A
massive pairing of the tenor of Booker Ervin and Hammond of Don
Patterson – a record that's got a very famous cover image, and
which marks for one of the greatest meetings of soul and modernism at
mid-60s Prestige Records! There's no bass at all on the set – just
lots of quick, tight rhythm lines from Patterson on the pedals of the
Hammond – mixed with drums from Billy James, and served up with
plenty of space for Ervin to open up on tenor – blowing with more
soul than on some of his modernist sides of the time! The title cut –
"Hip Cake Walk" – is a 16 minute groover, and other
tracks include "Rosetta", "Sister Ruth", and
"Donald Duck". Very cool cover, too! ©
Dusty Groove, Inc.
Organist
Don Patterson went through a richly productive period in the 1960s,
fashioning a fortress of funky organ jazz hi-fi on the Prestige
label. Various brave knights marched forth through the massive gates
which can be imagined as fronting this real estate, their identity at
times key to decisions made by fussy collectors regarding which Don
Patterson album to own, which to stroll on by. Hip Cake Walk can also
get the nod based on album title coolness, a set of standards
promoted by individuals who absorb this kind of information as if
blotting up anaesthetic. Meanwhile the aforementioned scouts have
identified brave knight Booker Ervin, a favourite of tenor saxophone
fans one and all, the man who plays a beat as if winning the penalty
kick, whose horn was once used to cook fish soup for Pancho Villa.
The presence of one solid Patterson original after the other, from
the title tune through the holistic introduction of 'Sister Ruth' and
the webbed-foot swing of 'Donald Duck', trumps any previously stated
reason for this album's special status. 'Hip Cake Walk' is sliced and
strolled with for more than a quarter-of-an-hour, alto saxophonist
Leonard Houston jousting, knocking burning candles off drummer Billy
James' head which he then replaces with icing dripped off his sticks.
Cover material is also nicely selected, an Earl Hines classic given a
clever updating and 'Under The Boardwalk' allowed to conclude the
program with an enduring vision of the Drifters drifting out to sea,
clinging to the keys of Patterson's organ, a lifesaver indeed. ~
Eugene Chadbourne, All
Music Guide.
Prestige
Records, PR 7349, 1965
Recorded
12th May (#B1) 10th July (#A1-A3,B2), 1964 at
Van Gelder Studio, Englewood Cliffs, New Jersey
Personnel:
Don
Patterson - Organ
Booker
Ervin - Tenor Saxophone (#A1-A3)
Leonard
Houston - Alto Saxophone (#B1)
Billy
James - Drums
Track
Listing:
A1.
Sister Ruth {Don Patterson} (4:56)
A2.
Donald Duck {Don Patterson} (5:48)
A3.
Rosetta {Earl Hines, Henri Woode} (8:02)
B1.
Hip Cake Walk {Don Patterson} (16:30)
B2.
Under The Boardwalk {Arthur Resnick, Kenny Young} (3:02)
Credits:
Producer
- Ozzie Cadena
Recording
Engineer - Rudy van Gelder
Liner
Notes - Walter Catt (Oct. 1964)
Don Patterson - Hip Cake Walk (1964) Side A
ReplyDelete[119.82MB]
http://www.mediafire.com/?939mh36esvvgkyg/DP-64-HCW-Side_A.rar
Don Patterson - Hip Cake Walk (1964) Side B
[121.07MB]
http://www.mediafire.com/?751acym34vi2s3h/DP-64-HCW-Side_B.rar
You got me at "Booker Ervin". LOL
ReplyDeleteLooks great, Chris. Thanks a lot!
ReplyDeletethank you for this! Patterson's Prestige records haven't let me down yet, and Booker Ervin goes without saying.
ReplyDeleteHaving heard "Patterson's People" (1964) with Sonny Stitt as well as Booker Ervin, I'm well up for this; many thanks, Chris...
ReplyDelete