Showing posts with label Bob DeVos. Show all posts
Showing posts with label Bob DeVos. Show all posts

Monday, December 25, 2023

Richard "Groove" Holmes - Good Vibrations (1977) [re-rip]

When you consider it, all jazz is created by good vibrations; bristled reeds, plucked strings, the ringing force of air trapped in brass. But if jazz organ players don't create good vibrations...well, they're just not jazz organ players. Because perhaps more than any other jazz hallmark, the organ sound must virtually rattle your teeth to get over: dig you into its moving bass line, assault you with its droning, gritty top, and set you nodding, popping, even...vibrating. 

Which is exactly where this new offering from one of organ's greats, Richard "Groove" Holmes, comes in. It's classic jazz brew, with all the right ingredients: the soulful tenor of Houston Person, one of organ's biggest champions (he features the B-3 in his own working group); the classic blues-funk guitar of Philly-based newcomer Bob DeVos; the crack rhythm team of Idris Muhammad and Buddy Caldwell, who probably hold the world's record for the most appearances on organ LPs; the sensitive production of Bob Porter, who may hold a similar mark (in a tie with Ozzie Cadena) for the most organ albums overseen; and the eternally invigorating presence of Rudy van Gelder, who's engineered every good organ record ever made. 

"It was a typical Groove Holmes date," sums up Bob Porter. "We did it in an afternoon, and Groove even brought along a good new guitarist player." and, we should add, GOOD VIBRATIONS aplenty. ~ Excerpts taken from Liner Notes by Michael Rozek. 

Muse Records, MR 5167, 1980
Recorded 19th December, 1977 at Van Gelder Studio, Englewood Cliffs, New Jersey 

Musicians:
Richard "Groove" Holmes - Organ [Hammond B-3]
Houston Person - Tenor Saxophone (#A1-B1,B3)
Bob DeVos - Guitar
Idris Muhammad - Drums
Buddy Caldwell - Congas 

Tracks:
A1. Good Vibrations {Richard "Groove" Holmes} (8:47)
A2. Do It To It {Rogers Grant} (10:35)
B1. Do Nothin' Till You Hear From Me {Duke Ellington, Bob Russell} (8:51)
B2. My One And Only Love {Robert Mellin, Guy Wood} (4:51)
B3. Hackensack {Thelonious Monk} (5:47) 

Total Time: 38:51 

Credits:
Producer - Bob Porter
Engineer - Rudy van Gelder
Cover Design - Ron Warwell/NJE
Liner Notes - Michael Rozek 

Hackensack

Friday, August 2, 2019

Charles Earland - Live (1999)

"We're gonna cook a little bit for you - is that O.K.?" With that Charles Earland celebrates his birthday on stage - and it IS a celebration! Horns blaze, the rhythm pounds, and you can't forget that vital organ. It’s aptly titled – this music lives.

"The Burning Spirit" sets off at full charge, horns shouting the angular theme with the power of a big band. Eric Alexander runs deep, with tangy tone and lines that run forever. Charles likes what he hears; he comps strong behind - strong enough to drown at times. No such problem with Jim Rotundi: his tone is loud and broad, mellow like a flugelhorn and sharp as a tack. Bob Devos snakes everywhere: he darts long like Pat Martino, with a cleaner tone. And it's time for The Mighty Burner. With deep smoke and happy screams, he cuts a path with weaving fingers. Repetition is used to great effect: the hand pumps, the heat rises. The crowd screams as the chords climb higher; Charles says “Praise the Lord!” and the crowd affirms. The spirit is willing, and so is the listener.

The crowd is silenced, and Charles goes churchy. The organ is solemn, full of vibrato - and then a shout. Alexander starts "If Only For One Night" with that slow groove - a midnight dance if there ever was one. Charles starts low and tender, shouts, then the organ screams a while. This gets Alexander going, and he sounds a bit like Turrentine as he does a loud swagger. Earland takes a three-note theme, varies it deliciously, and goes loud for a rousing finish. “You know, your hands are going on that CD,” he says.

The audience starts off "The Burner's Magic," with a great rhythm part from Devos. Alexander screams it hot; like before, it's hard to hear him at times. Rotundi is an architect: his solo builds ideas into a unified whole, and the audience loves it. Devos gets in some late-night blues. Charles starts with restraint: a four-note pattern becomes a roll, and quickly gains muscle. Greg Rockingham has a moment: his simple drum solo is the essence of tough. He and Alexander take the honors here, and Charles doesn’t mind sharing the spotlight. There’s enough of the Burner's magic to go around.

The highlights come at the end, with two cuts taken from Charles' first album. "Black Talk" opens with a shout of "C'mon guitar!" Devos responds with the ringing blues, similar to Melvin Sparks on the 1970 version. Alexander is once more on target: he trills high, and screeches some rusty honks. Charles reprises his original solo, with some fiery variations. The crowd loves it - and lets us know. The end, with tough rhythm, lots of hands, and a slow burn from Charles, is a keeper.

It is topped by "More today from Yesterday", which is cheered as it opens – the fans remember. It’s a little shorter than the original, and Earland has the only solo: you know what happens. The crowd is there from the beginning; they sound like they could be dancing. Earland rolls warm, as the horns punch the riff. It sounds like the original solo, but faster, and a heart as big as the room. Now THIS is a shout! He takes a long, lush descent - down the Spiral Staircase? And the horns come back. The applause goes on forever – as well it should. Happy Birthday, Charles Earland. And many more! ~ by Staff, AAJ.

Cannonball Records, CBD 27107, 1999
Recorded 24th May, 1997 At The DuSable Museum Of African-American History, Chicago, Illinois

Musicians:
Charles Earland - Organ [Hammond B-3]
Jim Rotundi - Trumpet
Eric Alexander - Tenor Saxophone
Bob Devos - Guitar
Greg Rockingham - Drums

Tracks:
1. The Burning Spirit {Charles Earland} (9:43)
2. If Only For One Night {Russel Brenda Gordon} (6:03)
3. The Burner's Magic {Charles Earland} (11:17)
4. Black Talk {Charles Earland} (10:44)
5. Explosion {Eric Alexander} (7:45)
6. I Love You More Today Than Yesterday {Patrick Upton} (8:22)

Credits:
Producer - Charles Earland, Ron Levy
Coordinator & Event Producer - Tracy Williams
Stage Manager - Lionel Slaughter
Recording Engineer - Phil Klum (Pegasus Recording Co.)
Mixing & Editing - Gary Kahn, Ron Levy, Charles Earland
Mastering - The Master Cutting Room, NYC
Photos - Paul Natkin, Bill Brown
Graphic Design - Tollefon Studios, Inc.

Thursday, May 9, 2019

Charles Earland - Blowing The Blues Away (1997)

The title tune is by Horace Silver, as are “Strollin'” and “Quicksilver,” two other tunes on this album. Veteran organist Earland allows in the liner notes that Silver had a great influence on him; thus, this album has a funky feeling (an expectation of most organ dates, anyway) and a Silver-ish front line of trumpet (James Rotundi) and tenor saxophone (Eric Alexander). There’s a nice balance between the hard bop blowing of the hornmen (and guitarist Bob De Vos) and Earland’s more fundamental solo approach. The organist has an effective solo style consisting of swinging riff-like lines that build all the way. Besides the Silver tunes, we hear, among others, Herbie Hancock’s modal “Dolphin Dance,” the Isley Brothers’ “For the Love of You” and the hymn “This Is the Day (The Lord Has Made).” Greg Rockingham is the quintet’s drummer, a good one. ~ Owen Cordle, JazzTimes.

HighNote Records, HCD 7010, 1997
Recorded in 1997 At Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:
Charles Earland - Organ [Hammond B-3]
Jim Rotundi - Trumpet
Eric Alexander - Tenor Saxophone
Bob DeVos - Guitar
Greg Rockingham - Drums

Tracks:
1. Blowin' The Blues Away {Horace Silver} (4:59)
2. Sweet Love {Anita Baker, Gary Bias, Louis A. Johnson} (6:06)
3. For The Love Of You {Chris Jasper, The Isley Brothers} (6:13)
4. This Is The Day [The Lord Has Made] {Traditional, Arr. Charles Earland} (7:11)
5. Dolphin Dance {Herbie Hancock} (6:39)
6. Put It Where You Want It {Joe Sample} (7:40)
7. Strollin' {Horace Silver} (6:18)
8. Quicksilver {Horace Silver} (7:14)

Credits:
Producer, Arranger - Charles Earland
Engineer - Rudy van Gelder
Art Direction, Design - Annalee Valencia-Bruch
Photography - Graham Haber
Liner Notes - Dave Helland

More Soulful Cookin' from The Mighty Burner
Another winner from Charles Earland. Earland's organ playing runs the gamut from simmering slow burns (Anita Baker's "Sweet Love" and Horace Silver's "Strollin'") to high heat (Silver's "Blowin' The Blues Away" and "Quicksilver"). From beginning to end a most satisfying addition to The Burner's catalog. ~ High Modes, Amazon.com.