Showing posts with label Nestor Astarita. Show all posts
Showing posts with label Nestor Astarita. Show all posts

Saturday, March 10, 2018

Enrico Rava - Quotation Marks (1973,74)

“Quotation Marks” was a milestone for Italian trumpeter, now ECM mainstay, Enrico Rava. In addition to being his first of many projects on Manfred Eicher’s watch, it was his debut as leader. The record blends two sessions into a seamless program. The first (December 1973) went down in New York City, where he was backed by guitarist John Abercrombie, drummer Jack DeJohnette, keyboardist David Horowitz, bassist Herb Bushler, and percussionists Ray Armando and Warren Smith. The second (April 1974) placed Rava in Buenos Aires alongside Radolfo Mederos on bandoneón, Finito Bingert on tenor sax and flute, Matias Pizarro on piano, Ricardo Lew on guitar, and percussionists Nestor Astarita and El Chino Rossi.

Of this fine assembly, Mederos’s sound rings foremost. His lovely bellows open “Espejismo Ratonera” with a lilting air before Pizarro’s smooth pianism flushes its alleys clear for less straightforward melodic explorations. Touches of tango warm the cockles, making for an easy, patient entrance to Rava’s dancing grammar. Youth and joy are obvious in his playing, which by a clever turning of the knob bleeds back into the bandoneón with which the track began. American jazz vocalist Jeanne Lee sings lyrics by Argentine poet Mario Trejo in the “Short Visit To Malena” that follows. It too benefits from studio subtleties, fading in as if we were being escorted from one nightclub to another. We seem to wander in at mid-song and notice the crowd sipping their cocktails, arriving just in time for Rava’s trade-off to Abercrombie. (I cannot help but be reminded at this point, if you’ll forgive the comparison, of “Club Tropicana” by Wham!, which begins outside and plunges the listener into a club atmosphere once the door is opened.) “Sola” throws us headlong into the bounce of the South American band. A flute solo here from Bingert stands as the album’s highlight. Like a light streaking before an open lens, it lingers against the skip of bandoneón and snare. The track fades all too soon, just as Lew catches a tailwind. “San Justo” is another horizontal with dissonant verticals from Mederos and a gritty prison break from Lew. Lee rejoins the cast for the heavenly watercolors of the title track before her cathartic leaps float amid a heady beat of brassy beauty, while in the steady groove of “Melancolia De Las Maletas” she adds flips and dips. All of this gives plenty of ground for Rava to unleash his confidence, handing it over to Abercrombie for a crunchy and edible passage.

We know these musicians are capable of incendiary moves, which renders their restraint (and the occasional burst) all the more intense. Rava especially takes time to introduce himself into nearly every tune. Even those like “Water Kite” cloak him in a deceptively thematic role before asserting his personality at stage center. It is a testament to his maturity as a young player and deference to the talents with which he finds himself. The result is an unspoiled gem in the Rava discography that is more than worth the import price if you can afford it. ~ Tyran Grillo, ECM Reviews.

Japo Records, JAPO 60010 ST, 1976
ECM/Universal Music, UCCE-9071, 2006

Recorded December '73 (#A2,B2,B3) At Blue Rock Studios, New York
Recorded April '74  (#A1,A3-B1) At Audion Studio, Buenos Aires, Argentina

Musicians:
Enrico Rava - Trumpet
Finito Bingert - Tenor Saxophone, Flute, Percussion (#A1,A3-B1)
David Horowitz - Piano, Synthesizer (#A2,B2,B3)
Matias Pizarro - Piano (#A1,A3-B1)
John Abercrombie - Guitar (#A2,B2,B3)
Ricardo Lew - Guitar (#A1,A3-B1)
Herb Bushler - Bass (#A2,B2,B3)
El Negro Gonzales - Bass (#A1,A3-B1)
Jack DeJohnette - Drums (#A2,B2,B3)
Nestor Astarita - Drums (#A1,A3-B1)
Rodolfo Mederos - Bandoneon (#A1,A3-B1)
Warren Smith - Marimba, Percussion (#A2, B2, B3)
El Chino Rossi - Percussion (#A1,A3-B1)
Ray Armando - Percussion (#A2,B2,B3)
Jeanne Lee - Vocals (#A2,B2,B3)

Tracks:
A1. Espejismo Ratonera {Enrico Rava, Fernando de Santa Fe} (6:15)
A2. Short Visit To Malena {Mario Trejo, Enrico Rava} (3:58)
A3. Sola {Enrico Rava, Fernando de Santa Fe} (5:28)
A4. San Justo {Enrico Rava} (8:53)
B1. Water Kite {Enrico Rava} (6:25)
Quotation Marks / Naranjales (7:39)
B2.1. Quotation Marks {Mario Trejo, Enrico Rava}
B2.2. Naranjales {Arr. Enrico Rava, Traditional}
B3. Melancolia De Las Maletas {Enrico Rava} (9:55)

Credits:
Producer - David Horowitz, Jack Tafoya (#A2,B2,B3), Nano Herrera (#A1,A3-B1)
Recording Engineer - Jane... (#A2,B2,B3), Nello (#A1,A3-B1)

Thursday, December 28, 2017

Enrico Rava - Jazz A Confronto 14 (1974) [vinyl>flac]

HORO Records, HLL 101-14, 1974
Recorded 18th November, 1974 at "Titania’s Studio" Rome, Italy

Musicians:
Enrico Rava - Trumpet
Massimo Urbani - Alto Saxophone
Calvin Hill - Drums
Nestor Astarita - Drums, Percussion

Tracks:
A1. Closer {Enrico Rava} (10:37)
A2. Maranhao {Enrico Rava} (7:08)
A3. Wrong Side {Enrico Rava} (5:25)
B1. Un Barco Hasta El Cielo {Enrico Rava} (10:41)
B2. Any Kind Of Birds {Enrico Rava} (6:33)
B3. Vento Rosso {Enrico Rava} (7:47)

Credits:
Producer - Aldo Sinesio
Assistant Producer - Roberto Gambuti
Engineer - Massimo Di Cicco
Cover Design - Piero Gratton
Photographs - Isio Saba