Showing posts with label Philology Records. Show all posts
Showing posts with label Philology Records. Show all posts

Sunday, April 19, 2026

Rosario Giuliani Quartet - Flashing Lights (1998)

Here we have one of Rosario Giuliani's earlier albums, produced by Paolo Piangiarelli and released in 1998 on the Italian Philology Records label. For this album Rosario assembles an all-Italian quartet comprising of himself playing both alto and soprano saxophones, pianist Pietro Lussu, bassist Joseph Lepore and drummer Lorenzo Tucci. Together they romp through eleven tunes, seven original compositions by Rosario, two by Joseph Lepore, one by Pietro Lussu and the remainder by Enrico Pieranunzi. Overall, it is an enthralling and very entertaining discourse of post-bop jazz. 

Philology Records, W. 128.2, 1998

Musicians:
Rosario Giuliani - Alto Sax, Soprano Sax
Pietro Lussu - Piano
Joseph Lepore - Bass
Lorenzo Tucci - Drums

Tracks:
01. To John {Rosario Giuliani} (6:24)
02. Dicembre {Rosario Giuliani} (7:11)
03. Sphere's {Joseph Lepore} (7:48)
04. Hindsight {Enrico Pieranunzi} (7:44)
05. Puzzle {Joseph Lepore} (8:15)
06. Love For My Mother {Rosario Giuliani} (5:39)
07. Flashing Light {Rosario Giuliani} (4:34)
08. My Flower {Rosario Giuliani} (5:27)
09. Dark Beauty {Pietro Lussu} (4:33)
10. Other Times {Rosario Giuliani} (8:28)
11. Coffee Shop {Rosario Giuliani} (4:04) 

Total Time: 70:11

LINK

Flashing Light

Wednesday, September 3, 2025

Lorenzo Tucci - Sweet Revelation [Remastered] (2012)

One of the hardest-hitting albums we've ever heard from Italian drummer Lorenzo Tucci -- a set that's got some especially smoking tenor from Daniele Scannapieco of the High Five Quintet! Daniele's sound is proud and bold right from the start -- working with a soulful, 60s sort of energy as he carves out these massive lines on tenor that really take hold of a tune, and give it an even greater sense of feeling and form! Tucci's drums are great too -- recorded with a sharper sound than before, to provide a great illustration of his key power for moving a group -- in this case a quartet that also features piano from Pietro Lussu and bass from Dario Rosciglione. The set features great versions of the Wayne Shorter tunes "Adam's Apple" and "Fee Fi Fo Fum" -- plus the cuts "Sweet Revelation", "Dede's Song", "Ghost", "In The Wee Small Hours Of The Morning", and "Tita's Song".  © Dusty Groove, Inc. 

Philology Records, W195.2, 2001
Albore Jazz, ALBCD-501, 2012
Recorded 4th-5th December, 2000 at Interface Studio, Lavinio, Italy 

Musicians:
Lorenzo Tucci - Drums
Daniele Scannapieco - Tenor Sax
Pietro Lussu - Piano
Dario Rosciglione - Double Bass 

Tracks:
1. Adam's Apple {Wayne Shorter} (10:05)
2. Sweet Revelation {Piero Umiliani} (7:11)
3. In The Wee Small Hours Of The Morning {Dave Mann} (7:16)
4. Dede's Song {Stefano Di Battista} (7:04)
5. Feen Fi Fo Fum {Wayne Shorter} (6:00)
6. Ghost {Daniele Scannapieco} (9:49)
7. Tita's Song {Pietro Lussu} (5:39)
8. My Heart Belongs To Daddy {Victor Young} (5:24) 

Total Time: 58:30

LINK

Sweet Revelation

Thursday, April 11, 2024

Francesco Cafiso “Island Blue Quartet” - A New Trip (2009)

Whether it is a "new journey" that of Francesco Cafiso and the Island Blue 4tet there is no shadow of doubt. Vittoria's (IT) offspring, at the age of twenty and having reached the twelfth album in which his name shows off, wants to prove that he has freed himself from the bulky shadows of the past and, in particular, from the manly sounds of Charlie Parker. The experiences lived alongside sacred monsters such as Hank Jones, Cedar Walton, Joe Lovano, Enrico Rava, Franco D'Andrea, Jimmy Cobb, Wynton Marsalis, his mentor, among many play in his favor. Experiences that led him to search for a personal stamp, an autonomous phrasing and also to try his hand at true compositions. A New Trip is the result of this inevitable metamorphosis, the result of the development of his compositional vein which is innervated entirely on his technique, certainly prodigious, but in some ways too aesthetic and muscular. Eight songs, none standard, three by the leader, two by Giovanni Mazzarino, two by Dino Rubino and one in the name of the double bass player Nello Toscano. Four Sicilians, all with a very strong brand that shines through clearly even in the melodic lines that smell of Sicilian vigor. However, a sonic democracy is struggling to emerge, given that the leader - almost unconsciously - often takes the reins of the quadrille in hand and takes the bench flying through large glimpses of the past. His style encyclopedia is full of lemmas: from the aforementioned Parker to Eric Dolphy, up to the asceticism of Coltrane. His fervor is well supported by Mazzarino, endowed with a strong sense of taste and measure, Nello Toscano double bass player with well-rounded lines and Dino Rubino who carves out substantial spaces to give voice to his sound, always poised both on the high and medium and fluctuating frequencies. His compositional and executive irony of the tango (figurative) notes of Pablo and the swing déjà écouté of Conversations is surprising. Piazza, autographed by Mazzarino, fits in well with the homogeneity of the sound, free from sophisticated structures. The theme of Cafiso's Enigmatic Night is embodied in the pleasant dialogue between the altoist and the piano. The absence of the battery does not weigh, which, in this context, would have appeared actually straight. ~ by Alceste Ayroldi, Jazzitalia. [Translated from Italian] 

Philology Records, W 419, 2009
Recorded 2nd-3rd April, 2009 at Artesuono Recording Studios, Cavalicco (UD) 

Musicians:
Francesco Cafiso - Alto Saxophone
Dino Rubino - Trumpet, Flugelhorn
Giovanni Mazzarino - Piano
Nello Toscano - Double Bass 

Tracks:
1. A New Trip {Francesco Cafiso} (5:41)
2. Pablo {Cafiso, Rubino, Mazzarino, Toscano} (6:55)
3. Enigmatic Night {Francesco Cafiso} (4:04)
4. Piazza {Cafiso, Rubino, Mazzarino, Toscano} (8:35)
5. Conversations {Cafiso, Rubino, Mazzarino, Toscano} (6:17)
6. Cerimoniale {Cafiso, Rubino, Mazzarino, Toscano} (7:45)
7. Retrato {Cafiso, Rubino, Mazzarino, Toscano} (5:38)
8. Dieghito Mojito {Francesco Cafiso} (4:53) 

Total Time: 49:53 

Credits:
Recording Engineer - Stefano Amerio
Photography - Gianiuca Murella Fotografo
Liner Notes - Maurizio Franco 

Dieghito Mojito

Monday, April 1, 2024

Renato Sellani, Gianni Basso - Á La France 2 (2002)

Romantically...from Italy
==================
From Philology home, the second chapter of "A' La France", the album dedicated to French music by these two sensational figures of our jazz. A repertoire, largely linked to songs, which enhances the balladeur skills of our most famous tenor sax in the world and the magical and sublime work of a pianist-poet like the "rediscovered" Sellani. [Translated from Italian] 

Philology Records, W 207.2, 2002
Recorded 7th May, 2001 at Mu Rec Studio, Milano, Italy 

Musicians:
Gianni Basso - Tenor Saxophone, Vocals (#12)
Renato Sellani - Piano 

Tracks:
01. Dans Mon Île {Henri Salvador} (4:21)
02. J'Ai Deux Amours {Josephine Baker} (4:17)
03. Elle Était Si Jolie {Alain Barrière} (4:11)
04. Watch What Happens {Michel Legrand} (5:11)
05. Douce France {Charles Trenet} (6:06)
06. Infiniment {Bruno Coquatrix} (4:38)
07. Vous Qui Passe Sans Me Voir {Charles Trenet} (4:59)
08. J'Attendrai {Tino Ross, Charles Trenet} (5:23)
09. Le Soir {Charles Trenet} (4:35)
10. L'Été Du 42 {Michel Legrand} (6:39)
11. Pres De St. Germain {Gianni Basso, Renato Sellani} (3:30)
12. Bedelia {Bernard Michel, Maurice Pon} (1:46) 

Total Time: 55:43 

Credits:
Producer, Executive-Producer - Paolo Piangiarelli
Recording Engineer - Paolo Falascone
Mastering Engineer - Fabio Alfonsi
Graphics - danilosantinelli@libero.it
Photography - Luciano Rossetti, Carlo Pieroni
Liner Notes - Vittorio Franchini 

Pres De St. Germain

Saturday, March 30, 2024

Fabrizio Bosso - Bosso Meets Gianni Basso Quintet - 'S Wonderful (2006)

Rising trumpeter/flügelhornist Fabrizio Bosso meets veteran tenor saxophonist Gianni Basso for this solid studio recording that focuses mostly on standards from the Great American Songbook. With pianist Andrea Pozza, bassist Luciano Milanese, and drummer Stefano Bagnoli providing terrific support, the session opens with an extended treatment of "What Is This Thing Called Love?" that cooks, followed by a soothing midtempo setting of "Witchcraft." Bosso's feature (on muted trumpet) is a swinging take of "If I Were a Bell," while the big-toned Basso is showcased in "Oh! What It Seemed to Be," a neglected gem popular with crooners of the 1940s that isn't heard very often on a jazz date. "Candy," another oldie that has fallen out of favor, is revived in swinging fashion, with Bosso switching to flügelhorn and Basso recalling the greats of his instrument with a fine solo. Recommended. ~ by Ken Dryden, AMG. 

Philology Records, W 350.2, 2007
Recorded 6th January, 2006 in Bergamo, Italy 

Musicians:
Fabrizio Bosso - Trumpet, Flugelhorn
Gianni Basso - Tenor Saxophone
Andrea Pozza - Piano
Luciano Milanese - Bass
Stefano Bagnoli - Drums

Tracks:
01. What Is This Thing Called Love? {Cole Porter} (10:00)
02. Witchcraft {Cy Coleman, Carolyn Leigh} (4:47)
03. Quo Vadis Samba [Take 1] {Duško Gojković} (6:15)
04. On A Slow Boat To China {Frank Loesser} (6:24)
05. If I Were A Bell {Frank Loesser} (6:08)
06. With A Song In My Heart {Lorenz Hart, Richard Rodgers} (4:45)
07. 'S Wonderful {George Gershwin, Ira Gershwin} (5:45)
08. Candy {Mack David, Alex Kramer} (6:54)
09. Oh, What It Seemed To Be {Bennie Benjamin} (4:52)
10. Quo Vadis Samba [Take 2] {Duško Gojković} (6:15) 

Total Time: 62:09 

Credits:
Producer, Liner Notes - Paolo Piangiarelli
Engineer - Paolo Filippi
Graphic Design - www.danilosantinelli.it
Photography - Luciano Rossetti 

'S Wonderful

Wednesday, September 13, 2023

Renato Sellani encounters Fabrizio Bosso - Thank You, George Gershwin (2002)

One of the acid tests to evaluate jazz musicians is to put them into a duo setting. This all-Gershwin program, pairing veteran pianist Renato Sellani and a rising young star, Fabrizio Bosso, who doubles on trumpet and flugelhorn, succeeds with flying colors. Since most (if not all) of this music is already very well known to jazz fans, the duo has their work cut out for them to find new approaches to each song. "The Man I Love" combines Bosso's virtuoso flügelhorn (including an incredible unaccompanied coda) and Sellani's spacious, understated accompaniment to produce a masterful interpretation. "Oh, Lady be Good!" is one of the most familiar pieces in the jazz canon, but their marvelous, playful, and subtle introduction builds up the tension before they finally switch to a more typical tempo. "Soon" is not quite as well known as the remaining compositions on this CD, but their richly textured treatment of the lyrical ballad is a gem to behold. The two musicians are at their very best in the old warhorse "I Got Rhythm," which features Sellani at his most playful and some sassy muted work by Bosso. This is highly recommended. ~ by Ken Dryden, AMG. 

Philology Records, W 237.2, 2003
Recorded 19th March, 2002 at Mu Rec Studio, Milano, Italy 

Musicians:
Renato Sellani - Piano
Fabrizio Bosso - Trumpet, Flugelhorn

Tracks:
01. The Man I Love (8:12)
02. Oh, Lady Be Good (5:56)
03. Someone To Watch Over Me (4:18)
04. Strike Up The Band (6:21)
05. Soon (4:30)
06. But Not For Me (7:38)
07. A Foggy Day (7:28)
08. I Got Rhythm (4:29)
09. Embraceable You (6:19)
10. Somebody Loves Me (4:04) 

All compositions by George Gershwin 

Total Time: 59:20 

Credits:
Producer, Liner Notes - Paolo Piangiarelli
Engineer - Paolo Falascone
Mastering - Fabio Alfonsi
Photography - Valentino Paoletti
Graphics - danilo.santinelli@tin.it 

Someone To Watch Over Me

Tuesday, August 8, 2023

Gianfranco Menzella Quintet - Miriam (2009)

With Miriam, Gianfranco Menzella presents the public a study that is certainly classic in stylistic terms, linking itself to the references of black music and introducing an experimental touch for the harmonizations that evolves in the direction of free jazz, blues and fusion. The Quintet's work, however, is extremely elegant and also reflects a high basic cultural provenance which is the receptive environment, a sophisticated spatial soul that is impossible not to love. In the foreground is Menzella's tenor sax, followed by an alto sax, a sumptuous piano, as well as the classic instruments of the rhythm session such as bass, drums and trumpets, which often join together and seek a swing direction together. It must be admitted that all these categorizations in genres do not best express a work which is, instead, very fine in keeping together all the different nuances of the same musical matrix. In fact, essentiality, stylistic balance, clean lines are perceived. The only concession to greater freedom is probably an image, this one: try to close your eyes for 40 minutes of listening and you will find the right dimension to dream of New York at the end of the 40s. Miriam's aesthetic is probably in the search for solutions that are refined and at the same time understandable by everyone. The title of the album - a woman's name - who knows if it wants to be in part a tribute to the female universe, or a suggestion to approach it with much more fluidity or, why not, even an invitation to women to open up, since they often manage to make themselves unhappily unintelligible. And Miriam, just by chance, means "beloved": if therefore in jazz notes there is passion, feeling and imagination, capable of speaking to the heart, isn't Miriam perhaps the best title that could be found as a symbol of this musical choice? It must be recognized, to an excellent Italian saxophonist like Gianfranco Menzella, the ability to potentially be appreciated by a large audience. Menzella doesn't seem to have even reached the full maturity of his artistic expression yet, yet the results are already excellent. Let's look forward to other pearls on the Italian jazz scene which, we like to say, in recent years has been increasingly enriched by skilled young talents. ~ Extract by Rosanna Perrone, Jazzitalia.net. [Translated from Italian] 

Philology Records, W 416.2, 2010
Recorded 25th March, 2009 at Studio Mediterraneo di Santeramo Colle, Bari, Italy 

Musicians:
Gianfranco Menzella - Tenor Saxophone
Alfonso Deida - Piano, Alto Saxophone (#8)
Tomaso Scannapieco - Bass
Giovanni Scasciamacchia - Drums
Special Guest:
Fabrizio Bosso - Trumpet (#1,2,4,6) 

Tracks:
1. Miriam {Gianfranco Menzella} (6:48)
2. Marco Smiles {Gianfranco Menzella} (5:34)
3. Falegname {Giovanni Scasciamacchia} (3:45)
4. Tidal Breeze {Harold Danko} (5:39)
5. Hermitage {Pat Metheny} (5:40)
6. Muddy In The Bank {Steve Swallow} (4:02)
7. Amico {Giovanni Scasciamacchia} (5:03)
8. Blues For Max {Gianfranco Menzella} (4:11) 

Total Time: 40:42 

Credits:
Producer - Paolo Piangiarelli
Recording, Mixing & Mastering Engineer - Massimo Stano
Photograhy - Claudia Calavelta, Marco Lopomo
Graphic Design & Cover Concept - danilosantinelli.it 

Muddy In The Bank

Wednesday, December 28, 2022

Irio De Paula invites Fabrizio Bosso - Once I Loved: Chapter One (2003)

The sinuosity with which Fabrizio Bosso's trumpet meets Irio De Paula's guitar makes this work tasteful. Irio De Paula is a great master who alone manages to support each piece rhythmically and harmonically, offering Fabrizio Bosso the possibility of releasing his now strange class. An excellent, clean sound, perfect timing and an improvisational ability that is always very relevant to what is being played make him one of the best Italian realities. The interplay that is felt at all times is very valid given that both Bosso and De Paula show that they take inspiration from each other by promptly adapting dynamics and phrasing. Regarding the repertoire perhaps a little more could have been done. These are pieces that in the field of jazz music are to be considered timeless, but precisely for this reason it becomes very difficult to offer them in a completely original way. However, it should be emphasized that the main element of this work is in the meeting that the two musicians have made and not in the choice of pieces. ~ Marcus Losavius, jazzitalia.net. 

Philology Records, W 256.2, 2003
Recorded 15th January, 2003 at Mu Rec Studio, Milano, Italy 

Musicians:
Irio De Paula - Acoustic Guitar
Fabrizio Bosso - Trumpet, Flugelhorn 

Tracks:
1. Once I Loved {Antônio Carlos Jobim} (5:18)
2. Night And Day {Cole Porter} (9:09)
3. Summer Samba {Marcos Valle} (5:49)
4. O Amor Em Paz {Antônio Carlos Jobim} (6:49)
5. Just Friends {John Klenner, Sam M. Lewis} (7:36)
6. Wave {Antônio Carlos Jobim} (8:18)
7. Samba De Uma Nota So {Antônio Carlos Jobim} (4:24) 

Total Time: 47:23 

Credits:
Producer - Paolo Piangiarelli
Recording Engineer - Paolo Falascone [Direct>Two Tracks]
Editing Engineer - George Ziskind
Mastering Engineer - Fabio Alfonsi [Green Digital, Macerata]
Photography - Franco Mancini (Cover), Luciano Rossetti
Graphics - www.danilosantinelli.it 

Fabrizio Bosso is certainly one of the best things that happened to Italian jazz in this decade. I don't remember any trumpeter that has impressed me so much in recent years, and not only in Italy, and I'm weighing my words. Fabrizio has a beautiful sound, very pure and expressive, and has an absolutely extraordinary control of the instrument, which however he never takes advantage of for free. He is endowed with great imagination and very quick reflexes, together with great energy and a perfect mastery of language, so he always manages to surprise and enthuse. I love this CD very much because in addition to being full of ideas and surprises, it also manages to be very pleasant and has none of those characteristics that sometimes make jazz standoffish. The songs are all bossa nova and jazz classics. They are part of that repertoire that we will never get tired of listening to. A disc that lends itself to more than one reading, and this is perhaps its main quality. Hats off! ~ Enrico Rava. 

Once I Loved