Showing posts with label George Adams. Show all posts
Showing posts with label George Adams. Show all posts
Friday, April 5, 2024
George Adams & Don Pullen - More Funk (1979) [vinyl>flac]
The second Palcoscenico LP recorded the day after 'All That Funk'
Ripped from a mint LP that cost me rather more than I would usually spend but listening to 'God Bless That Child' - worth every penny!
1. Metamorphosis For Charles Mingus (Adams/Pullen/Richmond) (15:12)
2. So Nice (Adams/Pullen) (10:40)
3. God Bless The Child (15:30)
4. Devil Blues (Mingus/Adams/Gatemouth Brown (10:15)
George Adams - tenor sax; Don Pullen - piano; Cameron Brown - bass; Dannie Richmond - drums
Recorded at November 2, 1979 in concert at CIAK, Milano, Italy
Palcoscenico PAL 15003
Sunday, March 24, 2024
George Adams & Don Pullen - All That Funk (1979) {vinyl]
Not particularly rare, mint copies are readily available from Italy although I don't believe there has been a CD issue. I picked up an mp3 of this at Arkadin's Ark years ago, however I've never seen a lossless rip in blogland, so here's my effort with full scans.
In the USA jazz the 70s was dominated by 'the arid wastes' of commercially successful fusion music. Straight ahead jazz musicians were ignored by the major labels and we have to thank the Europeans and Japanese for giving many musicians the opportunity to record.
The Adams Pullen band was undoubtedly one of the best groups of the late 70s. This LP is a live recording in Italy and if you're familiar with the Timeless and Soul Note issues you'll know what to expect - you won't be disappointed. The long track 'Big Alice' is as funky as it gets and not an electric instrument in sight!
1. Dee Arr (Pullen) (7:15)
2. Alfie (Bacharach) (6:35)
3. Intentions (Adams) (7:15)
4. Big Alice (Pullen) (22:25)
George Adams - tenor sax; Don Pullen - piano; Cameron Brown - bass; Dannie Richmond - drums
Recorded at November 2, 1979 in concert at CIAK, Milano, Italy
Palcoscenico PAL 15002
Tuesday, October 3, 2017
George Adams/Don Pullen - Earth Beams (1980) [vinyl>flac]
Review by Chris Sheridan, Jazz Journal, May 1982:
Adams, Pullen and Richmond comprise one of the music's most potent partnerships and this — their fourth quartet LP — is perhaps their most compelling yet. Its honourable tradition began with a pair of albums for Horo, taped during a Mingus tour of Italy in 1975, and, in Flowers, shows a direct link with the late bassist's then Jazz Workshop, this title being a passionate reshaping of Flowers For A Lady ('Mingus Moves', Atlantic SD-1653).
But it celebrates the bassist's ideals in less obvious ways, too — through its championship of individual creativity and its inspired, but disciplined abandon. To this extent, Adams, Pullen and Richmond represent a more rewarding development of some aspects of Mingus's work than the comparatively pale 'Mingus Dynasty'. They produce music of sharp, often violent contrasts in texture, tempo, mood and attack. Seething figures melt into plumply lyrical interludes, only to snap into lines that swerve and dart among the strong rhythms set up by Brown and Richmond.
Some of the richest moments occur during Adams' duets — with Pullen on the pulsating Magnetic, and with Richmond in some percussive polyphony at the end of Earth Beams itself. These are powerful and vivid meshings of rhythm and melody. In contrast, there is the good-humoured soul of Alice — another lady who's changed with the times having initially appeared in more commercial guise as Pullen's Big Alice on the pianist's 'Tomorrow's Promises' (SD-1699), again with Adams. Dionysus is an appropriately Bacchanalian romp, opening deceptively as an elongated waltz before developing a complex rhythmic undertow.
However hectic the atmosphere or fervent the emotions, the sense of abandon is skilfully channelled, forging music of lasting value. This is strongly recommended, along with a second LP from these sessions, 'Life Line' (SJP 154). Those with finely-balanced budgets should aim for 'Earth Beams' first, though.
01 - Earth Beams
02 - Magnetic Love Field
03 - Dionysus
04 - Saturday Nite In The Cosmos
05 - More Flowers
06 - Sophisticated Alice
Adams (f/ts); Pullen (p); Cameron Brown (b); Dannie Richmond (d),
Loenen Aan De Vecht, Holland, August 3 & 5, 1980.
Monday, December 12, 2016
Hank Marr - Sounds From The Marr-Ket Place 1964 (LP-24-48-flac)
For those that like the Hammond B3 and artists like Jimmy McGriff, Jack McDuff, Jimmy Smith, Richard 'Groove' Holmes, Bill Doggett etc. you will like this album by Hank Marr. Plus, this marks the recording debut of future avant-gardists George Adams and James 'Blood' Ulmer. Soul Jazz at it's finest.
****There is some question about this being Rusty Bryant and not George Adams on tenor. From what I have read the consensus is that it is Adams. I do not particularly like avant-garde or free jazz or Adams later work so I cannot tell by listening, although avant-garde is not what he is playing here as this is his earliest work. Perhaps there may be a George Adams fan who reads this and DL's the music who may be able to shed some light on this question.
Hank Marr - Organ
George Adams - Tenor Sax
James Ulmer - Guitar
Taylor Orr - Drums
A1 - The Marr-Ket Place
A2 - Soup Spoon
A3 - Smothered Soul
A4 - I Remember Acapulco
A5 - Greens A-Go-Go
B1 - Down In The Bottom
B2 - My Dream Just Passed
B3 - Home Fries
B4 - Come And Get It
B5 - Get On Down
My LP > 24/48 flac > Full 600 dpi Scans > Properly Tagged Files > 4% Recovery Record = 449 MB
Labels:
George Adams,
Hank Marr,
James 'Blood' Ulmer,
Taylor Orr
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