Richard "Groove" Holmes - Six Million Dollar Man (1975) [vinyl]

One of Groove Holmes' best albums of the 70s -- thanks to some electric blacksploitation arrangements from the great Oliver Nelson! The format's a bit tighter here than on some of Holmes' Groove Merchant albums from the earlier part of the decade -- an approach that's almost like soundtrack scoring at times, but which allows Groove to stretch out a bit more on the solos, and take things way past the already-funky head arrangements penned by Nelson. Mike Wofford's also on the record, throwing in some great electric piano and Arp in underneath Holmes' own funky Hammond -- and other players include Tom Scott, David T Walker, and Oscar Brashear -- who all contribute nicely to the record. Titles include "Disc-o-Mite", "Salsa de Alma", "Dumpy Mama", "Mama's Groove", "125th & 7th Ave", and "Six Million Dollar Man", the theme from the TV show!  © Dusty Groove, Inc. 

Flying Dutchman, BDL1-1146, 1975
Recorded in 1975 

Musicians:
Richard "Groove" Holmes - Organ
Oscar Brashear, Charles Findley, Bobby Bryant - Trumpet (#A2,B1)
Garnett Brown, Maurice Spears, Lloyd Ulyate - Trombone (#A2,B1)
Tom Scott - Tenor Saxophone, Flute (#A2), Arranger, Conductor (#B2)
Bud Shank, Jerome Richardson, Jack Nimitz, Gene Cipriano - Woodwinds (#A2,B1)
Mike Wofford - Piano, Electric Piano, ARP Synthesizer
David T. Walker - Electric Guitar
Chuck Rainey - Electric Bass (#A1,A2,A4,B2-B4)
Chuck Domanico - Electric Bass (#A3,B1)
Jimmy Gordon - Drums (#1,A2,A4,B2-B4)
Shelly Manne - Drums (#B1)
Mailto Correa - Percussion
Larry Bunker - Percussion (A3,B1)
Oliver Nelson - Arranger, Conductor (#A1-B1,B3,B4)

Tracks:
A1. Disc-O-Mite {Oliver Nelson, Richard "Groove" Holmes} (5:21)
A2. Salsa De Alma {Richard "Groove" Holmes} (5:19)
A3. Once Is Not Enough {Henry Mancini, Larry Kusik} (3:26)
A4. Dumpy Mama {Oliver Nelson} (4:46)
B1. "Six Million Dollar Man" Theme {Oliver Nelson} (4:55)
B2. Double Scale {Tom Scott} (4:12)
B3. 125th St. and 7th Ave. {Oliver Nelson} (3:40)
B4. Mama's Groove {Richard "Groove" Holmes} (7:06) 

Total Time: 39:45 

Credits:
Producer - Bob Thiele
Engineer - Eddie Brackett
Remix Engineer - Bob Simpson
Art Direction – Acy Lehman, Dick Smith
Photography - David B. Hecht
Liner Notes - Nat Hentoff

Link

Double Scale

Mike Mainieri - Journey Thru An Electric Tube (1968) [vinyl]

It’s sad that Mike Mainieri never received the attention he so richly deserved with Journey Thru An Electric Tube, as the album was recorded exceedingly well, managed in its construction to be both forward looking and forward thinking, being one of the most enduring of the vibraphone releases, where it delivered and channeled its sound in an easy to appreciate low volume, was not for one moment abrasive, and totally ideal for a 60’s kick back lounge around the living room atmosphere. Mike was a pioneer with his introduction of the electronic vibraphone, then known as the synth-vibe. The album is effortless, fluid, soulful at times, smooth and laced with some cool 60’s inspired tripped out vibes, along with visionary and contemporary flute and guitar playing by Jeremy Steig that shouldn’t be missed. Yet the praises only begin there, a total of nine artists assembled to make this album the timeless classic it is today, along with a first-rate engineering, recording, pressing and a solid heavy jacket that has also stood the test of time. The album has never as yet been released on compact disc. Simply an absolute pleasure to spin. ~ Extract by Jenell Kesler, discogs.com. 

Solid State Records, SS-18049, 1968 

Musicians:
Mike Mainieri - Vibraphone, Vocals
Jeremy Steig - Flute
Warren Bernhardt - Piano, Organ
Joe Beck - Electric Guitar
Sam T. Brown - Electric Guitar, Classical Guitar
Hal Gaylor - Bass
Chuck Rainey - Electric Bass
Donald MacDonald - Drums
Sally Waring - Vocals
String Quartet 

Tracks:
A1. It's All Becoming So Clear Now {Mike Mainieri} (5:28)
A2. The Wind {Mike Mainieri, Sally Waring} (6:24)
A3. Connecticut Air {Sally Waring} (2:50)
A4. We'll Speak Above The Roar {Mike Mainieri} (6:25)
B1. The Bush {Mike Mainieri} (2:58)
B2. I'll Sing You Softly Of My Life {Mike Mainieri} (4:50)
B3. Yes, I'm The One {Mike Mainieri, Sally Waring} (0:48)
B4. Allow Your Mind To Wander {Mike Mainieri} (14:15) 

Total Time: 43:58 

Credits:
Producer - Sonny Lester
Engineer - Malcolm Addey
Photography - Bob Braco

Shirley Scott - Shirley Scott & The Soul Saxes (1969) [vinyl]

One of Scott’s best albums, Shirley Scott and the Soul Saxes finds the organist on a 1969 set of mostly soul covers. This was one of her few dates for the soul-heavy Atlantic label, but it certainly qualifies as a standout in the entire soul-jazz catalog. Joined by the royal sax trio of David Newman, King Curtis, and Hank Crawford, Scott plies her smooth, yet deep B-3 alchemy atop a stellar rhythmic pulse supplied by Chuck Rainey, Bernard “Pretty” Purdie, and Richard Tee. And this fine contingent does not fail to please, especially on a joyous take of “More Today Than Yesterday” and the gospel-infused “I Wish I Knew (How It Feels Like to Be Free).” The versions of classics by the Isley Brothers, Aretha Franklin, and the Beatles aren’t bad either. ~ Stephen Cook, AMG.

Atlantic Records, SD 1532, 1969

Recorded 10^th September, 1968 (#A3) in New York City; 9^th July, 1969 (#A1,B1,B2)

and 10^th July, 1969 (#A2,B3,B4) at Regent Sound Studios, New York

Musicians:

Shirley Scott - Organ

Ernie Royal - Trumpet (#A1,A2,B1-B4)

Hank Crawford - Alto & Baritone Saxophones (#A1,A2,B1-B4)

King Curtis - Tenor Saxophone (#A1,A2,B1-B4)

David "Fathead" Newman - Tenor Saxophone, Flute (#A1,A2,B1-B4)

Richard Tee - Piano (#A1,A2,B1-B4)

Eric Gale - Guitar

Chuck Rainey - Electric Bass (#A1,A2,B1-B4)

Jerry Jemmott - Electric Bass (#A3)

Bernard Purdie - Drums (#A1,A3-B2)

Jimmy Johnson - Drums (#A2,B3,B4)

Tracks:

A1. It's Your Thing {O'Kelley Isley, Ronald Isley, Rudolph Isley} (4:27)

A2. [You Make Me Feel Like] A Natural Woman {Carole King, Gerry Goffin, Jerry Wexler} (4:17)

A3. I Wish I Knew How It Would Feel To Be Free {Billy Taylor, Dick Dallas} (6:20)

B1. You {Ivy Hunter, Jack Goga, Jeffrey Owen} (5:40)

B2. Stand By Me {Ben E. King, Elmo Glick} (4:02)

B3. Get Back {John Lennon, Paul McCartney} (4:43)

B4. More Today Than Yesterday {Patrick Upton} (3:37)

Credits:

Producer - Joel Dorn

Marty Sheller - Arranger, Conductor (except #A3)

Engineer - Adrian Barber (#A3), Bob Liftin (#A1,A2,B1-B4)

Engineer [Re-Mix] - William Arit

Photography [Backliner] - Joel Brodsky, Walter Looss

Photography [Cover] - O. Vernon Matisse

Total Time: 33:08

Ray Bryant - MCMLXX (1970)

 Despite some commercial tendencies, this 1970 LP (not yet reissued on CD) is better than it looks. Pianist Ray Bryant uplifts such pop material as "Let It Be," "Bridge Over Troubled Waters," "Hey Jude," and "Spinning Wheel." Four selections find Bryant's trio (with electric bassist Chuck Rainey and drummer Jimmy Johnson) augmented by either horns (on "Let It Be") or by strings effectively arranged by Eumir Deodata. The colorful results are not essential but are less dated than one might think. ~ by Scott Yanow, AMG.

Timeless

=======

Long overdue, this is the album that propelled Ray Bryant onto the jazz radio charts for weeks (if not months) in 1971, by virtue of the remarkable interpretation of "Unchained Melody". Considering the popularity of the album, and the airplay, it is puzzling that this album has not been reissued before now (as the album title suggests, original -- and only previous -- release was 1970). Recommended to Ray Bryant fans and to piano jazz lovers equally. ~ Geezosaur, Amazon.com.

Atlantic Records, SD 1564, 1970

Rhino Records, WPCR-27092, 2012

Recorded At Atlantic Recording Studios, New York, NY

Musicians:

Ray Bryant - Piano

Joe Newman - Trumpet (#2)

Garnett Brown - Trombone (#2)

George Dorsey - Alto Saxophone (#2)

Joe Gentle - Tenor Saxophone (#1,3,4)

King Curtis - Tenor Saxophone (#2)

Pepper Adams - Baritone Saxophone (#2)

Leon Cohen - Bass Clarinet (#1,3,4)

Ron Carter - Acoustic Bass (#1,3,4)

Chuck Rainey - Electric Bass

Charles McCracken - Cello (#1,3,4)

Jimmy Johnson - Drums

Emanuel Green, Gene Orloff, Joseph Malignaggi, Julien Barber, Matthew Raimondi,

Noel Dacosta, Paul Gershman, Selwart Clarke, Winston Collymore - Violin (#1,3,4)

Arranger - Arif Mardin (#A2), Eumir Deodato (#1,3,4)

Tracks:

1. Stick With It {Ray Bryant} (5:54)

2. Let It Be {John Lennon, Paul McCartney} (4:02)

3. Bridge Over Troubled Water {Paul Simon, Art Garfunkel} (3:18)

4. Hey Jude {John Lennon, Paul McCartney} (4:53)

5. Shake-A-Lady {Ray Bryant} (2:40)

6. Unchained Melody {Alex North, Hy Zaret} (4:48)

7. My Cherie Amour {Henry Cosby, Sylvia Moy, Stevie Wonder} (4:59)

8. Spinning Wheel {David Clayton-Thomas} (3:39)

Credits:

Producer - Joel Dorn

Recording Engineer - Gene Paul

Recording & Re-Mix Engineer - Lewis Hahn

Photography - Joel Brodsky

Cover, Design - Haig Adishian

Total Time: 34:13

Gene Harris - Astral Signal (1974)

A well sought out jazz-funk title from blue note. Although most of this album is Gene on his piano, this album brings out Gene's talent with the ARP and Minimoog Synthesizers. One listen to his cover of sly stone's "Don't Call Me Nigger, Whitey" and you'll become a definite believer! Boy, does this cut blaze a trail of hard driving synth funk! The MiniMoog bass line is all over this one, as Gene fills the top off with some squealy ARP Odyssey/Pro soloist overlays. A killer funk ride classic. Then there's "Losalamitoslatinfunklovesong", a buttery smooth, slow grinding funk love jam that will get your juices flowing on the dance floor! The Moog bass kicks up and down, and side to side, while the high synth notes make love to the listeners ear. Great synth playing all around from gene and good background vocals from the session players, too. Also check out the eerie, spacey prelude at the start of the album, it's a sonic statement! ~ fonkay, RYM.

Blue Note, BN-LA313-G, 1974

Blue Note/EMI, TOCJ-50511, 2012

Recorded 13^th August, 1974 At The Village Recorder, Los Angeles, California

Personnel:

Gene Harris - Keyboards, Vocals (#B2), Arranger (#7)

Keg Johnson - Trombone, Background Vocals

George Bohanon - Trombone

Oscar Brashear - Trumpet

Sidney Muldrow - French Horn

Ernie Watts - Reeds

Jerry Peters - Keyboards, Background Vocals

John Rowin - Guitar

David T. Walker - Guitar

Chuck Rainey - Electric Bass

Harvey Mason - Drums, Arranger (#11)

Jim Shifflett - Unknown Instrument

Vocalists:

Annesther

Julia (Tillman) Waters

Luther Waters

Lynn Mack

Maxine (Johnson) Waters

Oren Waters

Trisha Chamberlain

Tracks:

01. Prelude {Gene Harris} (1:41)

02. Summer [The First Time] {Bobby Goldsboro} (3:21)

03. Rebato Summer {Jerry Peters} (0:35)

04. I Remember Summer {Jerry Peters} (2:03)

05. Don't Call Me Nigger, Whitey {Sylvester Stewart} (3:44)

06. Losalamitoslatinfunklovesong {Jerry Peters} (3:10)

07. My Roots {Arr. Gene Harris, J.K. Abernathy} (4:20)

08. Green River {John Fogerty} (3:05)

09. Beginnings {Robert Lamm} (5:54)

10. Feeling You, Feeling Me Too! {Alex Brown, Monk Higgins} (1:59)

11. Higga-Boom {Arr. Harvey Mason, Jerry Peters, Harvey Mason} (6:00)

12. Love Talkin' {Jerry Peters} (4:49)

Credits:

Producer, Recording, Mixing, Mastering Engineer - Jim Shifflett

Producer - Jerry Peters, Keg Johnson

Executive-Producer - George Butler

Recording Engineer - Gilmar Fortis

Mastering Engineer - Bill Lazerus

Production Assistance - Harvey Mason, John Rowin, Charlotte Politte

Art Direction, Cover Illustration - Bob Cato

Photography - Kenny Dorr

This album is a magical balance between psychedelic laid back california inspired acid jazz sounds scapes and the greasy soul of a mid-century (last century) juke joint. A pastiche of professional music with heart and creativity. No other album on blue note or by Harris sounds like this. A fine artistic statement by Harris who seemed to be at his peak in the mid-70s. ~ freqazoidiac, RYM.

Total Time: 40:41

Billy Butler - Yesterday, Today & Tomorrow (1970) [re-rip]

Billy Butler is well known to guitarists only, as the co-author of the early R&B funked-up standard "Honky Tonk," with organist Bill Doggett. But the almighty groove wasn't Butler's only strength. With a saxophonist like Houston Person, he could play the most elegant swing - as in their read of the Rodgers & Hart classic "Dancing on the Ceiling" The wildest tune on the Person sessions is Neil Hefti and Bobby Troup's "Girl Talk." Before this I could never have imagined hearing this tune as an instrumental, but it works like grease on a bicycle chain with Butler punching up the melody and bending his strings all over it to make the language impenetrable to all but his rhythm section, and Person who flies over the top making the simple pop song into a work of groove jazz artistry. This album is a welcome introduction to one of the great, all-but-lost talents in jazz history. Billy Butler was a guitarist's guitarist and an innovator in both production and arrangements. This album is solid from top to bottom and reveals the restless spirit of a quiet yet demanding artist. ~ extracts taken from review by Thom Jurek, AMG.

This album is a continuation of display of ability and versatility presented in his first Prestige albums: This is Billy Butler! (Prestige 7622) and Guitar Soul! (Prestige 7734). This goes a bit further than the others in that it presents some music written and arranged by Billy for a guitar choir as well as some cooking things and standards he is known for. Most of the album reunites Billy with Ernie Hayes and Houston Person who were a part of his debut album for Prestige. Jimmy Lewis is no stranger to Billy since they worked together with King Curtis for some time. I think that once you have listened to the latest effort of Billy Butler you'll agree that it is every bit as good as his other two albums. If you are unfamiliar with him up to this point, welcome aboard! ~ Extract from Liner Notes by Sonny Mann.

Prestige Records, PRST 7797, 1970

Recorded 27th April (#B2,B3) & 29th June (#A1-B1,B4), 1970 at Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:

Billy Butler - Guitar, Bass Guitar

Houston Person - Tenor Saxophone (#A1-B1,B4)

Jerome Richardson - Tenor Saxophone, Flute (#B2,B3)

Ernie Hayes - Organ, Electric Piano (#A1-B1,B4)

Sonny Phillips - Organ, Electric Piano (#B2,B3)

Everett Barksdale - Guitar (#B2,B3)

Billy Suyker - Guitar (#B2,B3)

Jimmy Lewis - Electric Bass (#A1-B1,B4)

Chuck Rainey - Electric Bass (#B2,B3)

Jimmy Johnson - Drums

Track Listing:

A1. Yesterday, Today And Tomorrow {Billy Butler} (5:12)

A2. Girl Talk {Bobby Troup, Neal Hefti} (4:56)

A3. Dancing On The Ceiling {Lorenz Hart, Richard Rodgers} (5:43)

B1. Hold It! {Billy Butler, Clifford Scott} (3:51)

B2. Evening Dreams {Billy Butler} (4:10)

B3. The Butler Did It {Billy Butler} (3:47)

B4. Sweet Georgia Brown {Ben Bernie, Kenneth Casey, Maceo Pinkard} (4:49)

Credits:

Supervision - Bob Porter

Recording Engineer - Rudy van Gelder
Photo - Al Johnson
Design - Don Schlitten

Liner Notes - Sonny Mann, WFAS Radio, White Plains, N.Y. (Sept. 1970)

David "Fathead" Newman - The Many Facets Of David Newman (1969) [re-rip]

This set along with "Bigger & Better" from 1968 'are among tenor-saxophonist David "Fathead" Newman's more commercial efforts. The Many Facets of David Newman is less poppish and more blues-oriented with the lengthy "Children of Abraham" showing some passion.' According to Mr. Yanow he states that 'overall the material is rather weak and has not aged very well. Skip this set in favor of Newman's more recent efforts.' However, I am not sure he truly listened to this album. Even though he did make mention of "Children of Abraham" there is still some great playing and artistry going down across many other tunes found on this LP. Listen with an open mind and judge for yourselves. Enjoy!

Atlantic Records, SD 1524, 1969

Recorded 7/03/68 (#A2,B2,B3); 2/12/68 (#A1,B1); 3/12/68 (#A3);
4/12/68 (#B4) and 11/2/69 (#A4) in New York City

Personnel:

David "Fathead" Newman - Alto, Tenor & Soprano Saxophones, Flute

Seldon Powell - Tenor Saxophone

Haywood Henry, Jerome Richardson - Baritone Saxophone

Melvin Lastie, Joe Newman, Jimmy Owens, Ernie Royal - Trumpet

Bennie Powell - Trombone

Paul Ingram, Julius Watkins - French Horn

Jack Knitzer - Oboe

Gene Orloff, Emanuel Green, Leo Kruczek, Richard Elias, Leo Kahn - Violin

Selwart Clarke, Alfred Brown - Viola

Kermit Moore - Cello

Joe Zawinul, George Stubbs - Piano

Billy Butler, Eric Gale - Guitar

Richard Davis, Ron Carter - Acoustic Bass

Chuck Rainey - Electric Bass

Bernard Purdie, Bruno Carr - Drums

Omar Clay - Percussion

Tracks:

A1. Shiloh {David "Fathead" Newman} (4:29)

A2. We're A Winner {Curtis Mayfield} (3:06)

A3. Children Of Abraham {William Fischer} (10:06)

A4. Headstart {David "Fathead" Newman} (2:53)

B1. Chained No More {David "Fathead" Newman} (6:23)

B2. The Funky Way To Treat Somebody {Calvin Arnold} (3:05)

B3. Sylvia {Henry Cosby, Stevie Wonder, Sylvia Moy} (3:17)

B4. That's All {Alan Brandt, Bob Haymes} (6:11)

Credits:

Producer - Joel Dorn

Recording Engineer - Adrian Barber, Bruce Tergesen, William Arlt

Arranger - Arif Mardin (#A2,B2,B3), David "Fathead" Newman (#A1,A4), William Fischer (#A3,B1,B4)

Hank Crawford - It's A Funky Thing To Do (1971) [vinyl]

Hank Crawford slides into the electric 70s with this sweet little set of funky tracks - working in a tight small combo format with Richard Tee on electric piano and Cornell Dupree on electric guitar - and grooving in a laidback slinky funk mode that's perfect for his soulful tone on the alto sax! The groove ranges from mellow funk to gentle soul – and the album's title track is an excellent version of "It's A Funky Thing To Do", with Pee Wee Ellis joining the group on electric piano! Other tracks include "Hills Of Love", "You're The One", "Sophisticated Soul", "Kingsize Man", and "Parker's Mood". © Dusty Groove, Inc.

"It's A Funky Thing To Do" was Hank Crawford's final recording for Atlantic after a commercially successful ten-year run. The soulful altoist is backed by a funky rhythm section (either Eric Gale or Cornell Dupree on guitar, keyboardist Richard Tee, Chuck Rainey or Ron Carter on electric bass, and drummer Bernard Purdie), and Crawford as usual plays well.

Cotillion Records, SD 18003, 1971

Recorded 1971 at Regent Sound Studios, New York

Musicians:

Hank Crawford - Alto Saxophone

Alfred "Pee Wee" Ellis - Electric Piano (#A1)

Richard Tee - Piano, Electric Piano

Cornell Dupree, Eric Gale - Guitar

Chuck Rainey, Ron Carter - Electric Bass

Bernard Purdie - Drums

Tracks:

A1. It's A Funky Thing To Do {Alfred "Pee Wee" Ellis} (3:29)

A2. If Ever I Should Leave You {Alan Jay Lerner, Frederick Loewe} (4:29)

A3. Hills Of Love {James Shaw, Carlos Malcolm} (5:13)

A4. Sophisticated Soul {Hank Crawford} (4:34)

B1. You're The One {Adolph Smith} (4:17)

B2. Parker's Mood {Charlie Parker} (6:17)

B3. Kingsize Man {Hank Crawford} (5:52)

Credits:

Producer - Joel Dorn

Recording Engineer - Bob Liftin

Remix Engineer - Lewis Hahn

Photography - Jim Cummins

Album Design - Loring Eutemey

Gene Ammons - My Way (1971) [vinyl>flac]

Although late in the Prestige jazz funk years, and not in the small combo mode of some of Ammons' best early 70s sides, this is still an excellent batch of tracks - thanks to hip arrangements from Bill Fisher! The format's almost in a Kudu/CTI mode, as larger arrangements envelope Jug's soulful tenor - funking away with a blacksploitation on tracks like "Chicago Breakdown", "Back In Mérida", and a great cover of "What's Going On", all done with tight horns, compressed guitar, and even a bit of strings. There's a few mellower numbers that aren't as great - but these tracks more than make the album worth having! © Dusty Groove America, Inc.

Ammons is joined with some great players on these sessions, in particular Roland Hanna & Ted Dunbar on the 1^st Side. On the 2^nd side Billy Butler does his thing along with Ron Carter and banging away in the background is the mighty Idris Muhammad. Also with brass and strings added there are some very dynamic grooves going down. Even though this is a latter-day album by Ammons he still blows amazing hard right throughout, Enjoy!

Prestige Records, PR 10022, 1971

Recorded 26^th July (#B1-B3) & July (#A1-A3), 1971 at Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:

Gene Ammons - Tenor Saxophone

Robert Prado- Trumpet (#A1,A2,B1-B3)

Ernie Royal - Trumpet (#A1,A2,B1-B3)

Garnett Brown - Trombone (#A1,A2,B1-B3)

Richard Landry - Tenor Saxophone (#A1,A2,B1-B3)

Babe Clark - Baritone Saxophone (#A1,A2,B1-B3)

Roland Hanna - Electric Piano (#A1-A3)

Ted Dunbar - Guitar (#A1-A3)

Billy Butler - Guitar (#B1-B3)

Ron Carter - Bass (#B1-B3)

Chuck Rainey - Electric Bass (#A1,A2)

Idris Muhammad - Drums (#A1,A2,B1-B3)

Omar Clay - Percussion (#A1,A2,B1,B2)

Yvonne Fletcher, Patricia Hall, Loretta Ritter, Linda Wolfe - Vocals (#A2,B1,B2)

Unidentified String Section (#A2,B1,B3)

Bill Fischer - Arranger And Conductor

Track Listing:

A1. Chicago Breakdown {William S. Fischer} (9:37)

A2. What's Going On {Renaldo Benson, Al Cleveland, Marvin Gaye} (4:15)

A3. A House Is Not A Home {Burt Bacharach, Hal David} (3:41)

B1. Sack Full Of Dreams {Gary McFarland, Louis Savary} (6:19)

B2. Back In Mérida {William S. Fischer} (4:17)

B3. My Way {Paul Anka, Claude François, Jacques Revaux} (5:58)

Credits:

Producer - Bob Porter

Recording Engineer - Rudy van Gelder

Arranger, Conductor - Bill Fisher

Photography & Design - Tony Lane