Larry Willis - Steal Away (1992)

An unusual 1991 trio piece recorded by Larry Willis with Gary Bartz's alto saxophone and Cecil McBee's bass. Bart's earthy saxophone, Willis' beautiful grainy piano, and McBee's all-encompassing bass create a bluesy atmosphere. ~ ventoazul.shop-pro.jp. 

Larry plays solo on three tracks (#1,3,6), and is joined in a trio grouping by both Gary and Cecil on two (#2,4) and additionally Cecil joins him in a duo on another (#5). Larry contributes three of his own compositions (#1,3,5), Cecil also offers up another (#4) and the remaining two are well-known bluesy numbers. The title track "Steal Away" was popularised by singer Jimmy Hughes and "The Meaning Of The Blues" by revered jazz composer Bobby Troup. This is a pure analog recording. The tracks were recorded "live" direct to two-track! 

AudioQuest Music, AQ-CD1009, 1992
Sledgehammer Blues, 2-AQM-1009, 1992
Recorded 23rd & 24th December, 1991 at Mapleshade Studios, Upper Marlboro, Maryland 

Musicians:
Larry Willis - Piano [Steinway], Solo (#1,3,6)
Gary Bartz - Alto Saxophone (#2,4)
Cecil McBee - Bass (#2,4,5)

Tracks:
1. Valdosta Blues {Larry Willis} (6:25)
2. Steal Away {Traditional} (13:33)
3. Fallen Hero {Larry Willis} (3:15)
4. "D" Bass-ic Blues {Cecil McBee} (8:35)
5. Ethiopia {Larry Willis} (9:03)
6. The Meaning Of The Blues {Bobby Troup, Leah Worth} (6:41) 

Total Time: 47:34 

Credits:
Producer - Joe Harley
Recording Engineer - Pierre M. Sprey
Mastering Engineer - Bernie Grundman
Art Direction, Design - Hilary Weiss, Merlin Clarke
Cover - Joanna Ashe
Photography - Mark Kornbluth, Michael Wilderman
Liner Notes - Bill Kohlhaase 

Steal Away

Roseanna Vitro - Passion Dance (1996)

One of the top jazz singers of the 1990s, Roseanna Vitro is a versatile vocalist who is not afraid to take chances. On her Telarc debut, the personnel changes on many of the ten selections with the stars among the sidemen including pianist Ken Werner (Vitro's musical director), altoist Gary Bartz, trumpeter Tim Hagans, bassist Christian McBride and drummer Elvin Jones. Among the highpoints of the diverse repertoire are an adventurous "Freedom Jazz Dance," "Out of This World," "Long as You're Livin '," McCoy Tyner's "Passion Dance" and "Strollin"' (an adaptation of Charles Mingus' "Nostalgia in Times Square"). The only number that does not work is an over-the-top rendition of "More than You Know" that is overly complex; simplicity would have been much more effective. Otherwise, this is a superior set by a very appealing singer. ~ by Scott Yanow, AMG. 

Telarc Jazz, CD-83385, 1996
Recorded 19th July, 1994 at Skyline Studios, New York
& January, 1995 at Sound On Sound Studios, New York 

Musicians:
Roseanna Vitro - Vocals, Arranger
Tim Hagans - Trumpet
John Fedchock - Trombone
Gary Bartz - Alto Saxophone
Tim Ries - Tenor Saxophone
Kenny Werner - Piano, Arranger
Larry Willis - Piano
Kevin Mahogany - Piano, Vocals (#8)
Steve Nelson - Vibraphone
Romero Lubambo, Vic Juris - Guitar
Christian McBride, Ratzo B. Harris, Richie Goods - Bass
Clarence Penn, Elvin Jones - Drums
Jamey Haddad - Drums, Percussion 

Tracks:
01. Out Of This World {Harold Arlen, Johnny Mercer} (5:29)
02. Long As You're Livin' {Oscar Brown Jr., Julian Priester, Tommy Turrentine} (6:16)
03. Returned To Me ["The Bird"] {Tex Allen} (5:32)
04. Freedom Jazz Dance {Eddie Harris} (5:18)
05. For Heaven's Sake {Elise Bretton, Sherman Edwards, Don Meyer} (5:04)
06. Whisper Not {Benny Golson} (4:50)
07. Simone {Frank Foster, Cheryl Pyle} (7:24)
08. Blue Monk {Thelonious Monk} (5:14)
09. Passion Dance {McCoy Tyner, Roseanna Vitro} (6:41)
10. More Than You Know {Edward Eliscu, Billy Rose, Vincent Youmans} (7:20)
11. Strollin' [Nostalgia In Times Square] {Charles Mingus} (5:20) 

Total Time: 64:32

Credits:
Producer, Engineer, Mixing - Paul Wickliffe
Executive Producer - Robert Woods
Assistant Engineer - Devin Emke, Rich Lamb, Ed Raso
Production Supervisor - Elaine Martone
Art Direction, Cover Design - Anilda Carrasquillo
Photography - Carol Friedman
Liner Notes - Roseanna Vitro, Michael G. Nastos

Grachan Moncur III Octet - Exploration

"Trombonist Grachan Moncur III, who was a member of the Jazztet in the early 1960s, gained his greatest fame for his two Blue Note albums (Evolution and Some Other Stuff) which were quite adventurous. He also worked with Archie Shepp, became involved in free jazz and spent much of the 1970s and '80s as a music educator. Dental problems resulted in Moncur only playing once in a great while in the 1990s. He had been in obscurity for quite awhile when he was contacted by arranger Mark Masters for the Exploration project. Fortunately Moncur's playing proved to still be in his prime. Masters wrote sympathetic charts for many of the trombonist's finest pieces, utilizing an all-star nonet that could really dig into the inside/outside music. "Excursion," a very coherent three-minute free improvisation, is a change-of-pace and precedes the closing blues "Sonny's Back," a 1962 piece originally played by the Jazztet. This CD overall is very rewarding, a dream project for those who have long admired the underrated Grachan Moncur. The musicians have their solos, there are both written and improvised ensembles and Moncur plays wonderfully throughout. This set, which sums up Grachan Moncur's career definitively, is a gem." Yanow

Norman Connors - Dance Of Magic (1973) [vinyl>flac]

Following on from the recent Carlos Garnett Muse posts; here’s a magnificent album where he collaborates with a young Norman Connors and other great players to produce what is got to be one of the best spiritual jazz albums from the seventies. Recorded in 1972 it was Connor's debut as a leader. The record features four tracks that include the full-sided "Dance of Magic", as well as "Morning Change", "Blue" and the short but potent "Give The Drummer Some". Apart from this final track, the album has a solid sound that comfortably blends together an overall spiritual feel with many funky and spacey grooves. The record boasts a "Dream Team" lineup that includes Gary Bartz & Carlos Garnett, Stanley Clarke & Cecil McBee, Herbie Hancock, Eddie Henderson, Airto Moreira, Billy Hart, and many others. Later Connors would alter his style to produce many soulful classics like "You Are My Starship" and "Betcha By Golly Wow", but "Dance of Magic" is a definitive early showcasing of Connor's true musical gifts; an exemplary producer, composer and masterful musician capable of assembling the right players and musical components to create great records.

This is definitely a true gem; not to be overlooked.

Alternative cover from 1976 Buddah Records [BDS 5674] release

Cobblestone Records, Catalog#: CST 9024

Recorded 1972 at Bell Sound Studios, New York City

Track Listing:

A. Dance of Magic {Norman Connors} (20:53)

B1. Morning Change {Cecil McBee} (6:22)

B2. Blue {Stanley Clarke} (10:17)

B3. Give The Drummer Some {Norman Connors} (2:22)

Personnel:

Norman Connors - Drums

Herbie Hancock - Piano, Fender Rhodes, Electric Piano

Gary Bartz - Alto & Soprano Saxophones

Carlos Garnett - Tenor & Soprano Saxophones

Eddie Henderson - Trumpet

Art Webb - Flute

Cecil McBee - Bass (A,B1)

Stanley Clarke - Bass

Anthony Wiles - Baliphone, Percussion

Airto Moreira - Percussion (B1,B2,B3)

Alphonse Mouzon - Percussion (A,B2)

Babafemi - Percussion (A)

Billy Hart - Percussion (B1,B2,B3)

Nat Bettis - Percussion, Congas

The U.B.F. Singers - Vocals

This album is drummer Norman Connors earliest and most rewarding date as a leader. Recorded with a who's who of fusion titans including trumpeter Eddie Henderson bassist Stanley Clarke, and keyboardist Herbie Hancock, Dance of Magic channels the lessons drummer Norman Connors learned in the employ of Pharoah Sanders, Sam Rivers and Sun Ra, marshaling Latin rhythms, electronic textures, and cosmic mysticism to create nondenominational yet deeply spiritual funk-jazz. The sprawling 21-minute title cut spans the entirety of the record's first half, capturing a monumental jam session that explores the outer edges of free improvisation but never steps past the point of no return. Connors' furious drumming is like a trail of bread crumbs that leads his collaborators back home. The remaining three tracks are smaller in scale but no less epic in scope, culminating with the blistering "Give the Drummer Some." ~ Jason Ankeny, All Music Guide.