Showing posts with label Buster Williams. Show all posts
Showing posts with label Buster Williams. Show all posts

Sunday, July 9, 2023

Wallace Roney - The Kind of Blue Project, 2 live shows

A pair of rare performance worth sharing... in fact 2 shows 2 days apart in July 2000. These are mp3's. 

Date: July 13, 2000 

Location: Copenhagen Jazz Festival - Cirkusbygningen, Copenhagen, Denmark Radio broadcast A+ 

Vincent Herring (as), Mark Turner (ts), Wallace Roney (t), Benny Green (p), Buster Williams (b), Jimmy Cobb (d) 

01. So What - 17:14 (Miles Davis) 

02. Freddie Freeloader - 12:57 (Miles Davis) 

03. Blue In Green - 5:18 (Bill Evans, Miles Davis) 

04. All Blues - 14:14 (Miles Davis) 

05. Flamenco Sketches - 11:58 (Miles Davis) 

06. Milestones - 6:06 (Miles Davis) 

07. Ah-Leu-Cha (Charlie Parker)

08. The Theme (Miles Davis)

Also same Band 7/15/2000 in Ireland

1. Freddie the Freeloader

2. Blue in Green

3. All Blues

4. Flamenco Sketches

5. Milestones

 

Sunday, October 10, 2021

Steve Turre - In The Spur Of The Moment (2000)

In The Spur Of The Moment, Steve Turre's debut release for Telarc Jazz, is a technically precise and elegant musical adventure through three jazz styles in which Steve Turre expresses his musical personalities in a quartet setting. In the first setting, he plays the blues in jazz with the legendary Ray Charles on piano, Peter Turre on drums, and Peter Washington on bass. The section features two original compositions by Steve titled "Ray's Collard Greens," an authentic 12-bar blues, and "Duke Rays," a song based on Duke Ellington's "In a Mellow Tone," for which Steve uses Ellington's changes but has written a new melody. "Misty" and "The Way You Look Tonight" round out the section, but are featured with the same approach to the blues. The second section of In the Spur of the Moment features Stephen Scott on piano in a modern and modal setting. His third musical setting stars Turre and Chucho Valdes playing Afro-Cuban sounds in a set that also features Peter Turre on drums, Buster Williams on bass, Jack DeJohnette on drums, Andy Gonzalez on bass, and the great, Horacio "El Negro" Hernandez on drums and percussion. This section shows Turre at his zenith as an assured leader and sensitive collaborator with exciting accompaniment by Chucho plus the string quartet, and Quartette Indigo on "Claudia." In the Spur of the Moment concludes with an exciting finale that features Turre putting his brilliant trombone and shell skills to the test on the exciting jam, "Descarga Ahora." This CD is a glowing example of Steve Turre's exceptional finesse in the many styles of jazz. ~ by Paula Edelstein, AMG. 

Telarc Jazz, CD-83484, 2000
Recorded 14th August, 1999 (#1-4) At Avatar Studios, Studio C, New York City;
5th October, 1999 (#5-7) At Master Sound Astoria, Queens, New York and
8th October, 1999 (#8-10) At Avatar Studios, Studio A, New York City 

Personnel:
Steve Turre - Trombone (#1-4,5-7,8-10), Conch [Shells] (#1-4,5-7), Maracas (#8-10)
Ray Charles - Piano (#1-4,5-7)
Stephen Scott - Piano (#5-7)
Chucho Valdés - Piano (#8-10)
Peter Washington - Bass (#1-4)
Buster Williams - Bass (#5-7)
Andy Gonzalez - Bass (#8-10)
Peter Turre - Drums (#1-4)
Jack DeJohnette - Drums (#5-7)
Horacio "El Negro" Hernandez - Drums, Timbales, Congas, Bongos, Bells [Campana] (#8-10)
Akua Dixon - Cello, Leader (#9)
Ensemble - Quartet Indigo (#9)
Richard Spencer - Viola (#9)
Gayle Dixon - Violin [First] (#9)
Sandy Billingslea - Violin [Second] (#9) 

Tracklist: 

The Blues In Jazz
01. Ray's Collard Greens {Steve Turre} (6:34)
02. Misty {Johnny Burke, Erroll Garner} (5:18)
03. Duke Rays {Steve Turre} (5:20)
04. The Way You Look Tonight {Dorothy Fields, Jerome Kern} (7:01)

Modern And Modal
05. Ellington Medley: {Duke Ellington} (7:59)
5.1 Do Nothing Till You Hear From Me
5.2 Five O'Clock Drag
06. Something For John {Steve Turre} (5:34)
07. In The Spur Of The Moment {Stephen Scott} (9:13)

Afro-Cuban Sounds
08. Suenos De La Habana {Steve Turre} (5:42)
09. Claudia {Chucho Valdés} (9:21)
10. Descarga Ahora {Steve Turre} (6:25)

Credits:
Producer - Myles Weinstein, Steve Turre
Recording, Mixing & Mastering Engineer - Michael Bishop
Technician [Assistant at Avatar Studios] - Andre Yankovsky, Aya Trewhella, Rory Romano
Technician [Assistant at Master Sound] - David Merrill, Ted Trewhella
Technician [Assistant] - Francisco Rodriguez, James Yates, Rob Friedrich
Art Direction - Anilda Carrasquillo
Design - Deborah Kane
Photography [Cover] - John Abbott
Management - Myles Weinstein
Liner Notes - J.J. Johnson, Steve Turre

Wednesday, September 22, 2021

Steve Turre - TNT (2001)

Steve Turre offers his first quintet project with TNT - Trombone ‘N’ Tenor, an exciting collection of eight compositions dedicated to a select group of jazz elders. Turre plays with three different quintets and is joined by tenor saxophonists James Carter, Dewey Redman and David Sanchez. Turre focuses purely on trombone, a departure from his previous releases that have included his exceptional playing on the conch shells. The ensemble boasts an astonishing repertoire of historic compositions by Stanley Turrentine, Hoagy Carmichael, and Benny Goodman as wells as four originals penned by Steve Turre. Among the highlights are an unforgettable version of "Stompin' At The Savoy" that features Dewey Redman's inimitable sax phrasings and nuance, the eleven minute "Dewey's Dance," a modal tune in ¾ time that captivates you with Stephen Scott's piano elegance, and the technical virtuosity of James Carter and Steve Turre's open-horn plunger orations on "Hallelujah, I Love Her So." Unlike his In The Spur of The Moment recording which featured Turre's mastery of the Ellington-style of muted playing, TNT - Trombone ‘N' Tenor treats listeners to Turre's enjoyable art of the plunger-Basie style. David Sanchez's Afro-Cuban voice proves to be the perfect complement for Turre's clave and horn playing on "Puente of Soul." Together with the percussive fuel played by Giovanni Hidalgo, the ensemble reaches new heights in Turre's repertoire of Afro-Cuban jazz. ~ by Paula Edelstein, AMG. 

Telarc Jazz, CD-63529, 2001
Recorded 9th-10th November, 2000 in Avatar Studio B & C, New York City 

Personnel:
Steve Turre - Trombone, Claves
James Carter - Tenor Saxophone (#1,4-6)
Dewey Redman - Tenor Saxophone (#3,8)
David Sanchez - Tenor Saxophone (#2,3,7,8)
Mulgrew Miller - Piano (#1,4-6)
Stephen Scott - Piano (#2,3,7,8)
Buster Williams - Bass (#1,4-6)
Peter Washington - Bass (#2,3,7,8)
Victor Lewis - Drums (#1,4-6)
Lewis Nash - Drums (#2,3,7,8)
Giovanni Hidalgo - Congas, Timbales, Campana (#2,7) 

Tracks:
1. Back In The Day {Stanley Turrentine} (6:39)
2. Puente Of Soul {Steve Turre} (6:10)
3. Stompin' At The Savoy {Benny Goodman, Edgar Sampson, Chick Webb} (8:12)
4. The Nearness Of You {Hoagy Carmichael} (8:18)
5. Hallelujah, I Love Her So {Ray Charles} (5:00)
6. Eric The Great {Steve Turre} (8:55)
7. E.J. {Stanley Turrentine} (5:11)
8. Dewey's Dance {Steve Turre} (11:04) 

Credits:
Producer - Steve Turre, Myles Weinstein
Executive Producer - Robert Woods
Recording And Mixing Engineer - Robert Friedrich
Technical Assistant - Mark Fraunfelder, Ricardo Fernandez
Editor - Robert Friedrich
Cover Photo - John Abbott
Cover Design - Heidi Kropf, Brian Sooy & Co.
Art Director - Anilda Carrasquillo
Liner Notes - Ted Panken, Downbeat, Jazziz, WKCR

Sunday, September 19, 2021

Steve Turre - Lotus Flower (1997)

You might call Lotus Flower an act of relaxation after the strenuous exercise of the Steve Turre album, for Turre reduces forces and idioms to a more-or-less straight-ahead sextet and concentrates almost entirely upon the trombone. In doing so, he re-stakes his claim to being one of the outstanding voices on the trombone of his time, turning some lovely playing on "The Fragrance of Love" and "Sposin'" and some extremely agile bop work at a fleet pace on "Blackfoot" -- to cite two extremes. But this sextet has no ordinary front line; Turre shares the spotlight with a violinist (Regina Carter) and a cellist (Akua Dixon), thus deliberately managing to avoid the trumpet/saxophone axis entirely. Now and then, Turre also throws in a seventh element, Kimati Dinizulu's percussion or Don Conreaux's gong, to add exotic and spiritual flavors to the menu. Carter gets far more swinging time than Dixon on the album -- indeed, Carter's spiritual forefather seems to be Joe Venuti -- while Dixon gets typecast into the warm, lyrical role that cellists usually fulfill. Mulgrew Miller (piano, Buster Williams (bass) and Lewis Nash (drums) form the solidly mainstream rhythm section that is, however, occasionally asked to do unconventional things. Fortunately, there are enough off-center textures and quirks on this album to sustain Turre's yen for adventure in the '90s -- and on the rhythmically Balkanized "Shorty," Turre's conch shells make a welcome if brief cameo return. ~ by Richard S. Ginell, AMG. 

Verve Records, 559 787-2, 1999
Recorded And Mixed 28th-29tth December, 1997 at Edison Recording Studios, New York 

Musicians:
Steve Turre - Trombone, Shells, Conch (#10)
Regina Carter - Violin
Akua Dixon - Cello
Mulgrew Miller - Piano
Buster Williams - Bass
Lewis Nash - Drums
Kimati Dinizulu - Djembe (#1), Percussion (#10)
Don Conreaux - Gong (#3,5) 

Tracks:
01. The Lotus Flower {Steve Turre} (5:52)
02. Chairman Of The Board {Steve Turre} (6:40)
03. The Inflated Tear {Rahsaan Roland Kirk} (6:55)
04. The Organ Grinder {Woody Shaw} (6:28)
05. Passion For Peace {Steve Turre} (2:03)
06. S'posin' {Andy Razaf, Paul Denniker} (6:48)
07. The Fragrance Of Love {Steve Turre} (6:22)
08. Blackfoot {Steve Turre} (7:03)
09. Goodbye {Gordon Jenkins} (7:23)
10. Shorty {Steve Turre} (5:42) 

Credits:
Producer - Billy Banks
Executive-Producer - Richard Seidel
Production Manager - Camille Tominaro
Engineer - Gary Chester
Assistant Engineer - Jim Murray, Yvonne Yedibalian
Coordinator [Release Coordination] - Beverly Harris
Art Direction, Design - Chika Azuma
Artwork - Istvan Banyai
Arranger - Steve Turre

Monday, June 7, 2021

Roseanna Vitro - Listen Here (1982)

Vocalist Roseanna Vitro - performer, recording artist, educator and journalist - reissues 'Listen Here', the debut album that launched her career. Featuring veteran pianist Kenny Barron, the project ushered into the spotlight a formidable new artist with chops and sensitivity in equal measure - a galvanizing spirit who, having already proven she could move live audiences, now certified her power on vinyl. Though this is a first recording, Vitro shows herself a mature jazz singer. Vitro decided to re-release 'Listen Here' because the time was right. She and her husband Paul Wickliffe, an accomplished sound engineer with a storied career, recently became grand- parents. Their perspective has changed. "It was time to take stock of my life and look back at my career," she says. "Some of my earlier records were never transferred to a digital format, so they are no longer available. And many reviewers and DJ's who have known me over the years have moved on. I think these early recordings stand the test of time, and I want to introduce them to a new generation." Esteemed jazz journalist Neil Tesser said in USA Today, "Roseanna can sing rings around half the vocalists you can name. Her warm, confident clarity of tone is immediately noticeable, but most startling is her boldness of phrasing." He might have added, "her unerring talent for finding the truth - through song, through the communal experience of sharing it." The evidence can be heard easily. 

Texas Rose Music, TRM1001, 1984
Skyline Records, 2001, 2021
Recorded 4th October, 1982 at Skyline Studios, New York City 

Musicians:
Roseanna Vitro - Vocals
Arnett Cobb -Saxophone (#A3,A4,B2)
Kenny Barron - Piano
Bliss Rodriguez - Piano (#A3)
Scott Hardy - Guitar (#A6)
Buster Williams - Bass
Ben Riley - Drums
Duduka Da Fonseca - Percussion (#A1,A6) 

Tracks:
A1. No More Blues {Antônio Carlos Jobim, Vinicius de Moraes, Jon Hendricks} (3:02)
A2. You Go To My Head {Haven Gillespie, J. Fred Coots} (4:12)
A3. Centerpiece {Harry Edison, Jon Hendricks} (4:59)
A4. Love You Madly {Duke Ellington} (4:54)
A5. A Time For Love {Johnny Mandel, Paul Francis Webster} (5:43)
A6. This Happy Madness {Antônio Carlos Jobim, Vinicius de Moraes} (3:39)
B1. Listen Here {David Frishberg} (3:06)
B2. It Could Happen To You {Johnny Burke, James Van Heusen} (3:20)
B3. Easy Street {Alan Rankin Jones} (3:48)
B4. Sometime Ago {Sergio Mihanovich} (3:49)
B5. You Took Advantage Of Me {Richard Rodgers, Lorenz Hart} (3:13)
B6. Black Coffee {Paul Francis Webster, Sonny Burke} (5:10) 

Total Time: 49:00

Credits:
Producer, Recording & Mixing - Paul Wickliffe
Associate Producer, Arranger - Fred Hersch
Cover Design - Jayne Travis
Photography - Ian Anderson
Liner Notes - Steve Allen

Tuesday, October 13, 2020

Buster Williams - Heartbeat (1978) [re-rip]

This is a great acoustic-jazz album by bassist Buster Williams, released in 1979 on Muse Records. Players include Buster Williams on bass, Kenny Barron Pianist on four tunes, Jimmy Rowles on another, Suzanne Klewan vocalist on "Pygmy Lullabye", Ben Riley and Billy Hart share drums, plus a small string section with Gayle Dixon on violin and Pat Dixon on cello. All players get a chance to synchronise beautifully with William's majestic bass. Kenny Barron in particular excels alongside Buster. The addition of Klewan's vocals and Rowle's piano on "Pygmy Lullabye" sets a wonderfully serene atmosphere to Williams's strumming. Equally intoxicating is the sequencing of both cello and violin on both "Shadows" and "Pygmy Lullabye". Not to overlook Bill Hart and Ben Riley's contribution on drums. Overall this a very delightful album.

Muse Records, MR 5171, 1979
Recorded 28th, 30th, March and 3rd April, 1978 At Generation Sound Studio, NYC

Personnel:
Buster Williams - Bass
Kenny Barron - Piano (#A1-A3,B2)
Jimmy Rowles - Piano (#B1)
Pat Dixon - Cello (#A3,B1)
Gayle Dixon - Violin (#A3,B1)
Ben Riley - Drums (#A1,A2)
Billy Hart - Drums (#A3,B1,B2)
Suzanne Klewan - Vocals (#B1)

Tracks:
A1. I Fall In Love Too Easily {Julie Styne, Sam Cahn} (5:11)
A2. Toku-Do {Buster Williams} (5:25)
A3. Shadows {Buster Williams} (9:42)
B1. Pygmy Lullabye {Jimmy Rowles} (6:54)
B2. Ruby P'Gonia {Buster Williams} (8:23)
B3. Veronica {Buster Williams} (2:33)

Credits:
Producer - Elliot Meadow
Recording Engineer - Tony May
Engineer [Assistant] - Franklin Fletcher
Arranger [Strings] - Buster Williams (#A3,B1)
Album Design, Photography [Cover] - Hal Wilson

Friday, September 4, 2020

Denny Zeitlin Trio feat. Buster Williams, Matt Wilson - In Concert (2009)

Jazz has always had renaissance men: Duke Ellington and Miles Davis were visual artists of universal renown. Milt Hinton was a spectacular photographer. And Billy Taylor is an accomplished author. Pianist, composer, educator, psychiatrist Denny Zeitlin the composer of the jazz standard Quiet Now, and an artist with more than sixteen recordings as a leader who has worked and recorded with everybody, from Charlie Haden and Herbie Hancock to Pat Metheny makes his Sunnyside debut with his release, In Concert, featuring bassist Buster Williams and drummer Matt Wilson. 

The CD's nine tracks were recorded at L.A.'s Jazz Bakery, and The Outpost Performance Space in Albuquerque, N.M., from 2001 to 2006. For the seventy-year-old Zeitlin, this delightful aural document his first since his 2004 Maxx Jazz release Slickrock, also with Williams, and Wilson captures the full range of his profound, penetrating, and propulsive pianism in simpatico with William's anchor-sure basslines and Wilson's articulate and angular drumming. Their soulful and syncopated synchronicity reinvigorates the CD's four standards. John Coltrane's Mr. P.C. is delivered at a breakneck pace on a 24-bar minor blues form, with Zeitlin's fleet-fingered unaccompanied solo crossing blues and free boundaries. I was galvanized by Coltrane's music as I was developing my approach in high school and college, Zeitlin writes on the CD liner notes, and Giant Steps was a favorite LP. 

The Jerome Brainer/Buddy Bernier chestnut, The Night Has 1000 Eyes/10,000 Eyes, highlights Zeitlin's limitless ability to recompose a tune; in this case, by adding catchy vamps. I've reworked this piece so extensively, adding several new sections, that I announce it as The Night Has 10,000 Eyes when we perform, Zeitlin writes. Cole Porter's 'All of You' is also rendered with a new melodic lease on life This is one of my all-time favorite standards, and I have extensively re-harmonized it, hopefully retaining the core of the song, Zeitlin writes. We have played this arrangement for years, and the structure seems endlessly intriguing... I love the relaxed groove the trio gets, and Buster and Matt's solidity and flexibility allow me to bend and stretch the time, and drape improvisatory lines over the bars into new territory. 

The rest unveils that new territory explored by Zeitlin and company with five original compositions. The leader's 'The We in Us' is a wistful Bill Evans-like opus written for his wife in celebration of their anniversary, contrasted by Zeitlin s Ornette Coleman-ish, funk-finessed Prime Times, that orbits around 5/4 and 7/4 time. Buster Williams moving and Mingusonian solo, Bass Prelude sets the sonic stage for Zeitlin and company s treatment of David Friesen's 'Signs & Wonders'. This is my favorite David Friesen composition, a minor bluesy 16-bar shuffle that begins mysteriously and impressionistically, and develops tremendous drive and groove, Zeitlin writes. We frequently end concerts with this piece, and it closes out this album. ~ Amazon.com.

Sunnyside Communications, SSC 1206, 2009
#3,4,6,8,9: Outpost Performance Space, Albuquerque, December 2004
#1,2,7: Jazz Bakery, Los Angeles, California, November 2006
#5: Jazz Bakery, Los Angeles, California, November 2001 

Musicians:
Denny Zeitlin - Piano
Buster Williams - Bass
Matt Wilson - Drums 

Tracks:
1. Mr. P.C. Part 1 {John Coltrane} (5:55)
2. Mr. P.C. Part 2 {John Coltrane} (6:52)
3. The Night Has 1000 Eyes /10,000 Eyes Part 1 {Bernier, Brainin/Zeitlin} (11:37)
4. The Night Has 1000 Eyes /10,000 Eyes Part 2 {Bernier, Brainin/Zeitlin} (7:57)
5. The We Of Us {Denny Zeitlin} (7:03)
6. All Of You {Cole Porter} (11:28)
7. Prime Times {Denny Zeitlin} (9:56)
8. Bass Prelude {Buster Williams} (4:35)
9. Signs And Wonders {David Friesen} (6:48) 

Total Time: 72:11

Credits:
Producer, Arranger - Denny Zeitlin
Recording & Mixing Engineer - Stephen Schmidt [Outpost]
Recording & Mixing Engineer - Drew Daniels [Jazz Bakery]
Additional Mixing & Mastering - Drew Daniels, Denny Zeitlin
Photography - Josephine Zeitlin
Graphic Design - Christopher Drukker

Friday, August 30, 2019

Emily Remler - East To Wes (1988)

The late guitarist's last CD to be released before her premature death is her finest effort. Emily Remler's fluid technique brightens such seldom-heard numbers as Clifford Brown's "Daahoud" and her simplified arrangement of Claude Thornhill's lovely "Snowfall," as well as more relaxed tunes like "Sweet Georgia Fame." The polished rhythm section includes the masterful pianist Hank Jones, bassist Buster Williams, and drummer Marvin "Smitty" Smith. Highly recommended. ~  by Ken Dryden, AMG.

Concord Jazz, CCD-4356, 1990
Recorded May, 1988 At Penny Lane Studios, New York City

Musicians:
Emily Remler - Guitar
Hank Jones - Piano
Buster Williams - Bass
Marvin "Smithy" Smith - Drums

Tracks:
1. Daahoud {Clifford Brown} (5:20)
2. Snowfall {Claude Thornhill} (6:39)
3. Hot House {Tadd Dameron} (5:45)
4. Sweet Georgie Fame {Blossom Dearie, Sandra Harris} (5:38)
5. Ballad For A Music Box {Emily Remler} (7:25)
6. Blues For Herb {Emily Remler} (6:26)
7. Softly As In A Morning Sunrise {Oscar Hammerstein II, Sigmund Romberg} (8:14)
8. East To Wes {Emily Remler} (6:13)

Credits:
Producer - Carl E. Jefferson
Recording Engineer - Ed Trabanco
Remixing Engineer - Phil Edwards
Mastering Engineer - George Horn
Art Direction - Kent Judkins
Photography - Hershy Worch
Liner Notes - Nat Hentoff

Sunday, September 10, 2017

Carlos Garnett - Black Love (1974) [re-rip>re-post]

A 70s soul jazz classic - one of those albums we go back to again and again over the years for inspiration! The album was one of the first from young reed player Carlos Garnett - and it's virtually a super-session, with a lineup that includes heavyweights like Buster Williams, Norman Connors, Charles Sullivan, Mauricio Smith, Reggie Lucas, Billy Hart, Mtume, and Dee Dee Bridgewater - all coming together in a righteous blend of soul, funk, and jazz! The vibe here is incredible - far deeper than even on any of Garnett's other albums of the time - at a level that sounds as beautiful on the mellow cuts as it does on the soaring, spiritual soul jazz anthems that have made the record a classic for years. Includes the perennial favorites "Mother of the Future" and "Taurus Woman", two cuts which transformed the global jazz dance scene years back - plus the tracks "Ebonesque", "Black Love", and "Banks Of The Nile". © Dusty Groove America, Inc.

Muse Records, MR 5040, 1974
Recorded 18th and 21st January, 1974 at C.I. Recording Studio, New York City

Musicians:
Carlos Garnett - Tenor, Alto & Soprano Saxophones, Vocals (#A1,A2)
Charles Sullivan - Trumpet
Mauricio Smith - Flute
Allan "Onaje" Gumbs - Piano
Reggie Lucas - Electric Guitar (#A1,B1,B2)
Alex Blake - Bass (#A1,B1,B2)
Buster Williams - Bass (#A2,A3)
Jabali-Billy Hart - Drums
Norman Connors - Drums (#A1,A3,B1,B2)
Guilherme Franco - Percussion (#A1,A3,B1,B2)
James Mtume - Congas (#A1,A3,B1,B2)
Carlos Chambers - Yodeling (#B1)
Ayodele Jenkins - Vocals (#A1), Backing Vocals (#A2, B1)
Dee Dee Bridgewater - Vocals (#A3), Backing Vocals (#A1,A2,B1)

Tracks:
A1. Black Love (5:24)
A2. Ebonesque (8:05)
A3. Banks Of The Nile (4:11)
B1. Mother Of The Future (7:39)
B2. Taurus Woman (12:12)

All Compositions by Carlos Garnett

Credits:
Producer - Carlos Garnett, Joe Fields
Recording Engineer - Elvin Campbell
Mixing Engineer - Carlos Garnett, Elvin Campbell
Arranger - Carlos Garnett
Photography [Cover] - Clarence Eastmond
Album Design, Photography [Liner] - Ron Warwell

Saturday, January 9, 2016

Melvin Sparks - Sparkling (1981) [re-rip]

Melvin Sparks, prior to this album's release, spent a lot time as popular sideman throughout the late 60's and early 70's. Later he turned his interest towards funk which he admits; "I made a mistake, but it just didn't work. That's when I learned that a person should do what he does best." What Sparks does best is heard to good effect right here on Sparkling, his first feature album for Muse. He has put together a crack band, including Neal Creque on Piano, Buster Williams on bass and Idris Muhammad on drums, and assembled a set of material that allows him to use all of his experience without losing sight of what we're all here for: good, swinging jazz.

Guitarist Melvin Sparks makes it clear just who's running this show in a hurry -- about half a dozen bars into the first tune, in fact -- as he jumps into a solo introduction to "Misty" as if he'd written the tune himself. He darts in and out of the melody, assaying swift, biting single-note runs and chord-melody sections with equal dexterity, and maintaining all the while a certain bluesy edge. It is indeed a sparkling performance. ~ Excerpts from Liner Notes.

Muse Records, MR 5248, 1981
Recorded 18th February, 1981 at Van Gelder Recording Studio, Englewood Cliffs, New Jersey

Musicians:
Melvin Sparks - Guitar
Neal Creque - Piano (#A1-B2)
Buster Williams - Bass (#A2-B2)
Idris Muhammad - Drums (#A2-B2)

Tracks:
A1. Misty {Erroll Garner, Johnny Burke} (8:57)
A2. Hassan {Melvin Sparks} (11:27)
B1. Speak Low {Kurt Weill, Ogden Nash} (5:36)
B2. I Am Your Song {Neal Creque} (10:16)
B3. A Bolt Of Lightnin' {Melvin Sparks} (3:50)

Credits:
Producer - Houston Person
Recording Engineer - Rudy van Gelder
Photography - Bob Shamis
Album Design - W. Dale Cramer
Liner Notes - Sam Graham

Monday, December 28, 2015

Kenny Barron - Golden Lotus (1980) [re-rip]

Solid 1980 session with the always vibrant, challenging pianist Kenny Barron and the underrated saxophonist John Stubblefield in fiery form. Steve Nelson began generating interest on vibes with his playing on this session ~ Ron Wynn, All Music Guide.

A great Kenny Barron side for Muse, one of the best from a label that has a lot of remarkable sleepers on it. Like the best Muse sides, this set does a great job of straddling the line between forward looking modal playing and relaxed soul jazz, combining the best elements of both. And as you might imagine from the title, there is a bit of spiritual and eastern influence creeping in on some of the numbers. ~ Dusty Groove.

Muse Records, MR 5220, 1982
Recorded 4th April, 1980 (#B1) at Downtown Sound New York City;
18th April, 1980 (#A1-A3,B2) at Sound Heights Studio, Brooklyn, New York

Musicians:
Kenny Barron - Piano
John Stubblefield - Soprano Sax (A1,B2) & Tenor Sax (#A2,A3)
Steve Nelson - Vibraphone
Buster Williams - Bass
Ben Riley - Drums

Track Listing:
A1. Golden Lotus {Kenny Barron} (5:58)
A2. Dewdrop {Kenny Barron} (6:32)
A3. Cinco {Kenny Barron} (8:58)
B1. Darn That Dream {Jimmy Van Heusen, Edgar DeLange} [Solo] (9:16)
B2. Row House {Kenny Barron} (10:43)

Credits:
Producer - Michael Cuscuna
Recording and Mixing Engineer - Fred Miller
Mastering Engineer - Joe Brescio at The Master Cutting Room, New York City
Cover Photo - Neil Lavey
Liner Photo - Tom Copi
Album Design - W. Dale Cramer

Tuesday, March 10, 2015

Hicks/Williams/Hayes - On The Wings Of An Eagle

Power trio time! I've been doing a lot of Russian torrents lately and upgrading a whole mess of albums by my favorite artists. I used to favor mp3s for reasons I can no longer explain and so many, many things I had and sold or lost have needed replacement. In the course of looking for some Buster Williams titles, I came across this beauty. A really beautiful album and recording, thanks to the original sharer.

"The passing of pianist John Hicks in 2006 marks the loss of one of the quintessential New York pianists. And this, perhaps his last recording, is a stunning example of a fully developed bebop piano trio in flight.

Hicks gained the spotlight working with Art Blakey, Betty Carter and Woody Herman in the 1960s and '70s. He then migrated to avant-garde saxophonists Pharoah Sanders and David Murray before returning to the hard bop sounds of his Keystone Trio (with George Mraz and Idris Muhammad) and Power Trio (with Elvin Jones and Cecil McBee). In the 1990s he could also be found at the keyboard for the weekly gig of the Mingus Big Band. He recorded a string of CDs, dedicated to the likes of Mary Lou Williams, Sonny Clark, Errol Garner, Billy Strayhorn, and Earl Hines. None of these tribute discs would be mistaken for the honored player, as Hicks (to his credit) could never play with anything but his beautiful sound.

The recording On The Wings Of An Eagle is part of Chesky Records' ongoing New York Sessions series of single-point recordings that employ no overdubs, no signal path compression, no multi-tracking and no mixing desk. These audiophile discs playable on a regular CD player and, as an SACD, are the type of discs you take to a stereo component shop to test new speakers for reproduction of the seemingly live experience.

Paired with veterans Buster Williams and Louis Hayes, Hicks kicks off with the jaunty Gigi Gryce track "Minority, taken at near breakneck speed. The ease with which Hicks could maneuver his way around a keyboard is evident throughout and Buster Williams plays with his ever-present stoicism. Bebop flies its flag high on Dexter Gordon's "Cheese Cake and "As Birds Fly. The only track written by Hicks, "As Birds Fly is his dedication to Cedar Walton, his contemporary in swing and piano demeanor.

Two ballads penned by Williams, "Christina and "Stiver's Jewels are both meditative narratives with the bassist alternatively bending notes and walking us through some deeply felt moments. Sammy Cahn's "Dedicated To You showcases Hicks' ability to play just a handful of notes yet express a loving tribute to this classic song.

The choice of the seldom heard Thelonious Monk tune "Balues-Bolivar-Balues-Are is a chance for all three musicians to shine. After they state the theme, Williams propels a walking line over Hick's mimicking Monk-like jabbed strokes and Louis Hayes drops some smart bombs.

The pianist will be sorely missed, but he does leave us with a lengthy catalog of fine sessions to remember him by." Michael Corroto, AAJ

Friday, March 6, 2015

Houston Person - The Big Horn (1979) [re-rip]

Reliable soul jazz, nicely played ballads, and good standards are tenor saxophonist Houston Person's forte, and he demonstrates that repeatedly on this '76 quintet set. Pianist Cedar Walton is the type of no-nonsense, consistent player whose skills are often taken for granted, while bassist Buster Williams and drummer Grady Tate are equally unassuming veterans. ~ by Ron Wynn, AMG.

Muse Records, MR 5136, 1979
Recorded 20th May, 1976 at Blue Rock Studio, New York City

Personnel:
Houston Person - Tenor Saxophone
Cedar Walton - Piano
Buster Williams - Bass
Grady Tate - Drums
Buddy Caldwell - Congas

Track Listing:
A1. Bluesology {Milt Jackson} (10:00)
A2. This Love Of Mine {Sol Parker, Henry W. Sanicola, Frank Sinatra} (5:33)
A3. Gee, Baby Ain't I Good To You {Andy Razaf, Don Redman} (5:29)
B1. The More I See You {Mack Gordon, Harry Warren} (6:52)
B2. Memories Of You {Eubie Blake, Andy Razaf} (4:18)
B3. I Concentrate On You {Cole Porter} (10:35)

Credits:
Producer - Michael Cuscuna
Recording Engineer - Ed Korvin
Design [Album] - Ron Warwell
Liner Notes - Tom Reed (Music Critic, Los Angeles Sentinel)
Photography [Cover] - Hugh Bell

Wednesday, June 19, 2013

Red Rodney - Red, White and Blues (LP to flac)


"This Muse LP features a logical combination: veteran bop trumpeter Red Rodney and bop revivalist altoist Richie Cole. With pianist Roland Hanna, bassist Buster Williams and drummer Eddie Gladden offering stimulating support, the frontline is in fine form. It is surprising that the quintet mostly performs newer originals (by Rodney, Hanna, Cole and Bernie Senesky) with just two standards: "Smoke Gets In Your Eyes" and Charlie Parker's "Little Suede Shoes" (here mistakenly listed as "Little Red Shoes"). However, the music (which includes such colorful titles as "No Jive Line" and "Ode to a Potato Plant") is largely straight-ahead. An underrated set.

Tracks: It's the Same Thing Everywhere, Lolita's Theme, Red White and Blues, Rodney Round Robin, Little Red Shoes, Smoke Gets In Your Eyes, No Jive Line, and Ode to a Potato Plant

Personnel: Red Rodney on trumpet, Richie Cole on alto sax, Roland Hanna on piano, Buster Williams on bass, and Eddie Gladden on drums


Wednesday, May 8, 2013

Gene Ammons - Brother Jug! (1969) [vinyl>flac]


A swinging soul-jazz set from just before the point where soul-jazz turned once and for all into fusion, 1970's Brother Jug is very much an album of its time. (Note Billy Butler's funky-cheesy wah-wah guitar underpinning "Jungle Strut.") That said, while the album doesn't have the classic timelessness of Gene Ammons' best '50s and early-'60s work, Brother Jug is one of Ammons' better albums released soon after the tenor saxophonist's release from a seven-year prison sentence. Ammons' playing on this album has an unaccustomed grit; even on ballads like "Didn't We," there's an R&B-style honk to Ammons' tone that suits the funky, electric arrangements well. Brother Jug is not an all-time classic -- the closing take on "Son of a Preacher Man," with Sonny Phillips' in-your-face wah-wah organ, is hampered by a too-sluggish rhythm section and some unimaginative, braying solos by Ammons -- but even the weakest tunes have a certain historical interest. ~ by Stewart Mason, AMG.

Nice soul jazz vibes from Mr. Ammons featuring Bernard Purdie, Candido and Billy Butler amongst others. The track Jungle Strut is a stone cold B-boy throwdown. ~ Mista WARZ!!!

Prestige Records, PR 7792, 1969
Recorded 10th (#B3) & 11th (#A1-B2) November, 1969 at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:
Gene Ammons - Tenor Saxophone
Sonny Phillips - Organ (#A1-B2)
Junior Mance - Piano (#B3)
Billy Butler - Guitar (#A1-B2)
Bob Bushnell - Electric Bass (#A1-B2)
Buster Williams - Bass (#B3)
Bernard Purdie - Drums (#A1-B2)
Frankie Jones - Drums (B3)
Candido - Congas (#B3)

Track Listing:
A1. Son Of A Preacher Man {John Hurley, Ronnie Wilkins} (4:20)
A2. Didn't We {Jimmy Webb} (5:58)
A3. He's A Real Gone Guy {Nellie Lutcher} (4:59)
B1. Jungle Strut {Gene Ammons} (5:03)
B2. Blue Velvet {Lee Morris, Bernie Wayne} (4:02)
B3. Ger-Ru {Gene Ammons} (8:37)

Credits:
Supervisor - Bob Porter
Recording Engineer - Rudy Van Gelder
Liner Notes - Dan Morgenstern (May 1970)

Note:
There is discrepancy in the session listing at the ‘Prestige Records Discography Project’.
Prince James not listed, but is on album cover. Also Billy Butler only seems to play on tracks A1, B1.

Friday, March 29, 2013

Houston Person - The Talk Of The Town (1987) [vinyl>flac]


This Muse recording differs from many of tenor saxophonist Houston Person's previous ones in that Person is backed by a piano rather than an organ; he sounds inspired by the "new" setting. Person heads a sextet also including trumpeter Cecil Bridgewater, pianist Stan Hope, bassist Buster Williams, drummer Grady Tate and percussionist Ralph Dorsey. They perform the tenor's "Just For You" and five standards, with the highlights including Benny Carter's "Only Trust Your Heart," "Almost Like Being in Love" and a blues-drenched version of "It's the Talk of the Town." A particularly strong effort by the very consistent tenor great. ~ Scott Yanow, All Music Guide.

Muse Records, MR 5331, 1987
Recorded 23rd January, 1987 at Van Gelder Studio, Englewood Cliffs, New Jersey

Track Listing:
A1. Only Trust Your Heart {Benny Carter, Sammy Cahn} (7:21)
A2. Everything Happens To Me {Tom Adair, Matt Dennis} (6:03)
A3. Almost Like Being In Love {Frederick Loewe, Alan Jay Lerner} (6:49)
B1. It's The Talk Of The Town {Jerry Livingston, Al J. Neiburg, Marty Syme} (7:22)
B2. Just For You {Harry Warren} (4:14)
B3. I'll Never Be Free {George David Weiss, Bennie Benjamin} (7:29)

Personnel:
Houston Person - Tenor Saxophone
Cecil Bridgewater - Trumpet
Stan Hope - Piano
Buster Williams - Bass
Grady Tate - Drums
Ralph Dorsey - Percussion

Credits:
Recording Engineer - Rudy Van Gelder