Showing posts with label George Ricci. Show all posts
Showing posts with label George Ricci. Show all posts

Tuesday, January 23, 2018

Astrud Gilberto - Gilberto with Stanley Turrentine (1971)

An Indie Darling Before Her Time:
Quite Possibly The One Gilberto Album You Must Own
Astrud Gilberto With Stanley Turrentine is such a nice surprise; an overlooked "fan favorite" that's worth discovering. Released in 1971, it came nearly a decade after Gilberto's "Girl From Ipanema" heyday. But several factors make this album truly unique. First, it's the only album Gilberto made for the CTI label, after a long relationship with Verve. Secondly, on several tracks she's paired with the great saxophonist and then-labelmate Stanley Turrentine (why not?!?). And finally, the album was produced and arranged by schlock-jazz mastermind Deodato.

Put it all together and you have a fun, dreamy record that sounds oddly contemporary. Here, Deodato adds a pop flash that's lacking on Gilberto's more stately Verve material. This combination of cool reticence and clever, sometimes cloying melody has since become an indie template. And for good reason. "Wanting Things" and "Where There's a Heartache", the pair of Bacharach/David tunes which bookend the album, are airy, almost impressionistic swatches of atmosphere. "Brazilian Tapestry" is the album's high point, with Deodato's melodramatic flute/viola arrangement segueing into an effortless sigh of a chorus that finds Gilberto completely in her element. "Zazueira" is another uptempo delight that's driven along by Deodato's electric piano and Ron Carter's bass; "soulful" isn't a word that's often associated with Gilberto, but it applies here. Turrentine's energetic blasts add to the fun. The minor-key "Solo el fin (For All We Know)", on the other hand, finds Gilberto and her accompaniment in a suitably resigned, reflective mood. Gilberto's singing is markedly stronger than on her '60s material, though she'll never be mistaken for Billie Holliday.

Apparently, Gilberto wasn't so impressed with the material or arrangements; she walked out of the sessions before ...With Stanley Turrentine was completed. That explains the two instrumentals, a muzak version of Stephen Stills' "To a Flame" that not even Turrentine can enliven, and the slightly groovy "Vera Cruz", on which Deodato's piano takes Gilberto's place. And it's easy to understand why Gilberto was less than thrilled with the helplessly slight, Deodato-penned "Traveling Light" or a Spanish-language troll through the theme from Love Story. Of the three bonus tracks, only the lovely, playful, Deodato-less rendition of Harry Nilsson's "The Puppy Song" is a keeper.

As for this reissue, the remastered sound is crisp but not extremely warm, which suits the material. Original engineering by the legendary Rudy van Gelder can't have hurt. Despite that incongruity, it's sweet, slightly fey fare for those who prefer their music in pastels. ~ Extract by John Bergstrom, Popmatters.com.

CTI Records, CTI 6008, 1971
Sony Music Inc., 5127892, 2003
Recorded 13th January, 1st & 4th February, 19th March and 6th April 1971
At Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:
Astrud Gilberto - Vocals
Eumir Deodato - Electric Piano
Stanley Turrentine - Tenor Saxophone (#2,5,6,8)
Toots Thielemans - Harmonica (#6,11)
Gene Bertoncini - Guitar (#1,3,4,7,10,12)
Sivuca - Guitar (#2,5,6,8)
Sam Brown - Electric Guitar (#1,2,5,6,8,12,13)
Bob Mann - Electric Guitar (#3,4,7,9,12)
Ron Carter - Bass (#1-3,5-8,11)
Russell George - Bass (#4,9-13)
João Palma - Drums (#1,3,7,12)
Dom Um Romão - Drums (#2,5,11)
Dennis Seiwell - Drums (#4,9,10,13)
Airto Moreira - Percussion (#2,5,11)
Hubert Laws, George Marge, Romeo Penque,
Jerome Richardson - Flutes (#2,5,7,8,10)
Paul Gershman, Emanuel Green, Julie Held, Harry Katzman,
Joe Malin, Gene Orloff - Violin (#1-5,7-10)
Harold Coletta - Viola (#1,2,4,7-10)
George Ricci - Cello (#1-5,7-10)

Tracks:
01. Wanting Things {Burt Bacharach, Hal David} (2:41)
02. Brazilian Tapestry {Mulher Rendeira} (5:16)
03. To A Flame [Instrumental] {Stephen Stills} (3:22)
04. Solo El Fin [For All We Know] {Robb Wilson, Arthur James, Kathleen Freed} (3:18)
05. Zazueira {Jorge Ben} (3:47)
06. Ponteio {Edu Lobo, Capinan} (3:43)
07. Traveling Light {Eumir Deodato, Martha Everett} (2:31)
08. Vera Cruz [Instrumental] {Milton Nascimento, Fernando Brant, Gene Lees} (5:12)
09. Historia De Amor [Love Story] {Francis Lai, Carl Sigman, Alfonso Alpin} (3:35)
10. When There's A Heartache [There Must Be A Heart] {Burt Bacharach, Hal David} (3:11)
11. Just Be You {Astrud Gilberto} (2:29) *
12. Puppy Song, The {Harry Nilsson} (3:21) *
13. Polytechnical High {Eumir Deodato, Martha Everett} (2:48) *

* Bonus Tracks [Previously Unreleased]

Credits:
Producer - Creed Taylor
Recording & Mastering Engineer – Rudy van Gelder
Arranger, Conductor - Eumir Deodato
Design [Album] - Bob Ciano
Photography [Cover] - Peter Turner
Photography [Liner] - Price Givens

Saturday, January 2, 2016

George Benson - The Other Side of Abbey Road (1969) [vinyl>flac,24b/48k]

A wonderfully wicked album – one that sold so many copies that it's sometimes hard to remember how great it is! George takes on all of Abbey Road – or just about all of it – as he runs through some of the most beautiful tracks The Beatles ever wrote, like "Golden Slumbers", "I Want You (She's So Heavy)", "The End", "Because", and "You Never Give Me Your Money". The whole thing's set to some great baroque jazzy arrangements by Don Sebesky, and George digs the whole thing so much that he even sings a bit – vocalizing in a cool chromatic way that really works well with his guitar playing, and which would soon transform into a very popular style on his records of the 70s. Keyboards are by Bob James and Herbie Hancock – and there's plenty of other great jazz players in the mix! © Dusty Groove, Inc.

A&M Records, SP-3028, 1970
Recorded 22nd,23rd October and 4th,5th November, 1969
at Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:
George Benson - Guitar
Freddie Hubbard - Trumpet
Bernie Glow, Marvin Stamm, Mel Davis - Trumpet, Flugelhorn
Wayne Andre - Trombone, Euphonium
Sonny Fortune - Alto Saxophone
Jerome Richardson - Tenor Saxophone, Clarinet, Flute
Don Ashworth - Baritone Saxophone
Hubert Laws - Flute
Phil Bodner - Flute, Oboe
Don Ashworth - Bass Clarinet
Bob James, Ernie Hayes, Herbie Hancock - Piano, Organ, Harpsichord
Jerry Jemmott, Ron Carter - Bass
George Ricci - Cello
Ed Shaughnessy, Idris Muhammad - Drums
Andy Gonzalez, Ray Barretto - Percussion
Max Pollikoff, Raoul Poliakin - Violin
Emanuel Vardi - Viola

Track Listing:
A1-A2. Golden Slumbers {Lennon, McCartney}/
You Never Give Me Your Money {Lennon, McCartney} (4:47)
A2. Because/Come Together {Lennon, McCartney} (7:27)
A4. Oh, Darling {Lennon, McCartney} (4:01)
B1-B2. Here Comes The Sun {George Harrison}/
I Want You [She So Heavy] {Lennon, McCartney} (9:04)
B3. Something {George Harrison}/
Octopus's Garden {Richard Starkey} (4:31)
B4. The End {Lennon, McCartney} (1:57)

Credits:
Producer - Creed Taylor
Recording Engineer - Rudy van Gelder
Arranger - Don Sebesky
Design [Album] - Sam Antupit
Photography - Eric Meola