Various Artists - The History Of Chess Jazz (1996)

History of Chess Jazz is a double-disc set featuring highlights from the label's overlooked jazz catalog. Among the artists included are Kenny Burrell, Woody Herman, Ramsey Lewis, Etta James, Ahmad Jamal, and Zoot Sims. Jazz wasn't one of Chess' strong points, but there is plenty of fine music here, making it a worthwhile sampler. ~ by Stephen Thomas Erlewine, AMG. 

Chess Records, GRD-2-812, 1996
Recorded May, 1950 - April, 1967 

Tracklist: 

CD1:
01. Ahmad Jamal - Poinciana {Buddy Bernier, Nat Simon} (9:31)
02. Sonny Stitt, Bennie Green - My Main Man {Bennie Green, Sonny Stitt} (5:59)
03. Red Rodney - Shaw 'Nuff {Ray Brown, Gil Fuller, Dizzy Gillespie} (6:36)
04. The Jazztet - Killer Joe (Benny Golson} (4:14)
05. Zoot Sims - The Man I Love {George Gershwin, Ira Gershwin} (5:16)
06. Roland Kirk - Soul Station {Rahsaan Roland Kirk} (5:28)
07. James Moody, Eddie Jefferson - Parker's Mood {Eddie Jefferson, Charlie Parker} (3:24)
08. Woody Herman - Keep On Keepin' On {Richard Evans} (4:19)
09. Ray Bryant - Gotta Travel On {Paul Clayton, Larry Ehrlich, Dave Lazer, Tom Six} (4:24)
10. Benny Goodman - Benny Rides Again {Eddie Sauter} (4:33)
11. John Klemmer - My Love Has Butterfly Wings {John Klemmer} (3:53)
12. Etta James - At Last {Mack Gordon, Harry Warren} (3:00)
13. Ramsey Lewis - The "In" Crowd {Billy Page} (5:50) 

Time: 66:32 

CD2:
01. Barry Harris - Ornithology {Benny Harris, Charlie Parker} (3:32)
02. James Moody - Last Train From Overbrook {James Moody} (3:03)
03. Gene Ammons - My Foolish Heart {Ned Washington, Victor Young} (2:48)
04. Lorez Alexandria - Baltimore Oriole {Hoagy Carmichael, Paul Francis Webster} (3:11)
05. Oliver Nelson - A Bientot {Billy Taylor} (3:48)
06. Yusef Lateef - Morning [Excerpt] {Yusef Lateef, Sandy Owen} (3:14)
07. Odell Brown - Mellow Yellow {Donovan} (5:28)
08. Art Farmer - Tonk {Ray Bryant} (3:05)
09. Illinois Jacquet - You're My Thrill {Jay Gorney, Burton Lane, Ned Washington} (3:50)
10. Howard McGhee - House Warnin' {Marshall Pau, Paul Winley} (2:31)
11. Chubby Jackson - Tiny's Blues {Al Cohn, Tiny Kahn} (5:01)
12. Clark Terry - Candy {Mack David, Alex Kramer, Joan Whitney} (2:23)
13. Benny Golson - The Touch {Benny Golson} (5:19)
14. Kenny Burrell - Silent Night {Franz Gruber, Joseph Mohr} (2:35) 

Time: 49:54 

Total Time: 01:56:26

Illinois Jacquet - Flying Home

Without a doubt, "The Kid" was one of the greatest sax players to ever breath life on this great Earth of ours.  His sound was gritty, raw and soulful but never without subtlety when required.  Indeed, his voice is instantly recognizable by jazz fans - "Flying Home" is quite possibly the most famous sax solo of all time.

This CD covers alot of ground while bringing you some of Jacquet's best cuts.  Bluebird  originally recorded all of these as 78's, and they have been expertly remastered here.  The recordings range in date from 1947 - 1967 and in location from Hollywood to NYC.  There are some personnel changes throughout the album, but certainly nothing to disappoint - Shadow Wilson to Jo Jones!!??!  Considering that this is technically a compilation, it plays incredibly well as an album.

And with that said, the band absolutely smokes.  It helps when each member is a seasoned pro - JJ Johnson, Leo Parker, Joe Newman, etc, etc.  It varies in size from track to track, but overall the idea is a "little big band".  One thing you will notice straight away is the weight that this band can produce.  Jacquet has basically put together a small group which can operate as a big band when called upon.  I love it.  And having dual trumpet players is one unique aspect to a band of this size.  The whole thing swings hard and is overall a definite shade of blue.  We are treated to all kinds of fun as the members all get to express themselves here, including Illinois' brother Russ who puts in some vocals on Try Me One More Time.

Flying Home is essentially a "Cole's Notes" of the impeccable Mosaic boxset which captured all of Jacquet's recordings from this period.  For those of you who are fortunate enough to have the boxset, this CD is probably not for you.  However for everybody else, including anybody looking to discover Illinois Jacquet, this album is an absolute gem.  I will include the AMG review which is glowing but curiously only scored the album a 3/5 stars.  I would say this set of classic tunes is without a doubt 4/5.  I have included all the scans and ripped the disc using EAC for 16/44.1 FLAC... enjoy!!!

This is a great selection of Jacquet's late-'40s/early-'50s work, hot on the heels of his success with Jazz At The Philharmonic and his tenure with the Lionel Hampton Band. There's lots of honking and squealing coupled to Jacquet's patented abrasive tone, one of the most exciting in jazz, heard to good effect on "Jet Propulsion." Jacquet's brother Russell vocalizes on "Try Me One More Time," making himself a worthy foil, and stalwarts like Leo Parker, Shadow Wilson and J.J. Johnson are counted up in the mix. The closing track is somewhat of a ringer; recorded live in 1967 at the Newport Folk Festival, it's a high voltage take on the the title cut with Illinois' old boss Hampton making a guest appearance. - Cub Koda/AMG

Bluebird / RCA 1992

1. Jet Propulsion 

2. Try Me One More Time 

3. Riffin' at 24th Street 

4. Symphony in Sid 

5. Jacquet for Jack the Bellboy 

6. Big Foot 

7. Black Velvet 

8. B-Yot 

9. Adam's Alley 

10. Hot Rod 

11. Flying Home

Newport in NY '72, The Jam Sessions, vols 3 & 4

Newport in NY '72, The Jam Sessions, vols 3 & 4
Cobblestone 1973

Volume 3: Radio City Music Hall July 6
1) Perdido
2) Misty
3) Now's the Time

Joe Newman, Nat Adderley trumpet; Illinois Jacquet, Budd Johnson tenor sax; Tyree Glenn trombone; Gerry Mulligan baritone sax; Jaki Byard piano; Chubby Jackson bass; Elvin Jones drums

Volume 4: Radio City Music Hall (side A July 6, side B July 3)

1) Blue N' Boogie

Clark Terry & Howard McGhee trumpet; Sonny Stitt & Dexter Gordon tenor sax; Gary Burton vibes; Jimmy Smith organ, George Duke piano; Al McKibbon bass; Art Blakey drums

2) So What

Harry 'Sweets' Edison trumpet; James Moody, Flip Phillips, Zoot Sims & Dexter Gordon tenor sax; Roland Kirk tenor sax, manzello, stritch, whistle; Kai Winding trombone, Chuck Wayne guitar, Herbie Hancock piano; Larry Ridley bass; Tony Williams drums

This may well be the best side out of all six LP's - Kirk's solo is jaw dropping!

Newport in New York '72 vol 5, The Jimmy Smith Jam

A look at the pictures on the cover would lead one to believe that this was a lovely outdoor event with everyone in good spirits and grooving on this dynamite band eh? Yeah, well that is not exactly how it went down; things may well have been pleasant and relaxed when these guys played that day but hardly ANYONE would have seen it!

Here is what happened: My buddy and I had popped the whole $7 for the floor of the stadium (see ticket ad below) and we arrived around 6:00 (as you can see it was scheduled for 7:00) only to find the doors already open and to our horror the music already started! We rushed in only to manage to catch the last 5 minutes of this set which ENDED at 6:25!!!!! When we and the others now filling the stadium realized what was happening we protested loudly - This Sucked! How could they possibly justify opening the doors and hour and a half to two hours early and have this act play for about 1000 people?

As more and more people poured in and were informed what had been done the mood turned ugly - people were shrieking obscenities at George Wein who made some lame apologies and a vague promise to bring them back later in the show (THAT never happened!). One particularly loud New Yorker must have harangued Wein for 2 hours minimum, following him everywhere, calling him a fat toad and demanding his money back. It got so bad Wein couldn't continue as MC over the waves of booing.

Sadly for us and seemingly everyone around us the evening had been poisoned beyond repair and the bad vibes continued, tempers were short, things got too crowded and the whole thing continued to go badly. Bad vibes, fights, Police taking on the bad mood too, it was a mess! I remember a few nice moments during Nina Simone but little else. We actually ended up leaving early and junking our plans to go back the following day; my first and last stadium show and only time in Yankee Stadium was an unmitigated disaster and we fled New York entirely the next morning. I went back the next year but nothing could ever temp me into a stadium show ever again.

Listening to this set now 40 years later, it is a shame that they couldn't have played for all of us because it is a lovely set and I'm sure that had it started at the proper time, the whole evening would have gone much better and some of the other music would be on these records too. You will notice that NOTHING else played that day has ever been published despite the big names - Hopefully the second day went a little better, it couldn't have been much worse.