Showing posts with label Mabumi Yamaguchi. Show all posts
Showing posts with label Mabumi Yamaguchi. Show all posts

Monday, April 10, 2023

Yuji Ohno Trio & Friends - Cool For Joy (2005)

Cool For Joy is a steamy and sweet jazz album for adults, presented by the Yuji Ohno Trio & Friends. It's the first jazz album covering of love songs normally hidden from Ohno familiar Lupin compositions. Included are a number of selected standard tunes, but in addition some of Ohno's latest original songs. Along with his respected trio the group is joined by an impressive guest list of Japanese jazz musicians whom take the tunes to a greater level. This album is great place to start for anybody not already affiliated with this outstanding pianist and composer, enjoy! 

Vap Records, VPCG-84821, 2005 

Personnel: 

Trio:
Yuji Ohno - Piano
Masayuki Tawarayama - Bass
Kenichiro Murata - Drums 

Guests:
Yoshiro Okazaki - Trumpet (#2,3,7,8,9)
Mabumi Yamaguchi - Tenor Saxophone (#1,3,6,7,8,9)
Masami Nakagawa - Flute (#1,6)
Hiroyuki Suzuki - Synthesizer (#2,5,8)
Takashi Ooi - Vibraphone (#1,6,9)
Jun Kajiwara - Guitar (#1,6,8,9)
Saori Sendo - Percussion (#1,3,8) 

Tracks:
01. The Gift! [Recado Bossa Nova] {Djalma Ferreira} (4:54)
02. Autumn In Praha {Yuji Ohno} (5:53)
03. Cool For Joy {Yuji Ohno} (6:19)
04. My Funny Valentine {Richard Rodgers} (6:43)
05. Golden Game {Yuji Ohno} (4:54)
06. Cool Vibration {Yuji Ohno} (5:02)
07. Fairy Night {Yuji Ohno} (4:16)
08. The Look Of Love {Burt Bacharach} (5:34)
09. Theme From Lupin III [Waltz Version] {Yuji Ohno} (4:43)
10. Loss Of Love {Henry Mancini} (3:37) 

Total Time: 51:59 

Cool For Joy

Thursday, November 11, 2021

Miroslav Vitous - Guardian Angels (1979)

"Guardian Angels" showcases the comprehensive talent of virtuoso bassist, Miroslav Vitous. It puts on full display his incredible talent on electric and acoustic basses (with and without bow). One of the things that I thoroughly enjoy about this music is that it dispels the claim, attributed to former band mate and co-founder of Weather Report, Josef Zawinul, that Vitous couldn’t bring the “bottom”. On every track here, he brings it. ~ Matt Seahorn, Amazon.com. 

As a big Miroslav Vitous fan, this album is extremely satisfying outing and captures a late 70s snapshot of fusion. To start, it features a future member of his group, Kenny Kirkland, on keyboards, John Scofield sounds great on guitar and brings two originals. It also features two Japanese members who Miroslav made a few albums with; George Otsuka on drums and Mabumi Yamaguchi is on soprano sax, who were involved in two Maracaibo albums, the album Mabumi, and keyboardist Fumio Karashima's Hot Island. I'd recommend the original Evidence edition of this album, it's affordable and has great liner notes recalling first-hand details from the recording. Enjoy! ~ Frank G, Amazon.com. 

Trio Records, PAP-9154, 1979
Evidence Records, ECD 22055, 1993
Recorded 9th, 10th, 11th November, 1978 At Onkio Haus, Tokyo, Japan 

Musicians:
Miroslav Vitous - Bass, Electric Bass, Synthesizer [Mini-Moog, Solina String-Ensemble]
Mabumi Yamaguchi - Soprano Saxophone
Kenny Kirkland - Piano, Electric Piano [Fender Rhodes, Yamaha CP-70 [Electric Grand],
Synthesizer [Yamaha CS-50 (Polyphonic), Mini-Moog]
John Scofield - Guitar
George Ohtsuka - Drums [Yamaha] 

Tracks:
1. His Meaning / Rising / Resolution {Miroslav Vitous} (8:38)
2. Inner Peace {Kenny Kirkland} (6:10)
3. Guardian Angels {Miroslav Vitous} (5:54)
4. Off To Buffalo {John Scofield} (7:52)
5. Eating It Raw {John Scofield} (6:15)
6. Shinkansen {Kenny Kirkland} (6:11) 

Total Time: 40:03 

Credits:
Producer, Engineer - David Baker
Producer - Ken Inaoka
Music Director - Miroslav Vitous
Engineer [Assistant] - Takashi Ogawa
Production Coordinator - Kaz Harada
Management – Hiroaki Itoh, Mamoru Kamekawa
Photography - Shigeru Uchiyama, Yasuhisa Yoneda
Design - Breakfast 

This is another example of the type of 'fusion' that was going on in NYC in the late 70's. It was popular then for Japanese artists to hire the top guys on the scene, make a record and be big stars in their home country. This CD is cool in that we hear a young Kenny Kirkland burning on electric keyboards. Kenny was 'the cat' to be reckoned with at this time. Scofield sounds good here too, although he sounds better on Chet Baker's 'can't go home again' and his own CD 'Live', also 'Rough House' which I think were recorded around the same time. The music is basically, pentatonic scales or whatever, played in unison really fast then solos: either up-tempo samba vamps or medium tempo funk groove. It's OK I guess...if you are a Kirkland or Scofield fan. ~ Wes Green, Amazon.com.