Rob Jacoby - Step Up (2007)

This is the debut album by young tenor Rob Jacoby. Although he is noted as a multi-reed player, on this release, he focuses purely on the tenor saxophone. Invariably, this emphasis leads him to choose a selection of classic hard bop compositions by Hank Mobley, Duke Ellington, Horace Silver, Jimmy Heath, George & Ira Gershwin, Fred Lacey and Dexter Gordon, as well as two of his own tunes, all brilliantly played and successfully produced by Teo Macero. His greatest tenor teacher was Ralph Lalama, and Rob Jacoby's playing inherits his master's hard-boiled bop flavor, rich in swing and drive. The album presents performances as both a quartet and quintet featuring Brian Lynch on trumpet, pianist David Hazeltine, bassist John Ray and drummer Ron Vincent, all contributing a diversity of skills to the album. In all, this a well-rounded album that will satisfy hard bop fans and tenor aficionados. 

Garagista Music, JZ090212-09, 2007
Recorded 2007 in New York 

Musicians:
Rob Jacoby - Tenor Sax
Brian Lynch - Trumpet (#2,4,7)
David Hazeltine - Piano
John Ray - Bass
Ron Vincent - Drums

Tracks:
1. This I Dig Of You {Hank Mobley} (5:38)
2. Step Up {Rob Jacoby} (6:18)
3. In A Sentimental Mood {Duke Ellington} (5:27)
4. The Cape Verdean Blues {Horace Silver} (6:15)
5. Gingerbread Boy {Jimmy Heath} (5:42)
6. Rollertoaster {Rob Jacoby} (6:09)
7. Love Walked In {George & Ira Gershwin} (7:01)
8. Theme For Ernie {Fred Lacey} (5:35)
9. Montmartre {Dexter Gordon} (4:36) 

Total Time: 52:48

LINK

Step Up

Robert Bosscher - Multiple Views (2013)

One day, a young man casually strolls into Swingmaster, Sem van Gelder's record store in Groningen. He has a stack of CDs in his hand, ready to sell. Van Gelder puts on the record. The customers present sit down. Before the first song is even over, the deal is sealed. With "Multiple Views," Robert Bosscher has delivered an excellent CD with a fantastic lineup. Bassist Joris Teepe and drummer Billy Hart bolster the rhythm section, which is then joined by tenorist Mark Turner and trumpeter Scott Wendholt. The album opens strongly with "Staying Real," whose East Coast jazz style clearly sets the tone of the album. The song "Fierce," in particular, is full of interesting harmonic and rhythmic twists. The title track, "Multiple Views," is a somewhat dreamy yet beautiful trio piece. On the cover, Bosscher writes that his album is "a reflection of daily life, with its many influences and perspectives." At the end of the album, these many influences and perspectives are explored in "Echoes from my mind" and "Wondering," in which the Groningen pianist experiments with opera-style vocals. Perhaps not surprising for those who know that Bosscher also composed the musical "One year later." However, the tone of the CD changes drastically with this release, and these kinds of experiments really belong on a different album. Fortunately, between the two "vocal" pieces is the magnificent "Brainstorm," which again emphasizes the quintet. "Multiple Views" is self-released. Robert Bosscher has delivered a gem with it! A successful record deal must surely be on the horizon. ~ Bart Hollebrandse, JazzFlits. [Translated from Dutch] 

Self-Released, Jan 16 2013 

Musicians:
Robert Bosscher - Piano
Scott Wendholt - Trumpet
Mark Turner - Tenor Sax
Joris Teepe - Bass
Billy Hart - Drums

Tracks:
1. Staying Real (5:46)
2. Cell (6:30)
3. Lantana (8:12)
4. Dreamwake (6:38)
5. Multiple Views (5:17)
6. Fierce (6:55)
7. Wondering (6:49)
8. Brainstorm (8:07)
9. Echoes From My Mind (6:59) 

All compositions by Robert Bosscher 

Total Time: 60:18

LINK

Fierce

Lorenzo Tucci - Sweet Revelation [Remastered] (2012)

One of the hardest-hitting albums we've ever heard from Italian drummer Lorenzo Tucci -- a set that's got some especially smoking tenor from Daniele Scannapieco of the High Five Quintet! Daniele's sound is proud and bold right from the start -- working with a soulful, 60s sort of energy as he carves out these massive lines on tenor that really take hold of a tune, and give it an even greater sense of feeling and form! Tucci's drums are great too -- recorded with a sharper sound than before, to provide a great illustration of his key power for moving a group -- in this case a quartet that also features piano from Pietro Lussu and bass from Dario Rosciglione. The set features great versions of the Wayne Shorter tunes "Adam's Apple" and "Fee Fi Fo Fum" -- plus the cuts "Sweet Revelation", "Dede's Song", "Ghost", "In The Wee Small Hours Of The Morning", and "Tita's Song".  © Dusty Groove, Inc. 

Philology Records, W195.2, 2001
Albore Jazz, ALBCD-501, 2012
Recorded 4th-5th December, 2000 at Interface Studio, Lavinio, Italy 

Musicians:
Lorenzo Tucci - Drums
Daniele Scannapieco - Tenor Sax
Pietro Lussu - Piano
Dario Rosciglione - Double Bass 

Tracks:
1. Adam's Apple {Wayne Shorter} (10:05)
2. Sweet Revelation {Piero Umiliani} (7:11)
3. In The Wee Small Hours Of The Morning {Dave Mann} (7:16)
4. Dede's Song {Stefano Di Battista} (7:04)
5. Feen Fi Fo Fum {Wayne Shorter} (6:00)
6. Ghost {Daniele Scannapieco} (9:49)
7. Tita's Song {Pietro Lussu} (5:39)
8. My Heart Belongs To Daddy {Victor Young} (5:24) 

Total Time: 58:30

LINK

Sweet Revelation

Jonn Reyna Quartet - Consolidão (2014)

Although versatile Dutch pianist Jonn Reyna (born 1969) boasts a remarkable track record, the CD "Consolidaõ" marks his first fully self-produced album, featuring primarily original compositions and arrangements. Not only that, but he also assembled three prominent names for his quartet: Rick Margitza (Miles Davis and Chick Corea) on tenor saxophone, Gene Jackson (Herbie Hancock and Christian McBride) on drums, and our very own Joris Teepe on bass. This ensemble delivers a beautiful album that varies in style and is brimming with lovely melodies, adventure, and rhythm. There's room for punchy grooves in the funky and melodic "Deep Throat," the exhilarating "Sensodyne," and the Tania Maria ode "Tania Mania." The Joris Teepe composition "Art & Science Blues," heavily influenced by the classic Blue Note sound, is particularly strong. But there's also room for tranquility, as in the languid "Chasin' Clouds," brimming with lyricism. Melancholy and romance flow freely in the nightclub atmosphere of "Dark Blue," and you drift away during the captivating "Lullabye." Special guests on the album are trumpeter Philip Harper, saxophonist Dmitri Shapko, and singer Deborah J. Carter, whose warm vocals deliver a successful "Summertime." Reyna's playing on both acoustic and electric piano is dynamic, rhythmic, intense, and melodic. Although this is his first album with this lineup, it sounds as if he's been playing with these gentlemen for years. The joy and craftsmanship are evident. "Consolidaõ" is an excellent production from a remarkable quartet. ~ Serge Julien, Jazzflits Issue 232. [Translated From Dutch] 

Jonn Reyna Jazz Records, Digital, 2014 

Musicians:
Jonn Rayna - Acoustic & Electric Piano
Rick Margitza - Saxophone
Joris Teepe - Bass, Bass Guitar
Gene Jackson - Drums
+ Special Guests:
Philip Harper - Trumpet (#3,4,10)
Dmitri Shapko - Tenor Sax (#4,8,10)
Deborah J. Carter - Vocals (#9)

Tracks:
01. Consolidão {Jan Reinen, Jonn Reyna} (5:17)
02. Deep Throat {Jan Reinen, Jonn Reyna} (7:34)
03. Chasin' Clouds {Jan Reinen, Jonn Reyna} (5:30)
04. Art & Science Blues {Joris Teepe} (5:34)
05. Lullaby {Rick Margitza} (6:02)
06. Dark Blue {Jan Reinen, Jonn Reyna} (8:26)
07. Sensodyne {Jan Reinen, Jonn Reyna} (4:53)
08. Waltz For M. {Jan Reinen, Jonn Reyna} (5:05)
09. Summertime {George Gershwin, Ira Gershwin} (5:27)
10. Tania Maria {Jan Reinen, Jonn Reyna} (5:02)
11. Doin' The Laundry {Jan Reinen, Jonn Reyna} (6:28)
12. Deep Throat [Electric Version] {Jan Reinen, Jonn Reyna} (5:54) 

Total Time: 71:21

LINK

Art & Science Blues

Makoto Terashita - The Great Harvest (1978) [vinyl]

A great harvest of sounds from Japanese pianist Makoto Terashita -- a set that also features strong contributions from Bob Berg on tenor, who comes in at a few key spots to really deepen the sound! The core of the record features Terashita working with his trio -- Errol Walters on bass and Jo Jones on drums -- plus a bit of guitar from Yoshiaki Masuo -- and these trio tracks are really wonderful, with a long-flowing vibe that's a bit like work from the time by Fumio Karashima. Berg really steps it up in the right places -- especially on the wonderful 12-minute track "Tell Me An Old Story Grand Papa" -- which is a perfect illustration of the strength of the Japanese jazz scene at the time, and the way it found a unique way to blend together post-Coltrane ideals of soul and spiritualism, but at a level that's different than the US. Other tracks include "Samoa", "Dai Hokasu", and versions of "Ruby My Dear" and "Take The Coltrane". © Dusty Groove, Inc. 

Union Records, GU-5014, 1978
Recorded 3rd June, 1978 at West End Sound, New York 

Musicians:
Makoto Terashita - Piano
Bob Berg - Tenor Saxophone
Yoshiaki Masuo - Guitar
Errol Walters - Bass
Jo Jones Jr. - Drums

Tracks:
A1. Samoa {Makoto Terashita} (7:22)
A2. Take The Coltrane {Duke Ellington} (5:27)
A3. Dai Hosaku [Great Harvest] {Makoto Terashita} (11:25)
B1. Tell Me An Old Story, Grand Papa {Makoto Terashita} (12:35)
B2. Ruby My Dear {Thelonious Monk} (5:27) 

Total Time: 42:16 

Credits:
Producer - Yoshiaki Masuo
Recording & Mixing Engineer - Tom Michaels
Music Director - Masaaki Onuki
Photography - Akira Aimi
Design - Adacheeno
Liner Notes - Toshio "Monty" Honda

LINK

Tell Me An Old Story, Grand Papa

Monty Alexander - The River (1985)

On this Concord CD, pianist Monty Alexander performs religious hymns plus a few of his originals that also fit comfortably in that tradition. Accompanied by bassist John Clayton and drummer Ed Thigpen, Alexander's sensitive, but generally swinging, interpretations of these timeless melodies communicate very well. ~ by Scott Yanow, AMG. 

Beautifully Lyrically Sacred Music
=========================
Monty Alexander is not exactly a pop star but he should be included in any serious music connoisseur's collection. Monty's prowess on the piano is legendary in his native Jamaica, but even his fans may not know his spiritual side so beautifully revealed in The River: an inspired sacred collection played in inimitably playful, non-conventional Monty style - rhythm & syncopation with sweet, sensuous (oops - pure Monty ;-) musicality. ~ Melanie N, 5 Stars, Amazon.com. 

Concord Jazz, CCD-4422, 1990
Recorded in October 1985 at Omega Studios, Rockville, Maryland 

Musicians:
Monty Alexander - Piano
John Clayton - Bass
Ed Thigpen - Drums 

Tracks:
01. Stand Up, Stand Up For Jesus {George Duffield, George James Webb} (5:23)
02. The River {Monty Alexander, Frank Severino} (5:37)
03. The Serpent {Monty Alexander} (3:26)
04. Ave Maria {Franz Schubert; Arr. Monty Alexander} (4:32)
05. David Danced {Edward Kennedy Ellington} (4:55)
06. Renewal {Monty Alexander} (8:30)
07. Ain't Gonna Study War No More {Traditional; Arr. Monty Alexander} (4:05)
08. Holy! Holy! Lord God Almighty {Reginald Heber, John Dykes; Arr. Monty Alexander} (3:31)
09. What A Friend We Have In Jesus {Horatius Bonar, Charles Crozat Converse} (6:17)
10. How Great Thou Art {Traditional; Arr. Monty Alexander} (5:18) 

Total Time: 51:38 

Credits:
Producer, Liner Notes - Monty Alexander
Executive Producer - Caarl E. Jefferson
Recording Engineer - Bob Yesbek
Assistant Recording Engineer - Billy Brady
Assembling Engineer - Phil Edwards
Mastering Engineer - George Horn
Art Direction - Sandi Young

LINK

Stand Up, Stand Up For Jesus

Sumire Kuribayashi Trio - Toys (2014)

Toys is pianist Sumire Kuribayashi’s debut leader album from 2014. Since then, the spirited musician has been on an outpouring, with several more leader albums released from her own projects as well as collaborations with a variety of Japanese and international musicians. With Toys, Kuribayashi plays nine tracks on the forty-eight-minute album, with five of her own songs and four beloved covers arranged together in a lively display of her musical vision. Whatever Toys may mean as a concept title (hinted at in the Obi Notes), it's a playful album that works as a perfect medium for her musical worldview. Some of the most melodically striking and immediately felt songs on the album are Kuribayashi’s own originals. Of these five songs, "Forest and an Elf" is fluid and magical, "Grand Line" is busy yet delicate, "Flying Toys" is sparkling and exciting, "W.M.P." is bluesily modal and modern, and "Somethin’ Warm" is patient, pretty, and sincere. The medium tempo and straight-eights time feel color the songs with modern finesse and understated power. What’s clear in each is that Kuribayashi thinks through her compositions, not only the mechanics of structure and form, but how she wants them to imaginatively feel, how the players should think about them, and where she wants them to go. Her selection of the four cover songs also demonstrates her consideration for balance and respect. She brings together songs from distinct planes of influence, from the worldwide megapop stars U2, to the sweet lyricism of Bill Evans, to the current-day Japanese vibraphonist and musical peer Reiko Yamamoto, to a deep cut from the much-loved bop pianist Sonny Clark. "I Still Don’t Know What I’m Looking For" is down-home groovy, "Letter to Evan" is comfortably plush, "That Blue Bird" is tender and engrossing, and "Minor Meeting", as the last cut on the album, hooks listeners and leaves them ready to hear more from Sumire Kuribayashi’s toy trove. ~ by Brian McCrory, www.jazzofjapan.com. 

Somethin' Cool, SCOL1003, 2014
Recorded 20th, 21st May, 2014 at Studio Mech, Tokyo, Japan 

Musicians:
Sumire Kuribayashi - Piano
Shinichi Kato - Bass
Takehiro Shimizu - Drums

Tracks:
1. Forest And An Elf {Sumire Kuribayashi} (9:01)
2. I Still Haven't Found What I'm Looking For {U2} (4:54)
3. Grand Line {Sumire Kuribayashi} (4:07)
4. Letter To Evan {Bill Evans} (5:10)
5. That Blue Bird {Reiko Yamamoto} (5:17)
6. Flying Toys {Sumire Kuribayashi} (5:54)
7. W.M.P. {Sumire Kuribayashi} (4:12)
8. Somethin' Warm {Sumire Kuribayashi} (3:33)
9. Minor Meeting {Sonny Clark} (4:57) 

Total Time: 47:05 

Credits:
Producer - Ryuichi Sakamoto, Hitoshi Namekata
Engineer - Akihiko Kurazono
Assistant Engineer - Sayaka Ogoshi
Mastering Engineer - Akihito Yoshikawa
Cover Photo - Hozumi Nakadaira
Inner Photo, Liner Notes - Fumiaki Fujimoto

LINK

Forest And An Elf

Victor Gould - Clockwork (2016)

Pianist Victor Gould's debut utilizes a variety of large gears, pinions, and regulators to help fashion his own ideas. You just never know who'll be standing in for which of those parts. The high-octane combination of Gould, bassist Ben Williams, and drummer E.J. Strickland is at the center of each scene, but they're joined, at different times, by a variety of other musicians and instruments - saxophones, trumpet, flute, strings, and percussion - which help to create an intricate sonic mesh and add a variety of tonal colors to the mix. It's heady modernistic jazz language and high art rolled into one. The album opens on the title track, a bubbly Latin cauldron fired and forwarded by the aforementioned trio in cahoots with percussionist Pedrito Martinez. The pieces that follow - "Room," a sunny yet contemplative work in three, and "Chaancé," a mellow, strings-enhanced feature that puts the spotlight on Jeremy Pelt's flugelhorn and the composer's piano - stand apart in mood and musical complexion, marking Gould as a composer of great ambition and skill. While shifting focal points, different emotional tides, and the track-to-track addition and subtraction of musicians all allow the listener to indulge in a variety of musical worlds and fantasies, Gould's voice rings true in each and every one. He excels at every turn, regardless of where those turns may lead. He brilliantly works the beautiful-to-brooding range on the prelude to "Apostle John"; he shows patience and restraint over a throbbing base/bass on that tune proper, standing in stark contrast to the raw intensity that comes from his colleagues; and he delivers a scene-stealer statement full of daring and darting maneuvers on "Blue Dales." It's easy to see what his A-list employers - trumpeter Wallace Roney, drummer Ralph Peterson, and saxophonist Donald Harrison, among others - see in Gould. He's got the musical world on a string, in his mind, and at his fingertips. ~ by Dan Bilawsky, AllAboutJazz. 

Fresh Sound New Talent Records, FSNT 502, 2016
Recorded 14th Dec., 2015 & 19th Jan., 2016 At Systems Two Studios, Brooklyn, New York

Musicians:
Victor Gould - Piano, Composer
Jeremy Pelt - Trumpet (#1-3,6-8,11)
Godwin Louis - Alto Saxophone (#1-3,5-8,11)
Myron Walden - Tenor Saxophone (#1-3,6-8,11)
Anne Drummond - Flute (#3,7)
Ben Williams - Bass (#1-5,7,9-11)
E.J. Strickland - Drums (#1-5,7-11)
Pedrito Martinez - Percussion (#1,4,7)
Yoojin Park - Violin (#3,6,7)
Heejin Chang - Viola (#3,6,7)
Veronica Parrales - Cello (#3,6,7) 

Tracks:
01. Clockwork (7:39)
02. Room (7:09)
03. Chaancé (5:22)
04. Blue Dales (5:21)
05. The Return (7:55)
06. Apostle John [Prelude] (3:09)
07. Apostle John (9:00)
08. Sir Carter [Intro] (0:45)
09. Sir Carter (4:52)
10. Nefertiti (5:37)
11. Three Souls (8:06) 

All songs composed & arranged by Victor Gould, except #5 by Wayne Shorter 

Credits:
Co-Producers - Victor Gould, Myron Walden
Executive Producer - Jordi Pujol
Recording Engineer - Max Ross
Mixing & Mastering Engineer - Dave Darlington
Painting - Martel Chapman
Photos - Anne Yatskevich
Liner Notes - David R. Adler

LINK

Emily Remler - Live At Fitzpatrick's (1989)

A wonderful opportunity to hear Emily Remler playing live as a trio. Taken from two sets captured at Fitzpatrick's in Kansas City, Missouri. Much gratitude to original taper. Downloaded from net, ripped to WAV normalised and re-encoded to FLAC, tagged, researched and artwork repackaged for archive, enjoy! 

Musicians:
Emily Remler - Guitar
Kelly Roberti - Bass
Steve Unger - Drums 

Tracklist: 

Set 1 (71:23)
01. Blues For Herb {Emily Remler} (8:19)
02. Band Intro (0:46)
03. Sweet Georgia Fame {Blossom Dearie, Sandra Harris} (13:15)
04. Daahoud {Clifford Brown} (7:41)
05. Mocha Spice {Emily Remler} (8:19)
06. Mozambique {Emily Remler} (12:50)
07. Snowfall {Claude Thornhill} (8:51)
08. Hot House [inc.] {Tadd Dameron} (11:17) 

Set 2 (57:54)
09. Softly, As In A Morning Sunrise {Oscar Hammerstein II, Sigmund Romberg} (12:39)
10. How Insensitive {Antônio Carlos Jobim, Norman Gimbel} (11:22)
11. Nardis {Miles Davis} (13:11)
12. Moanin’ {Bobby Timmons} (11:26)
13. St. Thomas {Sonny Rollins} (5:39)
14. Tenor Madness {Sonny Rollins} (3:35) 

Total Time: 02:09:37

LINK

Live at Fitzpatricks (Moanin')

Jürgen Seefelder meets Azymuth - Rio de Janeiro (1989)

A great 1989 Brazilian fusion album by German saxophonist Jürgen Seefelder and Azymuth 

ITM Records, ITM 0044, 1989
West Wind latina, WWL 2227, 1997 

Recorded 13th & 14th April, 1989 at "Estudio Som Fantastico", Rio de Janeiro, Brazil 

Musicians:
Jürgen Seefelder - Soprano Sax, Tenor Sax
Marinho Boffa - Keyboards, Piano
Alex Malheiros - Electric Bass
Ivan Conti - Drums

Tracks:
1. 500 Miles High {Chick Corea} (8:40)
2. Madalena {Ivan Lins} (6:26)
3. For Nathan {Jürgen Seefelder} (6:59)
4. Virgo {Wayne Shorter} (9:37)
5. Convidados {Jürgen Seefelder} (4:55) 

Total Time: 36:37

Credits:
Recording Engineer - Toninho Barbosa
Cover Photo - Schötteldreier + Bogner Wuppertal

DR17

Magdalena

Stanley Turrentine with Milt Jackson - Cherry (1972) [+ Bonus]

This 1972 CTI date by Stanley Turrentine was his third for the label, and was produced by Creed Taylor with Rudy van Gelder at the board. Shockingly, Don Sebesky was not called in to arrange anything here. The band chosen to back up Turrentine's edgy, soulful tenor is a fine and diverse one, especially in the heyday of the fusion years: Milt Jackson on vibes, drummer Billy Cobham, pianist (electric of course) Bob James, Ron Carter on bass, and guitarist Cornell Dupree. 

The opener is Lee Morgan's "Speedball," played as a near straight-ahead hard bop barnburner, with a killer little vamp in the melody that is accented and filled by both Bags and James alternating bars. This is followed by a fine is not exceptional read of Johnny Mercer's "I'll Remember You," though Jackson's vibe solo that opens the tune and offers the lead into the melody is quite moving. Jackson's own "The Rev's" is a bluesed-out strut, with Turrentine, James, and Bags holding through the lead riffs before Turrentine digs deep into his soulful bag for a brilliant solo that runs over the bluesology of the old masters -- Dexter Gordon and Ben Webster most notably. But it is the last half of the album that holds the real beauty, with the title track framed by two Weldon Irvine Jr. classics, "Sister Sanctified" and "Introspective" as the closer. Irvine arranged his own tunes, and they are far more wondrous and strange than anything in the CTI catalog. "Sister Sanctified," a deep gospel with repetitive choruses and assertive lead lines, has James playing a gospel piano more reminiscent of Abdullah Ibrahim than himself. Cobham shoves the beat to the margin, double- and triple-timing in places while never leaving the pocket of the groove. Turrentine's solo, especially in the bridge, is phenomenal, guttural, and nearly squalling. "Introspective" is a loping post-bop blues. The long, intricate melody lines are perfectly suited to the complex sense of lyricism that is Turrentine's strength. The more general figures and accents are picked up by Jackson, and Cobham slips through and around the chances in a Latin-styled dance to hold the middle and bring in the blues feel. It's phenomenal and sends this session off on a high note. Recommended. ~ Thom Jurek, All Music Guide. 

CTI Records, CTI 6017, 1972
CBS Records, ZK 40936, 1988 

Recorded 17th, 18th & 24th May, 1972 at Van Gelder Studio, Englewood Cliffs, New Jersey 

Musicians:
Stanley Turrentine - Tenor Saxophone
Milt Jackson - Vibraphone
Bob James - Piano, Electric Piano
Cornell Dupree - Guitar
Ron Carter - Bass
Billy Cobham - Drums

Tracks:
1. Speedball {Lee Morgan} (6:40)
2. I Remember You {Johnny Mercer, Victor Schertzinger} (5:10)
3. The Revs {Milt Jackson} (7:46)
4. Sister Sanctified {Weldon Irvine Jr.} (6:04)
5.. Cherry {Ray Gilbert, Don Redman} (5:10)
6. Introspective {Weldon Irvine Jr.} (7:00)
7. The More I See You {Harry Warren, Mack Gordon} (7:58) [Bonus Track] 

Total Time: 45:52 

Credits:
Producer - Creed Taylor
Reissue Producer, Liner Notes - Didier C. Deutsch
Recording Engineer - Rudy van Gelder
Mastering - Tim Geelan
Arranger - Weldon Irvine Jr. (#4,6)
Design [Album] - Bob Ciano
Photography [Cover] - Pete Turner

DR14

Sister Sanctified

Milt Jackson - Sunflower (1972) [vinyl]

Recorded over two days in December of 1972 at Rudy Van Gelder's Englewood, New Jersey home studio, vibraphonist Milt Jackson's Sunflower is the first -- and best -- of his three albums for Creed Taylor's CTI imprint. (And one of the finest offerings on the label.) With a core band consisting of Herbie Hancock (playing electric and acoustic piano), bassist Ron Carter, drummer Billy Cobham, trumpeter Freddie Hubbard, drummer/percussionist Ralph McDonald, and guitarist Jay Berliner. A chamber orchestra exquisitely arranged and conducted by Don Sebesky adorns the session as well. Jackson's "For Someone I Love," opens the five-tune set, with Berliner playing solo flamenco guitar before the vibes, trumpet, and elements from the chamber orchestra delicately, impressionistically color the background. It gradually moves into a languid, bluesy ballad that slowly gains in both texture and dynamic until the strings trill tensely. Hubbard and Hancock engage them in solos that gently swing out the tune. The reading of Michel Legrand's "What Are You Doing for the Rest of Your Life" is a gorgeous showcase for Jackson; his solo dominates the arrangement. Carter gets downright funky on his upright to introduce Thom Bell's "People Make the World Go Round," and Hancock follows him on Rhodes. Jackson takes the melody, striking a layered contrast as Hubbard slips around all three playing an extension of the melody with requisite taste, fluidity, and taut phrasing. Hancock gets funky to the bone in his brief solo, as the vibes soar around and through his phrases. The title track is a Hubbard composition that floats and hovers with a Latin backbeat before shifting tempos as the solos begin. The expanded harmonic palette of trumpet with the reeds, woodwinds, and strings on the melody add an exotic textural palette for his solo. While Sunflower sometimes feels more like a group session rather than a Jackson-led one, that's part of its exquisite beauty. ~ Thom Jurek, AMG.

CTI Records, CTI 6024, 1973

Recorded 12^th & 13^th December, 1972 at Van Gelder Studios, Englewood Cliffs, New Jersey

Musicians:

Milt Jackson - Vibraphone

Freddie Hubbard - Trumpet, Flugelhorn

Herbie Hancock - Piano

Jay Berliner - Guitar

Ron Carter - Bass

Bill Cobham - Drums

Ralph MacDonald - Percussion

Plus Reeds & Strings:

George Marge - Clarinet, Bass Clarinet, Alto Flute, English Horn

Romeo Penque - Alto Flute, Oboe, English Horn

Phil Bodner - Flute, Alto Flute, Piccolo Flute, English Horn

Alan Shulman, Charles McCracken, George Ricci - Cello

Margaret Ross - Harp

Charles Libove, David Nadien, Elliot Rosoff, Emanuel Green, Gene Orloff,

Irving Spice, Joe Malin, Max Ellen, Paul Gershman - Violin

Tracks:

A1. For Someone I Love {Milt Jackson} (10:21)

A2. What Are You Doing The Rest Of Your Life? {Michel Legrand, Alan & Marilyn Bergman} (6:57)

B1. People Make The World Go Round {Thomas Bell, Linda Creed} (8:29)

B2. Sunflower {Freddie Hubbard} (11:01)

Credits:

Producer - Creed Taylor

Recording Engineer - Rudy van Gelder

Arranger & Conductor - Don Sebesky

Album Photograph - Pete Turner

Liner Photograph - K. Abe

Album Design - Bob Ciano

Chihiro Yamanaka - Lach Doch Mal [Just Laugh] (2006)

Pianist Chihiro Yamanaka’s thrilling series of jazz albums continues with her fifth audio release Lach Doch Mal, released in 2006 on Verve with twelve tracks at just under an hour’s runtime. Like Yamanaka’s previous albums, Lach Doch Mal contains a mix of originals and covers rearranged in her creative style. Fans of her previous four albums know that her amazing piano improvisation and technique are a feature of her albums, and this release is no exception. While her contemporary jazz and bop trio sound is the primary recorded sound, Yamanaka adds some additional layers with some light guitar, extra percussion, and groovy electric keyboards on a few tracks as well. Yamanaka’s piano technique is exciting and powerful as always, racing through the shifting jazz terrain like a high-speed vehicle dangerously hugging the curves along cliffside roads. About half of the songs on the album feature Yamanaka as the main improviser, playing the song melodies and intensely improvising and quoting jazz phrases while Larry Grenadier on bass and Jeff Ballard on drums provide the solid musical framework and addictive rhythms. ~ Extract by Brian McCrory, jazzofjapan.com. 

Verve Records, UCCJ-2052, 2006
Recorded 14th & 15th June, 2006 at Eastside Sound, New York City 

Musicians:
Chihiro Yamanaka - Piano, Arranger
Larry Grenadier - Bass
Jeff Ballard - Drums
John Carlini - Guitar (#1,5), Banjo (#3)

Tracks:
01. Quand Biron Voulut Danser {Traditional} (4:00)
02. Sabot {Chihiro Yamanaka} (3:57)
03. Serenade To A Cuckoo {Roland Kirk} (5:41)
04. RTG {Geri Allen} (3:54)
05. The Dolphin {Luiz Eça} (4:25)
06. Night Loop {Chihiro Yamanaka} (2:51)
07. One Step Up {Chihiro Yamanaka} (4:14)
08. Lach Doch Mal {Chihiro Yamanaka} (0:45)
09. Liebesleid {Fritz Kreisler} (5:35)
10. Mode To John {McCoy Tyner} (4:54)
11. What A Diff'rence A Day Made {Maria Grever, Stanley Adams} (7:06)
12. That's All {Alan Brandt, Bob Haymes} (5:51) 

Total Time: 53:17 

Credits:
Producer - Chihiro Yamanaka
Executive Producer - Hiroto Furuya, Tomohide Ishikawa
Recording & Mixing Engineer - Tim Conklin
Recording & Mixing [Assisted] - Marc Urselli
Mastering Engineer - Greg Calbi
Art Direction - Mikihiro Takeuchi
Photography - Koji Akita, Osamu Yokonami, Sakutaro Imaizumi

LINK

One Step Up [Video]

Darren Barrett - First One Up (1999)

This is the debut recording by trumpeter Darren Barrett who in ’97 won the annual international jazz competition sponsored by the Thelonious Monk Institute. The man clearly has exceptional chops and enthusiasm to match - but he leaves an inescapable impression that what is being said has been recited many times before, often with deeper awareness and broader substance. In other words, purposeful as Barrett and his companions are, there’s nothing notably fresh or absorbing in their repertoire, which consists here of eight original compositions by Barrett ("First One Up" is performed twice) and one each by Steve Allen ("Impossible") and Thelonious himself ("Reflections"). Barrett sounds much like several of his more recent predecessors (Roy Hargrove, Nicholas Payton, Marcus Printup, Terence Blanchard, Wallace Roney and others) with the obligatory nods toward Freddie Hubbard, Donald Byrd, Lee Morgan and other old–line boppers. One of the drawbacks is that Barrett’s compositions, while earnest in their intent, haven’t much meat on their bones and thus serve mainly as routine springboards for improvisation. Another is that pianist Goldberg could use a more delicate touch to great advantage (and is that him or his piano making those strange noises while he solos?). Barrett’s front–line partners, Greene (on eight tracks) and Garrett (on three), are quite capable but stylistically inseparable from many of their contemporaries. Make no mistake, Barrett shows great promise and gives an exceedingly good account of himself throughout, and First One Up may one day be seen in retrospect as the wellspring of an uncommonly productive career. For now, however, we must observe that “promising” is about as suitable a word as discretion will allow. The more acclamatory phrases may come later. ~ Jack Bowers, All About Jazz. 

J-Curve Records, JCR1006, 1999
Recorded 5th & 6th November, 1998 at Avatar Recording Studio, New York, NY 

Musicians:
Darren Barrett - Trumpet
Kenny Garrett - Alto Saxophone (#1,6,10)
Jimmy Greene - Tenor Sax (#2-4,7-9,11), Soprano Sax (#11)
Aaron Goldberg - Piano
Reuben Rogers - Acoustic Bass
John Lamkin - Drums 

Tracks:
01. First One Up [Take 1] {Darren Barrett} (5:44)
02. Word! Dr. Byrd {Darren Barrett} (5:33)
03. Impossible {Steve Allen} (7:59)
04. 2 To 4 {Darren Barrett} (5:20)
05. Grand Ravine {Darren Barrett} (6:29)
06. Up Down - Inside Out {Darren Barrett} (6:45)
07. Conceta Elfreda {Darren Barrett} (5:11)
08. A New Day Comes {Darren Barrett} (5:41)
09. Reflections {Thelonious Monk} (7:15)
10. First One Up [Take 2] {Darren Barrett} (6:45)
11. Dee's Theme {Darren Barrett} (2:42) 

Total Time: 65:31 

Credits:
Producer - Dr. Donald Byrd
Associate Producer - Darren Barrett
Recording & Mixing Engineer - Joe Ferla
Assistant Engineer - Rory Ramano
Mastering Engineer - Mark Wilder [Sony Music Studios]
Photography - Ann Segal, Fabian Guevara
Graphic Design - Karen Berger

Link

First One Up [Take 1]

Yoshiko Kishino - Bossa Nostalgia (2006)

Last year marked the 10th anniversary of pianist Yoshiko Kishino's album debut, and this is her latest album in 2006. This time, it's bossa nova, which is also popular in live performances. It's a very elegant full-length bossa album, featuring António Carlos Jobim numbers and Yoshiko Kishino's originals. This product is eligible for the Bossa Nova Campaign. ~ cdjapan.co.jp. 

A collection of bossa nova jazz piano with strings. "Água De Beber" and other bossa nova masterpieces, as well as Kishino's original songs, are woven together with her characteristic elegant and clear touch. Not only is it lyrical, but it is also powerful at times, allowing you to fully enjoy the essence of jazz. ~ doorzo.com. [Translated From Japanese] 

GRP Records/Universal Music, UCCJ-2048, 2006
Recorded 8th-9th &12th March, 2006 at Crescente Studio, Tokyo, Japan 

Musicians:
Yoshiko Kishino - Piano
Masayoshi Furukawa - Guitar
Keisuke Torigoe - Bass
Manabu Fujii - Drums
Yoichi Okabe, Saori Sendo - Percussion
+ Shinozaki Strings
Masatsugu Shinozaki - Violin
Yuriko Mori - Violin
Masako Mabuchi - Viola
Akina Karasawa - Cello

Tracks:
01. Natsu-Eno-Tobira [Door To Summer] {Yoshiko Kishino} (4:30)
02. Bossa Libra {Yoshiko Kishino} (4:47)
03. Double Rainbow {António Carlos Jobim} (4:04)
04. Ajisai [Hydrangea] {Yoshiko Kishino} (4:35)
05. Ukiuki [Thrilled] {Yoshiko Kishino} (4:19)
06. Nostalgia {Yoshiko Kishino} (6:11)
07. Bossa De Funk {Yoshiko Kishino} (2:34)
08. Passarin [Bird] {António Carlos Jobim} (3:38)
09. Osanpo [Take A Walk] {Yoshiko Kishino} (2:29)
10. Água De Beber [Delicious Water] {Vinicius De Moraes, António Carlos Jobim} (3:53)
11. One Note Samba {António Carlos Jobim, Jon Hendricks, Newton Mendonça} (2:38)
12. Sue Ann {António Carlos Jobim} (3:23) 

Total Time: 47:09

Link

Nostalgia

Shintaro Quintet - Evolution (1984)

Drawing upon groups like Art Blakey’s Jazz Messengers and Horace Silver’s quintet, bassist Shintaro Nakamura‘s 1984 album showcases his quintet’s bold, hard-swinging aesthetic. Born in 1956 in Kobe, Japan, Nakamura discovered jazz as a teenager and by the early ’80s had moved to New York to better develop his artistry. It was a cross-cultural exchange mirroring the experience of other Japanese jazz musicians like pianist Toshiko Akiyoshi and trumpeter Terumasa Hino, and one that spoke to how deeply Japan had increasingly embraced American jazz since WWII. Along with regular gigs in the city, he began composing and arranging his own songs. Looking to document some of that music, he put together an ad-hoc group of musicians for a quick recording session. Joining were fellow Japanese expatriate’s trumpeter Shunzo Ohno and drummer Fukushi Tainaka. Also coming on board were pianist Jeff Jenkins and saxophonist Robert Kenmotsu, the latter of whom had played with organist Jack McDuff. In the spirit of many of the classic Blue Note sessions, the group had just one day to run down the charts before entering New York’s Hi-Five Studio for sessions on January 10th and 13th. 

By the time Nakamura put this session together, he had already played with such luminaries as Larry Carlton and Woody Shaw and he brought much of that experience to bear on his music. He specifically pays homage to Shaw on "Blind Man," whose title is a reference to the trumpeter's blindness from a degenerative eye disease. Shaw's sparkling tones and vibrant soloing are touchstones throughout, as on the opening "Future on You" which features a fiery solo from Ohno. More modal fireworks follow, as on the buoyant 3/4 track "Don’t Forget Me," which features supple interplay from Kenmotsu and Ohno. Pianist Jenkins is also showcased nicely on the Latin-tinged title track, his crisp block chords recalling the wide intervals of McCoy Tyner. Anchoring all of this is Nakamura, whose vibrant, woody bass grooves recall the style of bassists like Reggie Workman and Paul Chambers. 

Soon after the sessions, Nakamura returned to Japan where he released the album on his friend Hideki Kawamura’s independent Streetnoise Records. Over the years, Evolution would gain a cult-following for the canny way Nakamura’s group conjured the swaggering spirit of the classic ’60s Blue Note sound, further emblemizing the influence of jazz both coming into and flowing out of Japan. ~ AMG. 

Streetnoise Records, NS-1002, 1984
Recorded 10th & 13th January, 1984 at Hi-Five Studio, New York 

Musicians:
Shintaro Nakamura - Bass, Leader
Shunzo Ohno - Trumpet
Bob Kenmotsu - Tenor Saxophone
Jeff Jenkins - Piano
Fukushi Tainaka - Drums

Tracks:
A1. Future On You (6:30)
A2. Don't Forget Me (6:07)
A3. Sweet And Sour Sound (8:17)
B1. A Blind Man (10:58)
B2. Evolution (4:07)
Evolution [Extended Version] (10:54) [CD Bonus] 

All compositions by Shintaro Nakamura 

Total Time: 46:58 

Credits:
Producer, Engineer, Photo - Shintaro Nakamura
Producer, Photo - Hideo Kawamura
Track Down - Akira Shiraishi
Photo [Front] - Yoshio Toyama

LINK

Evolution