

Joe Pass (born Joseph Passalaqua) knew how to conjoin melody and
chords. Moreover, he brought the walking bass line into the jazz guitar
repertoire, as heard in his duo performances with Ella Fitzgerald. Since
the American had a first-class bassist in Eberhard Weber at his side
during his June 1970 MPS session in Germany’s idyllic Black Forest, Pass
could concentrate on playing the melody and the chords. Weber, who
comes from Stuttgart, Germany, would soon develop his own electric bass,
but at this point he was still playing the traditional acoustic
contrabass. Third in the group was British drummer Kenny Clare (not to
be confused with American drummer Kenny Clarke). Pass chose the program
for the recording, mixing standards with originals. It’s amazing how
such typical big band pieces as “Stompin’ at the Savoy” and “Lil’
Darlin’” sound in trio; Pass and company swing like they were Count
Basie and his orchestra. The 1970 liner notes designate “I Love You” as
the album’s high point: “It is a small jewel for guitar, bass, and
drums. Eberhard Weber has a short but exciting solo. Kenny Clare
attacks with elaborate brush work throughout. Joe Pass plays with a
feather-light sense of swing. His refined lines have a singable quality
to them, and he often phrases as if he were a saxophonist.”
http://www.embedupload.com/?d=40KVQCMZVR
ReplyDeleteA very nice '24' upgrade. Thanks very much KC.
ReplyDeleteThanks KC - One of my favourite JP recordings.
ReplyDeleteBeautiful, just beautiful.
ReplyDeleteNice and elegant one !
ReplyDeleteMany thanks KC.
Thanks KC, have not heard this JP from 1970, real fond of OP on MPS, so yeah.
ReplyDelete