Grey (tb);  Billy Mitchell (ts);  Herman Wright (bass fiddle);
Harold Mabern (p);  Bobby Hutcherson (vh);  Otis Finch (d);  *Willie Corea (tymboli)
* on Richie's Dilemma and Rigor Mortez only

1. Day By Day   2. Now Ain't It   3. I Can't Give You Anything But Love
4. Richie's Dilemma   5. Slippers   6. Warm Up   7. My Romance   8. Rigor Mortez