Showing posts with label Reggie Workman. Show all posts
Showing posts with label Reggie Workman. Show all posts

Friday, June 6, 2025

Geri Allen - Celebrating Mary Lou Williams

It is that time of year when our thoughts go to those artists lost to us...

"These modern jazz VIPs render a synchronized attack that incites a harmonious mélange of mainstream, progressive, and free-jazz during this homage to legendary pianist, composer and arranger Mary Lou Williams. One of the mainstays and redeeming traits of this live program relates to the musicians' inimitable styles amid their technical faculties and keen interpretative powers. With a consortium of diverse approaches, the trio merges jazz boogie-woogie with swing and gutsy solos on Williams' "New Musical Express."

Alto saxophonist Oliver Lake's yearning lines, free form bursts and knotty unison choruses with pianist Geri Allen keep this train rolling on a fast track, to complement the clamorous breakouts and tender dissections of the primary theme. It's a fifteen-minute exposition, where the band abides by a democratic group-based slant. Allen's fluid soloing, simmering chord clusters and mesmeric harmonics, intimate remembrances of Williams' dazzling technique, yet these crafty musicians inject several nooks and crannies into the mix, their distinct voices elevating the core concept of this project, amid their shrewd plan of attack, to a higher realm." By
August 19, 2011

Saturday, May 13, 2023

Kazuko Baba - I'll Keep Loving You (2006)

Japanese pianist Kazuko Baba was born in Marugame City, Kagawa Prefecture. She is currently living back in Tokyo after spending nine years in New York. This is her second album and is the result of her progressive time well spent in New York. For the album she surrounds herself with a crack black American rhythm section in bassist David Williams and drummer Leroy Williams supplemented with guests: Japanese guitarist Satoshi Inoue and the renowned bassist Reggie Workman. She showcases seven of her own original tunes, works she composed during her daily life and performances in and around the Big Apple, as well as two favourite standards. This album sets the record straight, that she is indeed a prominent contender as a superlative modern jazz pianist. 

What'sNew Records, WNCJ-2172, 2006
Recorded 22nd August, 2005 at Kaleidoscope Sound, Union City, New Jersey 

Musicians:
Kazuko Baba - Piano
David Williams - Bass
Leroy Williams - Drums
Guests:
Satoshi Inoue - Guitar (#1,4)
Reggie Workman - Bass 

Tracks:
1. Unknown Story {Kazuko Baba} (7:57)
2. The Leaning Waltz {Kazuko Baba} (3:17)
3. Autumn Leaves {Joseph Kosma} (5:30)
4. Wandering On The Shore {Kazuko Baba} (6:38)
5. Illusion {Kazuko Baba} (7:15)
6. Dancing Dolls {Kazuko Baba} (6:12)
7. Air {Kazuko Baba} (7:35)
8. I’ll Keep Loving You {Bud Powell} (6:52)
9. Calm {Kazuko Baba} (3:44) 

Total Time: 55:00 

I'll Keep Loving You

Sunday, November 13, 2022

Billy Harper - Capra Black (1973)

Capra Black remains one of the seminal recordings of jazz's black consciousness movement. A profoundly spiritual effort that channels both the intellectual complexity of the avant-garde as well as the emotional potency of gospel, its focus and assurance belie Billy Harper's inexperience as a leader. Backed by an all-star supporting unit including trombonist Julian Priester and drummer Billy Cobham, Harper's tenor summons the brute force and mystical resolve of John Coltrane but transcends its influences to communicate thoughts and feelings both idiosyncratic and universal. This is music of remarkable corporeal substance that somehow expresses the pure language of the soul.  ~ by Jason Ankeny, AMG. 

Strata-East Records, SES-19739, 1973
Bellaphon International, 660.51.022, 1993 

Personnel:
=========
Billy Harper - Tenor Saxophone, Voices
Jimmy Owens - Trumpet
Julian Priester - Trombone
Dick Griffin - Trombone
George Cables - Piano
Reggie Workman - Bass
Billy Cobham - Drums
Elvin Jones - Drums
Warren Smith - Drums
-----------------------------
Barbara Grant - Voices
Eugene McDaniels - Voices
Laveda Johnson - Voices
Pat Robinson - Voices 

Tracklist:
=======
Capra:
1. Capra Black (11:22)
2. Sir Galahad (8:08)
3. New Breed (4:34)
Black:
4. Soulfully, I Love You / Black Spiritual Of Love (9:39)
5. Cry Of Hunger (10:49) 

All Compositions by Billy Harper 

Total Time: 44:33 

Credits:
Producer, Arranger - Billy Harper
Engineer - Orville I'Brien
Photography - Richard Mayeda
Digital Transfer - Phil Klum 

This album is dedicated to Lee Morgan and to Kenny Dorham (who inspired my uncle-who inspired me), and the many other messengers who have passed this road before me. ~ Billy Harper. 

Capra Black

Sunday, December 29, 2019

Marion Brown - Vista (1975)

A strangely wonderful album from Marion Brown – quite different from his other work on Impulse, with a mellow electric edge that gives it a warm and laidback feel! The approach here is much more soulful than before – with finely crafted tunes that weave Brown's work on alto with electric piano by Anthony Davis and Stanley Cowell, percussion by Ed Blackwell and Jimmy Hopps, and bass by Reggie Workman. If you're expecting the angrier Brown from earlier years, you'll be disappointed - but if you're ready to hear a Brown that's gently crafting mellow lines in a soulful setting, then you're in for a treat. Tracks include Cowell's "Maimoun", Stevie Wonder's "Visions", Brown's "Vista", "Moment of Truth", "Bismillah 'Rrahimani' Rrahim", and "Djinji". ~ Dusty Groove, Inc.

Impulse! Records, AS-9304, 1975
Verve/Universal Music, UCCI-9288, 2015
Recorded 18th (#2,3,6) & 19th (#1,4,5) February, 1875 at Generation Sound, NYC

Musicians:
Marion Brown - Alto Saxophone (#1-6), Wind Chimes (#2)
Stanley Cowell - Piano (#1,5,6), Fender Rhodes (#2,3), Mbira (#1)
Anthony Davis - Piano (#2,3), Fender Rhodes (#1,4-6)
Bill Braynon - Celeste (#2,5) Electric Piano [RMI] (#3)
Reggie Workman - Bass (#1,3-6)
Jimmy Hopps - Drums (#1,3,4), Cymbals (#5)
Ed Blackwell - Drums (#6), Slit Drum, (#3)
Jose Goico - Congas (#1,3,4,6) Tambourine (#1), Finger Cymbals (#5)
Allen Murphy - Vocals (#2), Bells (#5)
Harold Budd - Celeste (#5), Gong (#5)

Tracks:
1. Maimoun {Stanley Cowell} (7:33)
2. Visions {Stevie Wonder} (5:40)
3. Vista {Marion Brown} (7:45)
4. Moment Of Truth {Bill Braynon} (4:37)
5. Bismillahi 'Rrahmani' Rrahim {Harold Budd} (6:02)
6. Djinji {Bill Braynon} (9:45)

Credits:
Producer - Ed Michel
Recording Engineer - Tony May (Generation Sound, NYC)
Mixing Engineer - Baker Bigsby
Photography - George Whiteman
Album Design - Tim Bryant
Disc Mastering - Kendun Recorders

Total Time: 41:22

Alto saxophonist Marion Brown is an under-sung hero of the jazz avant-garde. Committed to discovering the far-flung reaches of improvisational expression, Brown nonetheless is possessed of a truly lyrical voice but is largely ignored when discussions of free jazz of the '60s and '70s are concerned. ~ Thom Jurek, AMG.

Sunday, April 15, 2018

Marion Brown - Passion Flower (1978)

Marion Brown whilst alive was a desperately underappreciated jazz artist. He spent the bulk of his active musical life delving into a highly emotive and improvisational form of free and avant-garde jazz. He expounded a truly lyrical voice and on this rare album he showcases his great ability to also play rich expressions of straight-ahead compositions in a tribute to Johnny Hodges. Working alongside superb players such as pianist Stanley Cowell, bassist Reggie Workman and drummer Roy Haynes, Brown adds magical touches to beautiful tunes penned by Strayhorn, Hodges, Ellington and others. This is an album that can't not please any jazz enthusiast, Enjoy!

Baystate Records, BVCJ 1030, 1994
Recorded 3rd July, 1978 At Sound Ideas Studio "C", New York

Musicians:
Marion Brown - Alto Saxophone
Stanley Cowell - Piano
Reggie Workman - Bass
Roy Haynes - Drums

Tracks:
1. Passion Flower {Billy Strayhorn} (4:53)
2. Smada {Billy Strayhorn} (8:52)
3. Prelude To A Kiss {Irving Gordon, Irving Mills, Duke Ellington} (2:22)
4. Spotted Dog {Johnny Hodges} (5:57)
5. Solitude {Duke Ellington, Eddie DeLange, Irving Mills} (13:00)
6. Day Dream {John Latouche, Billy Strayhorn, Duke Ellington} (7:41)

Credits:
Producer - Yoshio Ozawa
Co-Producer - Fumimaru Kawashima
Recording & Mixing Engineer - Jim McCurdy
Mastering Engineer - T. Kotetsu
Photos - Y. Yoneda
Design [Front Cover] - K. Iida
Design [Back Cover] - T. Aoyagi

Saturday, July 28, 2012

Johnny Coles - Katumbo (Dance)

I must admit that I am not a big fan of the Mainstream "sound".  It more or less comes across like many CTI albums, and it's not for me.  But to paint the whole thing black would be foolish, as this album has proven.

I actually found this and two other Mainstream sides at a thrift, still sealed and only $1 each!!  My main idea was to simply trade them at the local record shop, but two ended up staying with me.

This album varies wildly in terms of style - and for the good I think.  Bop, fusion and avante garde can all be heard at one point or another.  The thing which really holds this session together, at least for my tastes, is Coles' clear and bold statement of a theme.  Tunes like 728 and Petit Machins really stand out as they open up with something groovy for the listener to take into the song.  This album won't be for everyone but I would suggest givin it a whirl if you enjoy Coles' playing at all.

Ripped at 24/44.1 wav and dithered to 16/44.1 FLAC... enjoy!!

Mainstream MRL 346
1971

Gregory Herbert (ts), Johnny Coles (t, fh), Astley Fennell (tb), Howard Johnson (tu), Cedar Walton (p, ep), Reggie Workman (b, eb), Bruce Ditmas (d)

  1. Never Can Say Goodbye  (Clifton Davis) 
  2.  September Of My Years  (Jimmy Van Heusen, Sammy Cahn) 
  3.  728  (Johnny Coles) 
  4.  Eleven [aka Petits Machins]  (Miles Davis, Gil Evans) 
  5.  Betty's Bossa  (Cecil Bridgewater) 
  6.  Funk Dumplin'  (Johnny Coles