Showing posts with label Eddie Costa. Show all posts
Showing posts with label Eddie Costa. Show all posts

Sunday, March 7, 2021

Frank Wess, Bobby Jaspar, Seldon Powell - The Spirit Of Charlie Parker (1958)

'The Spirit of Charlie Parker' is an atmospheric album that examines four Charlie Parker tunes; beautifully arranged by Billy van Planck and engineered by none other than the great late Rudy van Gelder. The musicians on this LP comprise of three flutists: Frank Wess, Bobby Jaspar, Seldon Powell, one trombonist Frank Rehak, and a crack rhythm section with the amazing pianist and vibist Eddie Costa together with bassist George Duvivier and drummer Bobby Donaldson. In all four great Bird tunes are showcased with great finesse, Enjoy!

 

World Wide Records, MGS-20003, 1958
Recorded 27th March, 1958 At Van Gelder Studio, Hackensack, New Jersey 

Musicians:
Frank Wess - Flute
Bobby Jaspar - Flute, Clarinet
Seldon Powell - Flute, Tenor Saxophone
Frank Rehak - Trombone
Eddie Costa - Piano, Vibraphone
George Duvivier - Bass
Bobby Donaldson - Drums
Billy Ver Planck - Arranger 

Tracks:
A1. Parker's Mood (5:58)
A2. Marmaduke (9:38)
B1. Now's The Time (8:07)
B2. Ah Leu-Cha (7:52) 

All Compositions by Charlie Parker

Total Time: 31:35

Credits:
Supervisor - Ozzie Cadena
Engineer - Rudy van Gelder
Photography - Hank Schneider
Design [Album] - Levy A. Agency
Liner Notes - H. Alan Stein

Sunday, October 11, 2020

Bill Harris - The Soul Of Jazz (1958) [re-rip]

This a rare and dynamic session, recorded by Rudy van Gelder in 1958, features an amazing All Stars cast. Essentially it showcases Bill Harris playing alongside Joe Wilder, Bobby Jaspar, Pepper Adams, Eddie Costa, George Duvivier and Art Taylor. These musicians truly display the essence of jazz and hence the album’s title is so very appropriate. The sound even though ripped from a well-loved old vinyl still comes across ‘alive and fresh’ even by today’s standards. The concept of this LP is masterminded by the arrangements and conducting skills of Billy Ver Plank. The choices of tunes are very complimentary and blend well, all the while giving the players plenty of room to solo. Well Recommended.

Generally speaking the men on the date fall into either a late swing or neo-modern period, as to their particular improvisatory allegiances. Yes, all bear the same "pure" approach to their performance of jazz. Bill Harris, veteran trombone star of the 1940's and the Woody Herman band has been a "preaching" jazzman of great fame for many years. Joe wilder, the early modern trumpet star, sparkles here with his growls, his various muses, and that unbelievably pure bell-tone while blowing a modern cascade of notes. Bobby Jaspar, Belgian import who has come to fame with J.J. Johnson and other combos on both tenor and flute, he is a "wailer" who plays in the Coltrane-Sims tradition these days. Pepper Adams, deserving of his nickname, bursts fierily throughout the proceedings. He is a Detroit export who rose to fame with Kenton, and has recently led his own combo in New York City. Eddie Costa, vibist and pianist once again proves his prowess as a tasty and ever-swinging keyboard man. George Duvivier can only be described as a "Rock" in a rhythm section ... with both beat, intonation, and "life" that are impeccable. Art Taylor, a usually intrepid bopper, illustrates his more quiet moods here, lapsing into the more normal "popping" style he has become noted for on two tracks. Basically, the tunes are simple harmonic changes, with tried harmony, open voiced for the horns, and usually ending with the traditional "Amen" chord resolution. The solo-work, in almost every case stays fairly close to the simple diatonic harmonies, yet conveying a combined "preaching" and "funky blues" feel. ~ Extract from Liner Notes by H. Alan Stein.

World Wide, MGS 20002, 1958
Recorded 5th May, 1958, Hackensack, New Jersey

Personnel:
Bill Harris - Trombone
Joe Wilder - Trumpet
Bobby Jaspar - Tenor Saxophone
Pepper Adams - Baritone Saxophone
Eddie Costa - Piano
George Duvivier - Bass
Art Taylor - Drums

Tracks:
A1. You Gotta Be A Good Man {David} (8:41)
A2. Each Side Of The River {David} (4:48)
A3. Where Ya Gonna Run To? {David} (5:08)
B1. I Can't Believe It {David, Cadena} (6:33)
B2. What Should I Do? {David} (3:57)
B3. Royal Garden Blues {Williams} (6:27)

Total Time: 35:34

Credits:
Supervisor - Ozzie Cadena
Recording Engineer - Rudy van Gelder
Arranger, Conductor - Billy Ver Planck
Cover Photo - Hank Schneider
Liner Notes - H. Alan Stein

Friday, August 3, 2012

Roullette: At The Roundtable

By 1959 Herman had broken up his Third Herd and was utilizing a sextet filled with important young players. This live LP from 1959 (the only recording of this group) finds him well-featured on both alto and clarinet with a band that also boasts trumpeter Nat Adderley, acoustic guitarist Charlie Byrd and Eddie Costa on piano and vibes. All 12 selections (mixing together standards and forgotten originals) have their enjoyable moments. A rare chance to hear Woody Herman as a key soloist in a small group. - Scott Yanow

Forum (F 9016)
1959





A1  Black Nightgown   
A2  Pea Soup   
A3  Just A Child   
A4  Petite Fleur   
A5  Lullaby Of Birdland   
A6  Inside Out   
B1  The Swingin' Shepherd Blues   
B2  The Deacon And The Elder   
B3  Princess "M"   
B4  Moten Swing   
B5  Early Autumn   
B6  The Late Late Show   

Bass – William Betts;  Clarinet, Alto Saxophone – Woody Herman;  Drums – Jimmy Campbell
Guitar – Charlie Byrd;  Piano – Eddie Costa;  Trumpet – Nat Adderley

____________________________________________________________________


Recorded at the Roundtable nightclub in New York City on July 1, 1959, this performance marked the beginning of a new, penultimate phase of Jack Teagarden's recording career. His Capitol Records contract having ended the previous spring, he then performed for the portable recording equipment of Roulette Records, which would release some of the sides recorded at this gig as a live album, and which would, for a time, revive his fortunes. Although he's a little less agile and powerful, having reached his late 50s after a career's worth of constant work, and some health problems (later resolved), the cohesiveness of the band makes this release well-worth hearing. The group, in a typical live set, plays seven Dixieland warhorses and the obscure "When" (which was written by the King of Thailand). Teagarden, trumpeter Don Goldie, clarinetist Henry Cuesta, the great stride pianist Don Ewell, bassist Stan Puls, and drummer Ronnie Greb put on a lively, crowd-pleasing show highlighted by "South Rampart Street Parade," "St. James Infirmary" (sung by Teagarden), "St. Louis Blues," and Ewell's feature on "Honeysuckle Rose." [Note: as of 2005, At the Roundtable has never been reissued on its own, but is part of Mosaic's Complete Roulette Jack Teagarden Sessions, augmented with a significant body of unreleased track from this same performance.]  - Bruce Eder

Roullette R25091
Roundtable Nightclub, NYC 1959

Don Goldie (tp, vcl);  Jack Teagarden (tb, vcl);  Henry Cuesta (cl);  Don Ewell (p),
Stan Puls (b);  Ronnie Greb (d).

A1  South Rampart Street Parade   
A2  St. James Infirmary   
A3  Big Noise From Winetka   
A4  When   
B1  St. Louis Blues   
B2  Honeysuckle Rose   
B3  Stardust   
B4  When Tha Saints Go Marching In 

_____________________________________________________________________________



Steve Allen was a jack of all trades as a comedian, television star, author, musician, and prolific composer, but he has been dismissed by a lot of critics as a lightweight performer and songwriter. Allen never clamed to rival Art Tatum as a pianist, or the likes of Cole Porter or Duke Ellington as a composer; he saw himself as an entertainer first. Surrounded by a strong supporting cast during this live engagement at the Roundtable (with Allen hamming it up on the cover photo in a suit of armor), Allen doesn't hog the spotlight but keeps his solos rather brief and gives his sidemen plenty of solo space. His opener "Roundtable Boogie" features guitarist Mundell Lowe, vibraphonist Terry Gibbs, and clarinetist Gus Bivona; while Allen isn't in the league of Meade Lux Lewis and Pete Johnson, he is a more than competent boogie-woogie player (he was once complimented on his boogie-woogie playing by Teddy Wilson, who confessed he had problems playing it himself!). Gibbs swings like mad in a fun-filled take of "I Got Rhythm." "Even Stephen" is actually a wild reworking of "Jeepers Creepers." Doc Severinson adds his swinging trumpet to Allen's rousing closer, "Baby, But You Did." Although this won't be an essential recording for the average jazz fan, anyone who enjoys Steve Allen will be delighted to acquire this record.  - Ken Dryden

Roullette Records
SR-25053
1959

A1 Roundtable Boogie   
A2 Why Don't You Want to Go Home   
A3 I Got Rhythm   
B1 Even Stephen   
B2 I Thought About You   
B3 Baby, But You Did

Steve Allen (piano); Mundell Lowe (guitar); Gus Bivona (clarinet, saxophone, alto saxophone);
 Doc Severinsen (trumpet); Terry Gibbs (vibraphone); Gary Peacock (bass instrument);
Gary Frommer (drums).