Showing posts with label Stéphane Guillaume. Show all posts
Showing posts with label Stéphane Guillaume. Show all posts

Tuesday, May 23, 2023

Pierre de Bethmann - Qui (2006)

For Pierre de Bethmann's second CD as a leader apart from his duties with the Moutin Reunion Quartet, he again sticks to playing the Fender Rhodes electric piano exclusively. Tenor saxophonist David El Malek is retained, as is drummer Franck Agulhon from De Bethmann's Ilium quintet. Complex melodies and time structures continue to signify their collective sound. For Oui, the ensemble is expanded to include second (alto) saxophonist Stéphane Guillaume and guitarist Michael Felberbaum. The difference maker is vocalist Jeanne Added, who sings no lyrics whatsoever, but employs scat, hums, oohs, and ahhs on every track. While an attractive and becoming vocalist, this unfortunately detracts from the overall variety of the project. Still, much startling original music is offered, such as the opener, "Shema," with its beefy, chunky melody in a whopping 14/8 time signature with sections going from animated to calming, back and forth, as well as the 5/4-driven, at times rockish beat over dueling saxophones of "Exo." There is a reflection of the modalities the mid-period Mahavishnu Orchestra utilized, as on the stairstepping "Singulier" contrasting Added's siren song, and the heavy 7/8 "Altération," which most readily approaches the '70s fusion movement. The most straight-ahead jazz tune, "Effet Tatillon," is a snaky, slinky line that weaves though road forks and U-turns. "Oui" is the most intricate and involved track, with De Bethmann and Felberbaum using wah-wah pedals, the two saxes reaching for upper levels, and the vocals as an afterthought. Added is most prevalent and expressive in tandem with El Malek during "Air Courbe," an ode to sky flight, and the vocal-dominant ballad "La Lentuer." Simply for variety's sake, it would be nice if she had sung a song. De Bethmann, clearly an extraordinary talent, does things his way, and one hopes he sticks to the Rhodes, perhaps exploring extensions of Herbie Hancock's Mwandishi or early Chick Corea and beyond. ~ by Michael G. Nastos, AMG. 

Nocturne Records, NTCD 404; 2007
Recorded 25th-27th September, 2006 at Studios de la Seine, Paris, France 

Musicians:
Pierre de Bethmann - Fender Rhodes
Stéphane Guillaume - Alto Saxophone
David El Malek - Tenor Saxophone
Michael Felberbaum - Guitar
Vincent Artaud - Double Bass
Franck Agulhon - Drums
Jeanne Added - Voices 

Tracks:
1. Shema {Pierre de Bethmann} (9:48)
2. Singulier {Pierre de Bethmann} (7:52)
3. Air Courbe {Pierre de Bethmann} (9:47)
4. Silnes {Pierre de Bethmann} (7:18)
5. Oui {Pierre de Bethmann} (8:16)
6. La Lenteur {Pierre de Bethmann} (3:15)
7. Exo {Pierre de Bethmann} (6:46)
8. Effet Tatillon {Pierre de Bethmann} (6:44)
9. Altération {Pierre de Bethmann} (8:04) 

Total Time: 67:50 

Credits:
Recording, Mixing - Philippe Teissier Du Cros
Mastering - Raphaël Jonin
Design Graphics - Renaud Barès
Photography - Gildas Boclé

Friday, June 24, 2022

Bill Mobley - Black Elk's Dream (2013)

Bill Mobley's new album Black Elk's Dream is dedicated to Sioux Indian Black Elk, whose famous book "The End of the Dream" (1932) dealt with the plight of Native Americans. Recorded "live" at the Jazz en Tête international festival, Bill Mobley conducts a luxury Franco-American sextet coupled with a very famous chamber orchestra (21 Strings): the Orchester d'Auvergne. The repertoire gives equal weight to originals and standards. One thing is certain: Billy Pierce is imperial (tenor or soprano), Stéphane Guillaume plays more awesome than ever (on the alto, but also on the flute and the bass clarinet), the young classical violinist Maud Lovett is remarkable, and as always, Bill Mobley plays chiseled solos, on the flugelhorn as on the trumpet. The rhythm is really top notch: Manuel Rocheman on the piano, the Italian-American bassist Phil Palombi and the fantastic Billy Kilson on drums. Donald Brown joins the set on one of his compositions, funkier & baroque than ever (the beautiful violinists were captivated!). In this album, the strings are neither Hollywood dancers nor demi-mondaines on the go. And question of writing for the strings, the original work of Bill Mobley already marks the spirits. ~ www.fnac.com. [Translated from French] 

Space Time Records, BG 1337, 2013
Recorded 24th October, 2012 Live at the Jazz en Tête Festival, Clermont-Ferrand, France 

Musicians:
Bill Mobley - Trumpet, Flugelhorn, Leader
Billy Pierce - Soprano Saxophone, Tenor Saxophone
Stéphane Guillaume - Alto Saxophone, Flute, Bass Clarinet
Manuel Rocheman - Piano (#1-6)
Phil Palombi - Bass
Billy Kilson - Drums
Donald Brown - Piano, Keyboards (#7,8)
Maud Lovett - Violin (#4,5)
Orchestre d'Auvergne 

Tracks:
1. Dream Team {Xavier Felgeyrolles} (6:11)
2. Four {Miles Davis} (7:26)
3. The Touch Of Your Lips {Ray Noble} (9:45)
4. Black Elk's Dream, Pt. 1 {Bill Mobley} (6:52)
5. Black Elk's Dream, Pt. 2 {Bill Mobley} (7:49)
6. Alex The Great {Harold Mabern} (11:34)
7. The People Who Live On Hope Street, Pt. 1 {Donald Brown} (9:57)
8. The People Who Live On Hope Street, Pt. 2 {Donald Brown} (5:36) 

Total Time: 65:13 

Four