Trombonist Michael Dease's Coming Home is the evolutionary culmination of all of the small group work of which he has been a part. Dease's musical personality reveals itself fully on the disc, one he has populated with a very fine band and thoughtfully composed and selected pieces for that band. Dease's previous work as a leader on Dease Bones (Astrix Media, 2007), Clarity (Blues Back Records, 2008) and Grace (Legacy Jazz Productions, 2011), as well as with multi-reedist Sharel Cassity on Just For You (DW Records, 2009) and Relentless (Legacy Jazz Productions, 2009). Where Curtis Fuller is the patriarch, Wycliffe Gordon the earthy keeper of the flame (and Dease's teacher) and Luis Bonilla the Latin soul of the trombone, Dease is its intellectual heart. Following his fellow Augusta Georgia trombonist teacher to Juilliard, Dease established himself as part of an ambitious group of young musicians who were combining smarts, chops, bandstand and practice and translating that into recordings. Members of this group include Sharel Cassity, trumpeter Carol Morgan, and pianist Orrin Evans. Dease's compositional and performance approaches are ruled by passionate precision. His playing is exact and well-practiced. His tone is expansive and uniform through all registers. These characteristics are demonstrated immediately on the opening tune, "Solid Gold" where Dease shows great velocity in both head and solo playing. He adds mass to this velocity, creating an infectious momentum when playing with a mute as on Duke Ellington's "In a Sentimental Mood." Tony Lustig drops in with his tenor saxophone for the piece giving it a throaty presence. Lustig adds foundation to "Good and Terrible" with his crack baritone playing. His solo is at once gentle and virile on this angular, post-bop piece. Alto saxophonist Steve Wilson turns the gas on high, navigating Dease's complex circuitry. Dease rolls up his sleeves and gets his hands dirty on a searing performance of Oscar Peterson's "Blues Etude." While playing with his typical precision in the head, Dease begins to properly slur and wail in his solo, throwing off notes like pale blue sparks. He shares his solo space with bassist Christian McBride who amply demonstrates why he is Christian McBride and no one else. The instructive presence of pianist Renee Rosnes is heard throughout this fine disc as its timekeeper and drummer Ulysses Owens, Jr. Dease could not have put together a better band for this recording. He has come fully into his own as a leader. ~ by C. Michael Bailey, AllAboutJazz.
D Clef Records, DCR 157, 2013
Recorded 12th August, 2012 at
Alleycat Studios, South Orange, New Jersey
Musicians:
Michael Dease - Trombone
Steve Wilson - Alto Saxophone
Renee Rosnes - Piano
Christian McBride - Bass
Ulysses Owens, Jr. - Drums
Eric Alexander - Tenor
Saxophone (#11)
Tony Lustig - Tenor Sax (#4),
Baritone Sax (#5)
Andrew Swift - Percussion
(#10)
Tracks:
01. Solid Gold {Michael
Dease} (6:58)
02. Motherland {Michael
Dease} (5:46)
03. Blues Etude {Oscar
Peterson} (7:46)
04. In A Sentimental Mood
{Duke Ellington; Arr. Michael Dease} (4:56)
05. Good & Terrible
{Michael Dease} (7:01)
06. Lifewish {Renee Rosnes}
(7:42)
07. The Shade Of The Cedar
Tree {Christian McBride} (6:42)
08. Just In Time {Jule Styne}
(3:41)
09. All Heath {Michael Dease}
(6:30)
10. The Release {Michael
Dease} (5:41)
11. Take It To The Ozone
{Freddie Hubbard} (6:18)
Total Time: 69:05
Credits:
Producer - Michael Dease
Producer [Assistant], Mixing,
Mastering, Graphic Design, Layout - Andrew Swift
Producer [Assistant] -
Ulysses Owens Jr.
Engineer - John Lee
Photography [Cover] - Ernest
Gregory
Photography [Inside] - Simon
Yu
Liner Notes - Christian
McBride
