Willis Jackson - The Gator Horn (1977) [vinyl]

Virtually all of tenor saxophonist Willis "Gator" Jackson's albums for Muse in the 1970s (and fortunately, there are many of them) are well worth picking up. Jackson's basic tenor always contained plenty of soul, the potential of exploding, and an attractive warm sound. For this fine set, Gator alternates between romps (some of which are funky) and ballads ("You've Changed" and "This Is Always"). Excellent support is contributed by organist Carl Wilson, guitarist Boogaloo Joe Jones, bassist Dud Bascomb, drummer Yusef Ali, and Buddy Caldwell on conga. ~ by Scott Yanow, AMG.

Muse Records, MR 5146, 1979

Recorded 8^th March, 1977 in Rosebud Studio, New York City

Musicians:

Willis Jackson - Tenor Saxophone (#A1-A3), Saxophone [Gator Horn] (#B1-B3)

Ivan 'Boogaloo' Joe Jones - Guitar

Carl Wilson - Organ

Dud Bascomb Jr. - Bass

Yusef Ali - Drums

Buddy Caldwell - Congas

Tracks:

A1. Ungawa {Willis Jackson} (8:32)

A2. You've Changed {Bill Carey, Carl Fischer} (4:44)

A3. Hello, Good Luck {Peter Griffin} (7:32)

B1. The Gator Horn {Willis Jackson} (5:05)

B2. This Is Always {Mack Gordon, Harry Warren} (5:29)

B3. Gooseneck {Willis Jackson} (8:15)

Credits:

Producer - Frederick Seibert

Engineer - Richard Alderson

Assistant Engineer - Eric Bowman

Album Design - Ron Warwell

Cover Photo - Hugh Bell

Liner Notes - Clifford Jay Safane

For about a decade (1968-78) the avant-garde in jazz sparked a fashion of solo recordings, particularly with not so obvious solo instruments like saxophones. Wanna be that I was, I loved it, and thought it would be cool for Willis to try it on our second session together. He thought I was crazy but figured if I was willing to take his warm up and do the work to edit it into something reasonable he’d get off the session a little early and still get paid. ~ Fred Seibert.

Willis Jackson - In The Alley (1977) [vinyl]

Smooth and mellow 70s funk from Willis Jackson - a record that still has him working with funky stalwarts from earlier years, but which has a more 70s-influenced kind of groove! There's actually a nice dose of older soul jazz lurking underneath a few of the tracks - making for a record that skirts both sides of Willis' career at the time nicely - and tracks are all longish, with enough room for good tenor work. Players include Sonny Phillips, Carl Wilson, Jimmy Ponder, and Buddy Caldwell - and titles include "Niamani", "Gator's Groove", "More", and "In The Alley". © Dusty Groove America, Inc.

Muse Records, MR 5100, 1977

Recorded At Dimensional Sounds Studio, New York City

Musicians:

Willis Jackson - Tenor Saxophone

Sonny Phillips - Piano

Carl Wilson - Organ

Jimmy Ponder - Guitar

Jimmy Lewis - Bass

Yusef Ali - Drums

Buddy Caldwell - Congas, Percussion

Tracks:

A1. Niamani {Sonny Phillips} (7:22)

A2. Gator's Groove {Yusef Ali} (7:06)

A3. Blues, Blues, Blues {Willis Jackson} (5:07)

B1. Young Man With The Horn {Ray Anthony} (5:54)

B2. More {Riziero Ortolani, Nino Oliviero, Norman Newell, Marcello Ciorciolini} (7:39)

B3. In The Alley {Willis Jackson} (9:07)

Credits:

Producer - Fred Seibert

Engineers - Malcolm Addey and Fred Seibert

Art Direction, Design, Photography - Hal Wilson

Willis Jackson with Von Freeman - Lockin’ Horns (1981) [vinyl]

This started out as Willis Jackson's spot on the 1978 Laren International Jazz Festival stage. He invited fellow tenorman Von Freeman aboard as a "guest" and Muse Records turned it into the double billed Lockin' Horns. Good for them, and good for Muse for giving us another chance to discover this gem.

On the surface, there couldn't be two more disparate players than Jackson and Freeman. Willis Jackson moved from the R&B circuit to the organ combos of the soul jazz circuit, which in the eyes of some is hardly a move at all. He possessed a huge, honking tenor sound, and was given to making the horn growl, wheeze, roar, and roll over at will. Freeman, on the other hand, is an almost pure bopper with one of the most distinctive, and at times delicate, sounds in the business. For many years, he was rarely heard away from his Chicago home, but in Chicago he was a member of one of the city's best known jazz dynasties, including his brothers George (guitar) and Buzz (drums), and his son, the illustrious Chico.

The disc opens with "Pow!"--a showcase for Jackson and his band, Carl Wilson (organ), Joe "Boogaloo" Jones (guitar), and Yusef Ali (drums). Together they were one of the most talented--and most under-rated--groups in the soul jazz genre, but they were all more than that. They could play in a variety of styles, and the promise of having the hard-bopping Freeman on board seemed to drive the band to another level. They push toward that level through the next two numbers, and when Freeman steps out of the wings for "Summertime," they're ready.

They take a run at "The Shadow Of Your Smile" next, and while it's just the kind of then-contemporary pop that was routine for soul jazz outfits, there's nothing routine about this cut. It's just a warm-up, though, for the tenor battle to come. The disc closes out with 8 minutes and 46 seconds of "Willis And Von," and I'm not even gonna try. You'll just have to hear it for yourself. ~ by Shaun Dale.

Muse Records, MR 5200, 1981

Recorded 11^th August, 1978 Live at the International Jazz Festival Laren, Holland

Musicians:

Willis Jackson - Tenor Saxophone

Von Freeman - Tenor Saxophone

Carl Wilson - Organ

Joe “Boogaloo” Jones - Guitar

Yusef Ali - Drums

Tracks:

1. Pow! {Willis Jackson} (10:09)

2. The Man I Love {George Gershwin, Ira Gershwin} (7:10)

3. Troubled Times {William Stevenson, Willis Jackson, Wade Marcus} (6:34)

4. Summertime {George Gershwin, Ira Gershwin, Dubose Heyward} (6:25)

5. The Shadow Of Your Smile {Johnny Mandel, Paul Francis Webster} (8:28)

6. Willis & Von {Willis Jackson} (8:40)

Credits:

Producer - Bob Porter

Engineer - Malcolm Addey

Mastering Engineer - Joe Brescio (Master Cutting Room, NYC)

Album Design - Morty Yoss

Photography - Rico d'Rozario

Liner Notes - Neil Teeser