Manhattan Jazz Orchestra - Moanin' (1989)

The Manhattan Jazz Orchestra's first album. The selection of songs is superb, from Caravan to the exciting Moanin' to My Funny Valentine! Each member has outstanding technique and the arrangement is excellent. The performance and atmosphere are hot. Starting with Duke Ellington's "Caravan," "Summertime," "Moanin'," "My Funny Valentine," "Sidewinder," and "Autumn Leaves," famous songs that represent jazz history are performed one after another. The recording is excellent, the horns are crisp, and the roar of the bass and the sound of the drums are realistic. ~ fleamarket. 

Heat Relief: Oh, yeah? Blow away the intense heat, the performance was immediately MJQ's genealogy, very pleasant! It is exhilarating. It will be a piece that will listen to with a good quality device! ~ ACE, 5 Stars, [Translated from Japanese] Amazon.com. 

Paddle Wheel, 292E 6046, 1989
Recorded 12th, 15th & 21st August, 1989 at A&R Studio, New York 

Personnel:
Dave Matthews - Piano
Alan Rubin, Joe Shepley - Trumpet (#1,3-5,7)
Jon Faddis - Trumpet (#1,3,4)
Earl Gardner, Robert Millikan, Tony Kadleck - Trumpet (#2,6)
Lew Soloff, Randy Brecker - Trumpet (#5,7)
Birch Johnson - Trombone (#1,3-5,7)
Jim Pugh, Keith O'Quinn, Urbie Green - Trombone (#2,6)
Paul Faulise - Bass Trombone (#1,3-5,7)
David Taylor - Bass Trombone (#2,5-7)
Fred Griffin, John Clark - French Horn (#1,3-5,7)
Chris Hunter, Dick - Alto Saxophone Oatts (#2,6)
George Young - Tenor Saxophone, Clarinet
Lawrence Feldman - Tenor Saxophone (#2,6)
Roger Rosenberg - Bass Clarinet, Baritone Saxophone (#2,6)
Hiram Bullock - Guitar (#2)
Chip Jackson - Bass
Danny Gottlieb - Drums (#1-4,6)
Dave Weckl - Drums (#5,7)

Tracks:
1. Caravan {Duke Ellington, Juan Tizol} (7:43)
2. Moanin' {Bobby Timmons} (4:45)
3. My Funny Valentine {Richard Rodgers} (7:13)
4. Summertime {George Gershwin} (10:03)
5. The Sidewinder {Lee Morgan} (8:25)
6. Big Apple Jam {David Matthews} (8:42)
7. Autumn Leaves {Joseph Kosma} (8:19) 

Total Time: 55:14 

Credits:
Producer - David Matthews (#1,2-7), Kenzo Yokokura (#2)
Reissue Producer - Yoichi Nakao
Engineer - Michael Farrow
Mastering Engineer - Hatsuro Takanami
Cover Design - Shigo Yamaguchi, Takuya Watanabe
Art Direction - Munco Hanzawa
Notes - Yasuki Nakayama 

Moanin'

Lew Soloff - Hanalei Bay (1985)

Solid Jazz/Funk from Veteran Horn Man......... Excellent jazz outing from veteran trumpet/flugelhorn man Lew Soloff. With him on this groove are Gil Evans-electric piano, Pete Levin-synthesizer, Hiram Bullock-guitars, Mark Egan-bass, Adam Nussbaum-drums and Manolo Badrena-percussion. Just a stellar lineup. This is an older release from 1985-86 but still remains solid and as strong today as it did upon its release. Soloff was one of the founding members of Blood, Sweat & Tears and has since played with everyone including his own solo projects. The interplay between the musicians is exceptional and Soloff's tone rich sounds never sounded better. They do a take on Well You Needn't and Goodbye Pork Pie Hat from Monk and Mingus respectively that are just stunning works. I am surprised that no one has ever reviewed this release yet. This is a tight outfit with plenty of energy to burn, and they do just that. If you like straight up funky jazz from a super tight ensemble you will love this. All of the musicians are in top form here. I highly recommend this recording. ~ John W. Shearer, 4.0 Stars, Amazon.com. 

ProJazz Records, CDJ 601, 1986
Recorded digitally 4th March, 1985 at Clinton Recording Studio, New York 

Musicians:
Lew Soloff - Trumpet, Flugelhorn
Gil Evans - Electric Piano
Pete Levin - Synthesizer
Hiram Bullock - Acoustic Guitar, Electric Guitar
Mark Egan - Electric Bass
Adam Nussbaum - Drums
Manolo Badrena - Percussion 

Tracks:
1. Salazar {Marty Sheller} (6:30)
2. My Buddy {Walter Donaldson, Gus Kahn} (4:12)
3. Hanalei Bay {Hiram Bullock} (4:34)
4. A Felicidade {Antônio Carlos Jobim, Vinicius de Moraes} (4:19)
5. La Toalla {Kenwood Dennard} (8:34)
6. Emily {Johnny Mandel, Johnny Mercer} (3:28)
7. Well You Needn't {Thelonious Monk} (6:05)
8. Goodbye Pork Pie Hat {Charles Mingus} (5:07) 

Total Time: 42:51 

Credits:
Producer - David Matthews
Executive-Producer - Shigeyuki Kawashima
Engineer - Tom Jung
Engineer [Assistant] - Rebecca Everett
Art Direction - Shigo Yamaguchi
Design - Keiko Ogasawara
Illustration - Goro Sasaki 

Hanalei Bay

Steps Ahead - Magnetic (1986)

Released in the mid-80's, it has the era's sound and feel, a mix of pomp rock, synth-orchestral fills with polished soloing mixed into the whole. The talented jazz musicians who appear on the album I believe give credence to my statement. The first track, 'Trains' is a bombastic synth-driven tune, with Peter Erskine's solid drum patterns providing a rock beat as a typically fine and multiplied sax solo from Mike Brecker and squealing solo from Hiram Bullock's guitar provide two high points among the pomp. It promises much, yet by itself would be enough. 'Beirut', the next track, keeps the momentum going with an understated yet funky bass line from Victor Bailey, with unsettling synth phrasing and a solo from Mike Mainieri bringing the 8-minute track to a brash close. 'Cajun' follows, a straight-up be-bop rhythm with underlying banjo plucking from Peter Schwimmer and Mainieri's vibes helping to drive it along; while Brecker's mid-point solo develops into a surprising big band sax section. Next is 'In A Sentimental Mood', the Duke Ellington staple played electronically, and this leads into the track 'Magnetic Love', the one possibly created as a single, though sounding like the track for the closing credits of one of those 80's films we endured because it was all that was left in the video store. Let's move on. 'Sumo' comes next, a quirkily funky track with elements reminiscent of the Brecker skunk-funk sound. It grows on you while grating at the same time. 'All The Tea In China' is a richer sounding tune, the ensemble easing you into the penultimate track; 'Something I Said', a slow, lilting tune dominated by Brecker's sax, freed from any electronic alteration, and Mainieri's synthi-vibes. Bailey's bass provides a rumbling counterpoint to the poignant sax and mellow vibes. The last track 'Reprise (Magnetic Love)' eases in, with Brecker's sax playing over the track. It lasts just over a minute (way too short!) And closes the album. ~ Johnny L, 5 Stars, Amazon.com. 

Elektra Musician, 960 441-2, 1986
#1,6: Recorded at Bear Tracks Studios & Electric Lady Studios, New York
#2,3,8: Recorded at Skyline Studios, New York
#4,5,9: Recorded at Electric Lady Studios, New York
#7: Recorded at Plant Sound, New York 

Personnel:
Mike Mainieri - Synthi-vibe (#1,2,3,6,8), Vibes (#7), Keyboards (#1,2,4), Synthesizers (#5,9)
Michael Brecker - Tenor Saxophone (#1,2,3,5,6,7,8,9), Steiner EWI (#1,3,4,6,7),
Oberheim Xpande (#2,3,4,7)
Chuck Loeb - Electric Guitar (#1,2,3,6,7,8), Acoustic Guitar (#1), Guitar Synthesizer (#1,2,3,6)
Victor Bailey - Bass (#1,2,3,6,7,8)
Peter Erskine - Drums (#1,2,3,6,8), Percussion (#1,2,6,7), Synthesizers (#7,8) 

Additional Musicians
See details in Archive 

Tracks:
1. Trains {Mike Mainieri} (7:30)
2. Beirut {Michael Brecker, Chuck Loeb, Mike Mainieri} (8:17)
3. Cajun {Michael Brecker} (6:18)
4. In A Sentimental Mood {Ellington, Kurtz, Mills} (3:33)
5. Magnetic Love {Mike Mainieri, Scott Martin} (5:35)
6. Sumo {Michael Brecker} (5:52)
7. All The Tea In China {Peter Erskine} (5:06)
8. Something I Said {Peter Erskine} (4:13)
9. Magnetic Love [Reprise] {Mike Mainieri, Scott Martin} (1:25) 

Total Time: 47:54

Credits:
Producer - Mike Mainieri, George Duke
Engineers - Malcolm Pollack, Neil Dorfsman, Rick Kerr, James Farber,
Joe Barbaria, Jay Rifkin, Andrew Heermans
Engineer [Assistants] - Jamie Chaleff, Ken Steiger, Rick Begin, Scott Ansell,
Bridget Daly, Robin Lane, Kevin Killian, Tim Purvis
Mixing - Malcolm Pollack, James Farber, Michel Sauvage,
Michael Brauer, Tom Lord-Alge

In A Sentimental Mood