Giovanni Mirabassi - Dal Vivo ! (2001)

The first live album that the talented Mirabassi summons with full satisfaction. The dazzling beauty invites you to the end of euphoria. Giovanni Mirabassi's long-awaited third album is a live album by the trio. There is a lot of difference in the amount of experience, so it's just based on personal standards, but to be honest, I feel that I have come across one of the best masterpieces of a piano trio live album. I don't think there is any need for extra annotations, such as who the performer is or what the sound source is. Mirabassi's ability to consistently express his aesthetic sense in the form of a live performance is outstanding, and the tension that is painfully beautiful but not sentimental is wonderful. The songs played are basically original, so please pay attention to this point as well. The only exception is track 8, which decorated the opening of Avanti! but this is already "singing"! Even, if it isn't, the sweet melody will shine with a new life through the trio performance and live situation. It will be almost blissful for those who love music. Regardless of Mirabassi's popularity, I hope that this performance will reach as many listeners as possible. And Sawano can be proud that he was the only window to introduce Mirabassi to Japan. ~ Extract by Kitami Hiiragi, JazzSawano.com. [Translated from Japanese] 

Sketch Records, SKE 333021, 2001
Recorded 2nd November, 2001 Live at the Duc des Lombards, Paris, France 

Musicians:
Giovanni Mirabassi - Piano
Daniele Mencarelli - Bass
Louis Moutin - Drums 

Tracks:
1. Jean-Paul Chez Les Anges {Giovanni Mirabassi} (9:32)
2. Place De La Marie {Giovanni Mirabassi} (6:32)
3. 28, Rue Manin {Giovanni Mirabassi} (6:08)
4. Des Jours Meilleurs {Giovanni Mirabassi} (7:49)
5. Requiem {Giovanni Mirabassi} (5:41)
6. Memento Mores {Giovanni Mirabassi} (6:36)
7. Café Français {Giovanni Mirabassi} (10:36)
8. El Pueblo Unido Jamás Será Vencido {Eduardo Carrasco, Sergio Ortega} (10:00) 

Total Time: 62:54 

Credits:
Producer, Design - Philippe Ghielmetti
Mixing, Editing & Mastering - Gilles Olivesi
Photography - Jean-François Dréan
Design - Elena Derderian, Serge Bilous, Sketch Studio
Design [Calligraphy] - Aka Sakano 

N.B.
All applause cautiously removed/faded out for improved listening pleasure!

Moutin Réunion Quartet - Red Moon (2004)

Avant-garde music is not my cup of tea: I usually find it dark and formless, and the more "out" it goes, the faster I turn it off. But when I heard the opening track here, a bass and drum derangement of "La Mer," I was struck by how playful it could be. Same thing for the next and title track, a driving funk/Latin mix, where pianist Baptiste Trotignon and saxophonist Rick Margitza join the party, contributing to the genial celebration. I was surprised that I could not only follow the journey, but enjoy it as well. Either my ears have grown after a decade of reviewing, or these guys have produced something special. Perhaps both. In any case, the leaders are twin brothers, Francois and Louis Moutin, who offer four originals each, as well as two standards arranged by Francois. The "reunion" reflects Francois's return after leaving the first Moutin group in 1996 for the US. The music is bold, with intricate rhythms and intriguing harmonies. Trotignon's piano knits the quartet together with melodic silk, supple and strong. "Apollo 13" conveys the power and mystery of space flight, with Margitza soaring, as he does on "Sailing Through the Clouds." "Taking Flight" makes the most out of a simple riff; "New-York Silly" is full of the Apple's energy, while "Soroya" is a moody ballad. "Stompin' at the Savoy" becomes more like "Slinkin' at the Savoy" in Francois's fresh conception. This is original, exciting, well-crafted music; it will definitely challenge those used to swimming in the mainstream, but the rewards of listening are many. ~ by Dr. Judith Schlesinger, AAJ. 

Nocturne Records, NTCD 337, 2004
Recorded 21st, 22nd & 23rd May, 2003 at Acoustic Recording, Brooklyn, New York 

Musicians:
François Moutin - Double Bass
Louis Moutin - Drums
Rick Margitza - Saxophone
Baptiste Trotignon - Piano 

Tracks:
01. La Mer {Charles Trénet} (3:53)
02. Red Moon {Louis Moutin} (8:18)
03. Apollo 13th {François Moutin} (9:14)
04. Soraya {François Moutin} (5:29)
05. Jazz Married {Louis Moutin} (6:17)
06. Taking Off {François Moutin} (7:20)
07. Sailing Through The Clouds {Louis Moutin} (7:49)
08. New-York Silly {François Moutin} (7:13)
09. Elle Aime {Louis Moutin} (4:45)
10. Stompin' At The Savoy' {Chick Webb} (2:23) 

Total Time: 60:43 

Credits:
Recording & Mixing - Michael Brorby
Mastering - Steve Fallone
Graphic Design - Renaud Barès
Liner Notes - Dan Doyle

Moutin Réunion Quartet - Something Like Now (2005)

Louis and François Moutin are French-born twin brothers who play drums and bass. Since '97, when François relocated from Paris to New York, they've been separated by a few thousand miles, but have managed periodically to get together to tour and record as the Moutin Reunion Quartet. Saxophonist Rick Margitza joined the lineup in '04 for the group's second album, Red Moon, and pianist Pierre de Bethmann comes on board with Something Like Now. Most of the time, the brothers are playing other peoples' music - they're both busy session players and sidemen - and the Reunion Quartet gives them the opportunity to perform their own material. Every track here, aside from the Charlie Parker collage "Bird's Medley," is written, separately, by either Louis or François. The Moutins have remarkably similar composing styles. Because they're twins? Or because they're both rhythm section players? Je ne sais pas, but I suspect a bit of both. The tunes are mostly full-on, fierce, and upbeat, their angular themes built over brooding, ostinato-based extended riffs, light on lyricism and heavy on atmosphere - the exceptions are François' balladic "Surrendering" and "Echoing," and "Bird's Melody," a 3:24 bass and drums dialogue. Think a heavied-up acoustic Weather Report and you're getting close. The standard of musicianship is high, as you'd expect from a band led by two top sessionmen, and although the Moutins take all the writing credits, they don't hog the solo space. Margitza is up front pretty much throughout with his no-frills, full-throttle blend of Coltrane, Shorter, and Brecker. Bethmann is probably the freshest voice at the mic, and he delivers blindingly intense solos on "Echoing," "M.R.C.," and the perversely named "Take It Easy." His occasional use of the Fender Rhodes includes sonically inventive contributions to the title track and "Touch And Go." And the bottom line? This is technically accomplished, high-energy jazz, with a well-defined aesthetic and truckloads of group interplay and muscular soloing. It is, perhaps, a touch muso-ish, and the composition base might benefit from being broadened to include other writers, but it's an often-exhilarating ride. ~ by Chris May, AAJ. 

Nocturne Records, NTCD 375, 2005
Recorded 5th-7th & 8th February, 2005 at the Studio Guimick, Yerres, France 

Musicians:
François Moutin - Acoustic Bass, Arranger (#3)
Louis Moutin - Drums
Rick Margitza - Tenor Saxophone
Pierre de Bethmann - Piano 

Tracks:
01-02. Something Like Now, Part 1+2 {Louis Moutin} (8:38)
03. Bird's Medley {Charlie Parker} (3:22)
04. Take It Easy {Louis Moutin} (7:39)
05. Surrendering {François Moutin} (6:17)
06. M.R.C. {François Moutin} (5:36)
07. Tomcat {Louis Moutin} (7:12)
08. Echoing {François Moutin} (7:49)
09-10. Bottom Line, Part 1+2 {François Moutin} (7:43)
11. Touch And Go {Louis Moutin} (4:32) 

Total Time: 58:48 

Original CD poorly separated #1+2 and #9+10
Tracks now carefully rejoined for improved listening. 

Credits:
Recording & Mixing - Pierre Guinot
Mastering - Bruno
Photos - Ursula K
Graphic Design - Renaud Barès

Moutin Réunion Quartet - Sharp Turns (2007)

As the Moutin Réunion Quartet have evolved over five years, their modern mainstream jazz sound has indeed discovered tighter, sharper edges based on their ability to elongate time signatures, dig deep into their expertise as improvisers, and discover a neo-bop signature sound that is as irresistible as any in contemporary music. Tenor saxophonist Rick Margitza has settled into his role as a post-Michael Brecker melodicist, while pianist Pierre DeBethmann is ever formidable and a perfect foil for bassist François Moutin, especially with his left hand working in tandem with the contrabassists pluckings, bowings, and walking. While François aside from this band is quickly becoming a first-call sideman, his twin brother Louis is developing distinct individualism, displaying one of the more unique approaches and styles in the post-bop/Max Roach school of ferocious drumming. You have to witness Louis live to appreciate his uniqueness, but from an audio perspective alone, his talent borders on astonishing, and he also assumes a fierce leadership role as a composer. There's some outstanding, nearly breathtaking music here -- the hip, heavy and enigmatic "Two Hits on the N.J.T.P." which deserves a close listen, the heady, purely modern neo-bop title track loaded with drum flourishes, and the tension and release of "A Good Move," which is a trademark device of the band. A brittle and staggered kinetic funk informs "Kuki's Dance," there's the nimble indirect swing waltz "A Blue Dream," and a tribute, "Trane's Medley," with just bass and drums. Margitza also evokes John Coltrane during the delicate, pensive, artistic ballad "Time Apart." Well on their way to being one of the top working bands in contemporary jazz, the Moutin's have it all goin' on. Please thoroughly check these cats out if you haven't already. ~ by Michael G. Nastos, AMG. 

Nocturne Records, NTCD 4501, 2007
Recorded 19th-24th March, 2007 at Systems Two Studios, Brooklyn, New York 

Musicians:
François Moutin - Acoustic Bass [Upright], Arranger
Louis Moutin - Drums
Rick Margitza - Tenor Saxophone (#1,2,4-8)
Pierre de Bethmann - Piano (#1,2,4-8), Fender Rhodes (#1,2,4,6), Vocals (#1) 

Tracks:
1. The Speech {François Moutin} (6:40)
2. Kuki's Dance {Louis Moutin} (5:57)
3. Trane's Medley {John Coltrane} (4:27)
4. A Good Move {François Moutin} (9:01)
5. Time Apart {François Moutin} (7:49)
6. Two Hits On The N.J.T.P. {Louis Moutin} (6:39)
7. A Blue Dream {Louis Moutin} (6:43)
8. Sharp Turns {François Moutin} (8:38) 

Total Time: 55:59

Credits:
Recording Engineer - Michael Marciano
Recording & Mixing Engineer [Assistant] - Max Ross
Mixing Engineer - Joe Marciano
Mastering Engineer - Raphaël Jonin
Graphic Design - Renaud Barès
Photography - Ursula K