Nat Adderley - Calling Out Loud (1969) [re-rip]

A pretty great little album from Nat - recorded with arrangements by Bill Fischer, who gives the record a tightly compressed big band sound that's perfect for Nat's sharp funky horn! The album's not exactly "funk", but there's plenty of it in the mix - as lead horn grooves around nicely, while Joe Zawinul plays electric piano, and Leo Morris (aka Idris Muhammad) plays drums. Titles include "Biafra", "Haifa", "St M", "Grey Moss", and "Calling Out Loud". © Dusty Groove, Inc.

For this album Adderley composes the majority of the tunes and sets about laying down some impeccably beautiful solos on his chosen instrument the cornet. In addition, he surrounds himself with some of the usual session men of the time such as Ron Carter, Leo Morris, Joe Zawinul, Jerome Richardson and Hubert Laws. The interplay of the Idris & Ron and Nat & Joe pairings takes this album to some special places as it hits some real highs, with Nat's cornet leading the way. Zawinul sets up some nice solos on both Biafra and the following tune Haifa. Carter gets into stride with a loud bass line in parts of Grey Moss. The highlight is the swinging Soul-Jazz of Comin' Out The Shadows with some good soloing. The title track is a touch slower but showcases Zawinul’s biting tones on his electric piano. Of merit are the compositions written and arranged by Bill Fischer; St. M, Nobody Knows and shared with Nat Calling Out Loud. Nat’s playing on Nobody Knows is just perfect. Of equal value are Joe Zawinul’s two tunes; Grey Moss & Ivan's Holiday.

The real issue in preparing this rip is that it is assembled as a suite with a series of transitional mini-movements joining the tunes together. With my first post I carefully spliced the two sides into individual tracks that I believe worked. However, when revisiting this gem I decided to leave well alone and upload just as Side A and Side B, Enjoy!

A&M/CTI Records (Japan), C25Y3819, 1986

Recorded 19th, 21st November & 4th December, 1968

At Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:

Nat Adderley - Cornet

Joe Zawinul - Electric Piano

Hubert Laws - Flute, Piccolo Flute

Jerome Richardson - Saxophone

Seldon Powell - Saxophone

George Marge - Clarinet, English Horn, Saxophone (#A1)

Paul Ingraham - French Horn

Donald MacCourt - Bassoon

Romeo Penque - Bass Clarinet

Danny Bank - Saxophone (#A1)

Jerry Dodgion - Saxophone (#A1)

Richard Henderson - Saxophone (#A1)

Ron Carter - Bass

Leo Morris - Drums

Tracklist:

Side A: [18:46]

1. Biafra {Nat Adderley} (6:34)

2. Haifa {Nat Adderley} (4:59)

3. St. M {W. S. Fischer} (3:54)

4. Grey Moss {Joe Zawinul} (3:27)

Side B: [17:32]

1. Nobody Knows {W. S. Fischer} (6:11)

2. Comin' Out The Shadows {Nat Adderley} (4:58)

3. Ivan's Holiday {Joe Zawinul} (3:11)

4. Calling Out Loud {Nat Adderley, W. S. Fischer} (3:17)

Credits:

Producer - Creed Taylor

Engineer - Rudy van Gelder

Arranger & Conductor - Bill Fischer

Cover Photo - Pete Turner

Cover Design - Sam Antupit

Note:

Original rip is still active, check link in comments.

Cannonball & Nat Adderley Sextet - Soul Zodiac (1972) [vinyl>flac]

ASTROLOGY, the study of the signs of the Zodiac. How does one rationalize a development with astrological significance? RICK HOLMES, the creator of the narrative indigenous to the artistic creativeness formed in this recording, is a person whose day-to-day behavioral continuity by his own concepts of the influence of the activities of astrological movement. Mr. Holmes, well known in the greater Los Angeles area, is a radio personality who is recognised by various people who have the privilege of being exposed to "RICK'S FAMILY AFFAIR" aired nightly on radio station KBCA-FM. (One of the most important outlets for Jazz and other musical expression, including sophisticated rhetoric, in Southern California.) Devoted listeners to Rick's program are well aware of his expertise with regards to astrology. This recording marks the first effort to broaden any interested audience or to enhance the awareness with regards to astrology or to enhance the awareness of people to whom the soulful exhortations of Rick have never been available. ~ Cannonball Adderley, Liner Notes.

Capitol Records, SVBB-11025, 1972

Recorded in 1972, Capitol Records Inc.

Personnel:

Rick Holmes - Voice [Narration], Writer

Cannonball Adderley - Alto Sax (#A2), Soprano Sax (#A3)

Nat Adderley - Cornet

Ernie Watts - Tenor Saxophone, Flute, Tambourine

Mike Deasy - Guitar

George Duke - Fender Electric Piano

Walter Booker - String Bass & Guitar

Roy Mac Curdy - Drums

Tracks:

A1. Introduction {Adderley, Holmes} (2:59)

A2. Aries {Adderley, Holmes} (4:51)

A3. Libra {Booker, Holmes} (3:17)

A4. Capricorn {Duke, Holmes} (6:04)

B1. Aquarius {Deasy, Holmes} (7:49)

B2. Pisces {Adderley, Holmes, Watts} (3:51)

B3. Sagittarius {Holmes, McCurdy} (5:14)

C1. Gemini {Adderley, Booker, Holmes, McCurdy} (3:37)

C2. Leo {Adderley, Holmes} (2:54)

C3. Virgo {Deasy, Duke, Holmes} (4:23)

C4. Scorpio {Holmes, Watts} (4:12)

D1. Cancer {Adderley, Booker, Holmes, McCurdy} (2:44)

D2. Taurus {Adderley, Holmes} (13:42)

Credits:

Producer - Cannonball Adderley, David Axelrod

Engineer - Howard Gale

Artwork [Direction] - John Holmes

Photography - Rick Rankin

Photography [Body Painting] - Abe Gurvin

CANNONBALL ADDERLEY - with ERNIE ANDREWS - LIVE SESSION! 1964 VINYL (FLAC)

1964
Capitol ST 2284
My Vinyl Rip
Front & Back Covers
DR Value 13
FLAC 8 (250 MB)

While Cannonball Adderley is a fine and well-known alto saxophonist, his equal partner on Live Session!, vocalist Ernie Andrews, is a more obscure figure.  Andrews recorded frequently during the late '40s and throughout the '50s, but retained a lower profile during the '60s.  That's one reason why Live Session!, recorded in 1964, is such a special work.  Backed by Adderley, cornetist Nat Adderley, pianist Joe Zawinul, bassist Sam Jones, and drummer Louis Hayes, Andrews' warm, rich vocals offer lovely interpretations of an even dozen songs.  The material cuts a wide swath across non-jazz genres, from the bluesy "Next Time I See You," to the popular "Since I Fell for You," to the fun nonsense of "Green Door."  Although the instrumental work takes a backseat to the vocals, both Adderleys find room to offer pithy solos that spice up the proceedings.  The accompaniment is an active one, too, with intricate piano and horns highlighting and underlining Andrews as needed.  Interestingly, the songs were recorded live on two different dates, two years apart.  The album nonetheless flows as a piece.   AllMusic Review by Ronnie D. Lankford, Jr.  

The Tracks:
A1 Big City
A2 Next Time I See You
A3 I'm Always Drunk In San Francisco
A4 Ten Years Of Tears
A5 Bill Bailey
B1 I'm A Born World Shaker
B2 Don't Be Afraid Of Love
B3 Since I Fell For You
B4 If You Never Fall In Love With Me

Nat Adderley - You, Baby (1968) [re-rip>true flac]

As Cannonball Adderley moved with the times in the late '60s, so did brother Nat on his own. While Adderley generally buys into Creed Taylor's A&M mixture of top-flight jazz talent, pop tunes and originals, and orchestrations packaged in bite-sized tracks, this album has its own pleasingly veiled yet soulful sound quite apart from its neighbors in the A&M/CTI series. Give credit to Adderley's successful use of a Varitone electronic attachment on his cornet, giving the horn an "electric blue" sound which he handles with marvelous rhythmic dexterity. Add Joe Zawinul's lively, funky electric piano from Cannonball's quintet, as well as the brooding, genuinely classically-inspired orchestrations of Bill Fischer that only use violas, cellos and flutes. While not always technically perfect, Adderley's solos have soul and substance; his brief, catchy bop licks on "Halftime" are some of the best he ever played and on Zawinul's "Early Minor," he evokes a sense of loneliness that Miles would have admired. A lovely intensely musical album, well worth seeking out. ~ Richard S. Ginell, All Music Guide.

A&M/CTI Records, LP 2005; SP 3005, 1968

Recorded on 26^th-28^th March & 4^th April, 1968 at Van Gelder Studio, New Jersey

Personnel:

Nat Adderley - Cornet

Joe Zawinul - Piano

Jerome Richardson - Flute, Soprano Saxophone

George Marge - Flute, Oboe

Romeo Penque - Flute

Harvey Estrin - Flute

Joe Soldo - Flute

Stewart Clarke - Viola

Bernard Zaslav - Viola

Al Brown - Viola

Charles McCracken - Cello

George Ricci - Cello

Alan Shulman - Cello

Ron Carter - Bass

Grady Tate - Drums

Track Listing:

A1. You, Baby {Ivy Hunter, Jack Goga, Jeffrey Bowen} (2:44)

A2. By The Time I Get To Phoenix {Jimmy Webb} (3:19)

A3. Electric Eel {Nat Adderley} (4:55)

A4. Early Chanson {Joe Zawinul} (2:23)

A5. Denise {Earl Turbinton} (3:56)

B1. Early Minor {Joe Zawinul} (3:43)

B2. My Son {Caiphus Semenya} (4:27)

B3. New Orleans {Nat Adderley} (4:18)

B3. Hang On In {Eric Knight} (3:30)

B4. Halftime {Julian Adderley, Nat Adderley} (2:36)

Credits:

Producer - Creed Taylor

Recording Engineer - Rudy Van Gelder

Arranger, Conductor - Bill Fischer

Photography - Pete Turner

Album Design - Sam Antupit

Liner Notes - Ira Gitler

Woody Herman - The Fourth Herd

As some of you may or may not know, I am a collector of the Jazzland label.  I began the project by firstly seeking out the sides which were issued under the labels imprint.  After acquiring the low hanging fruit, I still have a handful of sessions to find.

The Fourth Herd has crossed my path before, but in horrid condition so I was forced to pass.  My patience was rewarded when I found this copy through a local dealer.  The album is just fantastic - Herman at his best.  All of the tunes are hard swingin and uplifting, wonderfully positive vibes.  The featured players all play their asses off, particularily Adderley.

The idea of Woody's Fourth Herd was to have a band within a band.  So when the orchestra pulls back, there is a core octet to pick up the tune - this is where the featured guests really come in.  It worked out quite nicely, and of course when the full band comes in they hit hard.  Super tight, bright and brassy - a huge dynamic punch to the gut!!  The whole album is a winner, filled with excitement and interesting twists and turns.

As far as I know, this album was paired with another for a CD release by Mobile Fidelity Sound Labs (MOFI) and is the only instance of a digital release.  I haven't heard it but we can assume it would be excellent.  Well I would put this transfer against anything that may be out there.  The mono vinyl is minty, ripped at 24bit / 48kHz wav and converted to FLAC.  It's wonderfully dynamic and open... enjoy!!!

This CD is quite a bit different than most audiophile releases for it contains rare rather than famous recordings. 1959's The Fourth Herd (which features an all-star group of studio musicians and Woody Herman alumni along with his octet of the time) was only put out briefly by Jazzland while the music on 1962's The New World of Woody Herman was never available commercially before; both were originally cut for the SESAC Transcribed Library and were available only to selected radio stations on a subscription basis. The earlier session has solo spots for tenors Zoot Sims, Al Cohn and Don Lanphere, trumpeters Nat Adderley and Red Rodney, vibraphonist Eddie Costa and Herman on clarinet, a bit of alto and two vocals; Cohn and pianist Nat Pierce wrote most of the colorful and diverse arrangements. By the later session (which has charts by Pierce, Gene Roland, Phil Wilson and Bill Chase), Woody Herman once again was leading an exciting big band of his own. Trombonist Phil Wilson, Duke Ellington's tenor Paul Gonsalves (filling in for the temporarily absent Sal Nistico) and Herman are the solo stars and (as with the first date) the music swings hard and contains its share of surprises. - Scott Yanow / AMG for CD release of The Fourth Herd & the New World of Woody Herman

Jazzland JLP-17
July 31 & Aug 1, 1959

A1 Panatela
A2 Lament For Linda
A3 Misery, Stay Away From My Door
A4 In A Misty Mood
A5 Catty' Corner
A6 The Thirteenth Instant
B1 The Magpie
B2 Blues For Indian Jim
B3 The Devil And The Stoker
B4 The Swing Machine
B5 Summer Nights
B6 Johnny On The Spot

Bass – Milt Hinton
Clarinet – Woody Herman (tracks: A1, A4, A5, B2, B4, B6)
Cornet – Nat Adderley (tracks: A1, A4, A5, B2, B4, B6)
Drums – Don Lamond
Guitar – Barry Galbraith
Piano – Nat Pierce
Reeds – Al Cohn (tracks: A2, A3, A6, B1, B3, B5), Dick Hafer (tracks: A2, A3, A6, B1, B3, B5), Don Lanphere (tracks: A2, A3, A6, B1, B3, B5), Gene Allen (tracks: A2, A3, A6, B1, B3, B5), Sam Markowitz* (tracks: A2, A3, A6, B1, B3, B5), Zoot Sims (tracks: A2, A3, A6, B1, B3, B5)
Tenor Saxophone – Zoot Sims (tracks: A1, A4, A5, B2, B4, B6)
Trombone – Bob Brookmeyer (tracks: A2, A3, A6, B1, B3, B5), Frank Rehak (tracks: A2, A3, A6, B1, B3, B5), Jim Dahl* (tracks: A2, A3, A6, B1, B3, B5), Jimmy Cleveland (tracks: A2, A3, A6, B1, B3, B5)
Trumpet – Bernie Glow (tracks: A2, A3, A6, B1, B3, B5), Burt Collins (tracks: A2, A3, A6, B1, B3, B5), Ernie Royal (tracks: A2, A3, A6, B1, B3, B5), Irvin Markowitz* (tracks: A2, A3, A6, B1, B3, B5), Red Rodney (tracks: A2, A3, A6, B1, B3, B5), Reunald Jones (tracks: A2, A3, A6, B1, B3, B5)
Vibraphone [Vibes] – Eddie Costa (tracks: A1, A4, A5, B2, B4, B6)

Newport in NY '72, The Jam Sessions, vols 3 & 4

Newport in NY '72, The Jam Sessions, vols 3 & 4
Cobblestone 1973

Volume 3: Radio City Music Hall July 6
1) Perdido
2) Misty
3) Now's the Time

Joe Newman, Nat Adderley trumpet; Illinois Jacquet, Budd Johnson tenor sax; Tyree Glenn trombone; Gerry Mulligan baritone sax; Jaki Byard piano; Chubby Jackson bass; Elvin Jones drums

Volume 4: Radio City Music Hall (side A July 6, side B July 3)

1) Blue N' Boogie

Clark Terry & Howard McGhee trumpet; Sonny Stitt & Dexter Gordon tenor sax; Gary Burton vibes; Jimmy Smith organ, George Duke piano; Al McKibbon bass; Art Blakey drums

2) So What

Harry 'Sweets' Edison trumpet; James Moody, Flip Phillips, Zoot Sims & Dexter Gordon tenor sax; Roland Kirk tenor sax, manzello, stritch, whistle; Kai Winding trombone, Chuck Wayne guitar, Herbie Hancock piano; Larry Ridley bass; Tony Williams drums

This may well be the best side out of all six LP's - Kirk's solo is jaw dropping!