Showing posts with label Roland Prince. Show all posts
Showing posts with label Roland Prince. Show all posts

Thursday, November 8, 2018

Shirley Scott - Lean On Me (1972) [vinyl]

A great little Shirley Scott album - perhaps her best for Cadet! Unlike the others, which have a complicated set of arrangements, this one has a stripped-down jazz funk feel that reminds us a lot of the classic early 70s groovers on Prestige Records. Shirley plays some very nice lines on the organ, over tight drums from Idris Muhammad that hit that tasty breakbeat sound on the best cuts! The standout numbers are the album's versions of "Lean On Me" and "By The Time I Get To Phoenix", both strong sample tracks with nice drums. The rest of the group includes George Coleman, Roland Prince, and J. Daniel Turner - and tracks include Carla's Dance", "Funky Blues", and "Royal Love". © Dusty Groove, Inc.

Cadet Records, CA 50025, 1972
Recorded and Mixed 1972 At Sound Exchange Studio, New York City

Musicians:
Shirley Scott - Organ
George Coleman - Tenor Saxophone
J. Daniel Turner - Alto Saxophone, Flute
Roland Prince - Guitar
Idris Muhammad - Drums

Tracks:
A1. Lean On Me {Bill Withers} (4:51)
A2. Royal Love {Shirley Scott} (5:07)
A3. Smile {Charlie Chaplin, Geoffrey Parsons, John Turner} (5:32)
A4. Funky Blues {Shirley Scott} (8:30)
B1. By The Time I Get To Phoenix {Jimmy Webb} (8:31)
B2. How Insensitive {Antônio Carlos Jobim, Norman Gimbel} (8:54)
B3. You Can't Mess Around With Love {Shirley Scott} (5:56)
B4. Carla's Dance {Shirley Scott} (5:09)

Credits:
Producer - Esmond Edwards
Supervision - Bob Scerbo
Engineer - Steve Katz
Mastering - Lee Hulko (Sterling Sound)
Art Direction - David Krieger
Coordinator [Album] - Mia Krinsky
Photography - Joel Brodsky

This is the 2nd of Shirley Scott’s LP’s released on Cadet. She is joined by a powerhouse of other players including the formidable tenorist George Coleman, alto and flautist J. Daniel Turner, the remarkable guitarist Roland Prince and the mighty drummer Idris Muhammad. In many ways within this unique grouping Shirley takes a back seat, but between the other’s soloing she burst forth with some magnificent and striking lines on her gutsy organ. For this album she chooses some popular tunes and three of her own. But without a doubt having the presence of George Coleman in the mix this album truly evolves into a top-notch session; and with 46 years gone by it’s still a great chunk of jazz to get your teeth into, Enjoy!