Emily Remler - Live At Fitzpatrick's (1989)

A wonderful opportunity to hear Emily Remler playing live as a trio. Taken from two sets captured at Fitzpatrick's in Kansas City, Missouri. Much gratitude to original taper. Downloaded from net, ripped to WAV normalised and re-encoded to FLAC, tagged, researched and artwork repackaged for archive, enjoy! 

Musicians:
Emily Remler - Guitar
Kelly Roberti - Bass
Steve Unger - Drums 

Tracklist: 

Set 1 (71:23)
01. Blues For Herb {Emily Remler} (8:19)
02. Band Intro (0:46)
03. Sweet Georgia Fame {Blossom Dearie, Sandra Harris} (13:15)
04. Daahoud {Clifford Brown} (7:41)
05. Mocha Spice {Emily Remler} (8:19)
06. Mozambique {Emily Remler} (12:50)
07. Snowfall {Claude Thornhill} (8:51)
08. Hot House [inc.] {Tadd Dameron} (11:17) 

Set 2 (57:54)
09. Softly, As In A Morning Sunrise {Oscar Hammerstein II, Sigmund Romberg} (12:39)
10. How Insensitive {Antônio Carlos Jobim, Norman Gimbel} (11:22)
11. Nardis {Miles Davis} (13:11)
12. Moanin’ {Bobby Timmons} (11:26)
13. St. Thomas {Sonny Rollins} (5:39)
14. Tenor Madness {Sonny Rollins} (3:35) 

Total Time: 02:09:37

LINK

Live at Fitzpatricks (Moanin')

Jürgen Seefelder meets Azymuth - Rio de Janeiro (1989)

A great 1989 Brazilian fusion album by German saxophonist Jürgen Seefelder and Azymuth 

ITM Records, ITM 0044, 1989
West Wind latina, WWL 2227, 1997 

Recorded 13th & 14th April, 1989 at "Estudio Som Fantastico", Rio de Janeiro, Brazil 

Musicians:
Jürgen Seefelder - Soprano Sax, Tenor Sax
Marinho Boffa - Keyboards, Piano
Alex Malheiros - Electric Bass
Ivan Conti - Drums

Tracks:
1. 500 Miles High {Chick Corea} (8:40)
2. Madalena {Ivan Lins} (6:26)
3. For Nathan {Jürgen Seefelder} (6:59)
4. Virgo {Wayne Shorter} (9:37)
5. Convidados {Jürgen Seefelder} (4:55) 

Total Time: 36:37

Credits:
Recording Engineer - Toninho Barbosa
Cover Photo - Schötteldreier + Bogner Wuppertal

DR17

Magdalena

Stanley Turrentine with Milt Jackson - Cherry (1972) [+ Bonus]

This 1972 CTI date by Stanley Turrentine was his third for the label, and was produced by Creed Taylor with Rudy van Gelder at the board. Shockingly, Don Sebesky was not called in to arrange anything here. The band chosen to back up Turrentine's edgy, soulful tenor is a fine and diverse one, especially in the heyday of the fusion years: Milt Jackson on vibes, drummer Billy Cobham, pianist (electric of course) Bob James, Ron Carter on bass, and guitarist Cornell Dupree. 

The opener is Lee Morgan's "Speedball," played as a near straight-ahead hard bop barnburner, with a killer little vamp in the melody that is accented and filled by both Bags and James alternating bars. This is followed by a fine is not exceptional read of Johnny Mercer's "I'll Remember You," though Jackson's vibe solo that opens the tune and offers the lead into the melody is quite moving. Jackson's own "The Rev's" is a bluesed-out strut, with Turrentine, James, and Bags holding through the lead riffs before Turrentine digs deep into his soulful bag for a brilliant solo that runs over the bluesology of the old masters -- Dexter Gordon and Ben Webster most notably. But it is the last half of the album that holds the real beauty, with the title track framed by two Weldon Irvine Jr. classics, "Sister Sanctified" and "Introspective" as the closer. Irvine arranged his own tunes, and they are far more wondrous and strange than anything in the CTI catalog. "Sister Sanctified," a deep gospel with repetitive choruses and assertive lead lines, has James playing a gospel piano more reminiscent of Abdullah Ibrahim than himself. Cobham shoves the beat to the margin, double- and triple-timing in places while never leaving the pocket of the groove. Turrentine's solo, especially in the bridge, is phenomenal, guttural, and nearly squalling. "Introspective" is a loping post-bop blues. The long, intricate melody lines are perfectly suited to the complex sense of lyricism that is Turrentine's strength. The more general figures and accents are picked up by Jackson, and Cobham slips through and around the chances in a Latin-styled dance to hold the middle and bring in the blues feel. It's phenomenal and sends this session off on a high note. Recommended. ~ Thom Jurek, All Music Guide. 

CTI Records, CTI 6017, 1972
CBS Records, ZK 40936, 1988 

Recorded 17th, 18th & 24th May, 1972 at Van Gelder Studio, Englewood Cliffs, New Jersey 

Musicians:
Stanley Turrentine - Tenor Saxophone
Milt Jackson - Vibraphone
Bob James - Piano, Electric Piano
Cornell Dupree - Guitar
Ron Carter - Bass
Billy Cobham - Drums

Tracks:
1. Speedball {Lee Morgan} (6:40)
2. I Remember You {Johnny Mercer, Victor Schertzinger} (5:10)
3. The Revs {Milt Jackson} (7:46)
4. Sister Sanctified {Weldon Irvine Jr.} (6:04)
5.. Cherry {Ray Gilbert, Don Redman} (5:10)
6. Introspective {Weldon Irvine Jr.} (7:00)
7. The More I See You {Harry Warren, Mack Gordon} (7:58) [Bonus Track] 

Total Time: 45:52 

Credits:
Producer - Creed Taylor
Reissue Producer, Liner Notes - Didier C. Deutsch
Recording Engineer - Rudy van Gelder
Mastering - Tim Geelan
Arranger - Weldon Irvine Jr. (#4,6)
Design [Album] - Bob Ciano
Photography [Cover] - Pete Turner

DR14

Sister Sanctified

Milt Jackson - Sunflower (1972) [vinyl]

Recorded over two days in December of 1972 at Rudy Van Gelder's Englewood, New Jersey home studio, vibraphonist Milt Jackson's Sunflower is the first -- and best -- of his three albums for Creed Taylor's CTI imprint. (And one of the finest offerings on the label.) With a core band consisting of Herbie Hancock (playing electric and acoustic piano), bassist Ron Carter, drummer Billy Cobham, trumpeter Freddie Hubbard, drummer/percussionist Ralph McDonald, and guitarist Jay Berliner. A chamber orchestra exquisitely arranged and conducted by Don Sebesky adorns the session as well. Jackson's "For Someone I Love," opens the five-tune set, with Berliner playing solo flamenco guitar before the vibes, trumpet, and elements from the chamber orchestra delicately, impressionistically color the background. It gradually moves into a languid, bluesy ballad that slowly gains in both texture and dynamic until the strings trill tensely. Hubbard and Hancock engage them in solos that gently swing out the tune. The reading of Michel Legrand's "What Are You Doing for the Rest of Your Life" is a gorgeous showcase for Jackson; his solo dominates the arrangement. Carter gets downright funky on his upright to introduce Thom Bell's "People Make the World Go Round," and Hancock follows him on Rhodes. Jackson takes the melody, striking a layered contrast as Hubbard slips around all three playing an extension of the melody with requisite taste, fluidity, and taut phrasing. Hancock gets funky to the bone in his brief solo, as the vibes soar around and through his phrases. The title track is a Hubbard composition that floats and hovers with a Latin backbeat before shifting tempos as the solos begin. The expanded harmonic palette of trumpet with the reeds, woodwinds, and strings on the melody add an exotic textural palette for his solo. While Sunflower sometimes feels more like a group session rather than a Jackson-led one, that's part of its exquisite beauty. ~ Thom Jurek, AMG.

CTI Records, CTI 6024, 1973

Recorded 12^th & 13^th December, 1972 at Van Gelder Studios, Englewood Cliffs, New Jersey

Musicians:

Milt Jackson - Vibraphone

Freddie Hubbard - Trumpet, Flugelhorn

Herbie Hancock - Piano

Jay Berliner - Guitar

Ron Carter - Bass

Bill Cobham - Drums

Ralph MacDonald - Percussion

Plus Reeds & Strings:

George Marge - Clarinet, Bass Clarinet, Alto Flute, English Horn

Romeo Penque - Alto Flute, Oboe, English Horn

Phil Bodner - Flute, Alto Flute, Piccolo Flute, English Horn

Alan Shulman, Charles McCracken, George Ricci - Cello

Margaret Ross - Harp

Charles Libove, David Nadien, Elliot Rosoff, Emanuel Green, Gene Orloff,

Irving Spice, Joe Malin, Max Ellen, Paul Gershman - Violin

Tracks:

A1. For Someone I Love {Milt Jackson} (10:21)

A2. What Are You Doing The Rest Of Your Life? {Michel Legrand, Alan & Marilyn Bergman} (6:57)

B1. People Make The World Go Round {Thomas Bell, Linda Creed} (8:29)

B2. Sunflower {Freddie Hubbard} (11:01)

Credits:

Producer - Creed Taylor

Recording Engineer - Rudy van Gelder

Arranger & Conductor - Don Sebesky

Album Photograph - Pete Turner

Liner Photograph - K. Abe

Album Design - Bob Ciano

Chihiro Yamanaka - Lach Doch Mal [Just Laugh] (2006)

Pianist Chihiro Yamanaka’s thrilling series of jazz albums continues with her fifth audio release Lach Doch Mal, released in 2006 on Verve with twelve tracks at just under an hour’s runtime. Like Yamanaka’s previous albums, Lach Doch Mal contains a mix of originals and covers rearranged in her creative style. Fans of her previous four albums know that her amazing piano improvisation and technique are a feature of her albums, and this release is no exception. While her contemporary jazz and bop trio sound is the primary recorded sound, Yamanaka adds some additional layers with some light guitar, extra percussion, and groovy electric keyboards on a few tracks as well. Yamanaka’s piano technique is exciting and powerful as always, racing through the shifting jazz terrain like a high-speed vehicle dangerously hugging the curves along cliffside roads. About half of the songs on the album feature Yamanaka as the main improviser, playing the song melodies and intensely improvising and quoting jazz phrases while Larry Grenadier on bass and Jeff Ballard on drums provide the solid musical framework and addictive rhythms. ~ Extract by Brian McCrory, jazzofjapan.com. 

Verve Records, UCCJ-2052, 2006
Recorded 14th & 15th June, 2006 at Eastside Sound, New York City 

Musicians:
Chihiro Yamanaka - Piano, Arranger
Larry Grenadier - Bass
Jeff Ballard - Drums
John Carlini - Guitar (#1,5), Banjo (#3)

Tracks:
01. Quand Biron Voulut Danser {Traditional} (4:00)
02. Sabot {Chihiro Yamanaka} (3:57)
03. Serenade To A Cuckoo {Roland Kirk} (5:41)
04. RTG {Geri Allen} (3:54)
05. The Dolphin {Luiz Eça} (4:25)
06. Night Loop {Chihiro Yamanaka} (2:51)
07. One Step Up {Chihiro Yamanaka} (4:14)
08. Lach Doch Mal {Chihiro Yamanaka} (0:45)
09. Liebesleid {Fritz Kreisler} (5:35)
10. Mode To John {McCoy Tyner} (4:54)
11. What A Diff'rence A Day Made {Maria Grever, Stanley Adams} (7:06)
12. That's All {Alan Brandt, Bob Haymes} (5:51) 

Total Time: 53:17 

Credits:
Producer - Chihiro Yamanaka
Executive Producer - Hiroto Furuya, Tomohide Ishikawa
Recording & Mixing Engineer - Tim Conklin
Recording & Mixing [Assisted] - Marc Urselli
Mastering Engineer - Greg Calbi
Art Direction - Mikihiro Takeuchi
Photography - Koji Akita, Osamu Yokonami, Sakutaro Imaizumi

LINK

One Step Up [Video]

Darren Barrett - First One Up (1999)

This is the debut recording by trumpeter Darren Barrett who in ’97 won the annual international jazz competition sponsored by the Thelonious Monk Institute. The man clearly has exceptional chops and enthusiasm to match - but he leaves an inescapable impression that what is being said has been recited many times before, often with deeper awareness and broader substance. In other words, purposeful as Barrett and his companions are, there’s nothing notably fresh or absorbing in their repertoire, which consists here of eight original compositions by Barrett ("First One Up" is performed twice) and one each by Steve Allen ("Impossible") and Thelonious himself ("Reflections"). Barrett sounds much like several of his more recent predecessors (Roy Hargrove, Nicholas Payton, Marcus Printup, Terence Blanchard, Wallace Roney and others) with the obligatory nods toward Freddie Hubbard, Donald Byrd, Lee Morgan and other old–line boppers. One of the drawbacks is that Barrett’s compositions, while earnest in their intent, haven’t much meat on their bones and thus serve mainly as routine springboards for improvisation. Another is that pianist Goldberg could use a more delicate touch to great advantage (and is that him or his piano making those strange noises while he solos?). Barrett’s front–line partners, Greene (on eight tracks) and Garrett (on three), are quite capable but stylistically inseparable from many of their contemporaries. Make no mistake, Barrett shows great promise and gives an exceedingly good account of himself throughout, and First One Up may one day be seen in retrospect as the wellspring of an uncommonly productive career. For now, however, we must observe that “promising” is about as suitable a word as discretion will allow. The more acclamatory phrases may come later. ~ Jack Bowers, All About Jazz. 

J-Curve Records, JCR1006, 1999
Recorded 5th & 6th November, 1998 at Avatar Recording Studio, New York, NY 

Musicians:
Darren Barrett - Trumpet
Kenny Garrett - Alto Saxophone (#1,6,10)
Jimmy Greene - Tenor Sax (#2-4,7-9,11), Soprano Sax (#11)
Aaron Goldberg - Piano
Reuben Rogers - Acoustic Bass
John Lamkin - Drums 

Tracks:
01. First One Up [Take 1] {Darren Barrett} (5:44)
02. Word! Dr. Byrd {Darren Barrett} (5:33)
03. Impossible {Steve Allen} (7:59)
04. 2 To 4 {Darren Barrett} (5:20)
05. Grand Ravine {Darren Barrett} (6:29)
06. Up Down - Inside Out {Darren Barrett} (6:45)
07. Conceta Elfreda {Darren Barrett} (5:11)
08. A New Day Comes {Darren Barrett} (5:41)
09. Reflections {Thelonious Monk} (7:15)
10. First One Up [Take 2] {Darren Barrett} (6:45)
11. Dee's Theme {Darren Barrett} (2:42) 

Total Time: 65:31 

Credits:
Producer - Dr. Donald Byrd
Associate Producer - Darren Barrett
Recording & Mixing Engineer - Joe Ferla
Assistant Engineer - Rory Ramano
Mastering Engineer - Mark Wilder [Sony Music Studios]
Photography - Ann Segal, Fabian Guevara
Graphic Design - Karen Berger

Link

First One Up [Take 1]

Yoshiko Kishino - Bossa Nostalgia (2006)

Last year marked the 10th anniversary of pianist Yoshiko Kishino's album debut, and this is her latest album in 2006. This time, it's bossa nova, which is also popular in live performances. It's a very elegant full-length bossa album, featuring António Carlos Jobim numbers and Yoshiko Kishino's originals. This product is eligible for the Bossa Nova Campaign. ~ cdjapan.co.jp. 

A collection of bossa nova jazz piano with strings. "Água De Beber" and other bossa nova masterpieces, as well as Kishino's original songs, are woven together with her characteristic elegant and clear touch. Not only is it lyrical, but it is also powerful at times, allowing you to fully enjoy the essence of jazz. ~ doorzo.com. [Translated From Japanese] 

GRP Records/Universal Music, UCCJ-2048, 2006
Recorded 8th-9th &12th March, 2006 at Crescente Studio, Tokyo, Japan 

Musicians:
Yoshiko Kishino - Piano
Masayoshi Furukawa - Guitar
Keisuke Torigoe - Bass
Manabu Fujii - Drums
Yoichi Okabe, Saori Sendo - Percussion
+ Shinozaki Strings
Masatsugu Shinozaki - Violin
Yuriko Mori - Violin
Masako Mabuchi - Viola
Akina Karasawa - Cello

Tracks:
01. Natsu-Eno-Tobira [Door To Summer] {Yoshiko Kishino} (4:30)
02. Bossa Libra {Yoshiko Kishino} (4:47)
03. Double Rainbow {António Carlos Jobim} (4:04)
04. Ajisai [Hydrangea] {Yoshiko Kishino} (4:35)
05. Ukiuki [Thrilled] {Yoshiko Kishino} (4:19)
06. Nostalgia {Yoshiko Kishino} (6:11)
07. Bossa De Funk {Yoshiko Kishino} (2:34)
08. Passarin [Bird] {António Carlos Jobim} (3:38)
09. Osanpo [Take A Walk] {Yoshiko Kishino} (2:29)
10. Água De Beber [Delicious Water] {Vinicius De Moraes, António Carlos Jobim} (3:53)
11. One Note Samba {António Carlos Jobim, Jon Hendricks, Newton Mendonça} (2:38)
12. Sue Ann {António Carlos Jobim} (3:23) 

Total Time: 47:09

Link

Nostalgia

Shintaro Quintet - Evolution (1984)

Drawing upon groups like Art Blakey’s Jazz Messengers and Horace Silver’s quintet, bassist Shintaro Nakamura‘s 1984 album showcases his quintet’s bold, hard-swinging aesthetic. Born in 1956 in Kobe, Japan, Nakamura discovered jazz as a teenager and by the early ’80s had moved to New York to better develop his artistry. It was a cross-cultural exchange mirroring the experience of other Japanese jazz musicians like pianist Toshiko Akiyoshi and trumpeter Terumasa Hino, and one that spoke to how deeply Japan had increasingly embraced American jazz since WWII. Along with regular gigs in the city, he began composing and arranging his own songs. Looking to document some of that music, he put together an ad-hoc group of musicians for a quick recording session. Joining were fellow Japanese expatriate’s trumpeter Shunzo Ohno and drummer Fukushi Tainaka. Also coming on board were pianist Jeff Jenkins and saxophonist Robert Kenmotsu, the latter of whom had played with organist Jack McDuff. In the spirit of many of the classic Blue Note sessions, the group had just one day to run down the charts before entering New York’s Hi-Five Studio for sessions on January 10th and 13th. 

By the time Nakamura put this session together, he had already played with such luminaries as Larry Carlton and Woody Shaw and he brought much of that experience to bear on his music. He specifically pays homage to Shaw on "Blind Man," whose title is a reference to the trumpeter's blindness from a degenerative eye disease. Shaw's sparkling tones and vibrant soloing are touchstones throughout, as on the opening "Future on You" which features a fiery solo from Ohno. More modal fireworks follow, as on the buoyant 3/4 track "Don’t Forget Me," which features supple interplay from Kenmotsu and Ohno. Pianist Jenkins is also showcased nicely on the Latin-tinged title track, his crisp block chords recalling the wide intervals of McCoy Tyner. Anchoring all of this is Nakamura, whose vibrant, woody bass grooves recall the style of bassists like Reggie Workman and Paul Chambers. 

Soon after the sessions, Nakamura returned to Japan where he released the album on his friend Hideki Kawamura’s independent Streetnoise Records. Over the years, Evolution would gain a cult-following for the canny way Nakamura’s group conjured the swaggering spirit of the classic ’60s Blue Note sound, further emblemizing the influence of jazz both coming into and flowing out of Japan. ~ AMG. 

Streetnoise Records, NS-1002, 1984
Recorded 10th & 13th January, 1984 at Hi-Five Studio, New York 

Musicians:
Shintaro Nakamura - Bass, Leader
Shunzo Ohno - Trumpet
Bob Kenmotsu - Tenor Saxophone
Jeff Jenkins - Piano
Fukushi Tainaka - Drums

Tracks:
A1. Future On You (6:30)
A2. Don't Forget Me (6:07)
A3. Sweet And Sour Sound (8:17)
B1. A Blind Man (10:58)
B2. Evolution (4:07)
Evolution [Extended Version] (10:54) [CD Bonus] 

All compositions by Shintaro Nakamura 

Total Time: 46:58 

Credits:
Producer, Engineer, Photo - Shintaro Nakamura
Producer, Photo - Hideo Kawamura
Track Down - Akira Shiraishi
Photo [Front] - Yoshio Toyama

LINK

Evolution

Chihiro Yamanaka - Outside By The Swing (2005)

Chihiro Yamanaka’s Outside By The Swing (2005) is her fourth piano trio album and continues her annual series of releases since bursting on the scene with her 2001 debut Living Without Friday. While previous releases were on the Osaka boutique jazz label Atelier Sawano, this release marks her first in a long run with Verve Records. The album contains a baker's dozen of fun jazz tracks, some quite short but mostly in the four-to-six-minute range, plenty enough to showcase Yamanaka's piano filled with percussive fire and melodic creativity. With acrobatic thrills and exciting jazz runs, Yamanaka’s piano is definitely the featured instrument in the trio. Her improvisational runs and fluid technique is on display and easily grab the listener’s attention. Whether playing on up-tempo tracks like "Impulsive" or "2:30 Rag", or slower grooves such as "Angel Eyes" or "Teared Diary", Yamanaka soars in the spotlight on center stage, justifiably garnering the praise her attention to detail and facility receives. Perfectly in line with the direct reference in the album title, pure, simple, straightforward swinging jazz is honored here to a high degree. Along with fleet-fingered lines on Bud Powell's "Cleopatra’s Dream", the second track, "I Will Wait", is a great example of pure swing and scratches that itch perfectly. There is even a behind-the-scenes video for this song with scenes from the recording session. Track six, "Yagibushi - Revised Version" is another highlight, first heard on Yamanaka’s second album When October Goes (2002) and updated here in a refreshing and exciting arrangement. ~ Brian McCrory, jazzofjapan.com. 

Verve Records, UCCJ-2040, 2005
Recorded 13th-15th May, 2005 at Avatar Studios, New York 

Musicians:
Chihiro Yamanaka - Piano, Arranger
Robert Hurst - Bass
Jeff "Tain" Watts - Drums

Tracks:
01. Outside By The Swing {Chihiro Yamanaka} (2:07)
02. I Will Wait {Chihiro Yamanaka} (5:14)
03. Impulsive {Eliane Elias} (4:35)
04. He's Got The Whole World In His Hands {Traditional} (4:06)
05. Teared Diary [Attends Ou Va-T'En] {Serge Gainsbourg} (6:05)
06. Yagibushi [Revised Version] {Traditional} (4:51)
07. Cleopatra's Dream {Bud Powell} (3:55)
08. Matsuribashi {Miyuki Nakajima} /
       Happy-Go-Lucky Local {Billy Strayhorn, Duke Ellington} (6:21)
09. 2:30 Rag {Chihiro Yamanaka} (2:32)
10. Living Without Friday {Chihiro Yamanaka} (6:19)
11. Angel Eyes {Earl K. Brent, Matt Dennis} (6:01)
12. All The Things You Are {Jerome Kern, Oscar Hammerstein II} (1:56)
13. Candy {Alex Kramer, Joan Whitney, Mack David} (5:12) 

Total Time: 59:22 

Credits:
Producer - Chihiro Yamanaka
Executive-Producer - Tomohide Ishikawa, Hiroto Furuya
Recording & Mixing Engineer - James Farber
Assistant Engineer - Brian Montgomery, Peter Doris
Mastering Engineer - Greg Calbi [Sterling Sound]
Art Direction - Kitetsu Takamiya
Photography - Toru Koike

LINK

I Will Wait (from the recording session)

Geri Allen - Celebrating Mary Lou Williams

It is that time of year when our thoughts go to those artists lost to us...

"These modern jazz VIPs render a synchronized attack that incites a harmonious mélange of mainstream, progressive, and free-jazz during this homage to legendary pianist, composer and arranger Mary Lou Williams. One of the mainstays and redeeming traits of this live program relates to the musicians' inimitable styles amid their technical faculties and keen interpretative powers. With a consortium of diverse approaches, the trio merges jazz boogie-woogie with swing and gutsy solos on Williams' "New Musical Express."

Alto saxophonist Oliver Lake's yearning lines, free form bursts and knotty unison choruses with pianist Geri Allen keep this train rolling on a fast track, to complement the clamorous breakouts and tender dissections of the primary theme. It's a fifteen-minute exposition, where the band abides by a democratic group-based slant. Allen's fluid soloing, simmering chord clusters and mesmeric harmonics, intimate remembrances of Williams' dazzling technique, yet these crafty musicians inject several nooks and crannies into the mix, their distinct voices elevating the core concept of this project, amid their shrewd plan of attack, to a higher realm." By GLENN ASTARITA
August 19, 2011

---

Chihiro Yamanaka - Live In New York (2011)

Since the heyday of Oscar Peterson, few pianists have either refined the technique or cultivated the desire to play straight-ahead classic jazz with the kind of showboating virtuosity that makes listeners doubt their senses. Chihiro Yamanaka, the prizewinning classically trained pianist from Japan (and a rising star in her adopted New York), is one of the world’s most accomplished heirs to Peterson’s legacy, and some have compared her effortless virtuosity and warmth to that of the late great Mulgrew Miller, too. Like Peterson, Yamanaka favours opening a song at a quiet, lounge-jazz sway and winding it up to a sprint just as listeners are settling back in their chairs. Her originals often sound like old Broadway hits ~ John Fordham, theguardian.com. 

Along those lines the opener "Outside By The Swing" keeps in that vein, long enough for bassist Yasushi Nakamura and drummer John Davis to add their supporting touches to the piece. Invariably listeners are taken on a captivating journey as the performance evolves. To view the concert is to see Yamanaka's pintsized frame cover the whole keyboard; standing at times to deliver perfectly connected treble runs and rapidly pounded chords. Yamanaka’s impulsive twists and turns are clearly on display especially when she joins with guest veteran drummer Bernard "Pretty" Purdie and bassist Ben Williams for the final tune "So Long". Five of nine tunes are her own compositions, drawing in three other jazz classics and a traditional number to complete the set. No piano jazz loving fan should not embrace the opportunity to listen to this virtuoso showcase her craft! 

Verve Records, UCBJ 1006, 2011
Recorded 30th June, 2011 Live at "Iridium" Jazz Club, 1650 Broadway, New York 

Musicians:
Chihiro Yamanaka - Piano
Yasushi Nakamura - Bass (#1-3,6-8)
John Davis - Drums (#1-3,6-8)
Ben Williams - Bass (#4,5,9)
Bernard "Pretty" Purdie - Drums (#4,5,9)

Tracks:
0. Intro (0:42)
1. Outside By The Swing {Chihiro Yamanaka} (4:17)
2. Living Without Friday {Chihiro Yamanaka} (12:19)
3. Take Five {Paul Desmond} (9:19)
4. Antonio's Joke {Chihiro Yamanaka} (7:50)
5. When You Wish Upon A Star {Ned Washington, Leigh Harline} (7:46)
6. Sing, Sing, Sing {Louis Prima} (9:16)
7. 2'30'' Rag {Chihiro Yamanaka} (2:55)
8. Yagibushi {Traditional} (7:45)
9. So Long {Chihiro Yamanaka} (12:53) 

Total Time: 75:02 

Credits:
Producer, Director - Chihiro Yamanaka
Executive Producer - Kimitaka Kato, Hiroko Kawachi, Yoshihisa Saito
Director - Tomokazu Tazawa, Keiichi Yamamoto
Sound Mastering - Kenji Yoshino
Cover Photo - Tokio Kuniyoshi 

N.B.
Audio files ripped from DVD to WAV, edited, optimised and excess applause trimmed.
Finally converted to FLAC, tested OK and tagged, album art organised for post, enjoy!

LINK

2'30'' Rag

Sean Jones - Gemini (2005)

Trumpeter Sean Jones certainly covers a great deal of musical ground on Gemini. The music ranges from the hard boppish "In Her Honor," a hint of 1960s lyrical Freddie Hubbard on "Rain of Patience," and the medium-tempo "Blues for Matt B." to some more electronic, funky, and even fusionish selections. The music on Gemini keeps one guessing throughout and Jones plays well in every setting. The other soloists, which at various times include Tim Fuller on alto and flute, the tenors of Ron Blake and Walter Smith III, trombonist Andre Hayward, and pianist Mulgrew Miller among others, are utilized to their best advantage, but it is the warm sound and versatility of Jones that makes Gemini a consistent success. ~ by Scott Yanow, AMG. 

Superb: Sean Jones' tone, intonation and musicality are stellar. On this CD, the material is interesting and appealing, the other musicians are outstanding and Jones is great. The bop and funkier tracks blend well. The uses of synth keyboard on a few tracks is tasteful and adds to rather than detracting from the overall sound and musical quality. This is a CD I have found myself listening to every day, and I am sure I will be enjoying this for years. IMO, one of the best jazz CDs in recent years. ~ Kindle Customer, Amazon.com. 

Mack Avenue Records, MAC1023, 2005
Recorded at Avatar Studios, New York, NY 

Musicians:
Sean Jones - Trumpet
Tia Fuller - Alto Sax, Flute
Walter Smith III - Tenor Saxophone (#4,6)
Ron Blake - Tenor Saxophone (#9-10)
Mulgrew Miller - Piano (#1-6)
Orrin Evans - Keyboards (#7-13)
Kenny Davis - Acoustic & Electric Bass, Bass Guitar
E.J. Strickland - Drums (#1-6)
Corey Rawls - Drums (#7-12)
Andre Heyward - Trombone (#10)

Tracks:
01. Gemini [Phase 1] {Sean Jones} (1:37)
02. In Her Honor {Sean Jones} (5:40)
03. Rain Of Patience {Tia Fuller} (5:54)
04. Blues For Matt B {Sean Jones} (5:41)
05. BJ's Tune [Life In The Hand, Divine] {Sean Jones} (10:15)
06. Mission Statement {Quamon Fowler} (7:35)
07. Gemini [Phase 2] {Orrin Evans} (1:53)
08. Into The Sun {Sean Jones} (5:37)
09. Chillin' At Da Grill {Sean Jones} (5:33)
10. T.V. Land {Sean Jones} (7:27)
11. Momma's Groove {Corey Rawls} (4:53)
12. Gemini {Kenny Davis} (4:34)
13. Gemini [Phase 3] {Traditional} (1:32) 

Total Time: 68:17 

Credits:
Producer - Al Pryor
Executive Producer, Liner Notes - Gretchen Carhartt
Recording & Mixing Engineer - Jim Anderson
Recording Engineer [Assistant] - Anthony Ruotolo
Mixing Engineer [Assistant] - Kaori Kinoshita
Mastering Engineer - Greg Calbi
Mastering Engineer [Assistant] - Steve Fallone
Art Direction, Design, Photography - Raj Naik

LINK

Rain Of Patience

Various Artists - JVC XRCD Sampler Vol. 2 (1998)

This JVC sampler includes jazz standards and new tracks, with two tracks each by the Bill Holman Band, Ernie Watts, Tiger Okoshi, Carmen Lundy and Hiroko Kokubu. Holman's "Straight No Chaser" and Watts' "In a Sentimental Mood" are the highlights. ~ by Keith Farley, AMG. 

JVC Records, JVCXR-0201-2, 1998 

Tracks:
01. Straight, No Chaser - The Bill Holman Band {Thelonious Monk} (6:09)
02. 'Round Midnight - The Bill Holman Band {Hanighen, Monk, Williams} (7:43)
03. On Green Dolphin Street - Ernie Watts {Bronislaw Kaper, Ned Washington} (6:28)
04. In A Sentimental Mood - Ernie Watts {Duke Ellington, Manny Kurtz, Irving Mills} (6:51)
05. Kagome, Kagome - Tiger Okoshi {Traditional} (6:25)
06. Color Of Soil - Tiger Okoshi {Tiger Okoshi} (5:40)
07. Just One More Chance - Carmen Lundy {Sam Coslow, Arthur Johnston} (4:35)
08. When Your Lover Has Gone - Carmen Lundy {Einar A. Swan} (4:46)
09. Lullaby Of Takeda - Hiroko Kokubu {Traditional} (5:12)
10. Keep Hope Alive - Hiroko Kokubu {Hiroko Kokubu} (5:02) 

Total Time: 59:18 

Credits:
Producer, Compilation - Akira Taguchi
Mastering - Alan Yoshida
Art Direction & Design - Peter Grant
Creative Direction - Sam Gay
Photograph [Cover] - Sakiko Yamanaka
[Details]

LINK

Ernie Watts - In A Sentimental Mood

David Hazeltine Trio - The Jobim Songbook In New York (2007)

On this project, pianist David Hazeltine takes on the music of the late Jobim (who would have turned eighty in 2007) by looking at the music from an American point of view, without the typical bossa nova elements. Most of the music presented here is well-known, from "The Girl from Ipanema” to "Quiet Nights of Quiet Stars" (titled "Quiet Nights" on the CD), but what Hazeltine does here is augment the classical influence that the songs' writer brought to them. Jobim borrows from classical sources, Hazeltine comments in the liners. "Studying classical piano opens my mind and wipes the slate clean". One of the highlights is "Wave", which begins with the melody popularized in the US by Frank Sinatra. "One Note Samba" makes good use of its syncopated beat to showcase the talents of bassist Nat Reeves and drummer Joe Farnsworth. "Caminhos Cruzados" (Crossed Paths) is a song from Jobim's early partnership with Newton Mendonça that did not become a household tune. The song's original lyrics speak of a lover who needs to call an affair off because he is tired of the other partner's attitude towards him (a recurring theme in bossa nova). Hazeltine uses the melody's sad tone to his advantage, playing slow notes to enhance its feel. "The Girl From Ipanema" may be the best-known Brazilian song of all time, with thousands of renditions. Hazeltine's take utilizes a fast-paced modern jazz beat that comes in, does its job and ends in the length of a pop single - just over four minutes. The Jobim Songbook in New York is not for strict bossa nova fans. It is, instead, a jazz disc made with an open mind. Hazeltine dares to find new elements in songs ingrained into the fabric of popular music. ~ Ernest Barteldes - AllAboutJazz.com. 

Chesky Records, SACD 328, 2007
Recorded 15th November, 2006 at St Peters Episcopal Church, New York, NY. 

Musicians:
David Hazeltine - Piano
Nat Reeves - Bass
Joe Farnsworth - Drums 

Tracks:
01. Dreamer {Antônio Carlos Jobim, Eugene Lee} (6:44)
02. Once I Loved {Ray Gilbert, Antônio Carlos Jobim, Vinícius de Moraes} (6:30)
03. Meditation {Norman Gimbel, Antônio Carlos Jobim} (5:26)
04. Quiet Nights {Antônio Carlos Jobim, Buddy Kaye} (4:38)
05. Dindi {Ray Gilbert, Antônio Carlos Jobim, Aloysio de Oliveira} (6:56)
06. Wave {Antônio Carlos Jobim} (6:24)
07. One Note Samba {Antônio Carlos Jobim} (4:50)
08. Desafinado {Antônio Carlos Jobim} (5:17)
09. Caminhos Cruzados {Antônio Carlos Jobim, Vinícius de Moraes} (5:15)
10. O Grande Amor {Antônio Carlos Jobim, Vinícius de Moraes} (3:58)
11. The Girl From Ipanema {Norman Gimbel, Antônio Carlos Jobim, Vinícius de Moraes} (4:13) 

Total Time: 60:12 

Credits:
Producer, Liner Notes - David Chesky
Executive Producer, Liner Notes - Norman Chesky
Recording, Editing & Mastering Engineer - Nicholas Prout
Assistant Engineer, Session Coordinator - Rick Eckerle
Production Assistant - Lisa Hershfield
Liner Notes - Ted Panken

LINK

Quiet Nights

Various Artists - JVC XRCD Sampler (1996)

A work that encapsulates

the performer's heart

=========================

The musicians, song selection, arrangement, performance, and recording are all excellent. Once I listened to it, I was captivated, then I listened to it again to experience that same emotion, and again before going to bed. Even if I listen to it three times a day, I still feel something new. The artist, engineer, and production team are united, and you can really feel the sincerity of the project, as they want to convey the heart of the music. The nostalgic melody of Tiger's trumpet can be heard in "Snowy Town," Nakagawa's modern jazz intertwines the vibration of the piano strings and the passionate breath of the flute (= the sense of life), and Bill Holman's true essence of Bob's melting bass clarinet can be heard. I won't write about it, but there is not a single track that I skip. If I could only take one jazz CD to a deserted island, I would choose this one without hesitation. ~ Micropure, amazon. com. [Translated From Japanese] 

JVC Musical Industries, Inc., JVCXR-0001-2, 1996 

Tracks:
01. The Peacocks - The Bill Holman Band {Jimmy Rowles} (5:27)
02. Lightnin' - The Bill Holman Band {Bill Holman} (5:02)
03. In Your Own Sweet Way - Ernie Watts {Dave Brubeck} (5:11)
04. Yuki No Furu Machi O [Snowy Town] - Tiger Okoshi {Naoya Uchimura} (6:41)
05. 'Round Midnight - Carmen Lundy {Hanighen, Monk, Williams} (6:00)
06. 'Round Midnight - Nakagawa {Hanighen, Monk, Williams} (4:06)
07. Merry Christmas Baby - Spirit Traveler {Lou Baxter, Johnny Moore} (7:46)
08. Holding With An Open Hand - Oscar Castro-Neves {Oscar Castro-Neves} (4:32)
09. Once And Forever - Hiroko Kokubu {Hiroko Kokubu} (5:50)
10. From The Street - Tom Coster {Tom Coster} (6:09)
11. Through The Rain - Misha Segal {Misha Segal} (4:23) 

Total Time: 61:12 

Producer, Compilation - Akira Taguchi
Credit Details 

Immerse yourself in the rich sounds of jazz with the JVC Sampler XRCD. This audiophile edition features a trio of talented artists showcasing their skills on voice, delivering a mesmerizing listening experience. Released by JVC, this XRCD format ensures top-notch audio quality, making it a must-have for any jazz enthusiast's collection.

LINK

Tiger Okoshi - Yuki No Furu Machi O [Snowy Town]

Hank Mobley - The Flip (1969) [re-rip]

Late work by tenor giant Hank Mobley - and a really unique session that stands out from his other Blue Note work of the time! The set was recorded in Paris with an ultra-hip lineup - one that features Dizzy Reece on trumpet and Slide Hampton on trombone - both fresh players alongside Hank's work on tenor sax, making for really wonderful phrasing and timing in the front line! The bottom's pretty great, too - with wicked rhythms from Philly Joe Jones on drums, at a level that bounces around with a growing sense of soul - yet still has all the complex colors of Mobley's classic work. The balance is beautiful - as fresh as the image on the cover - and the album's one that we'd rank right up there with The Phantom by Duke Pearson and Slow Drag by Donald Byrd - overlooked gems that show some great Blue Note growth in the late 60s. Titles include "The Flip", "Feelin' Folksy", and "Snappin' Out".  © Dusty Groove, Inc.

Blue Note, BST 84329, 1970

Recorded 12th July, 1969 at Studio Barclay, Paris, France

Musicians:

Hank Mobley - Tenor Saxophone

Dizzy Reece - Trumpet

Slide Hampton - Trombone

Vince Benedetti - Piano

Alby Cullaz - Bass

Philly Joe Jones - Drums

Tracks:
A1. The Flip (9:02)
A2. Feelin' Folksy (8:29)
B1. Snappin' Out (7:13)
B2. 18th Hole (5:59)
B3. Early Morning Stroll (6:52)

All compositions by Hank Mobley 

Total Time: 37:35 

Credits:
Producer - Francis Wolff
Recording Engineer - Jacques Yves Barral
Rerecording Engineer, Lacquer Cut - Rudy van Gelder
Cover Design - Bob Venosa, Havona
Art Direction - Frank Gauna
Liner Notes - Leonard Feather 

Leonard Feather once hailed Hank Mobley as "the middleweight champion of the tenor saxophone." Mobley was better than that. An exquisite soul messenger, Mobley was criticized for not being as aggressive, voluminous, or trailblazing as his contemporaries. Indeed, he was not. Instead, his music was steeped in care, precision and nuances. In Mobley's hands, such treatment often dazzled, as on this Blue Note LP, The Flip. He's supported by an excellent crew of international musicians, including Dizzy Reece on trumpet, Slide Hampton on trombone, Vince Benedetti on piano, Alby Cullaz on bass and Philly Joe Jones on drums. All the tunes on The Flip were composed by Mobley and are built around his strengths of soul, swing, and subtlety. Listen to the opening statements of the title track, the punch of the horns, the dance of the rhythm section, and the sheer joy of it all. It's a vicious groove by all accounts, as the members revel in this boogaloo scene. The charms do not end with Mobley, either. Hampton's trombone wailings are often clever and valuable throughout the album. Check out Reece's trumpet solos on "Snappin' Out," and "18th Hole." Jones, as always, is beyond compliments. The true surprise on this album is the pianist, Benedetti. His accompaniments are in excellent taste, as are those of Cullaz. True, this album and its composer will never be within the ranks of the most influential, the most revered, or even the most downloaded. Fine. Besides, as a provocateur of beauty, Mobley is in a class all his own. ~ excerpts from Germein Linares, All About Jazz.

LINK

18th Hole