Showing posts with label Robin Eubanks. Show all posts
Showing posts with label Robin Eubanks. Show all posts

Monday, October 4, 2021

Steve Turre - Steve Turre (1997)

Steve Turre is the 1997 self-titled album by American trombonist Steve Turre. This is his sixth solo album, his first of two albums he would do for Verve Records. The album features a number of special guests, including Cassandra Wilson, Randy Brecker, Jon Faddis, Mongo Santamaria, and Regina Carter. No wonder Steve Turre merely used his name as the title of this tour de force, for it is a supremely ambitious, self-defining project that covers an enormous amount of ground and means on one small disc. With his trombone and signature conch shells as a base, Turre expands his reach to embrace the Western Hemisphere - particularly Cuba and Brazil – arranging, composing, inviting stellar guests to chip in, and ending up with a beautiful, swinging record that can't be mistaken for anyone else's. One gets a powerful dose of Turre's unique sound world on the fascinating opening track, "In a Sentimental Mood," done bossa nova style with a conch shell solo that sounds like late-period Dizzy Gillespie and a smoky Cassandra Wilson vocal. There are ample layers of Turre's multi-tracked conch shell harmonies, the sweetest ensemble sound this side of Lombardo and one that is used as a genuinely musical ingredient, not a gimmick. Turre is secure enough to feature the majestic sound of J.J. Johnson, who plays magnificently on the lengthy tone poem "The Emperor" - whose title undoubtedly refers to the elder trombone giant - and on "Steve's Blues." Afro-Cuban music plays a major role here, as Mongo Santamaria's veteran chartmeister Marty Sheller arranges "Ayer Lo Vi Llorar" for the 81-year-old Queen of Boleros, Graciela Perez - and then Mongo himself duels with the madly comping McCoy Tyner on, of course, "Mongo 'n' McCoy." The booklet notes (by Turre himself) are an exhaustive play-by-play of what was clearly an exhausting project, yet the final product has much of the exuberance of a spontaneous jam session. ~ Richard S. Ginell, All Music Guide. 

Verve Records, 314 537 133-2, 1997
Recorded 7th May and 20th June, 1996 at Master Sound Astoria Studios, New York 

Personnel:
Steve Turre - Trombone, Shells
Cassandra Wilson - Vocals (#1)
Graciela Perez - Vocal (#4)
Randy Brecker - Trumpet & Flugelhorn
J.J. Johnson - Trombone
Jon Faddis - Trumpet
Alfredo "Chocolate" Armenteros - Trumpet
Britt Woodman - Trumpet [Open Solo, #7]
Stephen Scott - Piano
Willie Rodriguez - Piano
Stefon Harris - Marimba, Balifone, Gong, Vibraphone
Andy Gonzalez - Bass
Robin Eubanks - Shells & Trombones
Jimmy Bosch - Shells & Trombones
Douglas Purviance - Shells & Trombones
Frank Lacy - Shells & Trombones
Romero Lubambo - Guitar
Mongo Santamaria - Conga [Solo]
Herculano Federici - Surdo & Percussion
Manny Oquendo - Bongos, Timbales [Solo] Guiro & Cow Bell, Percussion
Milton Cardona - Conga & Shakere
Kimati Dinizulu - Djimbe, African Drums
Victor Lewis - Drums
Portinho - Drums
Horatio "Negro" Hernandez - Drums
Akua Dixon - Cello [Solo]
Regina Carter - Violin [Solo]
Carlos Baptiste - Violin
Ron Lawrence - Viola 

Tracks:
1. In A Sentimental Mood {Duke Ellington} (8:26)
2. The Emperor {Steve Turre} (12:47)
3. Let It Go {Steve Turre} (8:02)
4. Ayer Lo Vi Llorar {José Antonio Mendez} (5:42)
5. Coastin' With Bobby {Steve Turre} (8:43)
6. Steve's Blues {Steve Turre} (6:38)
7. Inocencia [Basta De Clamares Inocencia] {Cartola} (5:44)
8. Mongo 'N' McCoy {Steve Turre} (10:30) 

Credits:
Producer - Billy Banks
Engineer - David Merrill
Assistant Engineer - Rob Farrell, Teddy Trewhella
Pianos Tuner - Max Conti
Mixed, and Mastering - Master Sound Astoria Studios, Astoria, New York 

Once again Steve Turre has shown his style and ability by making an album that is entertaining to all. Turre not only shows his technical ability, but he shows his usual graceful and easing style. He also has great guest performances. The list includes Randy Brecker, J. J. Johnson, John Faddis, and many others. While Turre's seeming obsession with the conchshell provides the listener with a very soothing and natural sound at times, occasionally he can leave the listener wishing he would pick up his trombone. This album is a must have for anyone who values the beauty of the trombone, or the intricacies of good jazz.

Friday, September 10, 2021

Steve Turre - Rhythm Within (1995)

Trombonist Steve Turre obviously put a lot of work into this CD for each of the nine selections has its own purpose and the personnel changes on every cut. Turre doubles on the conch shells and on a few numbers utilizes a "shell choir"; in addition, there are often three percussionists, other notable trombonists (including Britt Woodman, Frank Lacy and Robin Eubanks) and such guest soloists as trumpeter Jon Faddis, tenor-saxophonist Pharoah Sanders and pianist Herbie Hancock. With highlights including "Funky-T," Yusef Lateef's "Morning," "Since I Fell for You" (a Woodman feature) and "All Blues," this is a particularly memorable and well-conceived set, one of Turre's best. ~ by Scott Yanow, AMG. 

Antilles Records, 314 527 159-2, 1995
Recorded, Mixed & Mastered at Van Gelder Studio, Englewood Cliffs, New Jersey 

Personnel:
Steve Turre - Trombone (#1-4,6,8,9), Conch [Shells] (#1-7,9)
Jon Faddis - Trumpet (#1,5,6), Flugelhorn (#4), Conch [Shells] (#6)
Stanton Davis - Trumpet (#2,8,9), Flugelhorn (#8), Conch [Shells] (#7)
Aaron Johnson - Trombone (#9), Conch [Shells] (#3,7,9)
Britt Woodman - Trombone (#3)
Douglas Purviance - Trombone (#6), Bass Trombone (#2,4,8), Conch [Shells] (#1,5,6)
Frank Lacy - Trombone (#6,8,9), Conch [Shells] (#1-7)
Jamal Haynes - Trombone (#6,8,9), Conch [Shells] (#1-7,9)
Robin Eubanks - Trombone (#6,8,9), Conch [Shells] (#1-7,9)
Pharoah Sanders - Tenor Saxophone (#1,4)
Herbie Hancock - Piano (#1,4,6)
Andy Gonzalez - Bass
Kimati Dinizulu - Bass [One String] (#2), Shekere (#3), Percussion (#5),
Claves (#7), Drums [African] (#1,4,6,9)
Victor Lewis - Drums (#1-4,6,8,9), Percussion (#5)
Milton Cardona - Congas (#1,2,4,6), Shekere (#3,9), Percussion (#5), Timbales, Cowbell (#7)
Jimmy Delgado - Shekere (#3), Cowbell, Percussion (#9) 

Tracks:
1. Funky T {Steve Turre} (12:58)
2. Morning {Yusef Lateef} (8:56)
3. Since I Fell For You {Buddy Johnson} (5:39)
4. Rhythm Within {Steve Turre} (8:18)
5. Twilight Dreams {Steve Turre} (3:22)
6. All Blues {Miles Davis} (9:05)
7. Montuno Caracol {Steve Turre} (3:00)
8. Body And Soul {Heyman, Eyton, Green, Sour} (8:28)
9. African Shuffle {Steve Turre} (8:59) 

Credits:
Producer - Billy Banks
Executive-Producer - Richard Seidel
Recording, Mixing & Mastering - Rudy van Gelder
Assistant Engineer - Maureen Sickler
Art Direction - David Lau
Design - Giulio Turturro
Illustration - James Steinberg
Photography - Jimmy Katz
Conductor - Akua Dixon Turre (#1,2,4-6,8), Rufus Reid (#3,7,9)
Liner Notes, Arranger - Steve Turre 

A Jazz Masterpiece
One of my favourite jazz albums, if not my favourite jazz album ever. It is also my favourite album from Turre. What makes it unique: the wonderful sound of shells (conchs), which is Steve Turre's speciality, an exotic texture, a feeling of both warmth and freshness, thanks to conchs and congas, to the contrast between conchs and brass, amazing rhythms and beautiful melodies, especially "Funky-T" and the wonderful re-interpretation of Miles's Davis standard "All Blues". The album has an amazing unity, and also unites among the best jazzmen of our time. ~ by D. Audeon, Amazon.com.

Monday, February 1, 2021

Geri Allen - Open On All Sides - In The Middle (1987)

Electric and acoustic pianist Geri Allen joins with fellow Detroiters for one of her more ambitious projects, offering a large ensemble featuring bassist Jaribu Shahid, drummer Tani Tabbal, soloists David McMurray and trumpeters Rayse Biggs and Marcus Belgrave, and New Yorkers as saxophonist Steve Coleman and trombonist Robin Eubanks. The tour de force "I Sang A Bright Green Tear For All Of Us This Year" is stunning, featuring the wonderful vocals of Shahida Nurullah, insistent rhythm, haunting refrains from Allen's keyboards, and shifting dynamics that are compelling. The rest of the material is not as innovative within a jazz-funk/M-Base framework, but contrasts her piano trio work. Not essential, but still an invigorating session. ~ by Scott Yanow, AMG. 

Minor Music, CD MM 801013, 1987
Recorded December, 1986 At Sound Suite Recording Studio, Detroit, Michigan 

Musicians:
Geri Allen - Piano, Keyboards, Backing Vocals
Racy Biggs - Trumpet, Flugelhorn
Marcus Belgrave - Trumpet, Flugelhorn [Special Guest] (#8)
Robin Eubanks - Trombone
Steve Coleman - Alto Saxophone, Arranger [Horns] (#4)
David McMurray - Flugelhorn, Soprano Saxophone, Flute
Jaribu Shahid - Acoustic Bass
Tani Tabbal - Drums
Mino Cinelu - Percussion [Special Guest]
Shahita Nurallah - Lead Vocals
Lloyd Storey - Tap Dance [Special Guest] 

Tracks:
1. Open On All Sides / The Glide Was In The Ride... (6:49)
2. Forbidden Place (4:27)
3. The Dancer (2:36)
4. In The Middle (4:06)
5. Ray (4:23)
6. I Sang A Bright Green Tear For All Of Us This Year... (12:46)
7. Drummer's Song (2:29)
8. In The Morning [For Milton Nascimento] (5:05)
9. The Dancer Pt. 2 (1:34) 

All Compositions by Geri Allen 

Total Time: 44:15 

Credits:
Producer, Arranger, Composer - Geri Allen
Co-Producer - Steve Coleman
Executive-Producer - Stephan Meyner
Producer [Associate] - David McMurray, Mino Cinelu
Recording Engineer - Mike Brown
Mixing Engineer - Peter Denenberg
Design [Cover] - Christin Schindler, Claus Bäuerle
Photography - Jules Allen

Saturday, August 29, 2020

Erica Lindsay - Dreamer (1989)

This is the debut album by the talented tenorist Erica Lindsay. Erica handpicked the musicians for this session: Howard Johnson on tuba, baritone sax, flugelhorn and pennywhistle; Robin Eubanks on trombone; Francesca Tanksley on piano; Anthony Cox on bass and Newman Baker on drums. She composes five of the six tunes, and arranges those with Howard Johnson stepping in on "Day Dream". 

Erica Lindsay's tenor sax is laid back and breathy, and it suits her compositions-which account for five of the cuts on this, her first recording under her own name. The drive of the piece though, comes from Howard Johnson, who plays from the bottom (tuba and baritone sax) to the top (penny whistle). Robin Eubanks makes a trombone appearance on one cut, too. The album as a whole is satisfying and fresh. ~ Jack Fuller, Chicago Tribune.  

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Candid Records, CS 9040, 1992
Recorded 3rd-5th March 1989 At Clinton Studios, New York City

Musicians:
Erica Lindsay - Tenor Saxophone
Howard Johnson - Tuba, Baritone Saxophone, Flugelhorn, Pennywhistle
Robin Eubanks - Trombone
Francesca Tanksley - Piano
Anthony Cox - Bass
Newman Baker - Drums 

Tracks:
A1. First Moment {Erica Lindsay} (8:55)
A2. Day Dream {Billy Strayhorn, Duke Ellington, John LaTouche} (6:21)
A3. Walking Together {Erica Lindsay} (7:15)
B1. Dreamer {Erica Lindsay} (6:57)
B2. At The Last Moment {Erica Lindsay} (6:48)
B3. Gratitude {Erica Lindsay} (7:58)

Total Time: 44:14

Credits:
Executive-Producer - Alan Bates
Recording Engineer, Producer - David Baker
Producer - Kenny Inaoka
Design - Eliko Yamanaka, Takeshi Masuda
Photography - Shunsuke Yamamoto
Liner Notes - Nat Hentoff 

Also released as Candid Records [CCD 79040]

Magnificent !!!
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Certainly, one of our most Unsung Current Reed Players! Erica Lindsay plays w/ passion, flexibility and originality. All of her recordings are must haves, but this one, her first remains my personal favorite. A great cast of supporting, innovative musicians as well - Robin Eubanks, Francesca Tanksley, Howard Johnson, Anthony Cox, Newman Baker. An Absolute Gem! ~ Robert Ricketts, 5 Stars, Amazon.com
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