Neal Smith Quintet - Live At Smalls (2010)

Drummer Neal Smith has a hell of a group here - Eric Alexander on tenor, Steve Wilson on alto, Mark Whitfield on guitar, and Mulgrew Miller on piano - a lineup that he more than lives up to with his tight leadership, and great choice of material for the date! The tunes include two numbers by Tom McIntosh - a telling inclusion, given the way the album brings together the same strands of soul, swinging, and cerebral that McIntosh brought to his compositions in the early 60s. Smith's got a great way of bringing out the most sensitive aspects of the tunes, while still setting the players free to find their own voice - thanks partly to the long takes on these live recordings - and titles include "Fifty Six", "Stew Peas", "A Portrait Of You", "With Malice Towards None", "The Cup Bearers", and "Junior". ~ Dusty Groove, Inc. 

SmallsLIVE Records, SL-0007, 2010
Recorded 23rd & 24th August, 2009 Live At Smalls Jazz Club, Greenwich Village, NYC 

Musicians:
Neal Smith - Drums
Steve Wilson - Alto & Soprano Sax
Eric Alexander - Tenor Saxophone
Mulgrew Miller - Piano
Mark Whitfield - Guitar
Dezron Douglas - Bass

Tracks:
1. The Cup Bearers {Tom McIntosh} (14:04)
2. Junior {John Farnsworth} (8:20)
3. What A Friend We Have In Jesus {Charles C, Converse} (14:58)
4. With Malice Towards None {Tom McIntosh} (12:16)
5. A Portrait Of You {Donald Walden} (14:02)
6. Stew Peas {Dezron Douglas} (8:19)
7. Fifty-Six {Johnny Griffin} (7:55) 

Total Time: 79:58 

Credits:
Producer - Spike Wilner
Engineer - Glen Forrest
Mastering - Gene Paul, Jamie Polaski
Mixing - Ben Rubin
Cover Design, Photography - Michelle Watt 

Concert Online [AudioOnly]

Michael Dease - Coming Home (2012)

Trombonist Michael Dease's Coming Home is the evolutionary culmination of all of the small group work of which he has been a part. Dease's musical personality reveals itself fully on the disc, one he has populated with a very fine band and thoughtfully composed and selected pieces for that band. Dease's previous work as a leader on Dease Bones (Astrix Media, 2007), Clarity (Blues Back Records, 2008) and Grace (Legacy Jazz Productions, 2011), as well as with multi-reedist Sharel Cassity on Just For You (DW Records, 2009) and Relentless (Legacy Jazz Productions, 2009). Where Curtis Fuller is the patriarch, Wycliffe Gordon the earthy keeper of the flame (and Dease's teacher) and Luis Bonilla the Latin soul of the trombone, Dease is its intellectual heart. Following his fellow Augusta Georgia trombonist teacher to Juilliard, Dease established himself as part of an ambitious group of young musicians who were combining smarts, chops, bandstand and practice and translating that into recordings. Members of this group include Sharel Cassity, trumpeter Carol Morgan, and pianist Orrin Evans. Dease's compositional and performance approaches are ruled by passionate precision. His playing is exact and well-practiced. His tone is expansive and uniform through all registers. These characteristics are demonstrated immediately on the opening tune, "Solid Gold" where Dease shows great velocity in both head and solo playing. He adds mass to this velocity, creating an infectious momentum when playing with a mute as on Duke Ellington's "In a Sentimental Mood." Tony Lustig drops in with his tenor saxophone for the piece giving it a throaty presence. Lustig adds foundation to "Good and Terrible" with his crack baritone playing. His solo is at once gentle and virile on this angular, post-bop piece. Alto saxophonist Steve Wilson turns the gas on high, navigating Dease's complex circuitry. Dease rolls up his sleeves and gets his hands dirty on a searing performance of Oscar Peterson's "Blues Etude." While playing with his typical precision in the head, Dease begins to properly slur and wail in his solo, throwing off notes like pale blue sparks. He shares his solo space with bassist Christian McBride who amply demonstrates why he is Christian McBride and no one else. The instructive presence of pianist Renee Rosnes is heard throughout this fine disc as its timekeeper and drummer Ulysses Owens, Jr. Dease could not have put together a better band for this recording. He has come fully into his own as a leader. ~ by C. Michael Bailey, AllAboutJazz. 

D Clef Records, DCR 157, 2013
Recorded 12th August, 2012 at Alleycat Studios, South Orange, New Jersey 

Musicians:
Michael Dease - Trombone
Steve Wilson - Alto Saxophone
Renee Rosnes - Piano
Christian McBride - Bass
Ulysses Owens, Jr. - Drums
Eric Alexander - Tenor Saxophone (#11)
Tony Lustig - Tenor Sax (#4), Baritone Sax (#5)
Andrew Swift - Percussion (#10) 

Tracks:
01. Solid Gold {Michael Dease} (6:58)
02. Motherland {Michael Dease} (5:46)
03. Blues Etude {Oscar Peterson} (7:46)
04. In A Sentimental Mood {Duke Ellington; Arr. Michael Dease} (4:56)
05. Good & Terrible {Michael Dease} (7:01)
06. Lifewish {Renee Rosnes} (7:42)
07. The Shade Of The Cedar Tree {Christian McBride} (6:42)
08. Just In Time {Jule Styne} (3:41)
09. All Heath {Michael Dease} (6:30)
10. The Release {Michael Dease} (5:41)
11. Take It To The Ozone {Freddie Hubbard} (6:18) 

Total Time: 69:05 

Credits:
Producer - Michael Dease
Producer [Assistant], Mixing, Mastering, Graphic Design, Layout - Andrew Swift
Producer [Assistant] - Ulysses Owens Jr.
Engineer - John Lee
Photography [Cover] - Ernest Gregory
Photography [Inside] - Simon Yu
Liner Notes - Christian McBride 

Coming Home EPK

Terell Stafford - Time To Let Go (1995)

This scintillating set is appropriately titled Time to Let Go and truly reflects the trumpeter's musical state of mind. Firmly established as a contemporary jazz master, Terrell Stafford is now getting the critical acclaim his talent deserves. Unlike many of his peers, he is nothing short of seasoned. He spent five years touring with Bobby Watson's scintillating post-bop quintet, which included pianist Ed Simon, drummer Victor Lewis and saxophonists Steve Wilson and Tim Warfield who join Terell here, together with vibraphonist Steve Nelson.

 

Candid Records, CCD 79702, 1995
Recorded 8th-9th March, 1995 at Power Station Studios, New York

Musicians:
Terell Stafford - Trumpet, Flugelhorn
Steve Wilson - Alto Saxophone, Soprano Saxophone (#2,4)
Tim Warfield - Tenor Saxophone (#4,9)
Edward Simon - Piano
Steve Nelson - Vibraphone (#2,6)
Michael Bowie - Bass
Victor Lewis - Drums (Except #5)
Victor See-Yuen - Percussion (#2,8) 

Tracks:
1. Time To Let Go {Terell Stafford} (4:43)
2. Was It Meant To Be? {Stephen Scott} (6:15)
3. Polka Dots And Moonbeams {Johnny Burke, James van Heusen} (5:55)
4. Qui Qui {Terell Stafford} (7:15)
5. On The Trail {Harold Adamson, Ferde Grofé} (8:09)
6. Why? {Terell Stafford} (4:31)
7. Soon {Lorenz Hart, Richard Rodgers} (6:26)
8. Send In The Clowns {Stephen Sondheim} (5:47)
9. Just A Closer Walk With Thee {Traditional, Arr. Terell Stafford} (3:42) 

Credits:
Producer, Mastering, Arranger - Terell Stafford
Executive Producer - Alan Bates
Engineer, Mixing - Jim Anderson
Assistant Engineer, Mixing Assistant - Scott Austin, Scott Young
Session Photographer - Mitchell Seidel
Mastering - Dave Glasser
Cover Photo - R. Andrew Lepley

Kevin Hays - El Matador (1990)

Kevin Hays recorded this early session (his second as a leader) in 1990, at the age of 22. Originally released in 1991 on the Jazz City import label, the disc was reissued in the U.S. in 1998 by Evidence. The young pianist is joined by alto/soprano saxophonist Steve Wilson, bassist Scott Colley, drummer Bill Stewart, and on four tracks, the tenor titan Joe Henderson. Hays' writing and playing are remarkably advanced, particularly on "Emperor Leon" (dedicated to drummer Leon Parker) and "The Brahmin's Son," an extended piece inspired by Herman Hesse. Quartet renderings of "The Good Life" and John Coltrane's "Like Sonny" also appear, along with a full quintet arrangement of Hindemith's "Nobilissima Visione," on which Henderson truly shines. Steve Wilson's angular blues-head "No Such Luck" closes the set. El Matador is a vital addition to Hays' discography, even after the fact. ~ by David R. Adler, AMG. 

Jazz City, PCCY-00247, 1991
Evidence Records, ECD 22199-2, 1998
Recorded August, 1990 At “The Studio”, New York City 

Musicians:
Kevin Hays - Piano
Steve Wilson - Alto Saxophone, Soprano Saxophone
Joe Henderson - Tenor Saxophone {#1,2,5,6)
Scott Colley - Bass
Bill Stewart - Drums 

Tracks:
1. El Matador {Kevin Hays} (8:02)
2. Emperor Leon {Kevin Hays} (10:28)
3. Like Sonny {John Coltrane} (6:46)
4. The Good Life {Sacha Distel, Jack Reardon} (6:56)
5. The Brahmin's Son {Kevin Hays} (10:54)
6. Nobilissima Visione {Paul Hindemith} (6:16)
7. Snake Eyes {Kevin Hays} (7:53)
8. No Such Luck {Steve Wilson} (5:26) 

Total Time: 62:41 

Credits:
Producer - Tony Ariga, Yoshiaki Masuo
Engineer - David Baker
Photography - Alan Nahigian
Liner Notes - Ira Gitler
Reissue Producer - Jerry Gordon

Bill Stewart - Telepathy (1997)

Drummer Bill Stewart has made a name for himself with John Scofield’s band on several excellent recordings including What We Do and Hand Jive,. He has also made great contributions to sessions with Joe Lovano, Marty Ehrlich and Maceo Parker. If it sounds to you like he has great range as a drummer, you’re right. Stewart combines the polyrhythmic inventiveness of modern drumming with the taste and groove of funk. He creates fire and drive without volume, always supporting and creating, but never overpowering.

Telepathy is his second date as a leader and it offers further evidence of his talents as both instrumentalist and composer. Stewart’s compositions range from aggressive to introspective and he has chosen a superb roster of musicians to assist him in his musical expression. Saxophonists Steve Wilson (alto and soprano) and Seamus Blake (tenor) are also coming into their own as great improvisers and their ideas and interplay are constantly engaging. Pianist Bill Carrothers is less well-known but is featured prominently and his imaginative harmonic sense invites close listening and the hope that he will appear more often on disc. Larry Grenadier’s bass work is superb. On one of your listens to this disc, focus on his bassistic creations. Great stuff!

Of the nine tunes on this disc only two are from the jazz canon. Jackie McLean’s "Little Melonae" and Monk’s "Rhythm-A-Ning" are given fresh treatments with Blake blazing through the Monk accompanied only by Stewart and Carrothers, while only the rhythm section is spotlighted on McLean’s great tune. The remaining tunes were penned by the leader. Stewart’s compositions range from angular and aggressive to dark and moody. Try to keep from smiling as Blake squawks and struts on "Happy Chickens." Blake and Wilson get into a wildly raucous mood on "Fano," exchanging ideas and honks, followed by some intensely creative statements from Grenadier and Stewart. "Calm" is a beautiful ballad feature for Carrothers, with the leader painting soft colors with brushes. Stewart proves to be as imaginative in his writing as in his drumming.

This is a rewarding disc, straight from the jazz tradition but consistently original and forward-looking. Highly recommended. ~ by Rick Bruner, AAJ.

Blue Note, CDP 7243 8 53210 2 3, 1997

Recorded 29^th & 30^th September, 1996 At Clinton Recording Studios, New York City

Musicians:

Bill Stewart - Drums

Seamus Blake, Steve Wilson - Saxophone

Bill Carrothers - Piano

Larry Grenadier - Double Bass

Tracks:

1. These Are They {Bill Stewart} (8:44)

2. Mynah {Bill Stewart} (5:36)

3. Happy Chickens {Bill Stewart} (6:23)

4. Lyra {Bill Stewart} (7:37)

5. Rhythm-A-Ning {Thelonous Monk} (5:39)

6. Dwell On This {Bill Stewart} (6:51)

7. Calm {Bill Stewart} (6:49)

8. Fano {Bill Stewart} (6:31)

9. Little Melonae {Jackie McLean} (4:11)

Credits:

Producer - Bob Belden, Bill Stewart

Recording Engineer - David Baker

Mastering Engineer - Tom "Curly" Ruff (Sony Studios, NYC)

Photography - Jimmy Katz (Giant Steps)

Design - Patrick Roques

Total Time: 58:21