Showing posts with label Bob Stewart. Show all posts
Showing posts with label Bob Stewart. Show all posts

Saturday, June 15, 2024

Nicholas Payton - Dear Louis (2001)

Dear Louis is based upon Nicholas Payton's commissioned tribute to jazz icon Louis Armstrong and was recorded primarily during the year 2000. The CD features 13 songs primarily popularized by Louis Armstrong with Payton performing some priceless trumpet solos in the stellar company of his 14-piece band. He is joined by special guest vocalists Dr. John and Dianne Reeves. Nicholas Payton premiered his original title track, "Dear Louis," as a quartet feature at Lincoln Center as part the commission that spurred the recording. On this record, the trumpeter's big band expands the musical concept with such mastery that it is hard to fathom it scaled for quartet. Dear Louis opens with "Potato Head Blues," which features a re-harmonized melody and a rearrangement of Armstrong's original break. Payton's use of a conga solo by Kenyatta Simon adds a colorful dimension to "Hello Dolly," while "I'll Be Glad When You're Dead, You Rascal You" gives listeners another side of Payton the vocalist. Dianne Reeves turns in a great performance on "Blues in the Night," one of Payton's favorite Armstrong records, whose original vocals were performed by Ella Fitzgerald. Reeves also sings a dynamic rendition of "Sunny Side of the Street." The set closes with "West End Blues," with Payton capturing Armstrong's classic introduction before launching into a straight-ahead blues shuffle. As a whole, the artist captures the fiery trajectories of Armstrong's classic solos with a command not heard since the master himself performed many of them. Each and every song on the CD truly belongs to Payton and company, and the listener in no way is ever offered a simple rehash of Armstrong's style. Their playing is solid, deserves admiration, and listeners can be forever grateful to Payton for capturing the true essence of the Armstrong jazz legacy through his own personal sound. Nicholas Payton plays trumpet, flugelhorn, Fender Rhodes electric piano in addition to vocals and writing all of the arrangements. Dear Louis is by far the best CD recorded by the artist to date and offers a remarkable perspective for appreciating how far the young genius has come since making his Verve debut, From This Moment. ~ by Paula Edelstein, AMG. 

Verve Records, 549 419-2, 2001
Recorded 9th-11th September and 2nd October, 2000 at Avatar Studios, New York 

Musicians:
Nicholas Payton - Trumpet, Flugelhorn, Rhodes, Vocals
Paul Stephens, Ray Vega - Trumpet, Flugelhorn
Vincent Gardner - Trombone
Bob Stewart - Tuba
Bill Easley - Clarinet, Alto Saxophone, Flute
Scott Robinson - Bass Clarinet, Baritone Sax, Contrabass Sax, Flute
Tim Warfield - Tenor Sax, Soprano Sax, Flute
Peter Bernstein - Guitar
Melvin Rhyne - Organ
Anthony Wonsey - Piano
Walter Payton - Bass
Reuben Rogers - Bass (#5)
Adonis Rose - Drums
Kenyatta Simon - Percussion
Dianne Reeves - Vocals (#6,8)
Dr. John - Vocals (#8,10)

Tracks:
01. Potato Head Blues {Louis Armstrong} (5:59)
02. Hello, Dolly {Jerry Herman} (8:30)
03. I'll Be Glad When You're Dead, You Rascal You {Sam Theard} (4:35)
04. Tight Like This {Langston Curl} (7:06)
05. Interlude [St. James Infirmary {Traditional}] (0:42)
06. On The Sunny Side Of The Street {Dorothy Fields, Jimmy McHugh} (4:04)
07. Dear Louis {Nicholas Payton} (6:03)
08. Blues In The Night {Harold Arlen, Johnny Mercer} (3:49)
09. The Peanut Vendor {L. Gilbert, Moisés Simóns, Marion Sunshine} (5:25)
10. Mack The Knife {Marc Blitzstein, Bertolt Brecht, Kurt Weill} (2:53)
11. Tiger Rag {Da Costa, Edwards, LaRocca, Ragas, Sbarbaro, Shields} (6:06)
12. I'll Never Be The Same {Gus Kahn, Matty Malneck, Frank Signorelli} (4:59)
13. West End Blues {King Oliver, Clarence Williams} (7:58) 

Total Time: 68:14 

Credits:
Producer, Arranger - Nicholas Payton
Executive Producer - Richard Seidel
Engineer, Mastering, Mixing - James P. Nichols
Release Coordinator - John Newcott
Music Copyist - Victor Goines
Design - Greenberg Kingsley
Art Direction - Hollis King 

Dear Louis

Wednesday, November 22, 2017

Rickie Boger - Slow Down, Baby (1976) [vinyl>flac]

Here we have a rare piece of Muse history, a lost soul/jazz gem from a beautiful vocalist backed by an outstanding gathering of great players from that time. After multiple plays this LP becomes quite infectious. I just wish she could have gone on to produce further soul classics, Enjoy!

A righteous bit of soul - one of the only non-jazz albums we've seen on the Muse label, and a really great session that reminds us of work by Alice Clark and Esther Marrow - two other overlooked 70s soul singers who also recorded for jazz labels! Rickie's got a deep soul approach to the vocals that's nicely inflected with jazzy work by players that include Tom Malone, Kalaparusha, Buddy Terry, Warren Smith, and Howard Johnson - the last of whom arranged and conducted the backings, and gives the album a full-on and progressive feel. Rickie's vocals have lots of nice gentle tones, making for some sweet little numbers that sparkle nicely - titles that include "Baby Won't You Stay", "To Be Needed", "In A Little While", "At The Clinic", "What Could It Be", and "I Won't See Yesterday".  © Dusty Groove, Inc.

Muse Records, MR 5084, 1976
Recorded October, November, 1975 At Blue Rock Studio, New York

Personnel:
Rickie Boger - Vocals, Piano (#A3,B1)
Howard Johnson - Flugelhorn (#A2,A3,A5,B3), Tuba (#B1,B4), Baritone Saxophone (#A1-A5), Clarinet (#B2), Bass Clarinet (#B2,B4), Penny Whistle (#A1), Tambourine (#A3,B1)
Tom Malone - Trumpet (#A2,A3,A5), Flugelhorn (#A1,A5), Trombone (#A1-A3,B3), Alto Flute (#B3,B4), Soprano Flute (#B3)
Eric Hanigsberg - Flugelhorn (#A4,B4)
Ray Anderson - Trombone (#A1,A4,A5,B4)
Bob Stewart, Samuel Pilafian - Tuba (#B1)
John Clark - French Horn (#A4,B4)
Buddy Terry - Alto Saxophone (#A1), Tenor Saxophone (#A2-A4), Alto Flute (#B4), Piccolo Flute (#A4)
Kalaparusha [Maurice McIntyre] - Clarinet (#B2)
Frank Vicari - Tenor Saxophone (#A1,A5)
Rosalinda Deleon - Piano
Onaje Allan Gumbs - Electric Piano [Fender Rhodes]
Jerry Matthews - Guitar
Herb Bushler - Bass
Pat Dixon - Cello (#A2,A3,B4)
Victor Lewis, Warren Smith - Drums (#A3,B3)
Ellen Deleston - Backing Vocals (#A1,A5,B2)

Sister Strings:
Linda Lawrence, Lois Slessinger - Viola (#A2,A3,B4)
Francine Walsh, Ida Bieler, Nina Simon - Violin (#A2,A3,B4)
Gayle Dixon - Concertmaster (#A2,A3,B4)

Tracks:
A1. What Could It Be? {Rickie Boger} (2:55)
A2. Do You Like My Song? {Elsie Turner} (2:30)
A3. In A Little While {Rickie Boger} (3:21)
A4. At The Clinic {Rickie Boger} (5:23)
A5. I Won't See Yesterday {Rickie Boger} (2:44)
B1. Slow Down Baby {Rickie Boger} (4:15)
B2. To Be Needed {Rickie Boger} (3:08)
B3. We Only Have Love {Rickie Boger} (4:03)
B4. Baby Won't You Stay {Elsie Turner} (2:38)

Credits:
Producer - Ed Korvin
Producer, Arranger, Conductor - Howard Johnson
Recording Engineer - Ed Korvin
Mastering Engineer - Joe Brescio
Design, Photography - Hal Wilson
Liner Notes - Joe Fields